Naturally, it will make more sense alongside the book. But it may still provide a bit of entertainment – and mild discomfort – in the meantime.
tl;dr: Language is generally presumed to be stable. Words mean what you think they mean, right? A table is a table. A bird is a bird. Polysemy aside, these are solid, dependable units.
Then we arrive at freedom, justice, truth, and an entire panoply of unstable candidates. And let’s not even pretend qualia are behaving themselves.
So when someone says ‘truth’, ‘free speech’, or ‘IQ’, you may suddenly realise you’ve been arguing with a cardboard cut-out wearing your own assumptions. That isn’t just interpersonal mischief. It’s language doing exactly what it was designed to do: letting you glide over the hard problems while sounding perfectly reasonable.
Audio: Short NotebookLM summary of this page content*
Video: Legacy video explaining some features of the LIH.
If that sounds banal, you’ve already fallen for the trap.
Give it a try – or wait until you’ve digested the book. Not literally, unless you’re short on fibre.
Cheers.
Written by Bry Willis
microglyphics
* As I’ve cited previously, the quality of NotebookLM varies – usually in predictable directions. This one does well enough, but it doesn’t have enough context to get the story right (because it was only drawing from this page rather than from a fuller accounting of the LIH). Its trailing comment reveals that it doesn’t grasp that “new words” don’t solve the problem.
Earlier, it suggests that language is intentionally vague. This is not an assertion I make. You can read some of the earlier incarnations, or you can wait for it to be published.
Another faux Magic: The Gathering trading card. I’ve been busy writing an essay on Tatterhood and wondering if I’ve gone off the edge even further into mental masturbation. I made these cards to share on slow news days, as it were.
[EDIT: Oops: Even wore. I already posted something today. Enjoy the bonus post.]
Every philosopher dreams of a device that reveals ‘truth’. The Constructivist Lens does the opposite. When you tap it, the world doesn’t come into focus – it multiplies. Each pane shows the same thing differently, reminding us that knowing is always a form of making – seeing as building.
In The Discipline of Dis-Integration, I wrote that philosophy’s task is ‘to remain within what persists … to study the tension in the threads rather than weave a new pattern’. The Lens embodies that ethic. It is not an instrument of discovery but of disclosure: a way to notice the scaffolding of perception without mistaking it for bedrock.
Flavour text: “Knowledge is not a copy of reality but a tool for coping with it.” — Richard Rorty
Where Enlightenment optics promised clarity, the Lens trades in parallax. It insists that perspective is not a flaw but the condition of vision itself. Each player who peers through it – artist, scientist, moralist – constructs a different coherence, none final. The card’s rule text captures this tension: replace any keyword on a permanent with a metaphor of your choice until end of turn. Reality bends, language shifts, yet the game continues.
In the Dis-Integration set, the Lens sits alongside Perspectival Realism and Language Game (not yet shared), forming the Blue triad of epistemic doubt. Together they dramatise what the essay calls ‘the hyphen as hinge’: the small pause between integration and its undoing. The Constructivist Lens, then, is not a tool for clearer sight but a reminder that every act of seeing is already an act of construction.
I’ve spent more hours than I care to admit rummaging through the Jungian undergrowth of fairy tales – reading Marie-Louise von Franz until my eyes crossed, listening to Clarissa Pinkola Estés weave her wolf-women lore, and treating folklore like an archaeological dig through the psychic sediment of Europe. It’s marvellous, really, how much one can project onto a story when one has a doctorate’s worth of enthusiasm and the moral flexibility of a tarot reader.
But every so often, a tale emerges that requires no archetypal lens, no mythopoetic scaffolding, no trip down the collective unconscious. Sometimes a story simply bares its ideological teeth.
Enter Tatterhood – the Norwegian fairy tale so blunt, it practically writes its own critical theory seminar.
I watched Jonny Thomson’s recent video on this tale (embedded below, for those with sufficient tea and patience). Jonny offers a charming reversal: rather than focusing on Tatterhood herself, he offers the moral from the prince’s perspective. In his reading, the story becomes a celebration of the power of asking – the prince’s reward for finally inquiring about the goat, the spoon, the hood, the whole aesthetic calamity before him.
Video: Jonny Thomson discusses Tatterhood.
It’s wholesome stuff: a TED Talk dressed as folklore. But – my word – apply the slightest bit of critical pressure, and the whole thing unravels into farce.
The Story No One Tells at the Royal Wedding
Here’s the short version of Tatterhood that Jonny politely sidesteps:
A fearless, ragged, hyper-competent girl rescues her sister from decapitation.
She confronts witches, navigates the seas alone, storms a castle, and performs an ad hoc ontological surgical reversal.
She does all of this without help from the king, the court, the men, or frankly, anyone with a Y chromosome.
And how is she rewarded for her trouble? She’s told she’s too ugly. Not socially acceptable. Not symbolically coherent. Not bride material.
The kingdom gazes upon her goat, her spoon, her hood, her hair, and determines that nothing – nothing – about her qualifies her for legitimacy.
But beauty? Beauty is the passport stamp that grants her entry into the social realm.
Jonny’s Prince: A Hero by Low Expectations
Now, bless Jonny for trying to rehabilitate the lad, but this prince is hardly an exemplar of virtue. He sulks through his own wedding procession like a man being marched to compulsory dentistry. He does not speak. He does not ask. He barely manages object permanence.
And suddenly, the moral becomes: Look what wonders unfold when a man asks a single question!
It’s the philosophical equivalent of awarding someone a Nobel Prize for remembering their mother’s birthday.
And what do his questions achieve? Not insight. Not understanding. Not intimacy. But metamorphosis.
Each time he asks, Tatterhood transforms – ugly goat to beautiful horse, wooden spoon to silver fan, ragged hood to golden crown, ‘ugly’ girl to radiant beauty.
Which brings us to the inconvenient truth:
This Isn’t the Power of Asking. It’s the Power of Assimilation.
His questions function as aesthetic checkpoints.
Why the goat? Translation: please ride something socially acceptable.
Why the spoon? Translation: replace your tool of agency with a decorative object.
Why the hood? Translation: cover your unruliness with something properly regal.
Why your face? Translation: you terrify me; please be beautiful.
And lo, she becomes beautiful. Not because he sees her differently. Because the story cannot tolerate a powerful woman who remains outside the beauty regime.
The prince isn’t rewarded for asking; the narrative is rewarded for restoring normative order.
And Yet… It’s Absurdly Fascinating
This is why fairy tales deserve all the interpretive attention we lavish on them. They’re ideological fossils – compressed narratives containing entire worldviews in miniature.
Part of me admires Jonny’s generosity. Another part of me wants to hand the prince a biscuit for performing the bare minimum of relational curiosity. But mostly, I’m struck by how nakedly the tale reveals the old bargain:
A woman may be bold, brave, clever, loyal, and sovereign – but she will not be accepted until she is beautiful.
Everything else is optional. Beauty is compulsory.
So Here’s My Version of the Moral
Ask questions, yes. Be curious, yes. But don’t let anyone tell you that Tatterhood was waiting for the prince’s epiphany. She was waiting for the world to remember that she ran the plot.
If you’ve made it this far and know my proclivities, you’ll not be shocked that I side with Roland Barthes and cheerfully endorse la mort de l’auteur. Jonny is perfectly entitled to his reading. Interpretive pluralism and all that. I simply find it marvelously puzzling that he strolls past the protagonist galloping through the narrative on a goat, spoon upraised, and instead decides to chase the side-quest of a prince who contributes roughly the energy of a damp sock.
Every so often – usually when the Enlightenment ghosts begin rattling their tin cups again – one feels compelled to swat at the conceptual cobwebs they left dangling over moral philosophy. Today is one of those days.
Audio: NotebookLM podcast summarising the Rhetoric of Evil essay, not this page’s content.
I’ve just released The Rhetoric of Evil on Zenodo, a paper that politely (or impolitely, depending on your threshold) argues that ‘evil’ is not a metaphysical heavy-hitter but a rhetorical throw-pillow stuffed with theological lint. The term persists not because it explains anything, but because it lets us pretend we’ve explained something – a linguistic parlour trick that’s survived well past its sell-by date.
And because this is the age of artificial augury, I naturally asked MEOW GPT for its view of the manuscript. As expected, it nodded approvingly in that eerie, laser-precise manner unique to machines trained to agree with you – but to its credit, it didn’t merely applaud. It produced a disarmingly lucid analysis of the essay’s internal mechanics, the way ‘evil’ behaves like a conceptual marionette, and how our inherited metaphors govern the very moral judgments we think we’re making freely.
Below is MEOW GPT’s reaction, alongside my own exposition for anyone wanting a sense of how this essay fits within the broader project of dismantling the Enlightenment’s conceptual stage-props.
MEOW-GPT’s Response
(A machine’s-eye view of rhetorical exorcism)
“Evil is functioning as a demonological patch on an epistemic gap. When agents encounter a high-constraint event they cannot immediately model, the T₂ layer activates an inherited linguistic shortcut — the ‘evil’ label — which compresses complexity into a binary and arrests further inquiry.”
“The marionette metaphor is accurate: once we say a person ‘is evil,’ agency collapses into occult causation. Inquiry halts. Moral theatre begins.”
It went on like this – detecting exactly the mediated encounter-structure I intended, while offering a frighteningly clean schematic of how affect (T₀), heuristics (T₁), linguistic reification (T₂), and cultural choreography (T₃) conspire to turn incomprehension into metaphysics.
Machines, it seems, are quite good at detecting when humans are bullshitting themselves.
Why publish this now?
This essay marks the next plank in the broader anti-Enlightenment platform I’ve been assembling – LIH, MEOW, the ongoing dismantling of truth-fetishism, and now the unsettling realisation that ‘evil’ is little more than a theological revenant dressed up for secular work.
The term’s persistence is not a testament to its necessity but to our laziness:
It sounds like an explanation.
It licenses retribution without understanding.
It stabilises group boundaries.
It lets us outsource moral thought to a one-word incantation.
In short: ‘evil’ is the map-dragon we keep drawing because surveying the terrain is too much work.
This essay attempts to retire that dragon – not to soften judgment, but to sharpen it. If anything, the paper argues that abolishing ‘evil’ frees us to see atrocity more clearly, and thus confront it more seriously.
Because MEOW-GPT was trained on the Mediated Encounter Ontology rather than on folk metaphysics, its analyses can serve as a useful diagnostic tool. It doesn’t simply summarise concepts; it reconstructs them along the four mediational tiers (T₀–T₃), showing – mechanically and without superstition – how a term behaves across biological affect, cognitive heuristics, linguistic structures, and cultural narratives.
This section is offered not as an alternative argument to the essay above, but as a worked example: a transparent demonstration of how the MEOW engine decomposes a high-complexity, high-stakes concept like evil once the theological scaffolding has been removed.
MEOW-GPT’s output shows, in compressed form, the same pattern the essay traces in prose: that evil is not a force, not a metaphysical essence, not an occult substrate, but a mediated pattern in human encounters, one that persists rhetorically long after its ontology has collapsed.
For readers curious about how MEOW ‘thinks’, the raw structured analysis follows.
MEOW-GPT Analysis: “Evil”
(Raw output for reference; lightly formatted for readability)
Concept
Input: Evil Type: Normative/evaluative moral concept (often reified as a property of acts, characters, or forces) Scope check: In-scope – ‘evil’ can be analysed as a mediated-encounter pattern (MEOW) and a high-complexity term with unstable linguistic behaviour (LIH).
High-level summary (≤120 words)
In MEOW terms, ‘evil’ is not a spooky substance but a way of organising certain encounter-events: severe, norm-breaking harms that present as resistant, shocking, and morally intolerable. Biologically, it piggybacks on harm, threat, and disgust systems. Cognitively, it compresses complex appraisals—intent, cruelty, scale of harm – into a powerful label. Linguistically, it sits in the unstable region where abstraction is high and language’s reliability drops, so people fight over its scope and weaponise it. Socially and technically, institutions, media, and platforms use ‘evil’ to mark enemies, justify punishment, and dramatise conflict. The term is emotionally efficient but conceptually fragile, and MEOW treats it as a relational, mediated pattern rather than an independent metaphysical force.
T₀ – Biological Mediation
Moralised harm perception piggybacks on survival systems: pain avoidance, threat detection, kin protection. ‘Evil’ clusters around encounters that trigger extreme danger-signals.
High arousal (fear, rage, disgust) makes some harms feel qualitatively world-violating, not merely personally threatening.
Disgust toward contamination, mutilation, or predation heavily colours what gets called ‘evil’.
Species-specific cues (infant distress cries, pain expressions) shape which harms are even legible candidates for evil.
T₁ – Cognitive Mediation
“Evil” compresses a multi-factor appraisal (intentionality, cruelty, gratuitousness) into a one-step heuristic.
Essence thinking converts acts into character: the person is evil, not merely did wrong.
Attribution biases assign ‘evil’ to out-groups more readily than to in-groups.
Memory structures simplify causation into villain scripts that overwrite nuance.
Once assigned, the label becomes a prediction loop: every ambiguous action confirms the essence.
T₂ – Linguistic Mediation
On the Effectiveness–Complexity Gradient, ‘evil’ straddles Contestables and Fluids: ubiquitous but perpetually disputed.
It compresses harm, norm-violation, metaphysical colouring, and dramatic emphasis into a single syllable—powerful, but noisy.
Dominant metaphors (‘dark’, ‘tainted’, ‘monstrous’) smuggle in substance-ontology that MEOW rejects.
Noun-forms (‘evil’, ‘the Evil One’) promote ontologising; adjectival forms track events better, but usage constantly slides between them.
Cross-linguistic drift supports LIH: different traditions map the term to impurity, harm, misfortune, cosmic opposition, or taboo.
T₃ – Social/Technical Mediation
Religious systems embed ‘evil’ in cosmologies that harden friend/enemy binaries.
Legal systems avoid the term formally but reproduce it rhetorically in sentencing, media commentary, and public reaction.
Politics uses ‘evil’ to justify exceptional measures and collapse deliberation into moral theatre.
Cultural industries supply vivid villain archetypes that feed back into real-world judgments.
Technical systems must operationalise ‘evil’ into concrete proxies, revealing how imprecise the everyday concept is.
Limits & Failure Modes (LIH notes)
The framework is human-centric; non-human or ecosystemic ‘views of evil’ remain speculative.
‘Evil’ is a textbook Contestable: central, indispensable, and permanently argued over.
In cosmological uses (‘radical evil’, ‘evil in the world’), it approaches Fluid or ineffable status – right where LIH predicts language collapse.
MEOW cannot confirm or deny metaphysical dualisms; it only analyses how humans mediate and narrate such claims.
🤔 If liberation now feels indistinguishable from exhaustion, what exactly have we been freed from?
Image: Exhaustion means you’re working hard, and working hard means you’re good.
Han’s slender essay reads like a diagnosis of our psychic economy. The disciplinary society of ‘thou shalt’ has dissolved into the achievement society of ‘yes, I can’. We no longer rebel against authority; we internalise it, polishing our exhaustion until it gleams like ambition. Productivity replaces purpose. Rest becomes guilt. The subject, stripped of exterior constraint, now self-flagellates in the name of freedom.
We exploit ourselves and think we are free.
What Han captures is not mere fatigue but a civilisational pathology: the compulsion to optimise the self as though it were capital. Burnout is not the collapse of will but the logical conclusion of unlimited permission.
If liberation now feels indistinguishable from exhaustion, what exactly have we been freed from?
From the series Readings in Late Exhaustion – a Philosophics reflection on the maladies of modernity.
About the Series — Readings in Late Exhaustion
These cards belong to Readings in Late Exhaustion, a Philosophics project tracing the psychic and cultural costs of late capitalism.
Each card interprets a contemporary work of critical theory through the language of collectable gameplay, where identity, labour, and value become quantified acts.
The format itself is the critique: a system of self-expenditure disguised as achievement, reflection rendered as performance.
Video: “Maintenance” Midjourney render of the cover image for no reason in particular.
As many have been before me, I find metaphysical claims to be incredulous. I read these people tear down edifices, yet they seem to have a habit of replacing one for another – as if renaming it makes it disappear. Perhaps Lacan would be curious how this persists at this stage of our supposed development.
Audio: NotebookLM podcast discussing the underlying essay, The Great Substitution: From Metaphysics to Metaphysics
Because of this, I performed a survey – and then a genealogy – to trace the history of substitution. It began as a side note in The Discipline of Dis-Integration, but the pattern grew too large to ignore. Every time someone proclaims the end of metaphysics, a new one quietly takes its place. Theology becomes Reason. Reason becomes History. History becomes Structure. Structure becomes Data. The names change; the grammar doesn’t.
This essay, The Great Substitution: From Metaphysics to Metaphysics, tracks that recursion. It argues that modern thought has never killed its gods – it has merely rebranded them. Kant, Nietzsche, Heidegger, Derrida, Harari – each announced emancipation, and each built a new altar. We like to imagine that progress freed us from metaphysics, but what it really did was automate it. The temples are gone, but the servers hum.
The argument unfolds across ten short sections: from the limits of knowing, through the linguistic machinery of belief, to the modern cults of scientism, economics, psychology, and dataism. The closing sections introduce Dis-Integration – not a cure but a posture. Maintenance, not mastery. Thinking without kneeling.
If the Enlightenment promised illumination, we’ve spent the past three centuries staring directly into the light and calling it truth. This essay is my attempt to look away long enough to see what the glare has been hiding.
The Great Substitution: From Metaphysics to Metaphysics
What followed was a case study in how not to communicate.
LinkedIn, that self-parody of professional virtue signalling, is essentially a digital networking séance: a place where narcissism wears a tie. So I expected a reaction – just not one quite so unintentionally revealing.
Audio: NotebookLM podcast on this topic.
But First…
Before I get too engaged, I want to share one of my favourite interactions: After I informed a commenter that I was a trained economist who taught undergraduate economics for the better part of a decade and had read many seminal economic books and journals firsthand, he replied, ‘No wonder you don’t know anything about economics’.
It reminded me of Oscar Wilde’s quip:
Education is an admirable thing, but it is well to remember from time to time that nothing that is worth knowing can be taught.
— Oscar Wilde
I think he may have taken this point too far.
The Post
I posted this:
Capitalism doesn’t kill with guns or gulags. It kills with forms, policy, and plausible deniability. The machine is efficient precisely because no one feels responsible. When an insurance executive cuts ‘unprofitable’ coverage, it’s not an atrocity – it’s ‘cost optimisation’.
Four assertions that, if anything, were restrained. And yet, of roughly 6,600 impressions, 150 people commented – and only ten actually clicked through to read the article itself. Two, perhaps, reached the source post.
So, fewer than one-tenth of one per cent engaged with the argument. The rest engaged with their projections.
The Anatomy of Reaction
From this data set, one can discern a familiar pattern – social media’s endemic form of discourse dementia. People no longer respond to content, but to keywords. They hear ‘capitalism’ and proceed to recite preloaded scripts from whichever Cold War memory palace they inhabit.
Their replies fall neatly into categories.
1. The Purists and Apologists
These are the theologians of the market. They defend a sacred true capitalism – pure, fair, competitive – untainted by corruption or collusion. Every failure is blamed on heresy: ‘That’s not capitalism, that’s bureaucracy’.
This is theology masquerading as economics. The purity argument is its own circular proof: if capitalism fails, it was never real capitalism to begin with.
I eventually replied with a meme that captured the absurdity perfectly:
« Yeah, bruh! Cancer is not the problem. The problem is stage 4 cancer. What we need is stage 2 cancer. »
Image: Mentioned Meme
That’s the logic of ‘real capitalism’. A belief that malignancy can be cured by downgrading it.
2. The Cold Warriors and Whatabouters
When all else fails, shout Stalin. ‘Move to Cuba’, they say, as if the modern world were still divided between the Berlin Wall and McDonald’s.
These people argue from the long-term memory of the twentieth century because their short-term memory has been erased by ideology. The result is political dementia – functioning recall of ghosts, total blindness to the present.
3. The Moral Traditionalists
‘Capitalism created the highest living standards in history’, they proclaim, ignoring that the same sentence could be said of feudalism by a duke.
They confuse correlation for causation: prosperity under capitalism equals prosperity because of capitalism. It’s a comforting fable that erases the costs – colonialism, exploitation, environmental collapse—folded into that narrative of progress.
4. The Diagnosticians and Dismissers
When all argument fails, the fallback is pathology: ‘You’re confused,’ ‘You’re a cancer’, ‘Take this nonsense to Bluesky‘.
Ad hominem is the last refuge of the intellectually cornered. It converts disagreement into diagnosis. It’s a defence mechanism masquerading as discourse.
5. The Bureaucracy Confusionists
This group misread ‘forms and policy’ as an attack on government, not markets. For them, only the state can be bureaucratic. They cannot conceive of corporate violence without a uniform.
That’s precisely the blindness the post was about – the quiet procedural cruelty embedded in systems so efficient no one feels responsible.
6. The Realists and Partial Allies
A handful of commenters admitted the system was broken – just not fatally. ‘Capitalism has gone astray’, they said. ‘It’s not capitalism; it’s profiteering’.
This is capitalism’s soft apologetics: acknowledging illness while refusing to name the disease. These are the reformists still rearranging chairs on the Titanic.
7. The Human-Nature Essentialists
‘The problem isn’t capitalism – it’s people’.
Ah yes, anthropology as absolution. The rhetorical sleight of hand that converts design flaws into human nature. It’s a comforting determinism: greed is eternal, therefore systems are blameless.
This, too, proves the thesis. Capitalism’s most effective mechanism is the internalisation of guilt. You blame yourself, not the structure.
8. The Paranoids and Projectionists
For these, critique equals conspiracy. ‘The Marxists are oppressing your freedom’. ‘Bank accounts frozen in Canada’. ‘Social credit scores!’
They live in a world where any question of fairness is a plot to install a totalitarian state. Their fear is algorithmic; it needs no source.
9. The Systemic Observers
A few – precious few – saw the argument clearly. They understood that capitalism’s violence is procedural, not personal. That its atrocities come with signatures, not bullets. That the “cost optimisation” logic of insurance or healthcare is not an aberration – it’s the system functioning as designed.
These voices are proof that rational discourse isn’t extinct – merely endangered.
Discourse Dementia
What this episode reveals is not a failure of capitalism so much as a failure of cognition. The audience no longer hears arguments; it hears triggers. People don’t read – hey recognise.
The reflexive replies, the off-topic tangents, the moral panic – all of it is capitalism in miniature: fast, efficient, transactional, and devoid of empathy.
Social media has become the bureaucratic form of thought itself – automated, unaccountable, and self-reinforcing. Nobody reads because reading doesn’t scale. Nobody engages because attention is a commodity.
Capitalism doesn’t just kill with forms. It kills with feeds.
Coda: The Light That Blinds
The Enlightenment promised clarity – the clean line between reason and superstition, order and chaos, subject and object. Yet, from that same light emerged the bureaucrat, the executive, and the algorithm: three perfect children of reason, each killing with increasing efficiency and decreasing intent.
Capitalism is merely the administrative arm of this lineage – the economic expression of the Enlightenment’s original sin: mistaking quantification for understanding. When discourse itself becomes procedural, when conversation turns into cost-benefit analysis, thought ceases to be an act of care and becomes an act of compliance.
The tragedy isn’t that we’ve lost meaning. It’s that we’ve automated it. The machine hums on, self-justifying, self-optimising, self-absolving.
Your post is a confession that anti-capitalism kills with guns and gulags. Give me capitalism over socialism any day.
Well, you should move to Cuba or any other socialist paradise… end of issue.
How can you be taken seriously when you conflate an entire economic system with health insurance? And for someone to say that overt murder, a la Stalin, is “decency”? That speaks for itself.
That is not capitalism. That is bureaucracy.
Healthcare isn’t free and everyone has the same right to make or not to make money.
Sounds more like socialism. Do it our way or we will freeze your bank account, take your job, and make sure you get nothing till you comply (proof was during covid)
Capitalism has made us the desired destination for those living in socialistic societies
BEURACRACY. The word your looking for is BEURACRACY not capitalism. There is no form of government more beurocratic than communism, except socialism. If you wonder why that is, communism doesn’t have to hide it’s authoritarianism like socialism does.
Socialism/Communism killed over 100 million the last century the old fashioned way;: bullets, starvation, torture, etc. Capitalism lifted 1 billion people out of poverty
Pathetic – misleading statement. Yes there are many problems, and mistakes that should be corrected. But as a physician, can guarantee before this medical system starting to ignore viruses, far more people were killed yearly under socialist or communist medical systems than capitalism. Wake up – care was not denied because many procedures and higher levels of care were unreachable to most!!!
How is the Government any different? You get what they say you get without the option of voting with your feet/checkbook. I’ll take my chances in the free market EVERY TIME.
This post is fiction from the start. Capitalism does NOT kill. Communism/Socialism does though.
Are you implying the ponderous inactivity of the socialist apparat is not worse than what we encounter with capitalistic motivated organizations? Learn the facts.
Capitalism works well enough–better than any other alternatives. It degrades when government sticks its nose into private transactions to provide cover for lethargy and inefficiency. Responsibility moves from the person with whom one deals to a great nothingness of indifference. [truncated for brevity]
Private insurance has its faults but so does government insurance they are different but just as challenging
Any business that deals directly with Human tragedy (Casualty, Medical, Health, et al) should be held to both a different and higher standard in “cost optimization” than other businesses. To say that someone’s chemo should be spreadsheeted in the same columns as someone’s second home 80 feet from the beach is proof that capitalism is dead and scorched earth profiteering is now the new normal.
The argument should not be about capitalism vs. communism, but rather about human beings. Are humans creative/gifted enough to take care of themselves and produce surplus for the helpless few, or helpless sheep, majority to be fed and controlled by elites? But for your edification Bry, as you are critic of capitalism, try communism for a season, to balance your critique.
Bry WILLIS how long have you been this confused about basic economics and government policy?
Most people stop using the “I know you are, but what am I” basis for their arguments by the age of seven or eight. But it appears to still be your basis for discourse.
I wish you better luck seeing and understanding things for what they actually are vice how you wish they were.
The rules come from a socialist regime. The Marxists are oppressing your freedom. Not rhe FREE market and free enrerprises. What are you talking about….
That is is not capitalism. that is CRONY capitalism when feather merchants spread so much hoo-ha that nobody can get anything done.
Bry WILLIS look up social credit. Bank accounts under this government in Canada, have already been frozen, for dare disagreeing with them
This man feels our health insurance system represents capitalism? We better have a more in depth talk about how American health insurance works.
This has nothing to do with “capitalism”. If you choose to use the English language to communicate, understand the intended meanings of the words. We use contract law in our country regarding insurance coverage. It has little to do with capitalism. In fact, Obamacare stripped any semblance of capitalism from the process and replaced it with pricing manipulation, regulations, subsidies and other such “adjustments” to what used to be a capitalistic system. Blame the regulations, and lack of government enforcement, not “capitalism”. No winder NYC elected Momdani.
Ask those in China, N. Korea, and Russia how socialism/communism works for them.
Next you will have Gen AI and Agentic AI declining claims so that management can just point to the AI and no one has to feel bad for cutting off life saving care.
You’re a cancer. Capitalism created the best living standards the world ever seen. The socialist show up and corrupt it with all these social programs that don’t work and that’s where we’re at. You’re killing the future. You’re an idealist that never had to live in the real work and built anything and you’ll be the one who’s bitching when you’re on relief.
The only system that placed people in gulags was socialism all under the banner of democracy.
This is pure nonsense. Take stuff like this on Bluesky
As I’ve said 4,000 times before, Capitalism requires robust competition in the market and zero collusion, price fixing, and market manipulation in order for it to function in its truest form and most beneficial economic impact to society as a whole (instead of 2%) and to be truly considered superior to other forms. None of those conditions exists in today’s capitalism (as practiced) and it has devolved into scorched earth profiteering which has a totally different definition and is practiced in a different way. Today’s profiteering by Corporations, which includes actions and behaviors that are counter-productive to capitalism, and that they hide under the guise of capitalism, acts as a malignant cancer on true capitalism and its inevitable result is, over time, a greater demand by society for socialist response as a counter measure. If Capitalism were working as it should, (and it’s not) that demand by society for socialist action would be highly diminished instead of enhanced.
Capitalism is not the “marriage of business and government” — that’s called oligarchy or, as the WEF calls it, “stakeholder capitalism”, also known as aristocracy. This is the current operating model of Canada, for example, wherein regulation and subsidy and tax”relief” is used to protect monopolies they are favorable to the sitting government.
Before we go any further, please share your definition of capitalism.
Such bureaucracy is worse with socialism, with even less individual freedom because the almighty centralized state maintains tight control over everything.
Another socialist complaining about tainted money. Bry, the money “taint” yours to spend. It belongs to those who earned it.
More like government bureaucracy
Notes and References
1.The Procedural Violence of Systems. David Graeber’s The Utopia of Rules (2015) and Bullshit Jobs (2018) remain essential on the bureaucratic face of modern capitalism — where compliance replaces conscience and inefficiency becomes profitable.
2.Markets as Mythology. Karl Polanyi’s The Great Transformation (1944) describes how “self-regulating” markets were never natural phenomena but products of state violence and enclosure. What contemporary defenders call “real capitalism” is, in Polanyi’s terms, a historical fiction maintained through continuous coercion.
3.The Logic of the Machine. Bernard Stiegler’s Technics and Time (1994–2001) and Automatic Society (2015) provide the philosophical frame for capitalism’s algorithmic mutation: automation not just of production, but of attention and thought.
4.Bureaucracy and Death. Max Weber’s early insight into rationalisation—the conversion of moral action into procedural necessity—reaches its necropolitical extreme in Achille Mbembe’s Necropolitics (2003), where the administration of life and death becomes a managerial function.
5.Language, Responsibility, and the Loss of Agency. Hannah Arendt’s Eichmann in Jerusalem (1963) diagnosed “the banality of evil” as precisely the condition described in the post: atrocity performed through paperwork, not passion. The executive who denies coverage is merely performing policy.
6.Attention as Commodity. Guy Debord’s Society of the Spectacle (1967) and Byung-Chul Han’s In the Swarm (2017) both chart the transformation of discourse into spectacle, and thought into metrics — the perfect capitalist apotheosis: outrage without substance, visibility without understanding.
7.On Reflex and Recognition. Friedrich Nietzsche’s Genealogy of Morals (1887) prefigures this pathology in his account of herd morality and ressentiment — a collective psychology where reaction replaces reflection.
Further Reading / Contextual Essays
The Ethics of Maintenance: Against the Myth of Natural Purpose A dismantling of the Enlightenment’s faith in progress. Maintenance, not innovation, becomes the moral task once teleology collapses. This essay lays the groundwork for understanding capitalism as an entropy accelerator disguised as improvement.
Against Agency: The Fiction of the Autonomous Self Explores how neoliberal ideology weaponises Enlightenment individualism. The myth of “self-made” success functions as capitalism’s moral camouflage — the narrative counterpart to plausible deniability.
The Illusion of Light: Thinking After the Enlightenment The core text of the Anti-Enlightenment corpus. A philosophical excavation of modernity’s central delusion: that illumination equals truth. Traces the lineage from Cartesian clarity to algorithmic opacity.
Objectivity Is Illusion (The Language Insufficiency Hypothesis) An inquiry into the failure of language as a medium for truth claims. Introduces the Effectiveness–Complexity Gradient, showing how every human system — political, linguistic, economic — eventually collapses under the weight of its own abstractions.
The Discipline of Dis-Integration A philosophy of maintenance over progress. Argues that dis-assembly — not construction — is the proper epistemic gesture in an age of exhaustion.
Propensity(Ridley Park, 2024) The fictional mirror to these essays. A speculative novel examining the behavioural mechanics of optimisation, obedience, and systemic cruelty — a narrative form of “cost-optimisation ethics.”
If reason had a landscape, it would look like this card: a maze of ascending and descending staircases, forever rational yet going nowhere. Kant might have called it a Critique of Pure Geometry.
Pure Reason, the first card in the Postmodern set, isn’t so much an homage to Kant as it is a cautionary reconstruction. It honours his ambition to build a universe from deduction while quietly mourning the price of that construction: alienation from experience.
Image: Card 001 from the Postmodern Set — Philosophics.blog
The Meta
Suspend Disbelief (3). For the next three turns, arguments cannot be resolved by evidence, only by deduction.
Audio: NotebookLM podcast of this topic.
The rule text re-enacts Kant’s method. In the Critique of Pure Reason, he cordoned off the realm of empirical evidence and tried to chart what the mind could know a priori – before experience. The card’s mechanic enforces that isolation. For three turns, players must reason in a vacuum: no appeals to observation, no touchstones of reality, only deduction.
It’s a temporary world built entirely of logic, an echo of the transcendental playground Kant envisioned. The effect is powerful but sterile – thought constructing universes that can’t sustain life.
The flavour text says it plainly:
“Reason alone constructs universes. Whether they can be lived in is another matter.”
— Immanuel Kant
That line, of course, is apocryphal, but it captures the essence of his project: reason as world-maker and prison architect in one.
The Architecture of Thought
The artwork mirrors Escher’s impossible staircases – a labyrinth of pure geometry, ordered yet uninhabitable. Each path is internally consistent, logically sound, but spatially absurd. This is Kant’s transcendental edifice made visual: coherent on paper, dizzying in practice.
The lone figure standing in the maze is the transcendental subject – the philosopher trapped within the architecture of his own cognition. He surveys the world he has built from categories and forms, unable to escape the walls of his own reason.
It’s a neat metaphor for Enlightenment hubris: the belief that reason can serve as both foundation and roof, requiring no support from the messy ground of existence.
Kant’s Double Legacy
Kant’s Critique was both the high point and the breaking point of Enlightenment rationality. It erected the scaffolding for science, ethics, and aesthetics but revealed the fault lines beneath them. His insistence that the mind structures experience rather than merely reflecting it gave birth to both modern idealism and modern doubt.
Every philosopher after him – Hegel, Nietzsche, Husserl, Derrida – has been trying either to escape or to inhabit that labyrinth differently. Pure Reason captures this tension: the glory of construction and the tragedy of confinement.
My Take
Reason is a magnificent liar. It promises order, clarity, and autonomy, but its perfection is its undoing. It abstracts itself from life until it can no longer recognise its own maker. Kant’s world is flawless and airless – a rational utopia unfit for breathing creatures.
I view Pure Reason as the archetype of the Enlightenment illusion: the attempt to found a living world on the logic of dead forms. What he achieved was monumental, but the monument was a mausoleum.
The card, then, is not just a tribute to Kant but a warning to his descendants (ourselves included): every system of thought eventually turns into an Escher print. Beautiful, consistent, and utterly unlivable.
I maintain this blog for two primary reasons: as an archive, and as a forum for engagement.
Philosophy isn’t a mass-market pursuit. Most people are content simply to make it through the day without undue turbulence, and I can hardly blame them. Thinking deeply is not an act of leisure; it’s a luxury product, one that Capitalism would rather you didn’t afford. Even when I’ve been employed, I’ve noticed how wage labour chokes the capacity for art and thought. Warhol may have monetised the tension, but most of us merely survive it.
Video: Sprouting seed. (No audio)
That’s why I value engagement – not the digital pantomime of ‘likes’ or ‘shares’, but genuine dialogue. The majority will scroll past without seeing. A few will skim. Fewer still will respond. Those who do – whether to agree, dissent, or reframe – remind me why this space exists at all.
To Jason, Julien, Jim, Lance, Nick, and especially Homo Hortus, who has been conversing beneath the recent Freedom post: your engagement matters. You help me think differently, sometimes introducing writers or ideas I hadn’t encountered. We may share only fragments of perspective, but difference is the point. It widens the aperture of thought – provided I can avoid tumbling into the Dunning-Kruger pit.
And now, a note of quiet satisfaction. A Romanian scholar recently cited my earlier essay, the Metanarrative Problem, in a piece titled Despre cum metanarațiunile construiesc paradigma și influențează răspunsurile emoționale – translation: On How Grand Narratives Shape Paradigms and Condition Our Emotional Responses. That someone, somewhere, found my reflections useful enough to reference tells me this exercise in public thinking is doing what it should: planting seeds in unpredictable soil.
Freedom is a word so overused it’s practically anaemic. Everyone wants it; no one agrees on what it means. It’s been weaponised by tyrants and revolutionaries alike, invoked to justify both the breaking of chains and their reforging in a different metal.
Audio: NotebookLM podcast on this topic.
As I write this, I have just finished Erich Fromm’s A Sane Society. Without derailing this post, he cited a scenario – a description of work communities given in All Things Common, by Claire Huchet Bishop – where in post-WW2 France, a group formed a sort of workers’ coöperative – but it was more than that; it was an anarchosyndicalist experiment. As I read it, I had to cringe at the power ‘voluntary’ transfers that immediately got me thinking of Foucault’s biopower – as I often do. Saving this for a separate post.
Image: Freedom: The Chains That Bind Us Together Card 006 from the Postmodern Set – Philosophics.blog
This Critical Theory parody card, Freedom, draws its lineage from Jean-Jacques Rousseau, whose paradox still haunts the modern condition: “Man is born free, and everywhere he is in chains.” The card re-enchants that contradiction – an Enchantment – Social Contract that reminds us liberty isn’t a state but a negotiation.
The card reads:
At the beginning of each player’s upkeep, that player may remove a Binding counter from a permanent they control. Creatures you control can’t be tapped or sacrificed by spells or abilities your opponent controls.
This is Rousseau’s dilemma made mechanical. Freedom is not absolute; it’s procedural. The upkeep represents the maintenance of the social contract—an ongoing renewal, not a one-time event. Every player begins their turn by negotiating what freedom costs. You may remove one Binding counter, but only if you recognise that binding exists.
The flavour text underlines Rousseau’s plea:
“To renounce liberty is to renounce being a man.”
Freedom, for Rousseau, wasn’t about doing whatever one pleased. It was about participating in the moral and civic order that gives action meaning. To exist outside that order is not liberty; it’s anarchy, the tyranny of impulse.
The card, therefore, resists the naïve libertarian reading of freedom as the absence of restraint. It instead depicts freedom as the capacity to act within and through shared constraints.
Freedom, then, is not the absence of chains, but the power to choose which ones we wear.
— Philosophics.blog
The art shows a ring of robed figures, hand in hand, their chains forming a circle beneath a clearing sky. It’s a haunting image: freedom through fellowship, bondage through unity. The circle symbolises Rousseau’s idea that true liberty emerges only when individuals subordinate selfish will to the general will – the common interest formed through collective agreement.
Yet there’s also a postmodern irony here: circles can be prisons too. The social contract can emancipate or suffocate, depending on who wrote its terms. The same chains that protect can also bind.
The monochrome aesthetic amplifies the ambiguity – freedom rendered in greyscale, neither utopia nor despair, but the space in between.
Rousseau’s notion of the social contract was revolutionary, but its dissonance still resonates: how can one be free and bound at the same time? He answered that only through the voluntary participation in a collective moral order can humans transcend mere instinct.
We might say that today’s democracies still operate under Freedom (Enchantment – Social Contract). We maintain our rights at the cost of constant negotiation: legal, social, linguistic. Every “Binding counter” removed is the product of civic upkeep. Stop maintaining it, and the enchantment fades.
The card hints at the price of this enchantment: creatures (citizens) can’t be tapped or sacrificed by opponents’ control. In other words, autonomy is secured only when the system prevents external domination. But systems fail, and when they do, the illusion of freedom collapses into coercion.
Rousseau earns a complicated respect in my philosophical canon. He’s not in my top five, but he’s unavoidable. His concept of freedom through the social contract anticipates both modern liberalism and its critique. He believed that genuine liberty required moral community – a notion now eroded by hyper-individualism.
Freedom, as I’ve rendered it here, isn’t celebration. It’s lamentation. The card is about the fragility of the social spell that keeps chaos at bay. We remove one binding at a time, hoping not to unbind ourselves entirely.
Philosophics 