Salience and the Miles That Count

9–13 minutes

Salience, attention, valence and the construction of disposition

Today I live about 90 minutes out of Boston by car on a good day – and 2 hours on a return trip because I live in Cape Cod, a tourist area, so I tend to have to compete with traffic. Today, it took over 2 and a half hours, a Friday afternoon, trapped among boat and beach seekers. I don’t drive, so I require chauffeurs to get me here and there. Today I driving with a bloke for whom traffic possesses unusual psychological gravity. He seems to have traffic and weather on the brain – and don’t get me started on crime, national security, and petrol prices.

Audio: NotebookLM summary podcast of this topic.

I’ll spare the reader the trip up, which was fairly easy, despite traffic-related side comments whenever inappropriate. On the way back and at the first patch of congestion, he harrumphed and announced that we would certainly be stuck in traffic for the entire journey. I checked the Google Maps. Traffic was intermittent, and I told him so.

Soon afterwards, the road cleared. We travelled freely for miles – no traffic to report – but when we later encountered another queue, however, he declared that his prediction had been vindicated. On arrival, he told others that we had been stuck in traffic ‘the whole way’.

Two people; the same reality; different experiences. I got me thinking – and chatting with ChatGPT because the driver was focused on driving – and of course the misery of traffic.

Here’s the rest of the story: The traffic didn’t occupy the whole journey. To him, it occupied the portions of the journey that counted. The clear road was perceptually available but apparently lacked evidential weight. It was experienced without being recruited into the eventual account.

Noticing the divergence between out perceptions, I tried to reconcile. First, I considered filing this under selective attention and confirmation bias, that great psychological lost-property office into which every untidy inference is now deposited, but this doesn’t feel quite right; it doesn’t seem to capture the essence.

Before a belief can be confirmed by evidence, something must first become evidence, right? So, the more interesting question isn’t merely why this geezer interpreted the journey pessimistically, but why congestion became salient whilst free movement receded into the background. What determines which parts of experience become psychologically substantial?

Here’s how I see it:

I tried to view this through lenses of salience, attention and valence. First, a quick refresher:

Salience concerns what stands out, demands processing or acquires significance.

Attention concerns the allocation and maintenance of cognitive resources.

Valence concerns the positive or negative affective character assigned to something.

Traffic may be salient because it frustrates an aim. Its negative valence may help capture attention. Sustained attention may then produce richer encoding, making the traffic easier to recall. Later recollection may strengthen the prior belief that journeys are usually obstructed, which may increase vigilance for traffic during the next journey. No single element need rule the others.

The relation is recursive:

  • disposition shapes salience
  • salience directs attention
  • attention affects encoding
  • valence influences interpretation
  • memory reconstructs the event
  • reconstruction reinforces disposition

And even this is too linear, but here we are. Attention can alter valence. Bodily arousal can alter salience. Memory can modify present interpretation. Expectations can affect what is noticed before conscious appraisal has properly begun. The arrows run in both directions, and probably sideways as well.

The result isn’t simply a biased opinion about a neutral world. It’s a patterned encounter wherein some features arrive already amplified and others scarcely become legible.

Pessimism: Disposition as an epistemic filter

This got my pondering mental health issue. I’m not a psychologist, and I discount the discipline quite heavily, but I wanted to consider the notion of disposition. How can two people quite literally in the same vehicle on the same journey view the world so differently. Of course, we are all carved by our experiences, but this is a reciprocating function: the more we experience the world positively or negatively, the more the world will reveal itself as such. Confirmation bias drives the nails into the coffin.

Let’s look at the down side: pessimism. I don’t mean some clinical depression, but instead of seeing the world with no glasses, and rose-coloured spectacle, the world is view with dark glasses – I’m envisioning a welder’s visor. One could stare at the sun and proclaim it’s overcast. Eyeore on steroids.

A pessimistic disposition might usually described as a tendency to expect bad outcomes. And whilst this may be true, it’s incomplete. Pessimism may also affect what is noticed, how long attention remains with it, how it is interpreted, and what survives into later recall. This is my thesis – or at least my point. The unpleasant becomes an event. The satisfactory becomes the absence of an event.

Congestion is noticed; free movement is merely used. An insult is retained; an ordinary kindness passes as social administration. A failure requires explanation; success is dismissed as luck, temporary relief or an exception that proves nothing.

This asymmetry can make a disposition appear empirically vindicated. The pessimist remembers abundant evidence for pessimism because pessimistically congruent events were more likely to become salient, receive attention and survive reconstruction. The conclusion is then presented as realism:

  • I don’t expect things to go badly because I am pessimistic.
  • I am pessimistic because experience shows that things go badly.

Yet ‘experience‘ here isn’t an untouched archive. It’s already been selected, weighted and narrated.

Research on depression is compatible with this more interactive account. Depression and vulnerability to depression have been associated not only with increased processing of negative material but also with diminished positive biases across attention, interpretation, memory and self-referential thought. The pattern is therefore not merely an excess of negativity. It may also involve a failure of positive information to acquire or retain ordinary psychological weight.

A negatively valenced event may dominate because it attracts unusually strong attention. But an apparently negative world might also arise because positive events are weakly encoded, rapidly discounted or treated as anomalous. The same remembered landscape could therefore emerge through different cognitive routes.

Before I continue, a disclaimer: I am not trying to claim that my perception is correct and his isn’t. I’m merely asking how we end up with distinct narratives. It reminds me of the beginning of Woody Allen’s Annie Hall, where a couple are speaking to counsellors. A therapist asks about their love life:

Alvy Singer (him) and Annie Hall (her) are seeing their therapists at the same time on a split screen

Alvy’s Therapist: How often do you sleep together?

Annie’s Therapist: Do you have sex often?

Alvy: [lamenting] Hardly ever. Maybe three times a week.

Annie: [annoyed] Constantly. I’d say three times a week.

The interesting think here, is that both are disappointed for the same event one because sex is over-indexed and the other because it is under-indexed.

Moving on…

Anxiety and the world as warning

Anxiety offers a related configuration. Threatening material tends to capture attention more strongly in anxious populations, although effect sizes, experimental measures and the direction of attention over time are not perfectly uniform. Some people may orient rapidly towards threat; others may struggle to disengage; still others may shift from vigilance to avoidance. The bureaucracy of diagnosis naturally prefers a single box, whilst cognition persists in behaving like a process.

Interpretation and memory may then participate in the same system. An ambiguous expression becomes disapproval. A delayed reply becomes rejection. A bodily sensation becomes evidence of illness. Each interpretation increases anxiety; increased anxiety makes threat more salient; heightened salience provides further material for threatening interpretation.

Research on anxiety increasingly examines these as interacting biases rather than sealed mechanisms. Attention, interpretation and memory can be associated with one another, though the evidence does not support a single simple causal sequence in every case.

The important point is not that the danger is imaginary. Sometimes the road really is congested. Sometimes the delayed reply does indicate trouble. Sometimes the body is ill. The question is how individual events acquire representative force and how readily contrary events are permitted to revise the emerging model.

When significance itself becomes unstable

In some accounts of psychosis, salience plays a still more direct role. The aberrant-salience hypothesis proposes that neutral or incidental stimuli may acquire excessive significance, leaving the person to explain why ordinary events feel unusually charged. A glance, coincidence, headline or passing remark may become loaded with personal meaning.

This is not a complete theory of psychosis, nor should it be paraded as one. Predictive-processing accounts differ over whether particular symptoms arise from weakened prior expectations, excessively rigid priors, altered prediction-error signalling, or different disturbances at different levels of processing. Hallucinations and delusions may not share one uniform mechanism merely because diagnostic manuals house them in neighbouring rooms.

Still, the idea illustrates the broader point. Salience does not merely determine which established facts receive attention. It participates in determining what feels fact-like, connected or worthy of explanation.

Once significance has been assigned, interpretation begins its work. Once interpreted, the event may be more readily remembered. Once remembered, it joins the accumulating case for the interpretation that helped produce it.

Not merely ‘in the head’

None of this means that dispositions are autonomous cognitive errors floating above the world, and I reiterate that I am not a medical professional. Hell, I’m barely a professional. Salience is affected by history. Someone who has repeatedly encountered danger may reasonably become more attentive to possible danger. Poverty, discrimination, violence, illness and insecurity do not merely supply ‘negative thoughts’; they alter the statistical environment in which attention and expectation develop. What appears clinically as excessive vigilance may have been learned under conditions in which vigilance was adaptive.

Nor is salience purely conceptual. Sleep, stress, hormones, medication, pain and physiological arousal may all affect what attracts attention and what is retained. Experimental research indicates that arousal and valence can make distinct contributions to emotional memory, another reason not to compress the process into the nursery vocabulary of ‘positive’ and ‘negative thinking’. The world acts upon the disposition, and the disposition acts upon the encountered world. Neither term stands outside the relation.

This also guards against the moral obscenity of telling distressed people that they have simply chosen the wrong interpretation. A recursive process may be self-maintaining without being voluntary. One doesn’t escape it merely by deciding to notice flowers, practise gratitude and purchase a notebook with an inspirational slogan embossed upon it. Sorry, pop psychology and psychological self help industry

From bias to rigidity

Everyone relies upon selective attention. Everyone remembers unevenly. Everyone encounters a world already organised by concern, expectation and affect. Complete neutrality would not be enlightenment; it would be cognitive paralysis.

The relevant distinction may therefore not be between biased and unbiased minds. It may be between systems that remain revisable and systems that become rigidly self-confirming.

A disposition becomes pathological, perhaps, not merely when it selects, but when selection becomes pervasive; not merely when it assigns valence, but when valence governs what can count as evidence; not merely when memory reconstructs, but when reconstruction repeatedly erases whatever might disturb the governing account.

Even then, ‘pathology’ isn’t a property of one mechanism. It may emerge from the interaction of degree, duration, distress, social conditions, bodily states, functional consequences and the available means of correction. The traffic anecdote isn’t a diagnosis. It’s an anecdote, a small model of how a world can be cognitively weighted.

The bloke didn’t invent the congestion. He encountered real traffic. But the congestion became representative, whilst the open road became incidental. Later, memory converted this inequality of weight into an equality of duration: traffic here and there became traffic everywhere.

Perhaps certain dispositions operate similarly. They do not simply add a judgement to experience after the fact. They influence which experiences become prominent, which are sustained by attention, which acquire positive or negative force, and which are later recruited into the story of what the world is like. The question is therefore not merely whether a person sees reality accurately. It is which parts of reality become visible enough to count.

A final word

My ex-wife used to complain how we never did anything – and like the Annie Hall story, I’d say we did too much – so every week or two she’d want to do something, and her refrain was always, ‘Let’s do it. We never do anything.’ One can imagine, that this was not a sustainable model – perhaps as evidenced by the ex prefix. And so not to and this as a therapy session, I’ll leave it here.

The Heuristic Fiction of the Now

4–5 minutes

‘Now’ is one of the most overconfident little words in the language. It presents itself as immediate, self-evident, and available. We speak as though it names the present cleanly: now I speak, now I decide, now I know, now is the moment. Yet the word performs a small fraud every time it appears. By the time ‘now’ is recognised, it has already slipped into retention. By the time it is spoken, it has become a trace.

‘Now’ is not an experienced unit but a heuristic boundary-marker within temporal flow. It names a vanishing horizon between retention and protention: already past by the time it is recognised, already structured by what is expected before it can be stabilised. What it designates isn’t a thing, not a slice, not a metaphysical bead on the string of time, but a practical fiction by which consciousness, language, and action coordinate within a moving field.

Audio: NotebookLM summary podcast of this topic.

This distinction matters because philosophy has often treated the present as though it were the privileged site of certainty. Presence has been taken as the place where reality gives itself without delay, mediation, or distortion. The present moment becomes the imagined sanctuary of immediacy: before memory corrupts it, before language deforms it, before interpretation arrives with its grubby little toolkit. But this pure present is nowhere to be found. It’s not hidden; it’s impossible.

Experience is never given as a dimensionless instant. To experience anything at all requires temporal thickness. A sound must persist long enough to be heard as a sound. A word must unfold across time to become intelligible. A gesture is not apprehended as a gesture unless its beginning is retained and its likely completion anticipated. Even the flash, the shock, the sudden pain, the glimpse at the edge of vision, all require some minimal structure of retention. Without that structure, there isn’t immediacy but nothing recognisable as experience.

Husserl saw part of this with his account of retention and protention. The present isn’t a sealed point but a flowing field in which the just-past and the about-to-arrive are already implicated. A musical note isn’t heard as an isolated acoustic atom. It’s heard as part of a phrase, against what has preceded it and toward what may follow. The same is true of speech, perception, decision, and action. The present is always already fringed. It’s bordered by memory and expectation. It’s not pure presence but organised passage.

Derrida presses the wound further. If the now is always contaminated by what is not-now, then the metaphysical dream of presence collapses. The present cannot ground meaning because the present is never simply present. It arrives marked by absence, delay, difference, and trace. The spoken now does not deliver the present. It testifies to its disappearance. It isn’t the arrival of immediacy but the inscription of loss.

This isn’t merely a technical problem in phenomenology. It has consequences for how we think about agency, meaning, and reality. We routinely speak as though action occurs in a present moment of self-possession: I now choose, I now intend, I now decide. But this grammar flatters us. Decision is never contained in a punctual present. It condenses prior dispositions, pressures, perceptions, habits, bodily states, histories, and anticipated consequences. The now of decision is a narrative compression imposed after and within a process that exceeds it.

The same applies to moral and institutional language. Law loves timestamps. Bureaucracy loves decision-points. Politics loves moments. Each requires a tractable ‘now‘ because institutions must act, record, assign, and close. The administrative present is useful because it can be filed. But usefulness shouldn’t be mistaken for ontological depth. A timestamp isn’t the structure of temporality. It’s a human coordination device, a nail hammered into water.

The now survives because it’s pragmatically indispensable. We need it to coordinate action. ‘Do it now’ doesn’t mean ‘act in a dimensionless metaphysical instant’. It means ‘act within the authorised window of urgency established by this utterance’. The operational now is a tolerance band, not a point. It belongs to practice, not purity.

This is why the present should be deflated rather than worshipped. The now isn’t an entity. It’s not a metaphysical foundation. It’s a boundary-function within temporal flow, a stabilising fiction by which agents orient themselves amid movement. It marks a horizon that vanishes as it is named.

The metaphysician wants the now to be a foundation; the phenomenologist discovers it as flow; the deconstructionist hears in it the trace of what has already departed. The institution converts it into a timestamp and pretends the problem has been solved. Each inherits the same word, but not the same burden.

To invoke ‘now’ is therefore not to seize presence. It’s to gesture at the impossible purity of presence from inside its failure. The word works, but it works heuristically. It coordinates, compresses, and stabilises just enough. What it doesn’t do is deliver the present as such. The now is always late to itself.

If you can’t tell, does it matter?

3–5 minutes

Westworld was a disappointment. It became unwatchable after the first season. But one exchange from 2016 has aged better than anything else in that show, and it landed differently when I recalled it recently in the context of AI authorship.

A greeter robot exchanges words with William, a guest.

You want to ask, so ask.’

Are you real?’

Well, if you can’t tell, does it matter?

I thought of this after encountering a post that’s representative of a genre now doing brisk trade on LinkedIn and its satellites. The argument runs roughly thus: AI can write fast, but it can’t write you. Your why is sacred. Your scars make the prose real. The messy middle is where the magic lives. Keep the soul in your stories.

Audio: NotebookLM summary podcast of this topic.

A bloke shared this opinion:

The one thing AI can’t replicate is your “Why.” 🧠

There’s a lot of noise lately about how AI can “write a book in an hour.” But after publishing 8 books, I’ve realized something crucial: speed is not the same as substance.

The “hidden danger” of letting tools do the heavy lifting isn’t just about the quality of the prose—it’s about the erosion of the creative spirit. When we skip the struggle of the “messy middle,” we skip the insights that actually make a story resonate with a reader.

Tools are great for grammar and brainstorming, but they don’t have:
The scars that make a character’s pain feel real.

The weird, specific memories that make a setting feel alive.
The intuition to know when to break the rules for emotional impact.

By all means, use the tech. But don’t let it sit in the driver’s seat. Your readers are looking for a connection with you, not a refined algorithm.

Keep the soul in your stories. It’s the only thing that actually sticks.

NotebookLM Infographic on this topic.

So much to unpack.

This sounds lovely enough. It is also almost entirely wrong, methinks.

Why is doing suspiciously grand work in these arguments. It’s treated as an ineffable essence – a soul-particle immune to replication. But why is not a substance. It’s an interpretive gloss. A post-hoc narrative we attach to action to stabilise it. Call it intention, call it telos, call it ‘creative spirit’ if one must. It remains a story we tell about stories.

And if we’re invoking the canon, let’s not do so selectively. Roland Barthes already detonated the neat alignment between authorial intention and readerly reception. Once a work leaves the desk, its why dissolves into a field of readings. The reader does not commune with your struggle. They encounter marks on a page. The rest is projection.

The romanticisation of the ‘messy middle’ borders on Calvinism – suffering as guarantor of authenticity, as though the scar itself writes the sentence. Plenty of humans have scars and produce dull prose. Plenty of writers construct convincing pain from observation, empathy, craft, and yes, occasionally from tools. Emotional resonance is not a moral reward for having bled.

Then there is the means-fetish: the idea that process sanctifies product. We do not evaluate a bridge by how spiritually formative the drafting was for the engineer. We ask whether it stands. If a text moves a reader, unsettles them, clarifies something, disturbs them – the instrument used to draft it is historically interesting, not aesthetically decisive.

There is also a quiet assumption buried in all of this: that connexion between writer and reader is a transmission of interiority. It isn’t. It is a negotiated effect. Readers connect with patterns that mirror, disrupt, or reframe their own experience. They are not sniffing for artisanal anguish.

None of this means craft evaporates. It means we should be wary of smuggling metaphysics into workflow preferences.

If someone prefers to wrestle with the blank page unaided – splendid, have at it. But the fetish for purity says more about our anxieties over authorship than it does about art. And if you can’t tell whether the thing that moved you was written by hand or by machine, then I’d suggest, with the greeter robot, that perhaps it doesn’t matter.

In the end, I am not even advocating using AI for writing, but I am saying not to be a dick about it. Enough of the virtue signalling

How MEOW Turns a Metaphysical Mountain Into a Linguistic Molehill

In the last post, I argued that the so-called ‘hard problem of consciousness‘ was never a problem with consciousness. It was a problem with language – specifically, the English language’s unfortunate habit of carving the world into neat little substances and then demanding to know why its own divisions won’t glue back together.

Audio: NotebookLM summary podcast of this topic, on resolving the hard problem of consciousness.

The response was predictable.

  • ‘But what about subjective feel?’
  • ‘What about emergence?’
  • ‘What about ontology?’
  • ‘What about Chalmers?’
  • ‘What about that ineffable thing you can’t quite point at?’

All fair questions. All built atop the very framing that manufactures the illusion of a metaphysical gap.

So here’s the promised demonstration: not yet a full essay (though it may evolve into one), but a clear application of MEOW – the Mediated Encounter Ontology of the World – to the hard problem itself. Consider this a field test of the framework. A tidy autopsy, not the funeral oration.

The Set-Up: Chalmers’ Famous Trick

Chalmers asks:

The question feels profound only because the terms ‘physical’ and ‘experience’ smuggle in the very metaphysics they pretend to interrogate. They look like opposites because the grammar makes them opposites. English loves a comforting binary.

But MEOW doesn’t bother with the front door. It doesn’t assume two substances – ‘mind’ over here, ‘world’ over there – and then panic when they refuse to shake hands. It treats experience as the way an encounter manifests under a layered architecture of mediation. There’s no bridge. Only layers.

T₀ – Biological Mediation

The body is not a barrier. It is the encounter’s first architecture.

At T₀, the world is already transformed: transduction, gating, synchrony, inhibition, adaptation. Organisms don’t receive ‘raw’ physical inputs. They metabolise them. The form of contact is biological before it is anything else.

The hard problem begins by assuming there’s a realm of dumb physical mechanisms that somehow need to ‘produce’ experience. But organisms do not encounter dumb mechanism. They encounter structured contact –biological mediation – from the first millisecond.

If you insist on thinking in substances, T₀ looks like a problem.
If you think in mediations, it looks like the beginning of sense-making.

T₁ – Cognitive Mediation

Where the Enlightenment saw a window, cognition installs a newsroom.

Prediction, priors, memory, inference, attention – all shaping what appears and what never makes it into view. Experience at T₁ is not something ‘added’. It is the organisational structure of the encounter itself.

The hard problem treats ‘experience’ as a mysterious extra–something floating atop neural activity like metaphysical cream. But at T₁, what appears as experience is simply the organisation of biological contact through cognitive patterns.

There is no ‘what emerges from the physical’. There is the way the encounter is organised.

And all of this unfolds under resistance – the world’s persistent refusal to line up neatly with expectation. Prediction errors, perceptual limits, feedback misfires: this constraint structure prevents the entire thing from collapsing into relativist soup.

T₂ – Linguistic–Conceptual Mediation

Here is where the hard problem is manufactured.

This is the layer that takes an ordinary phenomenon and turns it into a metaphysical puzzle. Words like ‘experience’, ‘physical’, ‘mental’, ‘subjective’, and ‘objective’ pretend to be carved in stone. They aren’t. They slide, drift, and mutate depending on context, grammar, and conceptual lineage.

The hard problem is almost entirely a T₂ artefact – a puzzle produced by a grammar that forces us to treat ‘experience’ and ‘physical process’ as two different substances rather than two different summaries of different mediational layers.

If you inherit a conceptual architecture that splits the world into mind and matter, of course you will look for a bridge. Language hands you the illusion and then refuses to refund the cost of admission.

T₃ – Cultural–Normative Mediation

The Western problem is not the world’s problem.

The very idea that consciousness is metaphysically puzzling is the product of a specific cultural lineage: Enlightenment substance dualism (even in its ‘materialist’ drag), Cartesian leftovers, empiricist habits, and Victorian metaphysics disguised as objectivity.

Other cultures don’t carve the world this way. Other ontologies don’t need to stitch mind back into world. Other languages simply don’t produce this problem.

Reassembling the Encounter

Once you run consciousness through the mediational layers, the hard problem dissolves:

  • Consciousness is not an emergent property of neural complexity.
  • Consciousness is not a fundamental property of the universe.
  • Consciousness is the reflexive mode of certain mediated encounters, the form the encounter takes when cognition, language, and culture become part of what is appearing.

There is no gap to explain because the ‘gap’ is the product of a linguistic–conceptual framework that splits where the world does not.

As for the ever-mystical ‘what-it’s-like’: that isn’t a metaphysical jewel buried in the brain; it is the way a T₀–T₃ architecture manifests when its own structure becomes reflexively available.

A Brief Disclaimer Before the Internet Screams

Pointing out that Chalmers (and most of modern philosophy) operates within a faulty ontology is not to claim MEOW is flawless or final. It isn’t. But if Occam’s razor means anything, MEOW simply removes one unnecessary supposition — the idea that ‘mind’ and ‘world’ are independent substances in need of reconciliation. No triumphalism. Just subtraction.

Where This Leaves Chalmers

Chalmers is not wrong. He’s just asking the wrong question. The hard problem is not a metaphysical insight. It’s the moment our language tripped over its shoelaces and insisted the pavement was mysterious.

MEOW doesn’t solve the hard problem. It shows why the hard problem only exists inside a linguistic architecture that can’t model its own limitations.

This piece could easily grow into a full essay – perhaps it will. But for now, it does the job it needs to: a practical demonstration of MEOW in action.

And, arguably more important, it buys me one more day of indexing.

Perfect and Relative Pitch and Reality

Perception of Reality™ is akin to having relative pitch. Unlike pitch, where some people have perfect pitch – the ability to name a note or chordal composition without any other reference – it is unlikely that anyone has or will have access to objective reality – analogically: perfect pitch for reality.

As I’ve mentioned, I believe that all our experiences and interactions with reality are relative, if not wholly subjective. There may exist an objective reality, but for reasons already noted – cognitive and sense perception deficits –, we can never access it.

Musically, If someone plays and identifies a reference note, say A (or do in movable do solfège), and then plays a major fifth above (or sol), a person with relative pitch can hear that fifth interval and identify it as an E. Everything is about relationships. In music, the relationships are intervalic, but we know where we are based on where we’ve been. A person with perfect pitch requires no such priming. They can identify the first A note without prompting.

Our experience with reality is also relative, but no one has the equivalence of perfect pitch. No one has access to objective reality – if there even is one.

I don’t deny that there could be an objective reality. I just believe it’s inaccessible. I am a qualified realist – so, not a physicalist –, but I don’t believe in supernatural or paranormal events. A so-called ‘supernatural’ event is merely an event that hasn’t yet been described in ‘natural’ terms.

Now that I got that off my chest, what are your thoughts on objective reality? Lemme know.

Underrepresented Class

Podcast: Audio rendition of this page content

I’ve just finished reading Iain McGilchrist’s The Master and His Emissary, having paused The Matter with Things to put it to bed. The book is divided into two sections. The first lays down the neuroscientific base whilst the second contains expository forrays. Technically, one might argue that there are three sections as the last unnumbered chapter seems to stand alone from the second part. It’s only one chapter containing some 36 pages, so I’m not going to lose any sleep over it. But this will not be a book review, as highly recommended as it is.

I’ve been a vocal proponent of hiring neurodiverse people into certain roles. Having read the book and absorbed the rationale, it’s easy to see how it aligns with and supports some of my own experiences. In particular, I’ve noticed that many companies hire autism spectrum on the Aspergers end of the scale. These people tend to be hired into IT and programming roles—functions already having reputations for being staffed with socially awkward and low EQ individuals, characteristics of people on the spectrum. It makes sense because left-hemisphere-dominant managers evaluate this hyper-left-hemisphere-dominant cohort as assets. Without getting too deep into the territory of stereotypes, in general, this group are laser-focused and doggedly pursue tasks at hand without tiring. I’ve met plenty of ADHD-diagnosed people in these roles, too—not as many, but also employed in technology-oriented positions.

The underrepresented class are right-hemisphere-dominant people. To be fair, I’ve encountered many Creative people in Agencies, but their right-hemisphere life is separate from their left and not appreciated in the workplace. They mainly exercise their right-hemisphere life outside of office hours on personal passion projects. I’d also be willing to bet that these people are not truly right-hemisphere-dominant. Rather, they have the ability to balance and allow the left hemisphere to take over during business hours.

In some cases, these people happen to have right-hemisphere insights into a project or have some creative inspiration off hours to benefit the work of the next day. But the right hemisphere is not time-boxed. It doesn’t function on demand. In fact, it shuts down on demand, and the left introduces bootleg knock-offs. Of course, this doesn’t matter, as it is probably better than their left-hemisphere managers and clients and good enough in their eyes. I’m not convinced they’d actually recognise the right-hemisphere solution as better because the left hemisphere prefers its own tribe anyway.

If you are reading this and you are saying, “They’re running a business. They can’t wait for weeks or months for a resource to have the epiphany of a creative solution,” you’ve made my point, and you’ve presented strong evidence that you are operating from your left hemisphere as well. There’s no shame in this. The first step is to admit there’s a problem.

My point is not to antagonise left-hemisphere-dominant people or the fact that they’re at home with other like-minded people. It’s only natural. They usually find right-hemisphere types to be too eccentric for their taste anyway.

But these right- or balanced-hemisphere thinkers, not given the space for their right-hemisphere to yield benefit, are likely in a Creative function, whether in art, illustration, copywriting, or some such. They are like unicorns outside of this context.

As for me, I am at times balanced and at times left. At other times, I’m purely right, though this is admittedly short-lived and unsustainable. But in a balanced state—in a right-shifted mode—, this is where my Gestalt comes into play. One of my roles is to evaluate processes. The left hemisphere analyses in components and pieces. Taking an analytical approach, I can document that the knee bone is connected to the shin bone and the shin bone is connected to the ankle bone and so on, but this requires context, something the left hemisphere is weak at. The left hemisphere will tell us that this is the bone connexion process, as it were. But it’s more than this. It’s meaningless without musculature and connective tissue and a nervous system and a circulatory system. And we’d likely want the person to whom the bones belong to be alive. And how do these bones contribute to function and perambulation? This is a larger system thinking approach.

System thinking is a recommendation for looking at processes, but this is right-hemisphere activity. Most people asked to perform this are left-hemisphere-dominant, so they give it short-shrift.

At the end of this rant, my point is that I hear all about equity, diversity, and inclusion, but this cohort is not only underrepresented but almost nonexistent. To be fair, many of these people wouldn’t feel comfortable behind your walls anyway, aren’t likely to prefer the constraint of your walls, and they’d probably feel like outsiders. But this is the challenge with true inclusion.

Classes are a left-hemisphere operation at the start—male, female, black, white, L, B, G, T, and so on. These are left-hemisphere constructs. But since you are already stuck in this place anyway, let’s consider expanding the neurodiverse class to include right-hemisphere people.

Design and Purpose

This viral TikTok by @viral_actor demonstrates with humour how designs and purposes don’t always coincide. The narrative of the clip is that the woman on the left designed a shape sorting toy. Metaphorically, we could assume that the design is the user interface for some software application or game.

The tester, in the right frame, ‘tests’ the interface. One way of testing is to provide the tester with a purpose and little else, as this is how much people will approach a new product. It’s quite likely that the instruction was to put the shapes into the bin. The design, on the other hand, was supposed to pair a unique avenue for each block shape (in a particular orientation) with each opening through which to insert the shape.

Let’s be clear, the user who inserts the blocks ‘incorrectly’ relative to the design is doing nothing wrong (morally or kinetically). The problem is that the designer had an intent in mind and didn’t consider full domain of possibilities. This interface design can be improved to solve for the unique 1:1 piece-hole relationship. In fact, the testing feedback provides input for an engineering—or interface design—solution.

The tester, having been giving the task of putting blocks in a bin might be justified in entertaining the belief that the best design might have been a lidless bin—or that a single hole would have sufficed.

In this case, the video producer is employing humour, so we can ignore that an adult is not likely to be the target audience would probably be infants or to test persons for visual-spatial perception. If this is the case, the tester group should necessarily be infants. Below, we can see a similar problem, again using humour.

The parents are overjoyed to see their infant distracted by the hanging mobile. Little did they anticipate the enduring trauma it would commence.

Most people with experience in the design space have seen many of these design faux pas. Here are some design-experience chestnuts. Notice the common thread. It’s also good to remember our maths lessons: The shortest distance between two points is a straight line—as evidenced axiomatically by the hypotenuse is the square root of the sum of the squares, and so will always be shorter for any right angle (and even this slightly obtuse rendition). Thanks for that, Pythagoras.

Next, we have evidence that a designer created a barrier against bicycle traffic. To be fair, it did deter bicycle traffic from that path, but somehow I don’t think that was the sole intent. I’ll also imagine that the designed footpath route is as well travelled as the alternate path.

Design versus Experience
Please Use Sidewalk

For the image above, it seems that the path traversers (users) should put up their own sign, but for now they protest performatively.

Below, we see an intentional and mostly effective design meant to keep bicycle riders off of this footbridge.

None Shall Pass

One final note is to illustrate the difference between user interface design (UI) and user experience design. At teh top, we see two catsup (ketchup?) bottles. The traditional design on the left opens at the top and would not balance well upside down. On the right, the bottle opens down, and it sets well in this orientation. (To be fair, I’ve stored the top-right bottle upside down in my fridge, so perhaps a visual signal, say a narrower top, might obviate this habit.

At the bottom, we see the experiential result of the interface design: The age-old challenge of getting the product out of the bottle on the left versus the instance on the right. It also appears that the narrow top of the left design was intentional to slow the flow, so perhaps widening the aperture may have countered that requirement. The righthand design does have an even smaller aperture, but the egress is broader until that point, and the orientation must compensate for it.

We’ve also seen this design carry over to shampoo bottles.

So there you have it…

The Value of Experience

I hear people say this:

Experience is more important than material wealth because you can’t take it with you.

This is silly on so many levels.

Firstly, you can’t take experiences with you any more than you can take material, so the entire logic is faulty.

Secondly, although unsaid, this is typically uttered by those who equate experience with travel to other places, and so one needs some notion of material wealth to do so.

Thirdly, just being alive and somewhat aware is an experience, but I understand the notion implies a diversity of experience.

Fourthly, you still can’t take it with you.

Personally, I love aphorisms, those near-phatic quips that no one really thinks about, yet they feel that these are somehow guiding principles.

Opposites attract.

versus

Like attracts like.

Which of these is correct?

In fact, each of these statements may be correct; it simply depends on context. The issue is that people spout these off to make a point.

Opposites attract is how we justify when two unexpected people, for example, are together. It is also the basis behind the Jungian anima-animus concept.

Like attracts like may be either to justify why person A is with person B, but it sometimes further is meant to imply a sort of guilt by association.

The other issue is one of dimension. When applied to people, they are multidimensional. So which dimension is opposite and which is like. Of course, we’ll choose the dimension that fits our purposes.

Perhaps a 172 cm brunette woman is a police officer has a life partner who is a 172 cm blonde man, who is a criminal, and who both enjoy art museums.

Without specifying what percentage the likeness needs to be to qualify,
if like truly attracted like, wouldn’t the 172 cm brunette policewoman be attracted to another 172 cm brunette policewoman? Or would just another taller policewoman be good enough?

Anyway, nothing earth-shattering here. This is simply another example of the imprecision of language. That, and I couldn’t sleep.