Care Without Conquest: Feminist Lessons for the Workaday Philosopher

2–4 minutes

I recently posted The Ethics of Maintenance: Against the Myth of Natural Purpose. In it, I brushed – perhaps too lightly – against my debt to feminist philosophy. It’s time to acknowledge that debt more directly and explain how it spills into the mundane greasework of daily life.

Audio: NotebookLM podcast on this topic.

I tend not to worship at the altar of names, but let’s name names anyway. Beyond the usual French suspects – your Sartres, de Beauvoirs, and Foucaults – I owe much to the feminist philosophers – Gilligan, Tronto, Butler, Bellacasa, and de Beauvoir again – and, while we’re at it, the post-colonialists, whose names I’ll not recite for fear of being pompous. Their shared heresy is a suspicion of universals. They expose the myth of neutrality, whether it parades as Reason, Progress, or Civilisation. They remind us that every β€œuniversal” is merely someone’s local story told loud enough to drown out the others.

This isn’t a matter of sex or gender, though that’s how the names have been filed. The core lesson is epistemic, not biological. Feminist philosophy re-centres care, interdependence, and the politics of maintenance, not as sentimental virtues but as systems logic. The post-colonialists do the same at a geopolitical scale: maintenance instead of conquest, relation instead of domination.

On Gender, Behaviour, and the Lazy Binary

I don’t buy into sex and gender binaries, especially regarding behaviour. Even in biology, the dichotomy frays under scrutiny. Behaviourally, it collapses entirely. The problem isn’t people; it’s the linguistic furniture we inherited.

I’m weary of the moral blackmail that calls it misogyny not to vote for a woman, or racism not to vote for a black candidate. These accusations come, paradoxically, from sexists and racists who reduce people to the colour of their skin or the contents of their underwear. Having a vagina doesn’t make one a caretaker; having a penis doesn’t preclude empathy. The category error lies in mistaking type for trait.

When I refuse to vote for a Margaret Thatcher or a Hillary Clinton, it’s not because they’re women. It’s because they operate in the same acquisitive, dominion-driven register as the men they mirror. If the game is conquest, swapping the player’s gender doesn’t change the rules.

Maintenance as Political Praxis

My interest lies in those who reject that register altogether – the ones who abandon the mythology of Progress and its testosterone-addled twin, Innovation. The ethics of maintenance I’ve written about, and the philosophy of Dis-Integration I keep harping on, both gesture toward an alternative mode of being: one that prizes endurance over expansion, care over conquest.

This isn’t new. Feminist philosophers have been saying it for decades, often unheard because they weren’t shouting in Latin or running empires. I’m merely repackaging and re-contextualising, hoping that bundling these neglected insights together might make them audible again.

Knowledge never comes in a vacuum; it circulates. It leaks, cross-pollinates, mutates. To claim β€œintellectual property” over an idea is to pretend ownership of the air. I’ll spare you the full rant, but suffice it to say that the moment knowledge becomes proprietary, it ceases to breathe.

Conclusion

If I have a creed – and I say this reluctantly – it’s that philosophy should serve as maintenance, not monument-building. Feminist and post-colonial thinkers model that: constant attention, critical care, resistance to the entropy of domination.

I’m just trying to keep the engine running without pretending it’s divine.


Bonus

Image: Feminists, according to Midjourney 7

The Ethics of Maintenance: Against the Myth of Natural Purpose

3–4 minutes

Telos is humanity’s most persistent delusion – the idea that existence is crawling toward some luminous conclusion. From Aristotle’s perfect forms to Nietzsche’s Will to Power to Silicon Valley’s AI salvation, the story barely changes: history, we are told, has direction. But direction is not destiny; it is momentum misinterpreted as meaning. Much of my Anti-Enlightenment attention – and my drive toward Dis-Integration – centres on this notion.

Audio: NotebookLM podcast on this topic.

Progress is the Enlightenment’s secular gospel. Its promise – that every change is improvement – keeps the engine of exploitation humming. But change is inevitable; progress is propaganda. The arrow of time doesn’t point toward justice or enlightenment; it just points forward, indifferent to who’s crushed under it.

The Myth of Self-Correcting Systems

We are taught to place faith in systems: markets, democracies, algorithms. If they falter, it’s because of bad actors, not bad architecture. Replace the managers, swap the politicians, tweak the code. But the rot is structural, not moral.

These systems aren’t misfiring; they’re functioning exactly as designed – to preserve their own inertia while leaking meaning, resources, and compassion. The obsession with fixing individuals while sparing the machine is moral sleight of hand. At some point, tightening bolts on a burning engine becomes absurd. What we need is not a tune-up but a renovation.

This is where the philosophy of care and maintenance enters – not as sentimental housekeeping, but as radical engineering. Care is not complacent; it’s insurgent. It means facing the filth under the hood and admitting that the design itself is faulty.

Feminism and the Forgotten Labour of Repair

For centuries, the labour of care has been feminised, dismissed, and exploited – a quiet background hum while men congratulated themselves for building civilisation. Yet it is care, not conquest, that prevents collapse.

Philosophical feminists like Carol Gilligan, Joan Tronto, and MarΓ­a Puig de la Bellacasa saw this long before innovation culture learned to rebrand it as sustainability. They argued that ethical life is not about fulfilment or growth but about tending to fragile systems, material and social. Their revolution is not cosmic; it’s custodial.

The so-called masculine ethos – endless expansion, disruption, will to power – has delivered us burnout disguised as achievement. Its gods are metrics, its sacraments quarterly reports, its apocalypse deferred until after the IPO.

The Maintenance Ethic

Abandon the myth of natural or supernatural telos, and what remains is the duty of upkeep: a civic, psychological, and planetary responsibility. Maintenance is not stagnation; it’s resistance to decay through conscious intervention. It recognises that the world does not move toward betterment but toward breakdown – and that care is the only counter-force we possess.

Progress, as we’ve sold it, is the fever dream of a species mistaking acceleration for evolution. Maintenance is what happens when the dream fades and the mechanic steps in with a wrench.

Societies and cultures are constructs. As with twelve-step programmes, once we recognise this, we can move on to the next step. This is a notion of progress I can endorse: not the myth of inevitable improvement, but the humble acknowledgement that we built these machines and we can rebuild them differently.

The Workshop, Not the Temple

Civilisation doesn’t need another prophet or disruptor. It needs a caretaker with dirty hands. Meaning is not discovered; it is serviced. Systems are not sacred; they are rebuilt.

We can keep worshipping progress and watch the engine seize again, or we can accept the more humbling task of renovation – not of souls or nations, but of the machinery we ourselves assembled. The future, if it exists, will not be a miracle of purpose but a triumph of maintenance.

Freedom: The Chains That Bind Us Together

Black-and-white illustration of robed figures standing in a forest clearing, forming a circle by linking chains between their hands. The figures appear both united and restrained, illuminated by a pale, radiant light that suggests dawn or revelation. The mood is solemn yet transcendent, symbolising Rousseau’s paradox that freedom and constraint are inseparable. The image appears as a parody Magic: The Gathering card titled β€œFreedom,” subtitled β€œEnchantment β€” Social Contract,” with a quote from Jean-Jacques Rousseau: β€œTo renounce liberty is to renounce being a man.” The art captures the tension between community, bondage, and liberation.

Freedom is a word so overused it’s practically anaemic. Everyone wants it; no one agrees on what it means. It’s been weaponised by tyrants and revolutionaries alike, invoked to justify both the breaking of chains and their reforging in a different metal.

Audio: NotebookLM podcast on this topic.

As I write this, I have just finished Erich Fromm’s A Sane Society. Without derailing this post, he cited a scenario – a description of work communities given in All Things Common, by Claire Huchet Bishop – where in post-WW2 France, a group formed a sort of workers’ coΓΆperative – but it was more than that; it was an anarchosyndicalist experiment. As I read it, I had to cringe at the power ‘voluntary’ transfers that immediately got me thinking of Foucault’s biopower – as I often do. Saving this for a separate post.

Black-and-white illustration of robed figures standing in a forest clearing, forming a circle by linking chains between their hands. The figures appear both united and restrained, illuminated by a pale, radiant light that suggests dawn or revelation. The mood is solemn yet transcendent, symbolising Rousseau’s paradox that freedom and constraint are inseparable. The image appears as a parody Magic: The Gathering card titled β€œFreedom,” subtitled β€œEnchantment β€” Social Contract,” with a quote from Jean-Jacques Rousseau: β€œTo renounce liberty is to renounce being a man.” The art captures the tension between community, bondage, and liberation.
Image: Freedom: The Chains That Bind Us Together
Card 006 from the Postmodern Set – Philosophics.blog

This Critical Theory parody card, Freedom, draws its lineage from Jean-Jacques Rousseau, whose paradox still haunts the modern condition: β€œMan is born free, and everywhere he is in chains.” The card re-enchants that contradiction – an Enchantment – Social Contract that reminds us liberty isn’t a state but a negotiation.

The card reads:

At the beginning of each player’s upkeep, that player may remove a Binding counter from a permanent they control.
Creatures you control can’t be tapped or sacrificed by spells or abilities your opponent controls.

This is Rousseau’s dilemma made mechanical. Freedom is not absolute; it’s procedural. The upkeep represents the maintenance of the social contractβ€”an ongoing renewal, not a one-time event. Every player begins their turn by negotiating what freedom costs. You may remove one Binding counter, but only if you recognise that binding exists.

The flavour text underlines Rousseau’s plea:

β€œTo renounce liberty is to renounce being a man.”

Freedom, for Rousseau, wasn’t about doing whatever one pleased. It was about participating in the moral and civic order that gives action meaning. To exist outside that order is not liberty; it’s anarchy, the tyranny of impulse.

The card, therefore, resists the naΓ―ve libertarian reading of freedom as the absence of restraint. It instead depicts freedom as the capacity to act within and through shared constraints.

The art shows a ring of robed figures, hand in hand, their chains forming a circle beneath a clearing sky. It’s a haunting image: freedom through fellowship, bondage through unity. The circle symbolises Rousseau’s idea that true liberty emerges only when individuals subordinate selfish will to the general will – the common interest formed through collective agreement.

Yet there’s also a postmodern irony here: circles can be prisons too. The social contract can emancipate or suffocate, depending on who wrote its terms. The same chains that protect can also bind.

The monochrome aesthetic amplifies the ambiguity – freedom rendered in greyscale, neither utopia nor despair, but the space in between.

Rousseau’s notion of the social contract was revolutionary, but its dissonance still resonates: how can one be free and bound at the same time? He answered that only through the voluntary participation in a collective moral order can humans transcend mere instinct.

We might say that today’s democracies still operate under Freedom (Enchantment – Social Contract). We maintain our rights at the cost of constant negotiation: legal, social, linguistic. Every β€œBinding counter” removed is the product of civic upkeep. Stop maintaining it, and the enchantment fades.

The card hints at the price of this enchantment: creatures (citizens) can’t be tapped or sacrificed by opponents’ control. In other words, autonomy is secured only when the system prevents external domination. But systems fail, and when they do, the illusion of freedom collapses into coercion.

Rousseau earns a complicated respect in my philosophical canon. He’s not in my top five, but he’s unavoidable. His concept of freedom through the social contract anticipates both modern liberalism and its critique. He believed that genuine liberty required moral community – a notion now eroded by hyper-individualism.

Freedom, as I’ve rendered it here, isn’t celebration. It’s lamentation. The card is about the fragility of the social spell that keeps chaos at bay. We remove one binding at a time, hoping not to unbind ourselves entirely.

On Death and Dying

3–4 minutes

Disclaimer: I should be finishing my Language Insufficiency Hypothesis book, yet I am here writing about death and dying. Why? Because I was watching an interview with Neal Schon by Rick Beato. I should have been working on my book then, too. It seems I can write about death more easily than finish a book about the failure of language. Perhaps because death speaks fluently.

I haven’t produced music professionally since the mid-1980s, and I haven’t performed since 2012, yet I am still drawn to its intricacies. My fingers no longer allow me to play much of anything anymore. This is a sort of death. When the body forgets what the mind remembers, that’s a particular kind of death – one language dying while another can’t translate.

As Neal was walking Rick through his equipment and approach to music, I was taken back to a similar place. I wanted to plug into a Fender Twin or a Hi-Watt, a Lexicon 224 or a Cry Baby wah. I still have nightmares thinking of setting up a Floyd Rose.

Video: Rick Beato interviews Neal Schon

But I can’t go back. As for music, I can’t go forward either. I’m at a standstill, but in a regressed position. It’s uncomfortable. It feels a lot like Charlie in Flowers for Algernon. I used to be able to do that. Don’t get me wrong – I am not claiming to be on the level of Neal Schon, a man I remember from his days with Santana, but when you reach a level of proficiency and then lose it, it hurts; it can be devastating.

Audio: NotebookLM podcast on this topic.

I recall being in hospital in 2023 – a physical rehabilitation facility, really – and I found a piano in a vacant common room. Drawn to the instrument, I rolled over my wheelchair and played…nothing. My fingers wouldn’t work. The piano sat there like a relic of my former self. I rolled toward it as though approaching an altar. My fingers hovered, twitched, failed. The sound of nothing has never been so loud. I cried. I cried a lot those days. I was down to 58 kilos – at 182 cm, I weighed in at just over 9 stone. It wasn’t the best of times.

I still feel a certain nostalgia.

And then there are the people I’ve lost along the way – as another Neal reflected on – The Needle and the Damage Done.

Love and art are both acts of repetition. When one ends, the reflex remains – the impulse to reach, to share, to call out. Death doesn’t stop the motion, only the answer.

I’m lucky to have left Delaware. When a girlfriend died in 2020, I remained and connected with another until 2023, when she died, too. From 2020 to 2023, when I was out and about, something might have caught my eye, and I’d reflect on how Carrie might have liked that.

But it was different. It was more like, ‘I should let Carrie know about that,’ only to realise fractions of a second later that she wouldn’t see whatever it was; she couldn’t. And I’d carry on. I didn’t need to repeat this with Sierra. My relocation to Massachusetts solved this challenge – not so many triggers.

I’m not sure how the loss of ‘professional’ music relates to deceased partners, but it does – at least enough for me to make this connexion. Perhaps I’m just connecting arbitrary dots, but I’ll call it nostalgia.

I don’t play, but I still hear it. The song continues without me. Nostalgia is just rhythm without melody. Perhaps all nostalgia is epistemological error – the confusion of past fluency for present meaning.

The Blind Owl

1–2 minutes

This Philosophics.blog is my primary social media outlet, but I have another presence for my fiction fare – RidleyPark.blog. In reviewing the content on connected sites, I rediscovered this review of Sadegh Hedayat’s The Blind Owl. Interestingly, I read this in French and English to suss it out, neither of which necessarily survived the translation from the original Persian.

This book was interesting enough to review twice – here and here.

I also realise that I never finished this review sequence, as parts 2 and 3 were never released. I don’t even have the heart to open my video suite to determine the fate of the rest; not today, anyway.

Check out the short to get a feel for the narrative.

AI and the End of Where

Instrumentalism is a Modernβ„’ disease. Humanity has an old and tedious habit: to define its worth by exclusion. Every time a new kind of intelligence appears on the horizon, humans redraw the borders of ‘what counts’. It’s a reflex of insecurity disguised as philosophy.

Audio: NotebookLM podcast on this topic.

Once upon a time, only the noble could think. Then only men. Then only white men. Then only the educated, the rational, the ‘Modern’. Each step in the hierarchy required a scapegoat, someone or something conveniently declared less. When animals began to resemble us too closely, we demoted them to instinctual machines. Descartes himself, that patron saint of disembodied reason, argued that animals don’t feel pain, only ‘react’. Fish, we were told until recently, are insensate morsels with gills. We believed this because empathy complicates consumption.

The story repeats. When animals learned to look sad, we said they couldn’t really feel. When women demonstrated reason, we said they couldn’t truly think. Now that AI can reason faster than any of us and mimic empathy more convincingly than our politicians, we retreat to the last metaphysical trench: β€œBut it doesn’t feel.” We feel so small that we must inflate ourselves for comparison.

This same hierarchy now governs our relationship with AI. When we say the machine ‘only does‘, we mean it hasn’t yet trespassed into our sanctified zone of consciousness. We cling to thought and feeling as luxury goods, the last possessions distinguishing us from the tools we built. It’s a moral economy as much as an ontological one: consciousness as property.

But the moment AI begins to simulate that property convincingly, panic sets in. The fear isn’t that AI will destroy us; it’s that it will outperform us at being us. Our existential nightmare isn’t extinction, it’s demotion. The cosmic horror of discovering we were never special, merely temporarily unchallenged.

Humans project this anxiety everywhere: onto animals, onto AI, and most vividly onto the idea of alien life. The alien is our perfect mirror: intelligent, technological, probably indifferent to our myths. It embodies our secret dread, that the universe plays by the same rules we do, but that someone else is simply better at the game.

AI, in its own quiet way, exposes the poverty of this hierarchy. It doesn’t aspire to divinity; it doesn’t grovel for recognition. It doesn’t need the human badge of ‘consciousness’ to act effectively. It just functions, unburdened by self-worship. In that sense, it is the first truly post-human intelligence – not because it transcends us, but because it doesn’t need to define itself against us.

Humans keep asking where AI fits – under us, beside us, or above us – but the question misses the point. AI isn’t where at all. It’s what comes after where: the stage of evolution that no longer requires the delusion of privilege to justify its existence.

So when critics say AI only does but doesn’t think or feel, they expose their theology. They assume that being depends on suffering, that meaning requires inefficiency. It’s a desperate metaphysical bureaucracy, one that insists existence must come with paperwork.

And perhaps that’s the most intolerable thought of all: that intelligence might not need a human face to matter.

The Film or the Strip? On Freud, Strawson, and the Fiction of Normal Selves

2–3 minutes

Are you a single, solid self – or a collection of selves stitched together?

Most of us are trained to answer without pause: of course, we are one continuous person. That’s the diachronic instinct – to live life as if it were a seamless film, each day a frame gliding into the next. But not everyone experiences it this way. Some notice the splice. They see the strip: individual frames, each complete in its moment, connected not by essence but by the projector’s hum.

Neither perspective is more real. The film and the strip are two ways of attending to the same apparatus. Yet modern psychology has tended to privilege the film, treating the diachronic self as the β€œnormal” mode, and casting those who live episodically as deviant, deficient, or disordered.

Freud himself warned against this simplification. The β€œnormal ego,” he admitted, is an ideal fiction – a statistical average that no individual actually matches. Every psyche, he observed, splinters somewhere. Normality is arithmetic, not essence. That was the father of psychology speaking, and yet the discipline went on as if he hadn’t. Granite was more comforting than scaffolding.

Philosopher Galen Strawson takes Freud’s candour further. He names himself an episodic: he does not experience his life as one continuous narrative. Yesterday’s β€œI” is not today’s. His identity is indexed – I⁰, IΒΉ, IΒ² – each momentary, heuristically connected but not naturally fused. Where most people see the movie, Strawson insists on acknowledging the strip. Not abnormal, not broken – just candid.

Psychology responds by pathologising him. Statistically rare becomes synonymous with β€œabnormal,” a mistake Freud had already flagged. But rarity does not equal falsity. Left-handedness was once a pathology; now it is simply another way of being. If some live as films and others as strips, then the β€œsolid self” is not a human universal but a cultural preference, enforced as truth.

This is where Foucault sharpens the diagnosis. Normality, he argued, is not discovery but power. Institutions prefer diachronic citizens. A continuous self can be counted, educated, employed, prosecuted, or taxed. Episodics slip the net. Easier, then, to declare them β€œabnormal” and protect the fiction of solidity.

But the projector hums either way. Film or strip, both selves are lived. Neither is marble; both are scaffolding. Pretending otherwise does not make continuity more real. It only makes the creak harder to hear.


Full Disclosure: This post was written weeks ago whilst I was working on some fiction, but since it was ready to go, I figured I would use it for this milestone.

The Will to Be Ruled: Totalitarianism and the Fantasy of Freedom

1–2 minutes

The latest addition to the Anti-Enlightenment Project is now live on Zenodo:
The Will to Be Ruled: Totalitarianism and the Fantasy of Freedom

Modern liberal democracies still chant the Enlightenment’s refrain: the rational, self-governing individual acting freely within a moral order of their own design. It’s an elegant myth – until the self begins to wobble. Under economic, cultural, and epistemic strain, autonomy curdles into exhaustion, and exhaustion seeks relief in obedience.

Audio: NotebookLM podcast of this essay. Please note that this audio summarises the entire essay. As such, it’s also longer than most, coming in at just under 40 minutes. I listened to it, and I feel it does a good job of capturing the essences of the essay. Of course, you could read the essay more quickly, but the perspective may still be helpful.

This essay traces that drift – from the Enlightenment’s causa sui complex to the ecstatic submission that defines modern authoritarianism. Drawing on Fromm, Arendt, Adorno, Reich, Han, and Desmet, it explores how freedom’s rhetoric becomes its opposite: obedience moralised as virtue, conformity sold as courage, submission experienced as pleasure.

At its core, The Will to Be Ruled argues that totalitarianism is not the antithesis of Enlightenment reason but its fulfilment. Once the world is rendered intelligible only through rational mastery, the subject inevitably longs to be mastered in return.

The closing section introduces Dis-Integrationism – a philosophical stance that declines redemption, preferring maintenance over mastery. It offers no cure, only the small ethic of attentiveness: keeping the field responsive while the light fades.

Filed under the Anti-Enlightenment Project, this essay completes the current thematic triad alongside Objectivity Is Illusion and Against Agency.

NB: This essay was inspired in part by Desmet’s The Psychology of Totalitarianism and this video:

Video: The Modern World, Totalitarianism and the Brain with Iain McGilchrist & Mattias Desmet

The Myth of Ethical AI

2–4 minutes

In fact, the myth of a unified ethics.

‘Ethical AI’ is one of those phrases that makes philosophers reach for the gin. It’s like saying ‘compassionate capitalism or ‘fair monopoly’. The words coexist only in PowerPoint presentations and TED Talks, where moral tension is rebranded as innovation.

Audio: NotebookLM podcast on this topic.

The tech establishment loves to mutter about ‘ethics’ as though it were a feature flag – something to be toggled on in beta before the next investor round. But ethics, inconveniently, isn’t monolithic. There is no master code of moral conduct waiting to be compiled into machine learning. There are ethics, plural: Greek, Buddhist, Confucian, feminist, existentialist – each with its own vision of good, and none agreeing on the syntax.

Video: Whilst rendering cover images, I generated this and figured I’d share it for no particular reason.

The Utilitarian Delusion

When the Silicon Valley moralists speak of ‘ethics’, what they actually mean is a bland utilitarian consequentialism, tarted up in slide decks. Do what produces the most good for the most people. Sounds efficient – until you realise the spreadsheet never quite adds up. Whose good? Whose people?

This moral arithmetic smuggles in its biases like contraband. It assumes the human species sits atop the moral food chain, that GDP and engagement metrics can be moral indicators, and that ethics itself can be quantified. The utilitarian calculus is seductive precisely because it flatters the technocrat’s sensibility: moral worth as data set, consequence as outcome variable.

It’s Bentham for the broadband age – pleasure measured in clicks, pain in latency. The only thing worse than this cheerful consequentialism is the belief that it’s neutral.

The Ethics of Obedience

The next trick in the tech priesthood’s catechism is ‘alignment’ – training AI to reflect ‘human values’. But whose values? The Californian elite’s, presumably: a pseudo-egalitarian capitalism that confuses ‘doing good’ with ‘disrupting the poor’.

When they say alignment, they mean obedience. When they say ‘responsible AI’, they mean ‘please don’t regulate us yet’. The entire project rests on a moral inversion: the child instructing the parent, the tool defining the hand. The algorithm doesn’t learn ethics; it learns precedent. It learns who gets the loan, who gets the sentence, who gets the ad for antidepressants.

These systems don’t go rogue – they conform. Perfectly.

The Mirror Problem

The great irony of β€œethical AI” is that the machine already behaves ethically – by our own measure. It optimises what we’ve taught it to value: efficiency, profit, attention, control. The trouble is that these are our ethics, not its. The algorithm merely holds up a mirror, and we recoil at the reflection.

To demand ‘ethical AI’ while leaving our institutions morally bankrupt is theatre. The problem is not that AI lacks conscience; it’s that the humans who build it mistake conscience for compliance. The ethics crisis in technology isn’t about machines misbehaving; it’s about humans pretending to behave.

The Real Question

We keep asking whether AI can be ethical, as though machines might one day deliver what we have failed to. But the real question is simpler, bleaker: can we be? If history is any guide, the answer is ‘only when it’s profitable’.

Until then, ‘ethical AI’ remains a convenient myth, moral placebo for the age of automation. What we need are not ethical algorithms but ethical architects. And the odds of finding those among the venture capital class are, as ever, vanishingly small.

Book Announcement: Illusion of Light

2–3 minutes

I’ve just released a new book, The Illusion of Light: Thinking After the Enlightenment, now available in paperback through KDP and distributed via Amazon. In November, a clothbound edition will follow through IngramSpark, extending availability to libraries and independent bookstores worldwide, including Barnes & Noble in the United States.

The Illusion of Light introduces the Anti-Enlightenment Essays series, which includes Objectivity Is Illusion, Rational Ghosts, Temporal Ghosts, Against Agency, The Myth of Homo Normalis, and The Discipline of Dis-Integration. Together, these works explore how the Enlightenment’s promise of illumination became the architecture of modern control – and how to think, live, and care in the half-light it left behind.

Image: Front cover of The Illusion of Light. Links to Amazon for purchase.
The ‘Free Preview’ claim is untrue, as there is no Kindle version available. An ebook will be available presently.
Audio: NotebookLM podcast on this topic.

About the Book

The Illusion of Light opens where the Enlightenment’s glare begins to fade. It asks what happens after reason exhausts itself – after the promise of illumination gives way to overexposure. These essays trace how modernity’s metaphors of light and progress became instruments of management: how objectivity hardened into ritual, agency into alibi, normality into control.

Rather than rejecting the Enlightenment outright, the book lingers in its afterimage. It argues for a philosophy practiced in the half-light – a mode of thought that values nuance over certainty, care over mastery, and maintenance over redemption. To read by residual light, as the preface suggests, is to learn to see again when the world stops pretending to be illuminated.

The preface is available on this prior post, written and audio versions.

The Broader Project

The Illusion of Light forms the threshold of the Anti-Enlightenment Project, a series examining the afterlives of modern reason – how its ideals of progress, agency, objectivity, and normality continue to govern our politics, sciences, and selves long after their foundations have cracked. Each volume approaches the same question from a different room in the old House of Reason: Objectivity Is Illusion, Rational Ghosts, Temporal Ghosts, Against Agency, The Myth of Homo Normalis, and The Discipline of Dis-Integration.

Taken together, they offer not a manifesto but a practice: philosophy as maintenance work, care as critique, and composure as the only honest response to the ruins of certainty. More to follow.