I’ve spent more hours than I care to admit rummaging through the Jungian undergrowth of fairy tales – reading Marie-Louise von Franz until my eyes crossed, listening to Clarissa Pinkola Estés weave her wolf-women lore, and treating folklore like an archaeological dig through the psychic sediment of Europe. It’s marvellous, really, how much one can project onto a story when one has a doctorate’s worth of enthusiasm and the moral flexibility of a tarot reader.
But every so often, a tale emerges that requires no archetypal lens, no mythopoetic scaffolding, no trip down the collective unconscious. Sometimes a story simply bares its ideological teeth.
Enter Tatterhood – the Norwegian fairy tale so blunt, it practically writes its own critical theory seminar.
I watched Jonny Thomson’s recent video on this tale (embedded below, for those with sufficient tea and patience). Jonny offers a charming reversal: rather than focusing on Tatterhood herself, he offers the moral from the prince’s perspective. In his reading, the story becomes a celebration of the power of asking – the prince’s reward for finally inquiring about the goat, the spoon, the hood, the whole aesthetic calamity before him.
Video: Jonny Thomson discusses Tatterhood.
It’s wholesome stuff: a TED Talk dressed as folklore. But – my word – apply the slightest bit of critical pressure, and the whole thing unravels into farce.
The Story No One Tells at the Royal Wedding
Here’s the short version of Tatterhood that Jonny politely sidesteps:
A fearless, ragged, hyper-competent girl rescues her sister from decapitation.
She confronts witches, navigates the seas alone, storms a castle, and performs an ad hoc ontological surgical reversal.
She does all of this without help from the king, the court, the men, or frankly, anyone with a Y chromosome.
And how is she rewarded for her trouble? She’s told she’s too ugly. Not socially acceptable. Not symbolically coherent. Not bride material.
The kingdom gazes upon her goat, her spoon, her hood, her hair, and determines that nothing – nothing – about her qualifies her for legitimacy.
But beauty? Beauty is the passport stamp that grants her entry into the social realm.
Jonny’s Prince: A Hero by Low Expectations
Now, bless Jonny for trying to rehabilitate the lad, but this prince is hardly an exemplar of virtue. He sulks through his own wedding procession like a man being marched to compulsory dentistry. He does not speak. He does not ask. He barely manages object permanence.
And suddenly, the moral becomes: Look what wonders unfold when a man asks a single question!
It’s the philosophical equivalent of awarding someone a Nobel Prize for remembering their mother’s birthday.
And what do his questions achieve? Not insight. Not understanding. Not intimacy. But metamorphosis.
Each time he asks, Tatterhood transforms – ugly goat to beautiful horse, wooden spoon to silver fan, ragged hood to golden crown, ‘ugly’ girl to radiant beauty.
Which brings us to the inconvenient truth:
This Isn’t the Power of Asking. It’s the Power of Assimilation.
His questions function as aesthetic checkpoints.
Why the goat? Translation: please ride something socially acceptable.
Why the spoon? Translation: replace your tool of agency with a decorative object.
Why the hood? Translation: cover your unruliness with something properly regal.
Why your face? Translation: you terrify me; please be beautiful.
And lo, she becomes beautiful. Not because he sees her differently. Because the story cannot tolerate a powerful woman who remains outside the beauty regime.
The prince isn’t rewarded for asking; the narrative is rewarded for restoring normative order.
And Yet… It’s Absurdly Fascinating
This is why fairy tales deserve all the interpretive attention we lavish on them. They’re ideological fossils – compressed narratives containing entire worldviews in miniature.
Part of me admires Jonny’s generosity. Another part of me wants to hand the prince a biscuit for performing the bare minimum of relational curiosity. But mostly, I’m struck by how nakedly the tale reveals the old bargain:
A woman may be bold, brave, clever, loyal, and sovereign – but she will not be accepted until she is beautiful.
Everything else is optional. Beauty is compulsory.
So Here’s My Version of the Moral
Ask questions, yes. Be curious, yes. But don’t let anyone tell you that Tatterhood was waiting for the prince’s epiphany. She was waiting for the world to remember that she ran the plot.
If you’ve made it this far and know my proclivities, you’ll not be shocked that I side with Roland Barthes and cheerfully endorse la mort de l’auteur. Jonny is perfectly entitled to his reading. Interpretive pluralism and all that. I simply find it marvelously puzzling that he strolls past the protagonist galloping through the narrative on a goat, spoon upraised, and instead decides to chase the side-quest of a prince who contributes roughly the energy of a damp sock.
Every so often – usually when the Enlightenment ghosts begin rattling their tin cups again – one feels compelled to swat at the conceptual cobwebs they left dangling over moral philosophy. Today is one of those days.
Audio: NotebookLM podcast summarising the Rhetoric of Evil essay, not this page’s content.
I’ve just released The Rhetoric of Evil on Zenodo, a paper that politely (or impolitely, depending on your threshold) argues that ‘evil’ is not a metaphysical heavy-hitter but a rhetorical throw-pillow stuffed with theological lint. The term persists not because it explains anything, but because it lets us pretend we’ve explained something – a linguistic parlour trick that’s survived well past its sell-by date.
And because this is the age of artificial augury, I naturally asked MEOW GPT for its view of the manuscript. As expected, it nodded approvingly in that eerie, laser-precise manner unique to machines trained to agree with you – but to its credit, it didn’t merely applaud. It produced a disarmingly lucid analysis of the essay’s internal mechanics, the way ‘evil’ behaves like a conceptual marionette, and how our inherited metaphors govern the very moral judgments we think we’re making freely.
Below is MEOW GPT’s reaction, alongside my own exposition for anyone wanting a sense of how this essay fits within the broader project of dismantling the Enlightenment’s conceptual stage-props.
MEOW-GPT’s Response
(A machine’s-eye view of rhetorical exorcism)
“Evil is functioning as a demonological patch on an epistemic gap. When agents encounter a high-constraint event they cannot immediately model, the T₂ layer activates an inherited linguistic shortcut — the ‘evil’ label — which compresses complexity into a binary and arrests further inquiry.”
“The marionette metaphor is accurate: once we say a person ‘is evil,’ agency collapses into occult causation. Inquiry halts. Moral theatre begins.”
It went on like this – detecting exactly the mediated encounter-structure I intended, while offering a frighteningly clean schematic of how affect (T₀), heuristics (T₁), linguistic reification (T₂), and cultural choreography (T₃) conspire to turn incomprehension into metaphysics.
Machines, it seems, are quite good at detecting when humans are bullshitting themselves.
Why publish this now?
This essay marks the next plank in the broader anti-Enlightenment platform I’ve been assembling – LIH, MEOW, the ongoing dismantling of truth-fetishism, and now the unsettling realisation that ‘evil’ is little more than a theological revenant dressed up for secular work.
The term’s persistence is not a testament to its necessity but to our laziness:
It sounds like an explanation.
It licenses retribution without understanding.
It stabilises group boundaries.
It lets us outsource moral thought to a one-word incantation.
In short: ‘evil’ is the map-dragon we keep drawing because surveying the terrain is too much work.
This essay attempts to retire that dragon – not to soften judgment, but to sharpen it. If anything, the paper argues that abolishing ‘evil’ frees us to see atrocity more clearly, and thus confront it more seriously.
Because MEOW-GPT was trained on the Mediated Encounter Ontology rather than on folk metaphysics, its analyses can serve as a useful diagnostic tool. It doesn’t simply summarise concepts; it reconstructs them along the four mediational tiers (T₀–T₃), showing – mechanically and without superstition – how a term behaves across biological affect, cognitive heuristics, linguistic structures, and cultural narratives.
This section is offered not as an alternative argument to the essay above, but as a worked example: a transparent demonstration of how the MEOW engine decomposes a high-complexity, high-stakes concept like evil once the theological scaffolding has been removed.
MEOW-GPT’s output shows, in compressed form, the same pattern the essay traces in prose: that evil is not a force, not a metaphysical essence, not an occult substrate, but a mediated pattern in human encounters, one that persists rhetorically long after its ontology has collapsed.
For readers curious about how MEOW ‘thinks’, the raw structured analysis follows.
MEOW-GPT Analysis: “Evil”
(Raw output for reference; lightly formatted for readability)
Concept
Input: Evil Type: Normative/evaluative moral concept (often reified as a property of acts, characters, or forces) Scope check: In-scope – ‘evil’ can be analysed as a mediated-encounter pattern (MEOW) and a high-complexity term with unstable linguistic behaviour (LIH).
High-level summary (≤120 words)
In MEOW terms, ‘evil’ is not a spooky substance but a way of organising certain encounter-events: severe, norm-breaking harms that present as resistant, shocking, and morally intolerable. Biologically, it piggybacks on harm, threat, and disgust systems. Cognitively, it compresses complex appraisals—intent, cruelty, scale of harm – into a powerful label. Linguistically, it sits in the unstable region where abstraction is high and language’s reliability drops, so people fight over its scope and weaponise it. Socially and technically, institutions, media, and platforms use ‘evil’ to mark enemies, justify punishment, and dramatise conflict. The term is emotionally efficient but conceptually fragile, and MEOW treats it as a relational, mediated pattern rather than an independent metaphysical force.
T₀ – Biological Mediation
Moralised harm perception piggybacks on survival systems: pain avoidance, threat detection, kin protection. ‘Evil’ clusters around encounters that trigger extreme danger-signals.
High arousal (fear, rage, disgust) makes some harms feel qualitatively world-violating, not merely personally threatening.
Disgust toward contamination, mutilation, or predation heavily colours what gets called ‘evil’.
Species-specific cues (infant distress cries, pain expressions) shape which harms are even legible candidates for evil.
T₁ – Cognitive Mediation
“Evil” compresses a multi-factor appraisal (intentionality, cruelty, gratuitousness) into a one-step heuristic.
Essence thinking converts acts into character: the person is evil, not merely did wrong.
Attribution biases assign ‘evil’ to out-groups more readily than to in-groups.
Memory structures simplify causation into villain scripts that overwrite nuance.
Once assigned, the label becomes a prediction loop: every ambiguous action confirms the essence.
T₂ – Linguistic Mediation
On the Effectiveness–Complexity Gradient, ‘evil’ straddles Contestables and Fluids: ubiquitous but perpetually disputed.
It compresses harm, norm-violation, metaphysical colouring, and dramatic emphasis into a single syllable—powerful, but noisy.
Dominant metaphors (‘dark’, ‘tainted’, ‘monstrous’) smuggle in substance-ontology that MEOW rejects.
Noun-forms (‘evil’, ‘the Evil One’) promote ontologising; adjectival forms track events better, but usage constantly slides between them.
Cross-linguistic drift supports LIH: different traditions map the term to impurity, harm, misfortune, cosmic opposition, or taboo.
T₃ – Social/Technical Mediation
Religious systems embed ‘evil’ in cosmologies that harden friend/enemy binaries.
Legal systems avoid the term formally but reproduce it rhetorically in sentencing, media commentary, and public reaction.
Politics uses ‘evil’ to justify exceptional measures and collapse deliberation into moral theatre.
Cultural industries supply vivid villain archetypes that feed back into real-world judgments.
Technical systems must operationalise ‘evil’ into concrete proxies, revealing how imprecise the everyday concept is.
Limits & Failure Modes (LIH notes)
The framework is human-centric; non-human or ecosystemic ‘views of evil’ remain speculative.
‘Evil’ is a textbook Contestable: central, indispensable, and permanently argued over.
In cosmological uses (‘radical evil’, ‘evil in the world’), it approaches Fluid or ineffable status – right where LIH predicts language collapse.
MEOW cannot confirm or deny metaphysical dualisms; it only analyses how humans mediate and narrate such claims.
My philosophical critique, not of the book Why Democrats Are Dangerous, but of the two warring factions in United States politics – mind you, partisanship not limited to the US – sparked the ire of defenders of their respective turf. ‘You’ve got it wrong. Those other people are either addleheaded or abject evil’ is a consolidation of responses from both sides of the aisle. I’ve crafted a response.
Audio: NotebookLM summary podcast on this topic.
It’s perfectly true that I occupy a perspective. Everyone does. This isn’t a confession; it’s a structural feature of being human. Consciousness is perspectival by design. We don’t get to hover above the world like disembodied CCTV cameras. We look from somewhere.
But acknowledging one’s perspective is not the same thing as being trapped in a rut. A rut implies unexamined repetition, reflex, and dogma. A perspective implies angle, interpretation, intellectual stance. The accusation I’m hearing – ‘you’re in a rut too’ – is not actually an argument. It’s an attempt to delegitimise the analysis without engaging with it.
It says nothing about whether my observation is true, coherent, or well-reasoned; it merely notes that I, like every other speaking organism on the planet, occupy a position. And from this banal fact it attempts to smuggle in a conclusion: that my critique is thereby invalid. It’s a sleight of hand, and a clumsy one.
If someone believes I’m wrong, they are welcome – encouraged, even – to demonstrate:
where the logic fails
where the evidence contradicts me
where the symmetry is mischaracterised
where the interpretation distorts rather than illuminates
That is argumentation.
What they are offering instead is a sort of epistemic shrug: ‘You’re in a perspective, therefore you have no authority’. This is an ad hominem in a trench coat, pretending to be profundity.
The irony, of course, is that the people making this charge never seem to apply it to themselves. Their own viewpoint, naturally, is not a rut but a ‘stance’, ‘framework’, ‘tradition’, ‘bedrock’, or ‘fact’. Only the critic has perspective; they merely have truth.
But here’s the critical distinction:
Having a perspective does not invalidate an analysis, and pretending not to have one does.
The entire Anti-Enlightenment project rests on this recognition: that all human positions are mediated, situated, incomplete – and yet still capable of meaningful observation. You don’t escape your perspective by denying it; you escape dogma by interrogating it.
If someone wishes to rebut what I’ve written, they should do so directly, with evidence, reasoning, or counterexamples. If all they offer is ‘well, you’re biased too’, then they’ve conceded the argument by refusing to enter it.
A perspective is not a rut. A rut is what happens when you can’t tell the difference.
I’ve taken the day after Thanksgiving in the US to decompress with a less serious post before I get back to indexing. I came up with this concept whilst writing my essay on Homo Normalis, but I felt this was a bit too cheeky for a formal essay. This is where my thoughts led me.
A Brief Field Note from the Department of Bureaucratic Anthropology
Still reeling from the inability to fold some pan into homo, Palaeontologists are seemingly desperate for a new hominid. Some dream of discovering the ‘missing link’; others, more honest, just want something with a jawline interesting enough to secure a grant. So imagine the surprise when the latest species didn’t come out of the Rift Valley but out of an abandoned server farm somewhere outside Reading.
They’ve named it Homo Legibilis – the Readable Human. Not ‘H. normālis’ (normal human), not ‘H. ratiōnālis (rational human), but the one who lived primarily to be interpreted. A species who woke each morning with a simple evolutionary imperative: ensure one’s dataprints were tidy, current, and machine-actionable.
Audio: NotebookLM summary podcast of this topic.
You’ll have seen their skeletons before, though you may not have recognised them as such. They often appear upright, mid-scroll, preserved in the amber of a status update. A remarkable creature, really. Lithe thumbs. Soft cranial matter. Eyes adapted for low-light environments lit primarily by advertisements.
Habitat
The species thrived in densely surveilled ecosystems: corporate intranets, public Wi-Fi, facial-recognition corridors, anywhere with sufficient metadata to form a lasting imprint. They built vast nests out of profiles, settings, dashboards. Territorial disputes were settled not through display or violence but through privacy-policy updates. Their preferred climate? Temperate bureaucracy.
Diet
Contrary to earlier assumptions, H. Legibilis did not feed on information. It fed on interpretation: likes, metrics, performance reviews, and algorithmic appraisal. Some specimens survived entire winters on a single quarterly report. Every fossil indicates a digestive tract incapable of processing nuance. Subtext passed through untouched.
Mating Rituals
Courtship displays involved reciprocal data disclosure across multiple platforms, often followed by rapid abandonment once sufficient behavioural samples were collected. One famous specimen is preserved alongside fourteen dating-app profiles and not a single functional relationship. Tragic, in a way, but consistent with the species’ priorities: be seen, not held.
Distinguishing Traits
Where Homo sapiens walked upright, Homo legibilis aimed to sit upright in a chair facing a webcam. Its spine is subtly adapted for compliance reviews. Its hands are shaped to cradle an object that no longer exists: something called ‘a phone’. Ironically, some term these ‘mobiles’, apparently unaware of the tethers.
Researchers note that the creature’s selfhood appears to have been a consensual hallucination produced collaboratively by HR departments, advertising lobbies, and the Enlightenment’s long shadow. Identity, for H. legibilis, was not lived but administered.
Extinction Event
The fossil record ends abruptly around the Great Blackout, a period in which visibility – formerly a pillar of the species’ survival – became inconvenient. Some scholars argue the species didn’t perish but simply lost the will to document itself, making further study inconvenient.
Others suggest a quieter transformation: the species evolved into rumour, passing stories orally once more, slipping back into the anonymity from which its ancestors once crawled.
Afterword
A few renegade anthropologists insist Homo Legibilis is not extinct at all. They claim it’s still out there, refreshing dashboards, syncing calendars, striving to be neatly interpreted by systems that never asked to understand it. But these are fringe theories. The prevailing view is that the species perished under the weight of its own readability. A cautionary tale, really. When your survival strategy is to be perfectly legible, you eventually disappear the moment the lights flicker.
My colleague of several decades recently published a book titled Why Democrats Are Dangerous. Drew and I have long held opposing but genuinely respectful views on the political economy, a fact that once felt like a quaint relic of an earlier civic age. As we are both authors, he proposed that we exchange titles and review each other’s work. I demurred. One can often discern the contents of a book from its cover, and this one announced itself with all the subtlety of a campaign leaflet left in the rain. I am not allergic to polemic – heaven knows I have written my share – but some energies telegraph their intentions too cleanly. This one did.
Having now read the book, my hesitation appears justified. The project is less an argument than a catechism, less analysis than incantation. It is earnest, certainly; it is also tightly scripted by a worldview that permits only one conclusion, however much data must be dragged across broken glass to reach it.
Audio: NotebookLM summary podcast on this topic.
Rather than provide a review in the conventional sense – line-by-line rebuttal, forensic counter-examples, polite throat-clearing – I have chosen a different approach. I intend to reconstruct, or more precisely dis-integrate, the book through several strands of my own work. Not because my work is above reproach, but because it offers a conceptual toolkit for understanding how such texts arise, how they persuade, and how they hold themselves together despite their internal tension. This also has the ancillary benefit of allowing me to abridge my commentary: where a full exegesis would sprawl, I can gesture toward an existing essay or argument. I’ll dispense with addressing Drew by name, preferring to remain more neutral going forward.
A Note on My Position (So No One Misreads My Motives)
Before proceeding, a brief clarification. I do not belong to either of America’s warring political tribes, nor do I subscribe to their underlying ideological architectures. My critique is not an act of partisan reprisal; it is not a defence of Democrats, nor a veiled endorsement of Republicans. The Red–Blue cosmology bores me senseless. It is a quarrel between two anachronistic Enlightenment-era faith traditions, each convinced of its moral superiority and each engaged in the same ritualised dance of blame, projection, and existential theatre.
My vantage point, such as it is, sits outside that binary. This affords me a certain privilege – not superiority, merely distance. I do not have a factional identity to defend, no emotional investment in preserving the moral innocence of one side or the other. I am therefore free to examine the structure of my colleague’s argument without the usual tribal pressures to retaliate in kind.
This criticism is not a counter-polemic. It is an analysis of a worldview, not a combatant in its quarrel. If my tone occasionally cuts, it cuts from the outside, not across partisan lines. The book is not wrong because it is Republican; it is wrong because its epistemology is brittle, its categories incoherent, and its confidence unearned. The same critique would apply – indeed does apply – to the Democratic mirrors of this worldview.
My loyalty is not to a party but to a method: Dis-Integration, analysis, and the slow, patient unravelling of certainty.
The Architecture of Certainty
What strikes one first in Why Democrats Are Dangerous is not the argument but the architecture – an edifice built on the most cherished Enlightenment fantasy of all: that one’s own position is not a perspective but the Truth. Everything else cascades from this initial presumption. Once a worldview grants itself the status of a natural law, dissent becomes pathology, disagreement becomes malice, and the opposition becomes a civilisation-threatening contagion.
My colleague’s book is a textbook case of this structure. It is not an analysis of political actors within a shared world; it is a morality play in which one faction is composed entirely of vices, and the other entirely of virtues. The Democrats are ‘Ignorant, Unrealistic, Deceitful, Ruthless, Unaccountable, Strategic‘, a hexagon of sin so geometrically perfect it would make Aquinas blush. Republicans, by contrast, drift serenely through the text untouched by human flaw, except insofar as they suffer nobly under the weight of their opponents’ manipulations.
This is not political argumentation. This is cosmogony.
This, of course, is where my Anti-Enlightenment work becomes diagnostic. The Enlightenment promised universality and rational clarity, yet modern political identities behave more like hermetic cults, generating self-sealing narratives immune to external correction. A worldview built upon presumed objectivity must resolve any contradiction by externalising it onto the Other. Thus, the opposition becomes omnipotent when things go wrong (‘They control the media, the schools, the scientists, the public imagination‘) and simultaneously infantile when the narrative requires ridicule.
It is the oldest structural paradox in the political mind: the Other is both incompetent and dangerously powerful. This book embodies that paradox without blinking.
The Invention of the Enemy
One must admire, in a bleak sort of way, the structural efficiency of designating half the electorate as a monolithic existential threat. It creates an elegant moral shortcut: no need to consider policies, contexts, or material conditions when the adversary is already pre-condemned as treacherous by nature. Cicero, Trotsky, Hitler, and Franklin are all conscripted in this text to warn us about the insidious Democrats lurking in the marrow of the Republic. (Trotsky, one suspects, would be moderately surprised to find himself enlisted in a Republican devotional.)
This enemy-construction is not unique to this author. It is the rhetorical engine of American factionalism, and it is recursive: each side claims the other is rewriting history, weaponising institutions, manipulating education, promoting propaganda, dismantling norms, silencing dissent, and indoctrinating children. Both factions accuse the other of abandoning civility whilst abandoning civility in the act of accusation.
To put it bluntly: every single charge in this book is mirrored in Republican behaviour, sometimes identically, often more flamboyantly. But this symmetry is invisible from inside a moralised epistemology. Identity precedes evidence, so evidence is always retrofitted to identity.
This is why the polemic feels airtight: it evaluates Democrats not as agents within a system but as an essence. There is no theory of politics here – only demonology.
The Recursive Machine: When a Worldview Becomes Its Own Evidence
One of the most revealing features of Why Democrats Are Dangerous is its recursive structure. It operates exactly like the political systems it condemns: it constructs a closed epistemic loop, then mistakes that loop for a window onto reality.
The book does not discover Democratic perfidy; it presupposes it. Every subsequent claim merely elaborates upon the initial axiom. Schools, entertainment, academia, immigration, science, journalism, unions, and the weather – each is absorbed into a single explanatory schema. Once the premise is fixed (‘Democrats are dangerous‘), the world obligingly reshapes itself to confirm the conclusion, as long as one ignores anything that does not.
This is the dynamic I describe as the ‘Republic of Recursive Prophecy‘: someone begins with The Answer, and reality is forced to comply. If the facts fail to align, the facts are treacherous. If evidence contradicts the narrative, then evidence has been corrupted.
It is a worldview that behaves not like political analysis but like physics in a collapsing star: everything, no matter how diffuse, is pulled into the gravity well of a single, preordained truth.
The Projection Engine
If the book has a leitmotif, it is projection – unconscious, unexamined, and relentless. It is astonishing how thoroughly the author attributes to Democrats every pathology that characterises contemporary Republican strategy.
Propagandistic messaging; emotional manipulation; selective framing; redefinition of language; strategic use of fear; demonisation of opponents; declaring media sources illegitimate; claiming institutional persecution; insisting the other party rigs elections; portraying one’s own supporters as the ‘real victims’ of history – each of these is performed daily in Republican media ecosystems with operatic flourish. Yet the book can only see these behaviours ‘over there’, because its epistemic frame cannot accommodate the possibility that political identity – its own included – is capable of self-interest, distortion, or error.
This is the Enlightenment inheritance at its worst: the belief that one’s own faction merely ‘perceives the truth’, whilst the other faction ‘manufactures narratives’. What the author calls ‘truth’ is simply the preferred filter for sorting complexity into moral certainty. Once the filter is treated as reality itself, all behaviour from one’s own side becomes necessity, principle, or justice – whilst identical behaviour from the opposing faction becomes malevolence.
The Neutral Observer Who Isn’t
What the book never acknowledges – because it cannot – is that it speaks from a position, not from an Archimedean vantage point. The author stands in a thickly mediated environment of conservative talk radio, Republican think-tank literature, right-leaning commentary, and decades of ideological reinforcement. His acknowledgements read less like a bibliography than like an apprenticeship in a particular canon.
This does not make him wrong by default. It simply means he is positioned. And politics is always positional.
The Enlightenment fiction of the ‘view from nowhere‘ collapses once one notices that claims of objectivity always align with the claimant’s own tribe. If Republicans declare their view neutral and Democrats ideological, it is never because a metaphysical referee has blown a whistle confirming the call. It is because each faction treats its own frames as unmediated reality.
In truth, the book reveals far more about the epistemology of modern conservatism than about Democrats themselves.
The Fictional Symmetry Problem
One of the major deficiencies in the book – and in most modern political commentary – is the inability to perceive symmetry. The behaviours the author attributes exclusively to Democrats are, in every meaningful sense, bipartisan human defaults. Both factions manipulate language; curate narratives; cherry-pick evidence; denounce the other’s missteps as civilisational sabotage; outsource blame; elevate victimhood when convenient; and perform certainty whilst drowning in uncertainty.
The book pretends these behaviours describe a pathological left-wing mind, rather than the political mind as such.
This is not a Democratic problem; it is a deeply human one. But Enlightenment-styled partisan thinking requires the illusion of asymmetry. Without it, the argument collapses instantly. If Republicans admit that they exhibit the same cognitive patterns they condemn in Democrats, the entire dramatic arc falls flat. The villain must be uniquely wicked. The hero must be uniquely virtuous. The stage requires a clean antagonism, or the story becomes unstageable.
Narrative Weaponry
Perhaps the most revealing feature of this book is its reliance on anecdotes as foundational evidence. One school incident here, one speech clip there, one news headline in passing – and suddenly these isolated fragments become proof of a sweeping, coordinated ideological conspiracy across all levels of society.
We no longer use stories to illustrate positions; we use them to manufacture reality. One viral video becomes a trend; one rogue teacher, an educational takeover; one questionable policy rollout, the death of democracy.
Stories become ontological weapons: they shape what exists simply by being repeated with enough moral pressure. Political tribes treat them as talismans, small narrative objects with outsized metaphysical weight.
MEOW (the Mediated Encounter Ontology of the World) was designed in part to resist this temptation. It reminds us that events are not symptoms of a singular will but the turbulent output of innumerable interacting mediations. The worldview on display in this book requires villains, where a relational ontology recognises only networks.
The Missing Category: Structural Analysis
Perhaps the most conspicuous absence in the book is any substantive socio-economic analysis. Everything is attributed to malice, not structure. Democratic failures become signs of moral rot, never the predictable outcome of late-stage capitalism, globalisation’s uneven effects, austerity cycles, demographic shifts, institutional brittleness, bureaucratic inertia, political economy incentives, or the informational fragmentation of the digital age.
None of these appear anywhere in the text. Not once.
Because the book is not analysing policy; it’s diagnosing sin. It treats political outcomes as evidence of coordinated malevolence, never as the emergent result of complex systems that no faction fully understands, let alone controls.
This is where Dis-Integration is useful: the world does not malfunction because some cabal introduced impurity; it malfunctions because it was never integrated in the first place. My colleague is still hunting for the traitor inside the castle. The more sobering truth is that the castle is an architectural hallucination.
Where He Is Not Wrong
Lest this devolve into pure vivisection, it is worth acknowledging that my colleague does brush against legitimate concerns. There are structural issues in American education. There are ideological currents in universities, some of which drift into intellectual monoculture. There are media ecosystems that reinforce themselves through feedback loops. There are public-health missteps that deserve scrutiny. There are institutional actors who prefer narratives to nuance.
But these are not partisan phenomena; they are structural ones. They are not symptoms of Democratic corruption; they are symptoms of the modern polity. When the author grasps these truths, he does so only long enough to weaponise them – not to understand them.
The Danger of Certainty
What lingers after reading Why Democrats Are Dangerous is not outrage – though one suspects that was the intended emotional temperature – but a kind of intellectual melancholy. The book is not the product of a malevolent mind; it is the product of a sealed one. A worldview so thoroughly fortified by decades of ideological reinforcement that no countervailing fact, no structural nuance, no complexity of human motivation can penetrate its perimeter.
The author believes he is diagnosing a civilisation in decline; what he has actually documented is the failure of a particular Enlightenment inheritance: the belief that one’s own view is unmediated, unfiltered, unshaped by social, linguistic, and cognitive forces. The belief that Reason – capital R – is a neutral instrument one simply points at the world, like a laser level, to determine what is ‘really happening’.
The Enlightenment imagined that clarity was accessible, that moral alignment was obvious, that rational actors behaved rationally, that categories reflected reality, and that the world could be divided into the virtuous and the dissolute. This book is the direct descendant of that fantasy.
It takes an entire half of the population and casts them as an essence. It arranges anecdotes into inevitability. It pathologises disagreement. It treats institutions as coherent conspiratorial actors. It transforms political opponents into ontological threats. And it performs all of this with the serene confidence of someone who believes he is simply ‘telling it like it is’.
The irony is almost tender.
Because the danger here is not Democrats. Nor Republicans. Nor necessarily even the political class as a whole. The real danger is certainty without introspection: the comfort of moral binaries; the seduction of explanatory simplicity; the refusal to acknowledge one’s own mediation; the urge to reduce a complex, multi-layered, semi-chaotic polity into a single morality narrative.
My friend did not discover the truth about Democrats. He discovered the architecture of his own worldview – and mistook the one for the other.
If we must be afraid of something, let it be worldviews that cannot see themselves.
Read next:The Republic of Recursive Prophecy – an earlier piece that charts how political worldviews become self-reinforcing myth-machines.
I couldn’t resist feeding another concept into the MEOW GPT – ‘Progress’. Now you don’t have to. The results are as expected.
Video: Robot reading a newspaper whilst watching news on the telly. NB: This has little to do with the page content. I rendered it for another project, but didn’t use it.
Concept
Input: progress
Type: Normative–evaluative temporal concept (idea of improvement over time; macro-comparison rule)
Scope check: In-scope – central to Enlightenment narratives, clearly multi-tier, perfect for MEOW+LIH framing.
High-level summary (≤120 words)
“Progress” isn’t a neutral description of change; it’s a way of coding sequences of encounters as “getting better” according to some (often hidden) metric. Biologically, we enjoy mastery, relief from threat, and efficiency gains, which make certain changes feel like progress. Cognitively, we impose arrows, ladders, and stories of advancement onto messy histories. Linguistically, “progress” is a heavily contested macro-term that slides between technology, morals, economics, and personal growth. Socially and technically, institutions build progress into metrics (GDP, innovation indices, “development”), roadmaps, and infrastructures, which then enforce one vision of betterment. In MEOW terms, “progress” is a family of mediated encounter-patterns, not an objective direction baked into the world.
T0 – Biological Mediation
Applicability: Weakly to moderately applicable – there is no innate “sense of progress”, but bodies provide priors for what will be experienced as progress.
Analysis:
Organisms are tuned to reduce pain and increase security; changes that lower threat or effort (less hunger, more shelter, shorter paths) tend to feel intrinsically “better” at a bodily level.
Learning and mastery trigger reward signals: successfully performing a task faster or with less error produces bodily satisfaction, giving micro-encounters of “I’m progressing”.
However, bodies are also present-biased (we discount distant benefits), which conflicts with grand narratives of long-term progress that demand near-term sacrifice.
Chronic stress, disability, or aging can radically invert intuitive progress narratives: what counts as “improvement” may become extremely local (less pain today, one more functional ability retained).
T1 – Cognitive Mediation
Applicability: Strongly applicable – “progress” is largely a cognitive imposition on temporal change.
Analysis:
We construct temporal schemas (arrows, ladders, stages) and then fit history, technology, or personal life into them: primitive → advanced, childhood → maturity, underdeveloped → developed.
Progress judgments always depend on chosen metrics and baselines: we decide which variables to track (comfort? equality? power? lifespan? biodiversity?) and from which starting point, then declare a direction “up”.
Hindsight bias and survivor bias make progress narratives seductive: we mainly see successful pathways and reinterpret past suffering as necessary stepping stones.
Many minds default to a teleological story (“things are heading somewhere”) and smuggle in inevitability: once something happened, it was “on the path of progress”.
Personal identity work often leans on progress schemas (“I’m better than I was”, “I’ve grown”), which can be empowering—but also oppressive when life moves sideways or backwards.
T2 – Linguistic Mediation
Applicability: Maximally applicable – “progress” is a classic case for the Language Insufficiency Hypothesis.
Analysis:
On LIH’s topography, “progress” is a Contestable term: central, value-saturated, and permanently argued over (like justice, freedom, development). People vigorously disagree on what counts as “better”.
It also behaves as a Fluid: the same word ranges over technological advance, moral improvement, economic growth, scientific accumulation, personal healing, social liberation, and more, with blurry boundaries.
There is a huge Presumption Gap: speakers talk as if “progress” were almost self-explanatory (“we need progress”, “don’t stand in the way of progress”), while quietly plugging in different metrics and beneficiaries.
Political rhetoric (e.g., “progressive”, “pro-growth”) makes “progress” sound descriptive (“this is progress”) when it’s largely a normative claim about which trade-offs to accept.
Attempts to spell out “real progress” in detail (sustainable, inclusive, decolonial, post-growth, etc.) risk crossing the Effectiveness Horizon: each added qualifier improves precision for some audiences but makes the term heavier, more contested, and less communicatively effective for others.
Metaphors of forward motion and height (“moving forward”, “lagging behind”, “advanced”, “backward”) naturalise a directional axis and position whole peoples or practices on it, with obvious power implications.
T3 – Social/Technical Mediation
Applicability: Strongly applicable – progress is institutionalised in metrics, infrastructures, and stories.
Analysis:
Modern states and markets operationalise “progress” via indicators: GDP, productivity, patent counts, test scores, life expectancy, HDI, etc. What’s measured becomes what “progress” officially means.
Institutions plan through progress narratives: roadmaps, five-year plans, “maturity models”, technology readiness levels, academic rankings. These formats stage reality as a path with rungs and milestones.
Struggles over progress show up as conflicts between infrastructures: highways vs public transit, fossil fuels vs renewables, prisons vs restorative systems, expansion vs conservation.
Progress talk often justifies harm or sacrifice: displacement, environmental damage, labour exploitation, or cultural erasure are framed as unfortunate but necessary costs of “advancement”.
Tech culture enacts a particularly strong progress script (“disruption”, “version 2.0”, “moonshots”), which can overshadow regressions (loss of privacy, fragility, inequality) that don’t fit the official metric.
Counter-movements (degrowth, disability justice, decolonial thought, climate activism) challenge dominant progress patterns, proposing alternative metrics (care, resilience, biodiversity, repair) and thus different encounter-patterns to call “better”.
Limits & failure modes
Language insufficiency notes
LIH suggests “progress” will remain permanently unstable: it lives in a region where our need for a powerful, simple word outruns our ability to fix its content across contexts.
Because “progress” feels both descriptive and obviously good, the Presumption Gap is structurally dangerous: it allows one group’s gain to be presented as universal improvement, even when others clearly lose.
Attempts to define progress once and for all tend to hit the Effectiveness Horizon: more detailed definitions reveal underlying value conflicts rather than resolving them.
Missing tiers / blind spots
A purely T3 view (“progress is whatever our metrics say”) ignores embodied and psychological costs that never enter the indicators.
A purely T1 view (“progress is just a narrative”) underestimates how deeply infrastructures and institutions lock in certain trajectories and make alternatives materially difficult.
MEOW framing itself can tempt us toward a detached stance (“just different mediations”), but with progress this is politically loaded: deciding which encounter-patterns we count as “better” is not neutral analysis, it’s a moral and political act.
Instead of sleeping like a functional adult, I’ve spent the night creating, testing, and refining a bespoke GPT that has fully absorbed my MEOW and LIH frameworks. Apologies that the LIH manuscript isn’t yet public; some of the terminology may look delightfully alien if you’re coming in cold.
This model doesn’t role-play a philosopher; it thinks through the Mediated Encounter Ontology. It runs every input through T0–T3 mediations and then applies the Language Insufficiency Hypothesis to explain why our words fail us in predictable, structural ways.
Audio: NotebookLM summary podcast of this post on the MEOW GPT.
I stress-tested it with a dozen concepts, from the obvious to the uncooperative. It happily tells you when your input makes sense, when it’s out of scope, and when you’ve handed it conceptual soup. My first test was the hard problem of consciousness, because naturally we begin with the philosophical boss fight. I dialled down some over-enthusiastic LIH flourishes, but the bones are untouched.
I’m making this public for a simple reason: it’s the clearest way for people to see how MEOW operates without wandering through a hundred pages of my prose. These outputs capture how I process information and why these frameworks feel so intuitively correct to me. When you read them, you get a direct view of my interpretive machinery – how the world clicks for me, and how these ideas evolved.
It hasn’t been rigorously battle-tested across the entire conceptual universe, but it’s stable, coherent, and frankly too interesting to keep in the drawer. If you try it – and I hope you do – I’d love to see what it does with your own concepts. If you need help reading the results, ask. I didn’t simplify the system; it expects literacy, nuance, and a working prefrontal cortex.
Below is a sample output. I asked the model to analyse modernity.
Concept
Input: modernity
Type: historical–social formation / self-description of an era / conceptual frame
Scope check: in-scope – central for how MEOW treats large-scale shifts in mediation (social, technical, cognitive, linguistic)
High-level summary (≤120 words)
Modernity is both a historical bundle (industrialisation, nation-states, capitalism, science, bureaucracy, media) and a story societies tell about themselves (“we are modern, unlike the past”).
In MEOW terms, modernity is a large-scale reorganisation of mediations:
T1: new cognitive habits (individualism, planning, abstraction, risk-calculation).
T2: new vocabularies (progress, development, rationality, “religion” vs “science”).
T3: new institutions and technologies (markets, states, factories, schools, mass media, digital networks).
“Modernity” is not a single thing but a way these shifts hang together and become a background to everyday encounter.
T0 – Biological Mediation
Applicability: Applicable
Analysis:
Modernity radically reshapes the immediate bodily environment: dense cities, artificial lighting, noise, pollution, sedentary work, and altered sleep cycles change basic sensory and metabolic conditions.
Medical advances and public health (vaccination, antibiotics, sanitation, surgery) modify life expectancy, infant mortality, and chronic illness, which in turn change how life cycles feel and are planned.
New food systems (industrial agriculture, processed foods, global supply chains) alter nutrition, exposure to toxins, and rhythms of hunger and satiety.
Industrial and digital work reorganise movement and posture: repetitive factory labour, office desk work, and screen use all reshape embodiment, fatigue, and bodily awareness.
These T0 changes set the stage for new affective baselines (e.g., chronic low-level stress, stimulation overload) that colour what it is like to live in a “modern” world.
T1 – Cognitive Mediation
Applicability: Strongly applicable
Analysis:
Modernity encourages certain cognitive styles: systematic planning, quantification, risk assessment, cost–benefit thinking, and an emphasis on prediction and control.
The sense of self is reconfigured toward individualism and reflexivity: people see themselves as projects to be chosen, improved, optimised, often with long-term career and life-planning horizons.
Exposure to multiple roles, cultures, and information streams (through migration, media, education) produces more complex identity structures and can create cognitive dissonance or fragmentation.
Scientific and technical worldviews teach people to reframe events in terms of mechanisms, probabilities, and systems rather than fate, tradition, or local narratives.
The sheer volume and speed of information flows in late modernity (news, social media, notifications) trains attention toward rapid scanning and shallow switching, affecting memory, concentration, and emotional regulation.
These patterns make certain experiences “normal” (abstract work, mediated relationships, bureaucratic interactions) that would be extraordinary or impossible in premodern settings.
T2 – Linguistic Mediation
Applicability: Strongly applicable
Analysis:
Modernity itself is a label that societies use to contrast “us” with “them” (the past, “traditional” societies, “the East,” “the primitive”); it is a polemical as well as descriptive term.
In Language Insufficiency terms, modernity is highly Fluid: it can mean a period (“since the 18th century”), a style (modernist art), a value system (rational, secular, progressive), or a socio-economic order (capitalist, industrial, bureaucratic). Different authors slide between these quietly.
It’s also Contestable: critics and defenders use the same word but point to different aspects—emancipation and progress versus alienation, exploitation, ecological crisis.
Pairs like “modern vs traditional” or “modern vs backward” compress complex differences into simple hierarchies, smuggling in a presumption that “modern” is automatically better or more advanced.
Talk of “post-modernity” or “late modernity” suggests that we can neatly periodise and step outside the modern, even while our concepts and institutions remain shaped by it—an example of language implying more clarity and control than we actually have.
At the most global scale (“the meaning of modernity,” “the modern condition”), we approach an Effectiveness Horizon: the term feels weighty but becomes vague; people resort to sweeping metaphors (disenchantment, liquefaction, acceleration) whose exact content is hard to pin down.
First-person experiences of being “overwhelmed by modern life,” “liberated by modern options,” or “disconnected in modern society” often have an Ineffable quality: standard clichés don’t quite capture the texture of these lives, even as they gesture at them.
T3 – Social/Technical Mediation
Applicability: Strongly applicable
Analysis:
Modernity is most visible as a mesh of institutions: nation-states, markets, bureaucracies, public schools, hospitals, prisons, armies, scientific organisations, corporations, NGOs.
These institutions standardise time (clocks, schedules), space (borders, property lines, zoning), identity (passports, ID numbers), and value (money, statistics, rankings) so that encounters become predictable and governable across large scales.
Technologies—steam engines, electricity, mass transport, broadcasting, computing, the internet, AI—are both products and drivers of modernity. They make possible new encounter-forms (remote work, global real-time communication, mass surveillance).
Urbanisation concentrates people into large, heterogeneous populations, which reconfigures social networks, anonymity, solidarity, and conflict; everyday encounters become more mediated by rules, signage, and digital systems than by face-to-face custom.
Capitalist production and consumption patterns organise much of life around work, income, and markets; the rhythms of the factory, office, and platform economy structure when and how people interact, rest, and move.
Modern governance uses statistics, censuses, and models to “see” and manage populations; this makes certain aspects of life legible (employment, crime, disease) while leaving others under- or uncounted (informal care, undocumented work, emotional labour).
Counter-movements (romanticism, traditionalism, environmentalism, decolonial and Indigenous resurgence, slow-living and anti-consumerist practices) can be read as attempts to renegotiate or resist specific modern mediations rather than simply reject “modernity” as a whole.
Limits & failure modes
Language insufficiency notes
Modernity bundles together time (a historical era), structure (a type of society), and value (being “up to date”). This makes the term rhetorically powerful but analytically slippery: it’s easy to smuggle evaluations into what sound like neutral descriptions.
Because the concept is so broad, discussions often conflate distinct issues—technology, capitalism, secularisation, colonialism, individualism, bureaucracy—under one word, obscuring which mechanisms are actually at work.
Experiences of living in “modern times” (speed, fragmentation, choice, precariousness, possibility) often outrun our stock phrases; people lean on recurring complaints (“too fast,” “too shallow,” “too lonely”) that only partially capture what it’s like.
Missing tiers / blind spots
This sketch doesn’t adjudicate between different theories of modernity (Marxist, Weberian, postcolonial, systems-theoretic, etc.); it treats them as emphasising different mediational strands.
It’s centred on Euro-Atlantic narratives; “multiple modernities” and non-Western trajectories (where “modern” elements mix with older forms in hybrid ways) would need a richer T3 treatment.
The analysis underplays ecological dimensions: industrial modernity’s dependence on fossil fuels, large-scale extraction, and waste has massive implications for how future encounters will be structured.
Finally, because we are ourselves situated in what we call modernity, our conceptual vantage is limited; any map we draw is partly an artefact of the very mediations we’re trying to analyse.
In the great hall of the palace, at the centre of a circle of polished stone, stood what the kingdom called the Last Unicorn.
No one had ever seen it. No one was permitted to try.
The Founders had decreed that direct observation would profane the creature’s ‘purity’. To see it was to diminish it; to touch it was to collapse its ‘essential nature’ into some accidental form. Thus, the unicorn could be approached only through instruments – never through hands, eyes, or unmediated judgement.
It was the Last not because others had died, but because it remained the final remnant of an age that still believed truths stood on stone.
Audio: NotebookLM podcast summary of this topic.
The Instruments
To preserve the unicorn’s nature, the Keepers constructed an evolving array of devices.
The Spiral Gauge, oldest and most revered, hung from silk threads above the empty circle. It detected one possible configuration of the horn’s curvature – never the horn itself.
The Echo Clock measured hoofbeats. The hall was silent, yet the wires vibrated all the same, yielding intervals that corresponded (according to the ledgers) to modes of unicornic motion: walking, standing, contemplative stillness.
The Mane Spectrometer mapped disturbances in candlelight to infer the density of a mane that existed only in theory.
The Temperament Dial synthesised these readings into a single number – currently 1.618: serene alertness.
The instruments never disagreed; they could not disagree, because each was calibrated against the others.
‘Truth is coherence’, the Master Keeper taught.
The Scaffolding Expands
Over centuries, ledgers multiplied into an archive wing. Scholars journeyed from distant kingdoms to admire the rigour of the data.
A visiting philosopher once said, ‘Your measurements form the most complete record of unicornic behaviour ever assembled’.
The apprentices beamed. No one asked why no other kingdom kept such records.
Schools taught the unicorn’s anatomy. Artists painted its likeness. The quarterly update of the Temperament Dial was read aloud in public squares. Children traced the golden spiral, believed to mirror the creature’s horn.
When dissidents questioned the absence of hoofprints, they were told what everyone knew:
‘The Last Unicorn is beyond crude contact. Only refined instruments can reveal its truth’.
Consensus deepened. With it grew the need for further instruments.
A Quiet Realisation
Sometimes, on night watch, a Keeper would stand above the empty stone. The Spiral Gauge quivered. The Echo Clock murmured. The Proportion Engine hummed, harmonising the system.
And in that stillness, the Keeper would feel a thought rise and evaporate instantly:
that the instruments described one another more faithfully than anything else.
That their perfect coherence reflected the architecture of the scaffolding, not any creature the scaffolding purported to measure.
Such thoughts were structural, not heretical – and no less dangerous.
The Last Unicorn
The Minister liked to call it the Last Unicorn. He never explained why it was last or what fate had befallen the others. He did not need to. The title served its purpose:
If it is the Last, no comparison is possible. No contradiction can emerge. No counterexample can survive.
Its uniqueness proved its necessity.
What else could unify a kingdom but a creature no one could touch, see, or disbelieve?
The Closing Line
And so the unicorn remained – in measurements, in ratios, in ledgers, in rhetoric.
A fiction made coherent by instruments, maintained by tradition, sanctified by those who needed it to be real.
The Last Unicorn was not the final creature of its kind. It was the last foundation still standing. And in that sense – it was more real than anything that had ever lived.
Accusations of writing being AI are becoming more common – an irony so rich it could fund Silicon Valley for another decade. We’ve built machines to detect machines imitating us, and then we congratulate ourselves when they accuse us of being them. It’s biblical in its stupidity.
A year ago, I read an earnest little piece on ‘how to spot AI writing’. The tells? Proper grammar. Logical flow. Parallel structure. Essentially, competence. Imagine that – clarity and coherence as evidence of inhumanity. We’ve spent centuries telling students to write clearly, and now, having finally produced something that does, we call it suspicious.
Audio: NotebookLM podcast on this topic and the next one.
My own prose was recently tried and convicted by Reddit’s self-appointed literati. The charge? Too well-written, apparently. Reddit – where typos go to breed. I pop back there occasionally, against my better judgment, to find the same tribunal of keyboard Calvinists patrolling the comment fields, shouting ‘AI!’ at anything that doesn’t sound like it was composed mid-seizure. The irony, of course, is that most of them wouldn’t recognise good writing unless it came with upvotes attached.
Image: A newspaper entry that may have been generated by an AI with the surname Kahn. 🧐🤣
Now, I’ll admit: my sentences do have a certain mechanical precision. Too many em dashes, too much syntactic symmetry. But that’s not ‘AI’. That’s simply craft. Machines learned from us. They imitate our best habits because we can’t be bothered to keep them ourselves. And yet, here we are, chasing ghosts of our own creation, declaring our children inhuman.
Apparently, there are more diagnostic signs. Incorporating an Alt-26 arrow to represent progress is a telltale infraction → like this. No human, they say, would choose to illustrate A → B that way. Instead, one is faulted for remembering – or at least understanding – that Alt-key combinations exist to reveal a fuller array of options: …, ™, and so on. I’ve used these symbols long before AI Wave 4 hit shore.
Interestingly, I prefer spaced en dashes over em dashes in most cases. The em dash is an Americanism I don’t prefer to adopt, but it does reveal the American bias in the training data. I can consciously adopt a European spin; AI, lacking intent, finds this harder to remember.
I used to use em dashes freely, but now I almost avoid them—if only to sidestep the mass hysteria. Perhaps I’ll start using AI to randomly misspell words and wreck my own grammar. Or maybe I’ll ask it to output everything in AAVE, or some unholy creole of Contemporary English and Chaucer, and call it a stylistic choice. (For the record, the em dashes in this paragraph were injected by the wee-AI gods and left as a badge of shame.)
Meanwhile, I spend half my time wrestling with smaller, dumber AIs – the grammar-checkers and predictive text gremlins who think they know tone but have never felt one. They twitch at ellipses, squirm at irony, and whimper at rhetorical emphasis. They are the hall monitors of prose, the petty bureaucrats of language.
And the final absurdity? These same half-witted algorithms are the ones deputised to decide whether my writing is too good to be human.
What followed was a case study in how not to communicate.
LinkedIn, that self-parody of professional virtue signalling, is essentially a digital networking séance: a place where narcissism wears a tie. So I expected a reaction – just not one quite so unintentionally revealing.
Audio: NotebookLM podcast on this topic.
But First…
Before I get too engaged, I want to share one of my favourite interactions: After I informed a commenter that I was a trained economist who taught undergraduate economics for the better part of a decade and had read many seminal economic books and journals firsthand, he replied, ‘No wonder you don’t know anything about economics’.
It reminded me of Oscar Wilde’s quip:
Education is an admirable thing, but it is well to remember from time to time that nothing that is worth knowing can be taught.
— Oscar Wilde
I think he may have taken this point too far.
The Post
I posted this:
Capitalism doesn’t kill with guns or gulags. It kills with forms, policy, and plausible deniability. The machine is efficient precisely because no one feels responsible. When an insurance executive cuts ‘unprofitable’ coverage, it’s not an atrocity – it’s ‘cost optimisation’.
Four assertions that, if anything, were restrained. And yet, of roughly 6,600 impressions, 150 people commented – and only ten actually clicked through to read the article itself. Two, perhaps, reached the source post.
So, fewer than one-tenth of one per cent engaged with the argument. The rest engaged with their projections.
The Anatomy of Reaction
From this data set, one can discern a familiar pattern – social media’s endemic form of discourse dementia. People no longer respond to content, but to keywords. They hear ‘capitalism’ and proceed to recite preloaded scripts from whichever Cold War memory palace they inhabit.
Their replies fall neatly into categories.
1. The Purists and Apologists
These are the theologians of the market. They defend a sacred true capitalism – pure, fair, competitive – untainted by corruption or collusion. Every failure is blamed on heresy: ‘That’s not capitalism, that’s bureaucracy’.
This is theology masquerading as economics. The purity argument is its own circular proof: if capitalism fails, it was never real capitalism to begin with.
I eventually replied with a meme that captured the absurdity perfectly:
« Yeah, bruh! Cancer is not the problem. The problem is stage 4 cancer. What we need is stage 2 cancer. »
Image: Mentioned Meme
That’s the logic of ‘real capitalism’. A belief that malignancy can be cured by downgrading it.
2. The Cold Warriors and Whatabouters
When all else fails, shout Stalin. ‘Move to Cuba’, they say, as if the modern world were still divided between the Berlin Wall and McDonald’s.
These people argue from the long-term memory of the twentieth century because their short-term memory has been erased by ideology. The result is political dementia – functioning recall of ghosts, total blindness to the present.
3. The Moral Traditionalists
‘Capitalism created the highest living standards in history’, they proclaim, ignoring that the same sentence could be said of feudalism by a duke.
They confuse correlation for causation: prosperity under capitalism equals prosperity because of capitalism. It’s a comforting fable that erases the costs – colonialism, exploitation, environmental collapse—folded into that narrative of progress.
4. The Diagnosticians and Dismissers
When all argument fails, the fallback is pathology: ‘You’re confused,’ ‘You’re a cancer’, ‘Take this nonsense to Bluesky‘.
Ad hominem is the last refuge of the intellectually cornered. It converts disagreement into diagnosis. It’s a defence mechanism masquerading as discourse.
5. The Bureaucracy Confusionists
This group misread ‘forms and policy’ as an attack on government, not markets. For them, only the state can be bureaucratic. They cannot conceive of corporate violence without a uniform.
That’s precisely the blindness the post was about – the quiet procedural cruelty embedded in systems so efficient no one feels responsible.
6. The Realists and Partial Allies
A handful of commenters admitted the system was broken – just not fatally. ‘Capitalism has gone astray’, they said. ‘It’s not capitalism; it’s profiteering’.
This is capitalism’s soft apologetics: acknowledging illness while refusing to name the disease. These are the reformists still rearranging chairs on the Titanic.
7. The Human-Nature Essentialists
‘The problem isn’t capitalism – it’s people’.
Ah yes, anthropology as absolution. The rhetorical sleight of hand that converts design flaws into human nature. It’s a comforting determinism: greed is eternal, therefore systems are blameless.
This, too, proves the thesis. Capitalism’s most effective mechanism is the internalisation of guilt. You blame yourself, not the structure.
8. The Paranoids and Projectionists
For these, critique equals conspiracy. ‘The Marxists are oppressing your freedom’. ‘Bank accounts frozen in Canada’. ‘Social credit scores!’
They live in a world where any question of fairness is a plot to install a totalitarian state. Their fear is algorithmic; it needs no source.
9. The Systemic Observers
A few – precious few – saw the argument clearly. They understood that capitalism’s violence is procedural, not personal. That its atrocities come with signatures, not bullets. That the “cost optimisation” logic of insurance or healthcare is not an aberration – it’s the system functioning as designed.
These voices are proof that rational discourse isn’t extinct – merely endangered.
Discourse Dementia
What this episode reveals is not a failure of capitalism so much as a failure of cognition. The audience no longer hears arguments; it hears triggers. People don’t read – hey recognise.
The reflexive replies, the off-topic tangents, the moral panic – all of it is capitalism in miniature: fast, efficient, transactional, and devoid of empathy.
Social media has become the bureaucratic form of thought itself – automated, unaccountable, and self-reinforcing. Nobody reads because reading doesn’t scale. Nobody engages because attention is a commodity.
Capitalism doesn’t just kill with forms. It kills with feeds.
Coda: The Light That Blinds
The Enlightenment promised clarity – the clean line between reason and superstition, order and chaos, subject and object. Yet, from that same light emerged the bureaucrat, the executive, and the algorithm: three perfect children of reason, each killing with increasing efficiency and decreasing intent.
Capitalism is merely the administrative arm of this lineage – the economic expression of the Enlightenment’s original sin: mistaking quantification for understanding. When discourse itself becomes procedural, when conversation turns into cost-benefit analysis, thought ceases to be an act of care and becomes an act of compliance.
The tragedy isn’t that we’ve lost meaning. It’s that we’ve automated it. The machine hums on, self-justifying, self-optimising, self-absolving.
Your post is a confession that anti-capitalism kills with guns and gulags. Give me capitalism over socialism any day.
Well, you should move to Cuba or any other socialist paradise… end of issue.
How can you be taken seriously when you conflate an entire economic system with health insurance? And for someone to say that overt murder, a la Stalin, is “decency”? That speaks for itself.
That is not capitalism. That is bureaucracy.
Healthcare isn’t free and everyone has the same right to make or not to make money.
Sounds more like socialism. Do it our way or we will freeze your bank account, take your job, and make sure you get nothing till you comply (proof was during covid)
Capitalism has made us the desired destination for those living in socialistic societies
BEURACRACY. The word your looking for is BEURACRACY not capitalism. There is no form of government more beurocratic than communism, except socialism. If you wonder why that is, communism doesn’t have to hide it’s authoritarianism like socialism does.
Socialism/Communism killed over 100 million the last century the old fashioned way;: bullets, starvation, torture, etc. Capitalism lifted 1 billion people out of poverty
Pathetic – misleading statement. Yes there are many problems, and mistakes that should be corrected. But as a physician, can guarantee before this medical system starting to ignore viruses, far more people were killed yearly under socialist or communist medical systems than capitalism. Wake up – care was not denied because many procedures and higher levels of care were unreachable to most!!!
How is the Government any different? You get what they say you get without the option of voting with your feet/checkbook. I’ll take my chances in the free market EVERY TIME.
This post is fiction from the start. Capitalism does NOT kill. Communism/Socialism does though.
Are you implying the ponderous inactivity of the socialist apparat is not worse than what we encounter with capitalistic motivated organizations? Learn the facts.
Capitalism works well enough–better than any other alternatives. It degrades when government sticks its nose into private transactions to provide cover for lethargy and inefficiency. Responsibility moves from the person with whom one deals to a great nothingness of indifference. [truncated for brevity]
Private insurance has its faults but so does government insurance they are different but just as challenging
Any business that deals directly with Human tragedy (Casualty, Medical, Health, et al) should be held to both a different and higher standard in “cost optimization” than other businesses. To say that someone’s chemo should be spreadsheeted in the same columns as someone’s second home 80 feet from the beach is proof that capitalism is dead and scorched earth profiteering is now the new normal.
The argument should not be about capitalism vs. communism, but rather about human beings. Are humans creative/gifted enough to take care of themselves and produce surplus for the helpless few, or helpless sheep, majority to be fed and controlled by elites? But for your edification Bry, as you are critic of capitalism, try communism for a season, to balance your critique.
Bry WILLIS how long have you been this confused about basic economics and government policy?
Most people stop using the “I know you are, but what am I” basis for their arguments by the age of seven or eight. But it appears to still be your basis for discourse.
I wish you better luck seeing and understanding things for what they actually are vice how you wish they were.
The rules come from a socialist regime. The Marxists are oppressing your freedom. Not rhe FREE market and free enrerprises. What are you talking about….
That is is not capitalism. that is CRONY capitalism when feather merchants spread so much hoo-ha that nobody can get anything done.
Bry WILLIS look up social credit. Bank accounts under this government in Canada, have already been frozen, for dare disagreeing with them
This man feels our health insurance system represents capitalism? We better have a more in depth talk about how American health insurance works.
This has nothing to do with “capitalism”. If you choose to use the English language to communicate, understand the intended meanings of the words. We use contract law in our country regarding insurance coverage. It has little to do with capitalism. In fact, Obamacare stripped any semblance of capitalism from the process and replaced it with pricing manipulation, regulations, subsidies and other such “adjustments” to what used to be a capitalistic system. Blame the regulations, and lack of government enforcement, not “capitalism”. No winder NYC elected Momdani.
Ask those in China, N. Korea, and Russia how socialism/communism works for them.
Next you will have Gen AI and Agentic AI declining claims so that management can just point to the AI and no one has to feel bad for cutting off life saving care.
You’re a cancer. Capitalism created the best living standards the world ever seen. The socialist show up and corrupt it with all these social programs that don’t work and that’s where we’re at. You’re killing the future. You’re an idealist that never had to live in the real work and built anything and you’ll be the one who’s bitching when you’re on relief.
The only system that placed people in gulags was socialism all under the banner of democracy.
This is pure nonsense. Take stuff like this on Bluesky
As I’ve said 4,000 times before, Capitalism requires robust competition in the market and zero collusion, price fixing, and market manipulation in order for it to function in its truest form and most beneficial economic impact to society as a whole (instead of 2%) and to be truly considered superior to other forms. None of those conditions exists in today’s capitalism (as practiced) and it has devolved into scorched earth profiteering which has a totally different definition and is practiced in a different way. Today’s profiteering by Corporations, which includes actions and behaviors that are counter-productive to capitalism, and that they hide under the guise of capitalism, acts as a malignant cancer on true capitalism and its inevitable result is, over time, a greater demand by society for socialist response as a counter measure. If Capitalism were working as it should, (and it’s not) that demand by society for socialist action would be highly diminished instead of enhanced.
Capitalism is not the “marriage of business and government” — that’s called oligarchy or, as the WEF calls it, “stakeholder capitalism”, also known as aristocracy. This is the current operating model of Canada, for example, wherein regulation and subsidy and tax”relief” is used to protect monopolies they are favorable to the sitting government.
Before we go any further, please share your definition of capitalism.
Such bureaucracy is worse with socialism, with even less individual freedom because the almighty centralized state maintains tight control over everything.
Another socialist complaining about tainted money. Bry, the money “taint” yours to spend. It belongs to those who earned it.
More like government bureaucracy
Notes and References
1.The Procedural Violence of Systems. David Graeber’s The Utopia of Rules (2015) and Bullshit Jobs (2018) remain essential on the bureaucratic face of modern capitalism — where compliance replaces conscience and inefficiency becomes profitable.
2.Markets as Mythology. Karl Polanyi’s The Great Transformation (1944) describes how “self-regulating” markets were never natural phenomena but products of state violence and enclosure. What contemporary defenders call “real capitalism” is, in Polanyi’s terms, a historical fiction maintained through continuous coercion.
3.The Logic of the Machine. Bernard Stiegler’s Technics and Time (1994–2001) and Automatic Society (2015) provide the philosophical frame for capitalism’s algorithmic mutation: automation not just of production, but of attention and thought.
4.Bureaucracy and Death. Max Weber’s early insight into rationalisation—the conversion of moral action into procedural necessity—reaches its necropolitical extreme in Achille Mbembe’s Necropolitics (2003), where the administration of life and death becomes a managerial function.
5.Language, Responsibility, and the Loss of Agency. Hannah Arendt’s Eichmann in Jerusalem (1963) diagnosed “the banality of evil” as precisely the condition described in the post: atrocity performed through paperwork, not passion. The executive who denies coverage is merely performing policy.
6.Attention as Commodity. Guy Debord’s Society of the Spectacle (1967) and Byung-Chul Han’s In the Swarm (2017) both chart the transformation of discourse into spectacle, and thought into metrics — the perfect capitalist apotheosis: outrage without substance, visibility without understanding.
7.On Reflex and Recognition. Friedrich Nietzsche’s Genealogy of Morals (1887) prefigures this pathology in his account of herd morality and ressentiment — a collective psychology where reaction replaces reflection.
Further Reading / Contextual Essays
The Ethics of Maintenance: Against the Myth of Natural Purpose A dismantling of the Enlightenment’s faith in progress. Maintenance, not innovation, becomes the moral task once teleology collapses. This essay lays the groundwork for understanding capitalism as an entropy accelerator disguised as improvement.
Against Agency: The Fiction of the Autonomous Self Explores how neoliberal ideology weaponises Enlightenment individualism. The myth of “self-made” success functions as capitalism’s moral camouflage — the narrative counterpart to plausible deniability.
The Illusion of Light: Thinking After the Enlightenment The core text of the Anti-Enlightenment corpus. A philosophical excavation of modernity’s central delusion: that illumination equals truth. Traces the lineage from Cartesian clarity to algorithmic opacity.
Objectivity Is Illusion (The Language Insufficiency Hypothesis) An inquiry into the failure of language as a medium for truth claims. Introduces the Effectiveness–Complexity Gradient, showing how every human system — political, linguistic, economic — eventually collapses under the weight of its own abstractions.
The Discipline of Dis-Integration A philosophy of maintenance over progress. Argues that dis-assembly — not construction — is the proper epistemic gesture in an age of exhaustion.
Propensity(Ridley Park, 2024) The fictional mirror to these essays. A speculative novel examining the behavioural mechanics of optimisation, obedience, and systemic cruelty — a narrative form of “cost-optimisation ethics.”
Philosophics 