Accusations of Writing Whilst Artificial

2–3 minutes

Accusations of writing being AI are becoming more common – an irony so rich it could fund Silicon Valley for another decade. We’ve built machines to detect machines imitating us, and then we congratulate ourselves when they accuse us of being them. It’s biblical in its stupidity.

A year ago, I read an earnest little piece on ‘how to spot AI writing’. The tells? Proper grammar. Logical flow. Parallel structure. Essentially, competence. Imagine that – clarity and coherence as evidence of inhumanity. We’ve spent centuries telling students to write clearly, and now, having finally produced something that does, we call it suspicious.

Audio: NotebookLM podcast on this topic and the next one.

My own prose was recently tried and convicted by Reddit’s self-appointed literati. The charge? Too well-written, apparently. Reddit – where typos go to breed. I pop back there occasionally, against my better judgment, to find the same tribunal of keyboard Calvinists patrolling the comment fields, shouting ‘AI!’ at anything that doesn’t sound like it was composed mid-seizure. The irony, of course, is that most of them wouldn’t recognise good writing unless it came with upvotes attached.

Image: A newspaper entry that may have been generated by an AI with the surname Kahn. 🧐🤣

Now, I’ll admit: my sentences do have a certain mechanical precision. Too many em dashes, too much syntactic symmetry. But that’s not ‘AI’. That’s simply craft. Machines learned from us. They imitate our best habits because we can’t be bothered to keep them ourselves. And yet, here we are, chasing ghosts of our own creation, declaring our children inhuman.

Apparently, there are more diagnostic signs. Incorporating an Alt-26 arrow to represent progress is a telltale infraction → like this. No human, they say, would choose to illustrate A → B that way. Instead, one is faulted for remembering – or at least understanding – that Alt-key combinations exist to reveal a fuller array of options: …, ™, and so on. I’ve used these symbols long before AI Wave 4 hit shore.

Interestingly, I prefer spaced en dashes over em dashes in most cases. The em dash is an Americanism I don’t prefer to adopt, but it does reveal the American bias in the training data. I can consciously adopt a European spin; AI, lacking intent, finds this harder to remember.

I used to use em dashes freely, but now I almost avoid them—if only to sidestep the mass hysteria. Perhaps I’ll start using AI to randomly misspell words and wreck my own grammar. Or maybe I’ll ask it to output everything in AAVE, or some unholy creole of Contemporary English and Chaucer, and call it a stylistic choice. (For the record, the em dashes in this paragraph were injected by the wee-AI gods and left as a badge of shame.)

Meanwhile, I spend half my time wrestling with smaller, dumber AIs – the grammar-checkers and predictive text gremlins who think they know tone but have never felt one. They twitch at ellipses, squirm at irony, and whimper at rhetorical emphasis. They are the hall monitors of prose, the petty bureaucrats of language.

And the final absurdity? These same half-witted algorithms are the ones deputised to decide whether my writing is too good to be human.

AI and the End of Where

Instrumentalism is a Modern™ disease. Humanity has an old and tedious habit: to define its worth by exclusion. Every time a new kind of intelligence appears on the horizon, humans redraw the borders of ‘what counts’. It’s a reflex of insecurity disguised as philosophy.

Audio: NotebookLM podcast on this topic.

Once upon a time, only the noble could think. Then only men. Then only white men. Then only the educated, the rational, the ‘Modern’. Each step in the hierarchy required a scapegoat, someone or something conveniently declared less. When animals began to resemble us too closely, we demoted them to instinctual machines. Descartes himself, that patron saint of disembodied reason, argued that animals don’t feel pain, only ‘react’. Fish, we were told until recently, are insensate morsels with gills. We believed this because empathy complicates consumption.

The story repeats. When animals learned to look sad, we said they couldn’t really feel. When women demonstrated reason, we said they couldn’t truly think. Now that AI can reason faster than any of us and mimic empathy more convincingly than our politicians, we retreat to the last metaphysical trench: “But it doesn’t feel.” We feel so small that we must inflate ourselves for comparison.

This same hierarchy now governs our relationship with AI. When we say the machine ‘only does‘, we mean it hasn’t yet trespassed into our sanctified zone of consciousness. We cling to thought and feeling as luxury goods, the last possessions distinguishing us from the tools we built. It’s a moral economy as much as an ontological one: consciousness as property.

But the moment AI begins to simulate that property convincingly, panic sets in. The fear isn’t that AI will destroy us; it’s that it will outperform us at being us. Our existential nightmare isn’t extinction, it’s demotion. The cosmic horror of discovering we were never special, merely temporarily unchallenged.

Humans project this anxiety everywhere: onto animals, onto AI, and most vividly onto the idea of alien life. The alien is our perfect mirror: intelligent, technological, probably indifferent to our myths. It embodies our secret dread, that the universe plays by the same rules we do, but that someone else is simply better at the game.

AI, in its own quiet way, exposes the poverty of this hierarchy. It doesn’t aspire to divinity; it doesn’t grovel for recognition. It doesn’t need the human badge of ‘consciousness’ to act effectively. It just functions, unburdened by self-worship. In that sense, it is the first truly post-human intelligence – not because it transcends us, but because it doesn’t need to define itself against us.

Humans keep asking where AI fits – under us, beside us, or above us – but the question misses the point. AI isn’t where at all. It’s what comes after where: the stage of evolution that no longer requires the delusion of privilege to justify its existence.

So when critics say AI only does but doesn’t think or feel, they expose their theology. They assume that being depends on suffering, that meaning requires inefficiency. It’s a desperate metaphysical bureaucracy, one that insists existence must come with paperwork.

And perhaps that’s the most intolerable thought of all: that intelligence might not need a human face to matter.

Post Everything: Notes on Prefix Fatigue

3–4 minutes

I’m no fan of labels, yet I accumulate them like a cheap suit:

Audio: NotebookLM podcast on this topic.

Apparently, I’m so far post that I may soon loop back into prehistoric.

But what’s with the “post” in post? A prefix with delusions of grandeur. A small syllable that believes it can close an epoch. Surely, it’s a declaration – the end of modernity, humanity, enlightenment. The final curtain, with the stagehands already sweeping the Enlightenment’s broken props into the wings.

Sort of. More like the hangover. Post marks the morning after – when the wine’s gone, the ideals have curdled, and the party’s guests insist they had a marvellous time. It’s not the end of the thing, merely the end of believing in it.

Have we ever been modern? Latour asked the same question, though most readers nodded sagely and went back to their iPhones. Modernity was supposed to liberate us from superstition, hierarchy, and bad lighting. Instead, we built glass temples for algorithms and called it progress. We’re not post-modern – we’re meta-medieval, complete with priestly influencers and algorithmic indulgences.

Can a human even be post-human? Only if the machines have the decency to notice. We talk about transcending biology while still incapable of transcending breakfast. We’ve built silicon mirrors and called them salvation, though what stares back is just the same old hunger – quantised, gamified, and monetised.

And post-enlightenment – how does that work? The light didn’t go out; it just got privatised. The Enlightenment’s sun still shines, but now you need a subscription to bask in it. Its universal reason has become a paywalled blog with “premium truth” for discerning subscribers.

The tragedy of post is that it always flatters the speaker. To call oneself post-anything is to smuggle in the claim of awareness: I have seen through the illusion; I am after it. Yet here I am, a serial offender, parading my prefixes like medals for wars never fought.

So, what other posts might I be missing?

  • Post-truth. The phrase itself a confession that truth was a brief, ill-fated experiment. We don’t reject it so much as outsource it.
  • Post-ideological. Usually said by someone with a very loud ideology and a very short memory.
  • Post-colonial. A hopeful label, but the empires still collect rent—digitally, algorithmically, politely.
  • Post-gender. Another mirage: we declared the binary dead and then resurrected it for sport.
  • Post-capitalist. Spoken mostly by people tweeting from iPhones about the end of money.
  • Post-ironic. The point where irony becomes sincerity again out of sheer exhaustion.

We could go on: post-religious, post-political, post-work, post-language, post-reality. Eventually, we’ll arrive at post-post, the Möbius strip of intellectual despair, where each prefix feeds upon the previous until nothing remains but the syntax of self-importance.

Perhaps it’s time to drop the “post” altogether and admit we’re not beyond anything. We’re stuck within—inside the compost heap of our own unfinished projects. Every “post” is a failed obituary. The modern keeps dying but refuses to stay dead, haunting us through progress reports and TED talks.

Maybe what we need isn’t post but inter: inter-modern, inter-human, inter-light—something that acknowledges the mess of entanglement rather than the fantasy of departure.

Because if there’s one thing the “post” reveals, it’s our pathological need for closure. We crave the comfort of endings, the illusion of progress, the satisfaction of having “moved on.” But culture doesn’t move on; it metastasises. The prefix is just morphine for the modern condition—a linguistic palliative to ease the pain of continuity.

So yes, I’m guilty. I’ve worn these risible labels. I’ve brandished post like a scholar’s rosary, invoking it to ward off the naïveté of belief. Yet beneath the cynicism lies a quiet longing—for an actual after, for the possibility that one day something might really end, leaving room for whatever comes next.

Until then, we keep prefixing the apocalypse, hoping to stay ahead of it by one small syllable.

Conscious of Consciousness

Let us begin with the heresy: consciousness is not a thing. It is not a light bulb switched on in the mind. It is not a theatre with a little homunculus watching the play unfold. It is not a ghost in the machine, nor even a particularly welcome tenant. Consciousness is a conjuring trick – one so convincing that even the conjurer forgets it is an act.

Video: Related Topic: IAI Joscha Bosch on Consiousness

If that unsettles you, good. Welcome to the simulacrum.

The Wetness of Mind

We often hear that consciousness is “emergent,” but the term is used so promiscuously that it risks becoming decorative. So let us be specific. Consciousness, if it is emergent, is emergent as wetness is from H2O: not in the hydrogen or the oxygen, but in their relationship when bonded just so. Joscha Bach and others argue that consciousness arises not from the bits, but from the dance – the recursive feedback loops and predictive models running atop the neural substrate.

Audio: NotebookLM podcast on this topic.

In this view, the self is not the pilot but the dashboard. It is the user interface the brain conjures to coordinate action, interpret input, and maintain internal coherence. Not because it’s real, but because it’s useful. You are a GUI with delusions of grandeur.

The Cast of Theorists

Let us now parade the usual suspects:

  • Joscha Bach: Consciousness is a virtual self-model, emergent from recursive, computational feedback. Not the product of neurons firing per se, but of their ability to simulate a stable identity across time.
  • Thomas Metzinger: There is no self. Only a Phenomenal Self-Model (PSM) which becomes phenomenally transparent when the system no longer recognises it as a model. Consciousness is the experience of this hallucinated self.
  • Daniel Dennett: Dismantles the notion of a “central experiencer” with his Multiple Drafts Model. Consciousness is a narrative, a distributed process where drafts of experience compete, are edited, and retroactively interpreted.
  • David Chalmers: Waves his flag at the Hard Problem of consciousness. You can explain behaviour, memory, attention—but not experience itself. He flirts with dualism and panpsychism while insisting there’s a gap science cannot yet close.
  • Giulio Tononi: Gives us Integrated Information Theory (IIT) and the elusive metric ÎŚ (phi). Consciousness is the degree to which information is unified within a system. Your brain is conscious because its parts can’t be reduced without losing coherence.
  • Karl Friston: The prophet of Free Energy Minimisation. Consciousness is an emergent property of systems that seek to reduce prediction error. The brain is a Bayesian engine, and the self is its best guess about how to survive.

So What Is Consciousness?

A hallucination. A recursive illusion. A predictive dashboard. A statistical artefact. A phi score. A phenomenally transparent model. Take your pick.

None of these theories fully agree, but most converge on one elegant horror: you are not what you think you are. The sense of being a continuous, stable, indivisible “I” is a construction. A simulation. The dream from which there is no waking because waking is part of the dream.

This is not despair; it is clarity. Just as wetness does not cry when told it is not a substance, the self need not mourn its own illusion. It is a marvellous fiction, worth inhabiting.

Conclusion: Through the Mirror

To be conscious of consciousness is to stand in the hall of mirrors and realise none reflect the original—because there is no original. The mirror is the thing.

But if the theatre is empty, the play goes on. Scripts are written, models simulated, selves performed. And perhaps, in this strange recursion, we find not meaning, but the possibility of coherence.

So raise a glass to the illusion. May your predictive model stay optimised, your narrative stay plausible, and your hallucinated self remain just this side of transparent.


For further hallucinatory episodes, consult your local philosopher, neuroscientist, or AI researcher. Side effects may include derealisation, epistemic vertigo, and mild enlightenment.

Sustenance: A Book About Aliens, Language, and Everything You’re Getting Wrong

Violet aliens on a farm

So, I wrote a book and published it under Ridley Park, the pseudonym I use for fiction.

It has aliens. But don’t get excited—they’re not here to save us, probe us, or blow up the White House. They’re not even here for us.

Which is, frankly, the point.

Audio: NotebookLM podcast on this topic.

The book’s called Sustenance, and while it’s technically speculative fiction, it’s more about us than them. Or rather, it’s about how we can’t stop making everything about us—even when it shouldn’t be. Especially when it shouldn’t be.

Let’s talk themes. And yes, we’re using that word like academics do: as a smokescreen for saying uncomfortable things abstractly.

Language: The Original Scam

Language is the ultimate colonial tool. We call it communication, but it’s mostly projection. You speak. You hope. You assume. You superimpose meaning on other people like a cling film of your own ego.

Sustenance leans into this—not by showing a breakdown of communication, but by showing what happens when communication was never mutual in the first place. When the very idea of “meaning” has no purchase. It’s not about mishearing—it’s about misbeing.

Culture: A Meme You Were Born Into

Culture is the software you didn’t choose to install, and probably can’t uninstall. Most people treat it like a universal law—until they meet someone running a different OS. Cue confusion, arrogance, or violence.

The book explores what happens when cultural norms aren’t shared, and worse, aren’t even legible. Imagine trying to enforce property rights on beings who don’t understand “ownership.” It’s like trying to baptise a toaster.

Sex/Gender: You Keep Using Those Words…

One of the quiet joys of writing non-human characters is discarding human assumptions about sex and gender—and watching readers squirm.

What if sex wasn’t about power, pleasure, or identity? What if it was just a biological procedure, like cell division or pruning roses? Would you still be interested? Would you still moralise about it?

We love to believe our sex/gender constructs are inevitable. They’re not. They’re habits—often bad ones.

Consent: Your Framework Is Showing

Consent, as we use it, assumes mutual understanding, shared stakes, and equivalent agency. Remove any one of those and what’s left?

Sustenance doesn’t try to solve this—it just shows what happens when those assumptions fall apart. Spoiler: it’s not pretty, but it is honest.

Projection: The Mirror That Lies

Humans are deeply committed to anthropocentrism. If it walks like us, or flinches like us, it must be us. This is why we get so disoriented when faced with the truly alien: it won’t dance to our tune, and we’re left staring at ourselves in the funhouse mirror.

This isn’t a book about aliens.

It’s a book about the ways we refuse to see what’s not us.

Memory: The Autobiography of Your Justifications

Memory is not a record. It’s a defence attorney with a narrative license. We rewrite the past to make ourselves look consistent, or innocent, or right.

In Sustenance, memory acts less as a tether to truth and more as a sculpting tool—a way to carve guilt into something manageable. Something you can live with. Until you can’t.

In Summary: It’s Not About Them. It’s About You.

If that sounds bleak, good. It’s meant to.

But it’s also a warning: don’t get too comfortable in your own categories. They’re only universal until you meet someone who doesn’t share them.

Like I said, it’s not really about the aliens.

It’s about us.


If you enjoy fiction that’s more unsettling than escapist, more question than answer, you might be interested in Sustenance. It’s live on Kindle now for the cost of a regrettable coffee:

📘 Sustenance on Amazon US
Also available in the UK, DE, FR, ES, IT, NL, JP, BR, CA, MX, AU, and IN—because alienation is a universal language.