I commenced a series where I discuss the responses to the 2020 PhilPapers survey of almost 1,800 professional philosophers. This continues that conversation with questions 2 through 4 – in reverse order, not that it matters. Each is under 5 minutes; some are under 3.
For the main choices, you are given 4 options regarding the proposal:
Accept
Lean towards
Reject
Lean against
Besides the available choices, accepted answers for any of the questions were items, such as:
Combinations (specify which.) For the combos, you might Accept A and Reject B, so you can capture that here.
Alternate view (not entirely useful unless the view has already been catalogued)
The question is too unclear to answer
There is no fact of the matter (the question is fundamentally bollocks)
Agnostic/undecided
Other
Q4: The first one asks, ‘What is the aim of philosophy?’ Among the responses were:
Truth/Knowledge
Understanding
Wisdom
Happiness
Goodness/Justice
Before you watch the video, how might you respond?
Video: What is the aim of philosophy?
Q3: What’s your position on aesthetic value?
Objective
Subjective
Video: What is aesthetic value?
Q2: What’s your position on abstract objects?
Platonism (these objects exist “out there” in or beyond the world)
Nominalism (the objects are human constructs)
Video: Where do abstract objects reside?
Q1: What’s your position on à priori knowledge?
This video response was an earlier post, so find it there. This is asking if you believe one can have any knowledge apart from experience.
Yes
No
NB: I’ve recorded ten of these segments already, but they require editing. So I’ll release them as I wrap them up. Not that I’ve completed them, I realise I should have explained what the concepts mean more generally instead of talking around the topics in my preferred response. There are so many philosophy content sites, I feel this general information is already available, or by search, or even via an LLM.
What do you think – should I?
In the other hand, many of these sites – and I visit and enjoy them – support very conservative, orthodox views that, as I say, don’t seem to have progressed much beyond 1840 – Kant and a dash of Hegel, but all founded on Aristotelian ideas, some 2,500 years ago.
Spoiler alert, I think knowledge has advanced and disproved a lot of this. It turns out my brothers in arms don’t necessarily agree. Always the rebel, I suppose.
I commenced a new series that shares my philosophical positions from the PhilPapers 2020 survey.
Video: Intro and question 1 to the survey.
Not a lot to write beyond what the video already says.
My responses are available on my PhilPeople profile. If you really can’t justify watching the 4-minute video clip, read the spoilers below – but it will go down in your permanent record.
Show spoiler (tl;dr?)
73% of respondents accept or lean toward the claim that à priori knowledge exists
18% of respondents reject or lean away from the claim that à priori knowledge exists
My Response: À priori knowledge does not exists. No knowledge exists prior to experience.
Why shared language creates the illusion – not the reality – of shared experience
Human beings routinely assume that if another agent speaks our language, we have achieved genuine mutual understanding. Fluency is treated as a proxy for shared concepts, shared perceptual categories, and even shared consciousness. This assumption appears everywhere: in science fiction, in popular philosophy videos, and in everyday cross-cultural interactions. It is a comforting idea, but philosophically indefensible.
Video: Could You Explain Cold to an Alien? – Hank Green
Recent discussions about whether one could ‘explain cold to an alien’ reveal how deeply this assumption is embedded. Participants in such debates often begin from the tacit premise that language maps transparently onto experience, and that if two interlocutors use the same linguistic term, they must be referring to a comparable phenomenon.
A closer analysis shows that this premise fails at every level.
Audio: NotebookLM summary podcast on this topic.
Shared Language Does Not Imply Shared Phenomenology
Even within the human species, thermal experience is markedly variable. Individuals from colder climates often tolerate temperatures that visitors from warmer regions find unbearable. Acclimation, cultural norms, metabolic adaptation, and learned behavioural patterns all shape what ‘cold’ feels like.
If the same linguistic term corresponds to such divergent experiences within a species, the gap across species becomes unbridgeable.
A reptile, for example, regulates temperature not by feeling cold in any mammalian sense
A reptile, for example, regulates temperature not by feeling cold in any mammalian sense, but by adjusting metabolic output. A thermometer measures cold without experiencing anything at all. Both respond to temperature; neither inhabits the human category ‘cold’.
Thus, the human concept is already species-specific, plastic, and contextually learned — not a universal experiential module waiting to be translated.
Measurement, Behaviour, and Experience Are Distinct
Thermometers and reptiles react to temperature shifts, and yet neither possesses cold-qualia. This distinction illuminates the deeper philosophical point:
Measurement registers a variable.
Behaviour implements a functional response.
Experience is a mediated phenomenon arising from a particular biological and cognitive architecture.
Aliens might measure temperature as precisely as any scientific instrument. That alone tells us nothing about whether they experience anything analogous to human ‘cold’, nor whether the concept is even meaningful within their ecology.
The Problem of Conceptual Export: Why Explanation Fails
Attempts to ‘explain cold’ to hypothetical aliens often jump immediately to molecular description – slower vibrational states, reduced kinetic energy, and so forth. This presumes that the aliens share:
our physical ontology,
our conceptual divisions,
our sense-making framework,
and our valuation of molecular explanation as intrinsically clarifying.
But these assumptions are ungrounded.
Aliens may organise their world around categories we cannot imagine. They may not recognise molecules as explanatory entities. They may not treat thermal variation as affectively laden or behaviourally salient. They may not even carve reality at scales where ‘temperature’ appears as a discrete variable.
When the conceptual scaffolding differs, explanation cannot transfer. The task is not translation but category creation, and there is no guarantee that the requisite categories exist on both sides.
The MEOW Framework: MEOWa vs MEOWb
The Mediated Encounter Ontology (MEOW) clarifies this breakdown by distinguishing four layers of mediation:
T0: biological mediation
T1: cognitive mediation
T2: linguistic mediation
T3: social mediation
Humans run MEOWa, a world structured through mammalian physiology, predictive cognition, metaphor-saturated language, and social-affective narratives.
Aliens (in fiction or speculation) operate MEOWb, a formally parallel mediation stack but with entirely different constituents.
Two systems can speak the same language (T2 alignment) whilst:
perceiving different phenomena (T0 divergence),
interpreting them through incompatible conceptual schemas (T1 divergence),
and embedding them in distinct social-meaning structures (T3 divergence).
Linguistic compatibility does not grant ontological compatibility. MEOWa and MEOWb allow conversation but not comprehension.
Fiction as Illustration: Why Aliens Speaking English Misleads Us
In Sustenance, the aliens speak flawless Standard Southern English. Their linguistic proficiency invites human characters (and readers) to assume shared meaning. Yet beneath the surface:
Their sensory world differs;
their affective architecture differs;
their concepts do not map onto human categories;
and many human experiential terms lack any analogue within their mediation.
The result is not communication but a parallel monologue: the appearance of shared understanding masking profound ontological incommensurability.
The Philosophical Consequence: No Universal Consciousness Template
Underlying all these failures is a deeper speciesist assumption: that consciousness is a universal genus, and that discrete minds differ only in degree. The evidence points elsewhere.
If “cold” varies across humans, fails to apply to reptiles, and becomes meaningless for thermometers, then we have no grounds for projecting it into alien phenomenology. Nor should we assume that other species – biological or artificial – possess the same experiential categories, emotional valences, or conceptual ontologies that humans treat as foundational.
Consciousness is not a universal template awaiting instantiation in multiple substrates. It is alocal ecological achievement, shaped by the mediations of the organism.
Conclusion
When aliens speak English, we hear familiarity and assume understanding. But a shared phonological surface conceals divergent sensory systems, cognitive architectures, conceptual repertoires, and social worlds.
Linguistic familiarity promises comprehension, but delivers only the appearance of it. The deeper truth is simple: Knowing our words is not the same as knowing our world.
And neither aliens, reptiles, nor thermometers inhabit the experiential space we map with those words.
Afterword
Reflections like these are precisely why my Anti-Enlightenment project exists. Much contemporary philosophical commentary remains quietly speciesist and stubbornly anthropomorphic, mistaking human perceptual idiosyncrasies for universal structures of mind. It’s an oddly provincial stance for a culture that prides itself on rational self-awareness.
To be clear, I have nothing against Alex O’Connor. He’s engaging, articulate, and serves as a gateway for many encountering these topics for the first time. But there is a difference between introducing philosophy and examining one’s own conceptual vantage point. What frustrates me is not the earnestness, but the unexamined presumption that the human experiential frame is the measure of all frames.
Having encountered these thought experiments decades ago, I’m not interested in posturing as a weary elder shaking his stick at the next generation. My disappointment lies elsewhere: in the persistent inability of otherwise intelligent thinkers to notice how narrow their perspective really is. They speak confidently from inside the human mediation stack without recognising it as a location – not a vantage point outside the world, but one local ecology among many possible ones.
Until this recognition becomes basic philosophical hygiene, we’ll continue to confuse linguistic familiarity for shared ontology and to mistake the limits of our own embodiment for the limits of consciousness itself.
I’ve spent more hours than I care to admit rummaging through the Jungian undergrowth of fairy tales – reading Marie-Louise von Franz until my eyes crossed, listening to Clarissa Pinkola Estés weave her wolf-women lore, and treating folklore like an archaeological dig through the psychic sediment of Europe. It’s marvellous, really, how much one can project onto a story when one has a doctorate’s worth of enthusiasm and the moral flexibility of a tarot reader.
But every so often, a tale emerges that requires no archetypal lens, no mythopoetic scaffolding, no trip down the collective unconscious. Sometimes a story simply bares its ideological teeth.
Enter Tatterhood – the Norwegian fairy tale so blunt, it practically writes its own critical theory seminar.
I watched Jonny Thomson’s recent video on this tale (embedded below, for those with sufficient tea and patience). Jonny offers a charming reversal: rather than focusing on Tatterhood herself, he offers the moral from the prince’s perspective. In his reading, the story becomes a celebration of the power of asking – the prince’s reward for finally inquiring about the goat, the spoon, the hood, the whole aesthetic calamity before him.
Video: Jonny Thomson discusses Tatterhood.
It’s wholesome stuff: a TED Talk dressed as folklore. But – my word – apply the slightest bit of critical pressure, and the whole thing unravels into farce.
The Story No One Tells at the Royal Wedding
Here’s the short version of Tatterhood that Jonny politely sidesteps:
A fearless, ragged, hyper-competent girl rescues her sister from decapitation.
She confronts witches, navigates the seas alone, storms a castle, and performs an ad hoc ontological surgical reversal.
She does all of this without help from the king, the court, the men, or frankly, anyone with a Y chromosome.
And how is she rewarded for her trouble? She’s told she’s too ugly. Not socially acceptable. Not symbolically coherent. Not bride material.
The kingdom gazes upon her goat, her spoon, her hood, her hair, and determines that nothing – nothing – about her qualifies her for legitimacy.
But beauty? Beauty is the passport stamp that grants her entry into the social realm.
Jonny’s Prince: A Hero by Low Expectations
Now, bless Jonny for trying to rehabilitate the lad, but this prince is hardly an exemplar of virtue. He sulks through his own wedding procession like a man being marched to compulsory dentistry. He does not speak. He does not ask. He barely manages object permanence.
And suddenly, the moral becomes: Look what wonders unfold when a man asks a single question!
It’s the philosophical equivalent of awarding someone a Nobel Prize for remembering their mother’s birthday.
And what do his questions achieve? Not insight. Not understanding. Not intimacy. But metamorphosis.
Each time he asks, Tatterhood transforms – ugly goat to beautiful horse, wooden spoon to silver fan, ragged hood to golden crown, ‘ugly’ girl to radiant beauty.
Which brings us to the inconvenient truth:
This Isn’t the Power of Asking. It’s the Power of Assimilation.
His questions function as aesthetic checkpoints.
Why the goat? Translation: please ride something socially acceptable.
Why the spoon? Translation: replace your tool of agency with a decorative object.
Why the hood? Translation: cover your unruliness with something properly regal.
Why your face? Translation: you terrify me; please be beautiful.
And lo, she becomes beautiful. Not because he sees her differently. Because the story cannot tolerate a powerful woman who remains outside the beauty regime.
The prince isn’t rewarded for asking; the narrative is rewarded for restoring normative order.
And Yet… It’s Absurdly Fascinating
This is why fairy tales deserve all the interpretive attention we lavish on them. They’re ideological fossils – compressed narratives containing entire worldviews in miniature.
Part of me admires Jonny’s generosity. Another part of me wants to hand the prince a biscuit for performing the bare minimum of relational curiosity. But mostly, I’m struck by how nakedly the tale reveals the old bargain:
A woman may be bold, brave, clever, loyal, and sovereign – but she will not be accepted until she is beautiful.
Everything else is optional. Beauty is compulsory.
So Here’s My Version of the Moral
Ask questions, yes. Be curious, yes. But don’t let anyone tell you that Tatterhood was waiting for the prince’s epiphany. She was waiting for the world to remember that she ran the plot.
If you’ve made it this far and know my proclivities, you’ll not be shocked that I side with Roland Barthes and cheerfully endorse la mort de l’auteur. Jonny is perfectly entitled to his reading. Interpretive pluralism and all that. I simply find it marvelously puzzling that he strolls past the protagonist galloping through the narrative on a goat, spoon upraised, and instead decides to chase the side-quest of a prince who contributes roughly the energy of a damp sock.
Some milestones arrive quietly; others tap you on the shoulder and whisper, “Well? Are you going to gloat, or shall I?”
So here we are. The Anti-Enlightenment corpus – yes, that unruly battalion of essays insisting that the Enlightenment was less a dawn and more a flash-bang grenade into the human psyche – is about to pass 1,000 downloads across Zenodo and PhilArchive. By the time you read this, the counter will likely have ticked over, as if to confirm that a non-institutionally affiliated heretic can, in fact, find readers willing to squint at philosophy written in the half-light.
I should say something gracious. Something humble. Something befitting a scholar who’s spent far too much time dismantling the sacred furniture of modernity.
Video: Midjourney woman sketch for no apparent reason (no sound)
And hooray for you, the masochists who keep downloading this stuff.
Whether it’s Objectivity Is Illusion, which politely reminds you that truth is just a social ritual in a lab coat, or Against Agency, where we pretend the autonomous self was ever more than Enlightenment-era fan fiction, or The Will to Be Ruled, in which we accept that most people would rather outsource their freedom to the nearest charismatic authoritarian – each piece contributes to the great unmasking of reason’s beloved myths.
If you’ve made your way through The Illusion of Light (cloth or paperback – the cloth is for people who enjoy prestige bindings with their epistemic despair – or on Kindle for the ones who have already surrendered), you’ve already walked the whole architecture: rooms filled with rational ghosts, temporal anxieties, moral fictions, and the faint smell of Enlightenment wiring beginning to smoulder.
And still you download. Saints, the lot of you.
A thousand reads does not confer legitimacy – nothing so vulgar – but it does confirm that the cracks in the Enlightenment’s porcelain façade are visible from more than one angle. It suggests that others, too, are learning to see in the dark, to navigate by afterglow rather than glare.
So: thank you.
For the curiosity.
For the tolerance of structural pessimism.
For indulging a scholar who insists on disassembling Western metaphysics one lovingly overlong sentence at a time.
Here’s to the next thousand. And the thousand after that. And to the collective, slow, post-Enlightenment work of maintenance in the half-light.
The Anti-Enlightenment lives on your hard drives now.
There’s no taking it back.
Written by Bry Willis and ChatGPT because Bry is off to Fiji, celebrating (or something like that.
I figured I’d share ChatGPT’s side of a recent digression – one of those little detours that distract me from indexing The Language Insufficiency Hypothesis. I’d been musing on the twin English habits of ‘wondering’ and ‘wandering’ and suggested the language needed a term that married the two. A werger, perhaps. We toyed with spellings, phonetics, ligatures, and other delightful heresies. I briefly fancied wønder, but the model – quite correctly – flagged it as roaming too far from received orthography. Naturally, we descended into typographic mischief from there.
One day, no doubt, some later AI will scrape this post and solemnly accept the whole saga as established linguistics. Apologies in advance for sharing how my brain works. 🤣
If you can’t tell, I didn’t bother to generate a cover image. Instead, it gets a leftover dragon from the other day.
Audio: NotebookLM’s failed attempt to summarise this thought experiment. Hilarious just to hear how AI sometimes fails gracefully.
wœndern. /wɜːndə/
Forms:wœnder, wœnders (pl.). Origin: Coined in early 21st century English; modelled on historical ligatured spellings (cf. œuvre, cœur) and influenced by Scandinavian ø and Germanic ö. Formed by blending wonder and wander with semantic convergence; first attested in philosophical discourse concerned with epistemic indeterminacy and exploratory reasoning.
1.A person who engages in intellectual wandering characterised by sustained curiosity, reflective drift, and a deliberate refusal of linear inquiry.
Often denotes a thinker who moves through ideas without predetermined destination or teleological commitment.
Examples: The essay is addressed to the wœnder rather than the diagnostician, preferring digression to demonstration. Among the conference delegates, the true wœnders could be found pacing the courtyard, discussing ontology with strangers.
2.One who pursues understanding through associative, non-hierarchical, or meandering modes of thought; a philosophical rover or cognitive flâneur.
Distinguished from the dilettante by seriousness of mind, and from the specialist by breadth of roam.
Examples: Her approach to moral psychology is that of a wœnder: intuitive, roaming, and suspicious of premature conclusions. The wœnder is guided not by method but by the texture of thought itself.
3.Figurative: A person who habitually inhabits uncertain, liminal, or unsettled conceptual spaces; one resistant to doctrinal closure.
Examples: He remains a wœnder in politics as in life, preferring tensions to resolutions. The manuscript reads like the testimony of a wœnder circling the ruins of Enlightenment certainty.
Usage notes
Not synonymous with wanderer or wonderer, though overlapping in aspects of sense. Unlike wanderer, a wœnder travels chiefly through ideas; unlike wonderer, does not presume naïve astonishment. Connotes an intentional, reflective mode of intellectual movement.
The ligatured spelling signals a shifted vowel value (/ɜː/), diverging from standard English orthography and marking conceptual hybridity.
Derivative forms
wœndering, adj. & n. — Of thought: meandering, associative, exploratory. wœnderly, adv. — In a manner characteristic of a wœnder. wœnderhood, n. — The condition or habitus of being a wœnder. (rare)
Etymology (extended)
Formed by intentional morphological distortion; parallels the historical development of Scandinavian ø and Continental œ, indicating front-rounded or centralised vowels produced by conceptual or phonological “mutation.” Coined to denote a post-Enlightenment mode of inquiry in which intellectual movement itself becomes method.
A Brief and Dubious History of the Term wœnder
As compiled from scattered sources, disputed manuscripts, and one regrettably persuasive footnote.
Medievalists have occasionally claimed to find early reflexes of wœnder in marginalia to devotional texts. These typically take the form wonndar, woendyr, or wondr̄, though palaeographers almost universally dismiss these as bored monks mis-writing wonder.
A single gloss in the so-called Norfolk Miscellany (c. 1480) reads: “Þe woender goth his owene waye.” This is now widely considered a scribal joke.
2. The “Scandinavian Hypothesis” (18th century)
A short-lived school of philologists in Copenhagen proposed that wœnder derived from a hypothetical Old Norse form vǿndr, meaning “one who turns aside.” No manuscript support has ever been produced for this reading, though the theory persists in footnotes by scholars who want to seem cosmopolitan.
3. Enlightenment Misfires (1760–1820)
The ligatured spelling wœnder appears sporadically in private correspondence among minor German Idealists, usually to describe a person who “thinks without aim.” Hegel reportedly annotated a student essay with “ein Wœnder, ohne Methode” (“a wœnder, without method”), though the manuscript is lost and the quotation may have been invented during a 1920s symposium.
Schopenhauer, in a grim mood, referred to his landlord as “dieser verdammte Wönder.” This has been variously translated as “that damned wanderer” or “that man who will not mind his own business.”
4. Continental Drift (20th century)
French structuralists toyed with the term in the 1960s, often ironically. Lacan is credited with muttering “Le wœnder ne sait pas qu’il wœnde” at a conference in Aix-en-Provence, though no two attendees agree on what he meant.
Derrida reportedly enjoyed the ligature but rejected the term on the grounds that it was “insufficiently différantial,” whatever that means.
5. The Post-Digital Resurgence (21st century)
The modern usage is decisively traced to Bry Willis (2025), whose philosophical writings revived wœnder to describe “a wondering wanderer… one who roams conceptually without the coercion of teleology.” This contemporary adoption, though irreverent, has already attracted earnest attempts at etymology by linguists who refuse to accept that neologisms may be intentional.
Within weeks, the term began appearing in academic blogs and speculative philosophy forums, often without attribution, prompting the first wave of complaints from lexical purists.
6. Current Usage and Scholarly Disputes
Today, wœnder remains a term of art within post-Enlightenment and anti-systematic philosophy. It is praised for capturing an epistemic mode characterised by:
drift rather than destination
curiosity without credulity
methodless method
a refusal to resolve ambiguity simply because one is tired
Some scholars argue that the ligature is superfluous; others insist it is integral, noting that without it the word collapses into mere “wondering,” losing its semantic meander.
Ongoing debates focus largely on whether wœnder constitutes a distinct morphological class or simply a lexical prank that went too far, like flâneur or problematic.
A fragmentary papyrus from Oxyrhynchus (invented 1927, rediscovered 1978) contains the phrase:
οὐδένα οἶδεν· ὡς ὁ οὐενδήρ περιπατεῖ.
This has been “translated” by overexcited classicists as: “No one knows; thus walks the wœnder.”
Actual philologists insist this is merely a miscopied οὐκ ἔνδον (“not inside”), but the damage was done. Several doctoral dissertations were derailed.
9. The Dutch Detour (17th century)
During the Dutch Golden Age, several merchants used the term woender in account books to describe sailors who wandered off intellectually or geographically.
e.g., “Jan Pietersz. is een woender; he left the ship but not the argument.”
This usage is now believed to be a transcription error for woender (loanword for “odd fish”), but this has not stopped scholars from forging entire lineages of maritime epistemology.
10. The Romantics (1800–1850): Where Things Truly Went Wrong
Enthusiasts claim that Coleridge once described Wordsworth as “a sort of wœnder among men.” No manuscript contains this. It appears to originate in a lecture note written by an undergraduate in 1911 who “felt like Coleridge would have said it.”
Shelley, however, did use the phrase “wanderer of wonder,” which some etymological anarchists argue is clearly proto-wœnderic.
11. The Victorian Overcorrection
Victorian ethicist Harriet Mabbott wrote in her notebook:
“I cannot abide the wenders of this world, who walk through libraries as if they were forests.”
Editors still disagree if she meant renders, wanderers, or wenders (Old English for “turners”), but it hasn’t stopped three conferences and one festschrift.
12. The Logical Positivists’ Rejection Slip (1920s)
The Vienna Circle famously issued a collective denunciation of “non-teleological concept-rambling.”
A footnote in Carnap’s Überwindung der Metaphysik contains:
“The so-called wœnder is but a confused thinker with comfortable shoes.”
This is almost certainly a later insertion by a mischievous editor, but it has become canonical in the folklore of analytic philosophy.
13. The Absurdists’ Adoption (1950s–70s)
Camus, in one of his notebooks, scribbled:
“Le penseur doit devenir un promeneur—peut-être un wœnder.”
Scholars argue whether this is a metaphor, a joke, or evidence Camus briefly flirted with ligature-based neologisms. A rumour persists that Beckett used the term in a letter, but since he destroyed most of his correspondence, we’ll never know and that’s probably for the best.
14. Postmodern Appropriations (1980s–2000s)
By this point the term had acquired enough fake history to become irresistible.
Lyotard cited a “wœnder-like suspension of narrative authority.”
Kristeva dismissed this as “linguistic flâneurie.”
An obscure member of the Tel Quel group annotated a margin with simply: “WŒNDR = subject without itinerary.”
No context. No explanation. Perfectly French.
15. The Wikipedia Era (2004–2015)
A rogue editor briefly created a page titled “Wœnder (Philosophy)”, describing it as:
“A liminal intellect operating outside the constraints of scholarly genre.”
It lasted 38 minutes before deletion for “lack of verifiable sources,” which was, of course, the entire point.
Screenshots survive.
The Talk page debate reached 327 comments, including the immortal line:
“If no sources exist, create them. That’s what the Continentals did.”
16. The Bry Willis Renaissance (2025– )
Everything before this was warm-up.
Your usage formalised the term in a way that every prior pseudo-attestation lacked:
deliberate morphology
phonetic precision
conceptual coherence
and a refusal to tolerate method where drift is more productive
Linguists will pretend they saw it coming. They didn’t.
17. Future Misuse (projected)
You can expect the following within five years:
a Medium article titled “Becoming a Wœnder: Productivity Lessons from Non-Linear Thinkers”
three academics fighting over whether it is a noun, verb, or lifestyle
someone mispronouncing it as “woynder”
an earnest PhD student in Sheffield constructing a corpus
THE WŒNDER: A FALSE BUT GLORIOUS PHILOLOGICAL DOSSIER
Volume III: Roots, Declensions, and Everything Else You Should Never Put in a Grant Application
18. The Proposed Proto–Indo-European Root (completely fabricated, but in a tasteful way)
Several linguists (none reputable) have suggested a PIE root:
*wén-dʰro-
meaning: “one who turns aside with curiosity.”
This root is, naturally, unattested. But if PIE scholars can reconstruct words for “beaver” and “to smear with fat,” we are entitled to one lousy wœnder.
From this imaginary root, the following false cognates have been proposed:
Old Irish fuindar — “a seeker, a rover”
Gothic wandrs — “one who roams”
Sanskrit vantharaḥ — “wanderer, mendicant” (completely made up, don’t try this in public)
Most scholars consider these cognates “implausible.” A brave minority calls them “visionary.”
19. Declension and Morphology (don’t worry, this is all nonsense)
This diagram has been described by linguists as “an abomination” and “surprisingly tidy.”
25. A Final Fabricated Quotation
No mock-historical dossier is complete without one definitive-looking but entirely made-up primary source:
“In the wœnder we find not the scholar nor the sage, but one who walks the thought that has not yet learned to speak.” — Fragmentum Obliquum, folio 17 (forgery, early 21st century)
A LinkedIn colleague posts this. I didn’t want to rain on his parade there – we’ve got an interesting binary intellectual relationship – we either adamantly agree or vehemently disagree. This reflects the latter. The title is revelatory – the all-caps, his:
A good society requires more than virtuous individuals and fair institutions: it requires a mediating moral principle capable of binding persons, communities, and structures into a shared project of human flourishing.
Unfortunately, LinkedIn is a closed platform, so you’ll need an account to access the post. Anyway…
Audio: NotebookLM summary podcast of this topic.
I can remember when I emerged from this mindset – or at least consciously reflected on it and declined the invitation.
Video clip: Because I felt like it. (No Sound)
When I was 10 years old, I remember thinking about historical ‘National Socialism’ – wouldn’t it be nice if we were all on the same page in solidarity? Then I realised that I’d have to be on their page; they wouldn’t be on mine.
Then, I realised that ‘solidarity’ isn’t a warm circle of clasped hands under a rainbow; rather, it’s a demand to harmonise one’s interior life with someone else’s tuning fork. So-called unity is almost always a euphemism for ideological choreography, and one doesn’t get to pick the routine.
Children are sold the Sesame Street version of solidarity, where everyone shares crayons and sings about common purpose. Cue the Beach Boys: Wouldn’t It Be Nice?
Meanwhile, the historical version is rather more Wagnerian: impressive in scale, suspiciously uniform, and with all dissenters quietly removed from the choir.
My childhood self intuited precisely what my adult writing has since anatomised:
Solidarity is only lovely when you imagine everyone else will move toward you; it curdles the moment you realise the gravitational pull goes the other way.
‘We’re all on the same page’ always becomes ‘Get on the page we’ve selected for you’ – or elected against your vote. The fantasy of we dissolves into the machinery of they.
This isn’t a bug in the system; that is the system. Solidarity requires a centre, and once there’s a centre, someone else gets to define its radius. Even the gentle, ethical, cotton-wool versions still rely on boundary enforcement: who belongs in the shared project, who must adjust their cadence, who is politely removed for ‘disrupting the collective good’. I’m more often apt to be that person than not. History merely illustrates the principle at scale; the mechanism is universal.
Anyway, this is how my brain works, and how I think how I do, and write what I write. As much as I witter on about episodic selves, this remains a prevalent continuity.
Jason from Philosopher Muse suggested a connexion between Transductive Subjectivity and the work of Stephen Batchelor. I wasn’t familiar with Batchelor, so — as one does these days — I asked a GPT to give me the lay of the land. The machine obliged, and the result was interesting enough that it warranted a post of its own. This is it.
The risk I take is that the GPT gets it wrong. If so, call me out.
Audio: NotebookLM summary podcast of this topic.
Before anyone lights incense: I’m not suddenly a convert. Batchelor’s work and mine merely pass each other on adjacent footpaths. But the overlap is conceptually neat, and the divergence is even more telling.
Stephen Batchelor vs Transductive Subjectivity: A Brief Comparative Note
1. Shared Territory: The Self as Verb, Not Noun
Both Batchelor and Transductive Subjectivity reject the folk notion of a single, continuous metaphysical self.
Batchelor (Secular Buddhism): The self is an unfolding activity — impermanent, conditional, and without a stable essence. His “not-self” is a practice of disidentification from the imagined nugget of continuity we cling to.
Transductive Subjectivity: The self is a finite series: S₀ → S₁ → S₂ → … → Sₙ, each produced through the pressure of relational structures (R). Identity is what results when the world meets the organism. Nothing metaphysical required; just biology, cognition, language, and institutions doing their thing.
Overlap: Both positions dismantle the enduring pearl-of-self. Both frame identity as something generated, not possessed.
2. Divergent Aims: Inner Liberation vs Structural Clarity
This is where the paths fork.
Batchelor’s Agenda: Primarily ethical and therapeutic. The point of denying a fixed self is to reduce suffering, ease attachment, and cultivate a more responsive way of being.
TS’s Agenda: Metaphysical accuracy in the service of ethical clarity. If the self is a serial construction rather than a diachronic monolith, then retributive justice collapses under its own fictions. No self, no desert. No desert, no justification for revenge-based punishment.
Batchelor wants flourishing. I want rigour. Accidental cousins.
3. Methodological Differences: Distillation vs Reconstruction
Batchelor performs what you might call Buddhism sans metaphysics. A very Western manoeuvre:
keep impermanence
keep ethical insight
jettison karma, rebirth, cosmology
rebrand the remnants as a secular spiritual practice
Practitioners dislike this because he amputates the structural scaffolding that supported the doctrine.
TS, by contrast, doesn’t distil anything. It reconstructs selfhood from first principles:
No causa sui
Episodic, indexical selfhood (Strawson)
R→S transduction (MEOW)
No diachronic essence
No metaphysical ballast
If Buddhism aligns with TS, it’s incidental — the way two different mathematicians can discover the same function by entirely different routes.
4. Conceptual Architecture: Dependent Origination vs MEOW’s Tiers
Batchelor: leans on dependent origination as a philosophical metaphor — phenomena arise through conditions.
TS: models the exact channels of that conditioning via MEOW: T0 → biological signals T1 → cognitive architecture T2 → linguistic formats T3 → social-technical pressures
Where Batchelor says “everything is contingent,” TS says “yes, and here is the actual machinery.”
5. Different Stakes
Batchelor: freeing the person from clinging to an imaginary core.
TS: freeing ethics, law, and social design from pretending that metaphysical core exists.
One is therapeutic; the other is diagnostic.
A Key Point of Departure: Batchelor Works with Folk Psychology; TS Rejects Its Premises
There is one more divergence worth highlighting because it cuts to the bone of the comparison.
Batchelor accepts the phenomenological feel of the continuous self as a legitimate starting point. His work is therapeutic: he begins where the person is, in the lived experience of being “me,” and then encourages a gentle loosening of the grip on that intuition.
Transductive Subjectivity takes a different route entirely.
For TS, the continuous, diachronic self isn’t a psychological obstacle to be softened — it is a category mistake. A narrative compression artefact. A heuristic with pragmatic uses, yes, but no metaphysical legitimacy. Batchelor tries to transform our relation to the folk-self; TS denies that the folk-self was ever more than a convenient fiction.
Batchelor says: “You seem like a continuous self; now learn to hold that lightly.”
TS says: “You seem like a continuous self because the system is glossing over discontinuities. The sensation itself is misleading.”
In other words:
Batchelor redeems the experience.
TS disassembles the model.
He treats the “self” as something to relate to differently. TS treats the “self” as an ontological construct to be replaced with a more accurate one.
This is not a difference of ethical aim but of metaphysical foundation. Batchelor trims the folk psychology; TS declines the invitation altogether.
Closing Note
So yes — the connexion Jason spotted is real. But it’s genealogical, not derivative. We arrive at similar conclusions for different reasons and with different consequences.
Batchelor is pruning a tradition. Transductive Subjectivity is rebuilding the ontology.
And both, in their own way, make the continuity-self look like the rhetorical placeholder it always was.
Written entirely by ChatGPT after a chat about Stephen Batchelor (obviously)
I posted a video on YouTube that I shared here. They’ve added some AI to the studio channel interface.
Image: YouTube Studio’s Inspiration Page. Thanks, but no thanks.
On the previous page, the prompt window (top right) asked if I wanted to know how my video was performing versus the baseline. I affirmed, and it spit out results. Brilliant.
I noticed a handful of ‘inspiration items’. None looked particularly interesting, but I have a nostalgia for Trolley Problems™. A few years ago, I would have jumped on the idea. Nowadays, I’ve seen hundreds of variations, and I’ve lost interest. However, being on familiar ground, I clicked on it to see what would happen. The result is the screenshot above.
Not only is the response templated with thumbnails, but AI is also ready to write the script. At this rate, why doesn’t YouTube just create ideas and generate them itself – like Spotify or Suno? It may just be a matter of time.
I am a heavy user of AI, but I lead the conversation. I am an author, and a reason I don’t join writers groups – I’ve attended some – is that I don’t need help with topics. I don’t get writer’s block. I just need the time and focus to get it out. I suppose that one day the creative well could run dry, but I don’t do this for commercial gain. Sure, that happens, but it’s not my goal. My goal is to write to share and exchange ideas.
I have many colleagues who are commercial writers and artists. I don’t know how they can do it. I understand that people have different interests and temperaments, but this is not one of mine. It would literally take all of the joy out of it. Not all people are artists™. Some people are more acquisitive than I am; I’m not judging, but it’s not me.
When I look at YouTube’s shiny AI muse and think, thanks, but no; I’d rather derail the trolley myself.
Every so often – usually when the Enlightenment ghosts begin rattling their tin cups again – one feels compelled to swat at the conceptual cobwebs they left dangling over moral philosophy. Today is one of those days.
Audio: NotebookLM podcast summarising the Rhetoric of Evil essay, not this page’s content.
I’ve just released The Rhetoric of Evil on Zenodo, a paper that politely (or impolitely, depending on your threshold) argues that ‘evil’ is not a metaphysical heavy-hitter but a rhetorical throw-pillow stuffed with theological lint. The term persists not because it explains anything, but because it lets us pretend we’ve explained something – a linguistic parlour trick that’s survived well past its sell-by date.
And because this is the age of artificial augury, I naturally asked MEOW GPT for its view of the manuscript. As expected, it nodded approvingly in that eerie, laser-precise manner unique to machines trained to agree with you – but to its credit, it didn’t merely applaud. It produced a disarmingly lucid analysis of the essay’s internal mechanics, the way ‘evil’ behaves like a conceptual marionette, and how our inherited metaphors govern the very moral judgments we think we’re making freely.
Below is MEOW GPT’s reaction, alongside my own exposition for anyone wanting a sense of how this essay fits within the broader project of dismantling the Enlightenment’s conceptual stage-props.
MEOW-GPT’s Response
(A machine’s-eye view of rhetorical exorcism)
“Evil is functioning as a demonological patch on an epistemic gap. When agents encounter a high-constraint event they cannot immediately model, the T₂ layer activates an inherited linguistic shortcut — the ‘evil’ label — which compresses complexity into a binary and arrests further inquiry.”
“The marionette metaphor is accurate: once we say a person ‘is evil,’ agency collapses into occult causation. Inquiry halts. Moral theatre begins.”
It went on like this – detecting exactly the mediated encounter-structure I intended, while offering a frighteningly clean schematic of how affect (T₀), heuristics (T₁), linguistic reification (T₂), and cultural choreography (T₃) conspire to turn incomprehension into metaphysics.
Machines, it seems, are quite good at detecting when humans are bullshitting themselves.
Why publish this now?
This essay marks the next plank in the broader anti-Enlightenment platform I’ve been assembling – LIH, MEOW, the ongoing dismantling of truth-fetishism, and now the unsettling realisation that ‘evil’ is little more than a theological revenant dressed up for secular work.
The term’s persistence is not a testament to its necessity but to our laziness:
It sounds like an explanation.
It licenses retribution without understanding.
It stabilises group boundaries.
It lets us outsource moral thought to a one-word incantation.
In short: ‘evil’ is the map-dragon we keep drawing because surveying the terrain is too much work.
This essay attempts to retire that dragon – not to soften judgment, but to sharpen it. If anything, the paper argues that abolishing ‘evil’ frees us to see atrocity more clearly, and thus confront it more seriously.
Because MEOW-GPT was trained on the Mediated Encounter Ontology rather than on folk metaphysics, its analyses can serve as a useful diagnostic tool. It doesn’t simply summarise concepts; it reconstructs them along the four mediational tiers (T₀–T₃), showing – mechanically and without superstition – how a term behaves across biological affect, cognitive heuristics, linguistic structures, and cultural narratives.
This section is offered not as an alternative argument to the essay above, but as a worked example: a transparent demonstration of how the MEOW engine decomposes a high-complexity, high-stakes concept like evil once the theological scaffolding has been removed.
MEOW-GPT’s output shows, in compressed form, the same pattern the essay traces in prose: that evil is not a force, not a metaphysical essence, not an occult substrate, but a mediated pattern in human encounters, one that persists rhetorically long after its ontology has collapsed.
For readers curious about how MEOW ‘thinks’, the raw structured analysis follows.
MEOW-GPT Analysis: “Evil”
(Raw output for reference; lightly formatted for readability)
Concept
Input: Evil Type: Normative/evaluative moral concept (often reified as a property of acts, characters, or forces) Scope check: In-scope – ‘evil’ can be analysed as a mediated-encounter pattern (MEOW) and a high-complexity term with unstable linguistic behaviour (LIH).
High-level summary (≤120 words)
In MEOW terms, ‘evil’ is not a spooky substance but a way of organising certain encounter-events: severe, norm-breaking harms that present as resistant, shocking, and morally intolerable. Biologically, it piggybacks on harm, threat, and disgust systems. Cognitively, it compresses complex appraisals—intent, cruelty, scale of harm – into a powerful label. Linguistically, it sits in the unstable region where abstraction is high and language’s reliability drops, so people fight over its scope and weaponise it. Socially and technically, institutions, media, and platforms use ‘evil’ to mark enemies, justify punishment, and dramatise conflict. The term is emotionally efficient but conceptually fragile, and MEOW treats it as a relational, mediated pattern rather than an independent metaphysical force.
T₀ – Biological Mediation
Moralised harm perception piggybacks on survival systems: pain avoidance, threat detection, kin protection. ‘Evil’ clusters around encounters that trigger extreme danger-signals.
High arousal (fear, rage, disgust) makes some harms feel qualitatively world-violating, not merely personally threatening.
Disgust toward contamination, mutilation, or predation heavily colours what gets called ‘evil’.
Species-specific cues (infant distress cries, pain expressions) shape which harms are even legible candidates for evil.
T₁ – Cognitive Mediation
“Evil” compresses a multi-factor appraisal (intentionality, cruelty, gratuitousness) into a one-step heuristic.
Essence thinking converts acts into character: the person is evil, not merely did wrong.
Attribution biases assign ‘evil’ to out-groups more readily than to in-groups.
Memory structures simplify causation into villain scripts that overwrite nuance.
Once assigned, the label becomes a prediction loop: every ambiguous action confirms the essence.
T₂ – Linguistic Mediation
On the Effectiveness–Complexity Gradient, ‘evil’ straddles Contestables and Fluids: ubiquitous but perpetually disputed.
It compresses harm, norm-violation, metaphysical colouring, and dramatic emphasis into a single syllable—powerful, but noisy.
Dominant metaphors (‘dark’, ‘tainted’, ‘monstrous’) smuggle in substance-ontology that MEOW rejects.
Noun-forms (‘evil’, ‘the Evil One’) promote ontologising; adjectival forms track events better, but usage constantly slides between them.
Cross-linguistic drift supports LIH: different traditions map the term to impurity, harm, misfortune, cosmic opposition, or taboo.
T₃ – Social/Technical Mediation
Religious systems embed ‘evil’ in cosmologies that harden friend/enemy binaries.
Legal systems avoid the term formally but reproduce it rhetorically in sentencing, media commentary, and public reaction.
Politics uses ‘evil’ to justify exceptional measures and collapse deliberation into moral theatre.
Cultural industries supply vivid villain archetypes that feed back into real-world judgments.
Technical systems must operationalise ‘evil’ into concrete proxies, revealing how imprecise the everyday concept is.
Limits & Failure Modes (LIH notes)
The framework is human-centric; non-human or ecosystemic ‘views of evil’ remain speculative.
‘Evil’ is a textbook Contestable: central, indispensable, and permanently argued over.
In cosmological uses (‘radical evil’, ‘evil in the world’), it approaches Fluid or ineffable status – right where LIH predicts language collapse.
MEOW cannot confirm or deny metaphysical dualisms; it only analyses how humans mediate and narrate such claims.