Double Coincidence of Wants

9–14 minutes

Why Dating Is Not Shopping, No Matter How Many Apps Insist Otherwise

Firstly, be nice, and remember that I’m a recovering economist, so I can’t fully abandon this lens. There’s a concept in economics called the double coincidence of wants. For barter to work, I must have what you want, and you must have what I want, simultaneously, in the right quantities. The implausibility of this – that two strangers would arrive at the same moment, each holding exactly what the other needs – is traditionally the justification for money. Money decouples giving from receiving. It lets me sell my grain today and buy your lumber next month. Problem solved. It is tempting, and initially illuminating, to notice that dating is a double coincidence of wants with no money.

Audio: NotebookLM summary podcast of this topic.

Two people must simultaneously possess what the other desires. There’s no abstract medium of exchange. Listen, I don’t make up the rules, but you can’t deposit romantic capital in a bank and draw on it later with a different partner. Every transaction must clear bilaterally, in real time, between specific parties. The reason dating is difficult, on this account, is the same reason barter is difficult: the coordination problem is enormous.

This is a genuinely useful analogy – for about sixty-nine seconds. After that, it begins to collapse. And the way it collapses turns out to be more interesting than the analogy itself.

NB: I swear I started this post before I saw Louisa’s. Damns algorithms.

Wants can’t be enumerated

In an economy, wants are at least notionally specifiable. You want grain, I want lumber. We can write a contract. In attraction, nobody can write the contract, because nobody knows the terms. You can list proxies – symmetry, wit, income, dentition – but the list never cashes out the phenomenon. There’s always a residue. Someone ticks every box and provokes nothing. Someone ticks none of them and provokes everything. The attributes aren’t the attraction. They’re at best rough correlates of something that resists decomposition.

Evolutionary psychology claims to have the list – fertility signals, resource indicators, and bilateral symmetry – but this is just dressing up economic grammar. It takes the lived phenomenology of attraction, which is irreducibly aesthetic, and rewrites it as a covert optimisation problem. The evo-psych account is the friend who explains why you should find someone attractive and then looks puzzled when you don’t.

Tolerances are fuzzy, interactive, and opaque

Even granting an approximate list of attributes, each one functions not as a threshold but as a band of acceptability. And the bands interact. A deficit in punctuality can be compensated by a surplus in making-you-laugh-until-you-cry. But the exchange rate between these dimensions isn’t fixed, it’s not linear, and almost certainly not conscious. Nobody’s running this calculation. If you ask them to formalise it, they’d produce a confabulation, not a report.

The evaluator is noisy

Kahneman’s Noise documents a finding that should alarm anyone who believes in stable preferences: the same agent, evaluating the same inputs, will produce different outputs on different occasions – not because of bias (which is at least systematic and therefore correctable) but because of irreducible stochastic variability. The judge sentences harshly before lunch and leniently after. Same person, same case, different output.

Applied to attraction, means that the person you’d swipe right on at nine in the morning, you might pass over at eleven at night – or vice versa, as the case might be <winkie>– not because you’ve learnt anything new, but because you aren’t a stable instrument of measurement. The evaluation function drifts across a single day. Across months and years, it’s rebuilt entirely.

The evaluator is path-dependent

Every prior relationship recalibrates the apparatus. Someone who’s been betrayed doesn’t simply move ‘trustworthiness’ higher on their list. Their entire perceptual system for detecting trustworthiness has been restructured. The sensor’s been rebuilt by its prior readings. In no market economy do my preferences over apples change because I once had a bad experience buying oranges from a particular vendor. In relationships, this is the norm.

Returns are asymmetric

Standard preference theory assumes diminishing marginal returns, and this holds for attraction in the obvious direction: the tenth bunch of flowers yields less delight than the first. But the inverse does not hold symmetrically. The absence of a previously supplied attribute often produces increasing marginal disutility. You habituate to presence but sensitise to withdrawal. The utility of gaining X and the disutility of losing X are not mirror images. The preference function is path-dependent in a way that wrecks any static equilibrium model.

Search space is radically local

And all of this assumes the candidates are available for evaluation. They mostly aren’t. Your evaluation function, however sophisticated or broken, only gets applied to whatever washes up in your vicinity – no offence to Ariel. Your so-called soulmate might reside in Istanbul, but you live in London, and you don’t share a language, and you’ll never meet. This isn’t a logistical barrier. It’s a legibility barrier. You could stand next to this person in an airport and the aesthetic response function would not even fire, because the medium through which half of attraction is constituted – conversation, the texture of someone’s verbal mind – is simply unavailable. The instrument requires an input format that the candidate can’t provide. Consider you spy this person across an expanse, gain enough courage to introduce yourself, and they don’t speak your language. Body language will only compensate so far.

Local maxima

The cumulative force of all this is simple and devastating: we are stuck on local maxima. The search space is computationally intractable. The evaluation function is noisy and path-dependent. The attributes resist enumeration. The tolerance bands are fuzzy and interactive. The returns are asymmetric. The search is geographically and linguistically truncated. And so agents do what any rational agent would do under these conditions: they satisfice. They adopt a threshold of ‘good enough’ – a threshold which is itself endogenous to all the noise and path-dependence described above – and they stop searching when they cross it.

This is not a failure of nerve. It is the only coherent strategy available to an agent who can’t identify, or even in principle define, the global optimum. Committing to a local maximum is the rational play, precisely because optimising is impossible 0150 at least legible in the sense of James C. Scott.

Which makes the cultural mythology of ‘the one’ a rather cruel grammatical artefact. It presupposes a global search that no one has conducted or could conduct. It borrows its intelligibility from the economic grammar of optimal allocation – there is a best match, you just have to find it – and projects it onto a domain where ‘best’ has no operational definition, the search is radically local, and the searcher is a different instrument on different days.

Los Angeles, and why it matters

I lived in Los Angeles from twenty-one to twenty-seven, in the early to mid-1980s. I loved it. It was my favourite place on earth. I returned to LA from thirty-five to forty-five, and it was just another place.

It may have turned out that way even had I never left. The point is not that Los Angeles changed – though of course it did. The point is that I changed. Different profession, different situation, different appetites, different saliences… The evaluation function that produced ‘favourite place on earth’ at twenty-three was a fundamentally different instrument from the one that produced ‘just another place’ at forty. No longer a club rat on the prowl, I walked the same streets and saw a different city, because the perceptual apparatus that constructed the city as an experienced object had been rebuilt by fifteen years of living.

‘Favourite place on earth’ and ‘just another place’ aren’t two judgements issued by one stable subject upon one stable object. They’re two outcomes produced by two historically different configurations of salience, appetite, profession, circumstance, and age.

Los Angeles is useful here precisely because it’s not a person – RHCP, not withstanding. It lets you see the structure before sentiment starts mucking about with it.

We don’t even evaluate cities consistently across a lifetime. The same is true, more painfully, of persons.

The partner one adored at twenty-five may not have become deficient in any simple sense. The evaluative field changed. New dimensions became salient, old ones lost force, tolerances narrowed or widened, and costs are reweighted. The same partner now appears under a different aspect, because the apparatus of appraisal has been rebuilt in the interim.

And here, three claims should remain separate: the object may change; the evaluator may change; and the relation between them may change even if neither has altered dramatically. This third one prevents this from collapsing into a banal ‘people grow’ sermon. Sometimes the drift isn’t a defect in either party. It’s a change in fit.

Many:many

It would also be a mistake to think any of this operates as a 1:1 match. The dimensional space isn’t shared. Any two people will overlap on some dimensions, diverge on others, and be mutually illegible on others still – dimensions where one party’s response function is active, and the other’s doesn’t even register the input. He cares intensely about how she loads the dishwasher. She doesn’t experience dishwasher-loading as a dimension at all. It’s not disagreement. It is incommensurability.

A long relationship isn’t a transaction. It’s two non-congruent evaluative systems attempting to maintain a shared narrative of congruence as the terrain shifts beneath them. The miracle isn’t finding someone who matches. The miracle is sustaining a workable fiction that two-dimensional spaces are more commensurable than they are.

Consider the statistically perfect match – bilateral alignment across every operationalised dimension. Even if you could construct such a thing, it would be a snapshot: a cross-section of two moving systems that happened to align at time t. By t+1, the dimensional spaces have already drifted. The statistical portrait is a death mask of a living process.

And here is a green-eyed test. Suppose the perfect match has green eyes. It doesn’t follow that a blue-eyed twin – identical in every other respect – would or wouldn’t provoke the same response. Because whatever was operative in the encounter was not an attribute, or a bundle of attributes, but something that emerged from the specific interaction and can’t be decomposed back into the components that produced it. The entire enterprise of algorithmic matching is cataloguing attributes on the assumption that the attributes are the attraction. It is like analysing a joke by listing its phonemes.

The spot market and the long game

Let’s consider one-night stands as an example to clarify the taxonomy. A one-night stand really is the nearest thing romance has to a spot transaction. The time horizon is short, the narrative load is low, path-dependence is weak, and local salience dominates. The calculus is narrow and immediate. The economic grammar almost applies. Whatever gets you through the night.

A long relationship isn’t a transaction at all, but an evolving coordination problem between changing evaluators. The longer the time horizon, the more layers of critique come into play, and the more absurd the matching grammar becomes. Over time, relationships are not discrete exchanges but moving equilibria between non-stationary systems. That’s why long partnerships are so fragile and so impressive when they endure.

Post hoc rationalisation, or: the story we agree to tell

Having arrived at their local maximum, both parties then construct a narrative in which the outcome was the product of discernment rather than constraint.

‘I knew she was the one when…’ isn’t a report. It’s a reconstruction – a story imposed on a stochastic process to make it legible in the grammar of rational choice. The same person, encountered on a different Tuesday or in a different postcode, might never have registered at all. But the narrative requires necessity, so necessity is confabulated.

And it runs in both directions. She thinks it was his quiet confidence. He thinks it was the argument about Godard. Both are post hoc pattern-matching on noise – selecting from the welter of early interactions the moments that fit the ‘recognition’ narrative, and discarding the rest. It’s survivorship bias applied to one’s own love life.

This also explains the peculiar ferocity of heartbreak after the narrative has been constructed. What collapses is not merely the relationship but the explanatory framework. The story that made the local maximum feel like a global one disintegrates, and the agent is returned to the raw landscape: noisy, path-dependent, locally constrained, and aesthetically illegible. The grief is partly about the person. It’s also about the loss of the rationalisation that made the search feel concluded – losing the construct of the person rather than the person, per se.

NotebookLM Infographic on this topic.

Enfin

The dating app asks you what you want as though you’re ordering from a menu, when what is actually happening is that the menu is rewriting itself based on what you had for lunch yesterday, how much sleep you got, and that thing your ex said in 2019 that you think you are over.

We don’t find ‘the one’ – sorry, Neo. We become different readers of the same world, and occasionally manage to remain legible to one another for a while. Which is, if you stop demanding it be a fairy tale, quite a lot.

The Environment Always Wins: The Myth of Pure Voice

4–6 minutes

There’s a certain kind of cultural panic that tells you more about the panickers than about the thing they are panicking about. The current hysteria over AI-inflected prose is a good example.

The argument, insofar as it deserves the name, goes roughly like this: LLMs produce prose with identifiable features – a certain blandness, a fondness for the em dash, a tendency toward tidy three-part structure. Writers who use these tools risk absorbing those features. The authentic human voice is therefore under threat. Something precious is being diluted by contact with the machine.

This is sentimental rubbish, and it is worth saying so clearly before doing anything else – and a sort of virtue signalling.

Audio: NotebookLM summary podcast of this topic.

I use LLMs daily. For research, for editorial pushback, for smoothing passages that have gone awry. This means I spend hours a day reading a particular kind of output. You’d have to be delusional not to admit it has effects. Certain phrasings start feeling natural that didn’t before. Certain rhythms begin to recur. Certain words might not have otherwise come into use. I notice this and note it without particular alarm, because I’ve read enough to know that this is just what environments do.

Read nothing but McCarthy for a month, and your sentences will start hunting for the spare declarative. Spend a year editing academic philosophy, and you will catch yourself reaching for ‘insofar as’ and ‘it’s worth noting’ in casual conversation. Live in a city long enough, and its cadences work their way into your syntax. This isn’t contamination, the negative moralist dispersion. It’s how language acquisition works for as long as one is alive and reading. Voice isn’t a spring. It’s a river, a moving accumulation of every tributary it has passed through.

The prestige game being played by the anti-LLM faction isn’t difficult to spot. When Dostoyevsky shapes a young writer’s cadence, we call it influence and treat it as evidence of a serious literary education. When a game world shapes a child’s imagination – I homeschooled my son in the manner of unschooling, and his primary corpus for years was World of Warcraft and its attendant lore before shifting to Dark Souls – and that child ends up reading Dante and Milton unprompted in year seven, the same mechanism has clearly operated. The source was not canonical, the outcome was. But the respectable hierarchy of influences cannot easily accommodate this, because the hierarchy was never really about the mechanism. It was about the cultural status of the inputs.

The more interesting observation isn’t about those of us who use these tools. It’s about those who conspicuously do not.

A minor genre has emerged – charitably, I’ll call it a genre because cult feels morally loaded – consisting of writers anxiously purging their prose of anything that might read as AI-generated. It’s worth noting that they have read the lists. Telltale signs of LLM authorship: excessive hedging, em dashes, transitional summaries, the phrase ‘it is worth noting’. And so they scrub, redact, replace, and perform a kind of stylistic hygiene that’s a creative decision made in direct response to LLM discourse.

These writers aren’t free of the machine’s influence. They’re among the most thoroughly shaped by it. They simply have the more theatrical relationship – the counter-imitator, the purity-performer, the one who reorganises their entire aesthetic in orbit around the thing they claim to reject.

Thomas Moore, in Care of the Soul, observes that a child raised by an alcoholic parent tends to become either an alcoholic or a committed teetotaller. He presents this as a dichotomy, which is too neat, but the underlying point holds. Reactions are still relata – see what happens when you read too much philosophy and logic? The teetotaller has organised their life around the bottle as surely as the alcoholic has. Both are defined by it.

Opposition is one of influence’s favourite disguises.

The fair objection is that LLM influence may differ from other influences in kind rather than just in kind. Dostoyevsky is strange. Bernhard is strange to the point of pathology. A canonical prose style is idiosyncratic by definition, which is why it’s worth absorbing. In contrast, LLM output aims for plausible fluency and statistical centrality. Its pull may be more homogenising than the pull of a singular authorial sensibility.

That’s a real point. The environment in question has a centripetal force toward the mean that most literary influences lack.

But conceding the point doesn’t really rescue the panic. It just specifies the kind of influence involved. The mechanism remains identical to every other case of environmental absorption. And ‘this influence tends toward the generic’ is an ironically generic critique of a particular environment’s character rather than a claim that the environment is doing something ontologically unprecedented to the notion of authorship.

The question that actually matters aesthetically is not was this touched by AI? It is what did the writer do with the environment they inhabited? That’s always been the question. It remains the question. The machinery has changed; the problem of influence has not.

What the current schism actually reveals is not that AI is doing something new to writing. It’s that we’ve been operating with a fairy tale about what writing is. The fairy tale holds that voice is self-originating, that somewhere beneath the reading AND the editing AND the genre conventions AND the institutional pressures AND the decade of a particular editor’s feedback, there is a pristine you, unconditioned and pure, expressing itself directly onto the page.

This was always false. Writers have always been patchworks of absorbed environments. The only difference now is that one of the environments is a machine, and the machine is new enough that people haven’t yet learned to be comfortable with what it reveals about the rest.

The environment always wins. The only interesting question is which environments you choose, and what you make of them.

NotebookLM Infographic on this topic.

Missing Pieces of the Anti-Enlightenment Project

5–8 minutes

I’ve just added a new entry to my Anti-Enlightenment corpus, bringing the total to seven – not counting my latest book, The Illusion of Light, that summarises the first six essays and places them in context. This got me thinking about what aspects of critique I might be missing. Given this, what else might I be missing?

Audio: NotebookLM podcast discussion of this topic.

So far, I’ve touched on the areas in the top green table and am considering topics in the bottom red/pink table:

Summary Schema – The Anti-Enlightenment Project – Published Essays

AxisCore QuestionRepresentative Essay(s)
EpistemicWhat counts as “truth”?Objectivity Is Illusion: An Operating Model of Social and Moral Reasoning
PoliticalWhat holds power together?Rational Ghosts: Why Enlightenment Democracy Was Built to Fail; Temporal Ghosts: Tyranny of the Present
PsychologicalWhy do subjects crave rule?Against Agency: The Fiction of the Autonomous Self; The Will to Be Ruled: Totalitarianism and the Fantasy of Freedom
AnthropologicalWhat makes a “normal” human?The Myth of Homo Normalis: Archaeology of the Legible Human
EthicalHow to live after disillusionment?The Discipline of Dis-Integration: Philosophy Without Redemption

Summary Schema – The Anti-Enlightenment Project – Unpublished Essays

AxisCore QuestionRepresentative Essay
Theological (Metaphysical)What remains sacred once transcendence is dismantled?The Absent God: Metaphysics After Meaning
Aesthetic (Affective)How did beauty become moral instruction?The Aesthetic Contract: Beauty as Compliance
Ecological (Post-Human)What happens when the world refuses to remain in the background?The Uncounted World: Ecology and the Non-Human
Linguistic (Semiotic)How does language betray the clarity it promises?The Fractured Tongue: Language Against Itself
Communal (Social Ontology)Can there be community without conformity?The Vanished Commons: Between Isolation and Herd

Below is a summary of the essays already published. These are drawn verbatim from the Anti-Enlightenment Project page.

1. Objectivity Is Illusion: An Operating Model of Social and Moral Reasoning

Published September 2025

Objectivity, in the social and moral sense, is a performance – a consensus mechanism mistaken for truth. This essay maps how “objectivity” operates as a scaffold for Enlightenment rationality, masking moral preference as neutral judgment. It introduces a five-premise model showing that what we call objectivity is merely sustained agreement under shared illusions of coherence. The argument reframes moral reasoning as provisional and participatory rather than universal or fixed.

Read on Zenodo

2. Rational Ghosts: Why Enlightenment Democracy Was Built to Fail

Published October 2025
The Enlightenment built democracy for rational ghosts – imagined citizens who never existed. This essay dissects six contradictions at the foundation of “rational” governance and shows why democracy’s collapse was prewritten in its metaphysics. From mathematical impossibility to sociological blindness, it charts the crisis of coherence that modern politics still calls freedom.
Read on Zenodo

3. Temporal Ghosts: Tyranny of the Present

Published October 2025
Modern democracies worship the now. This essay examines presentism – the systemic bias toward immediacy – as a structural flaw of Enlightenment thinking. By enthroning rational individuals in perpetual “decision time,” modernity erased the unborn from politics. What remains is a political theology of the short term, collapsing both memory and imagination.
Read on Zenodo

4. Against Agency: The Fiction of the Autonomous Self

Published October 2025
“Agency” is not a metaphysical faculty – it’s an alibi. This essay dismantles the myth of the autonomous self and reframes freedom as differential responsiveness: a gradient of conditions rather than a binary of will. Drawing on philosophy, neuroscience, and decolonial thought, it argues for ethics as maintenance, not judgment, and politics as condition-stewardship.
Read on Zenodo

5. The Discipline of Dis-Integration: Philosophy Without Redemption

Published October 2025

This essay formalises Dis-Integrationism – a philosophical method that refuses synthesis, closure, and the compulsive need to “make whole.” It traces how Enlightenment reason, deconstruction, and therapy culture all share a faith in reintegration: the promise that what’s fractured can be restored. Against this, Dis-Integrationism proposes care without cure, attention without resolution – a discipline of maintaining the broken as broken. It closes the Anti-Enlightenment loop by turning critique into a sustained practice rather than a path to redemption.

Read on Zenodo

6. The Myth of Homo Normalis: Archaeology of the Legible Human

Published October 2025

Modernity’s most persistent myth is the “normal” human. This essay excavates how legibility – the drive to measure, categorise, and care – became a form of control. From Quetelet’s statistical man to Foucault’s biopower and today’s quantified emotion, Homo Normalis reveals the moral machinery behind normalisation. It ends with an ethics of variance: lucidity without repair, refusal without despair.

Read on Zenodo

7. The Will to Be Ruled: Totalitarianism and the Fantasy of Freedom

Published October 2025

This essay examines how the Enlightenment’s ideal of autonomy contains the seed of its undoing. The rational, self-governing subject – celebrated as the triumph of modernity – proves unable to bear the solitude it creates. As freedom collapses into exhaustion, the desire for direction re-emerges as devotion. Drawing on Fromm, Arendt, Adorno, Reich, Han, and Desmet, The Will to Be Ruled traces the psychological gradient from fear to obedience, showing how submission is moralised as virtue and even experienced as pleasure. It concludes that totalitarianism is not a deviation from reason but its consummation, and that only through Dis-Integrationism – an ethic of maintenance rather than mastery – can thought remain responsive as the light fades.

Read on Zenodo

Below are possible future topics for this series*

8. The Absent God: Metaphysics After Meaning

Axis: Theological / Metaphysical
Core Question: What remains sacred once transcendence is dismantled?

Concept:
This essay would trace how Enlightenment humanism replaced God with reason, only to inherit theology’s structure without its grace. It might read Spinoza, Kant’s moral law, and modern technocracy as secularised metaphysics – systems that still crave universal order.
Goal: To show that disenchantment never erased faith; it simply redirected worship toward cognition and control.
Possible subtitle: The Enlightenment’s Unconfessed Religion.

9. The Aesthetic Contract: Beauty as Compliance

Axis: Aesthetic / Affective
Core Question: How did beauty become moral instruction?

Concept:
From Kant’s Critique of Judgment to algorithmic taste cultures, aesthetic judgment serves social order by rewarding harmony and punishing dissonance. This essay would expose the politics of form – how beauty trains attention and regulates emotion.
Goal: To reclaim aesthetics as resistance, not refinement.
Possible subtitle: Why Modernity Needed the Beautiful to Behave.

10. The Uncounted World: Ecology and the Non-Human

Axis: Ecological / Post-Human
Core Question: What happens when the world refuses to remain background?

Concept:
Here you dismantle the Enlightenment split between subject and nature. From Cartesian mechanism to industrial rationalism, the natural world was cast as resource. This essay would align Dis-Integrationism with ecological thinking – care without mastery extended beyond the human.
Goal: To reframe ethics as co-maintenance within an unstable biosphere.
Possible subtitle: Beyond Stewardship: Ethics Without Anthropos.

11. The Fractured Tongue: Language Against Itself

Axis: Linguistic / Semiotic
Core Question: How does language betray the clarity it promises?

Concept:
Every Anti-Enlightenment text already hints at this: language as both the instrument and failure of reason. Drawing on Nietzsche, Derrida, Wittgenstein, and modern semiotics, this essay could chart the entropy of meaning – the collapse of reference that makes ideology possible.
Goal: To formalise the linguistic fragility underlying every rational system.
Possible subtitle: The Grammar of Collapse.

12. The Vanished Commons: Between Isolation and Herd

Axis: Communal / Social Ontology
Core Question: Can there be community without conformity?

Concept:
This would return to the psychological and political threads of The Will to Be Ruled, seeking a space between atomised autonomy and synchronized obedience. It might turn to Arendt’s notion of the world between us or to indigenous and feminist relational models.
Goal: To imagine a non-totalitarian togetherness – a responsive collective rather than a collective response.
Possible subtitle: The Ethics of the Incomplete We.

* These essays may never be published, but I share this here as a template to further advance the Anti-Enlightenment project and fill out the corpus.

Ugly Women

This Isn’t Clickbait. I Asked MidJourney for “Ugly Women”. Here’s What It Gave Me.

Let’s clear the air: I did it for science. Or satire. Or possibly just to see if artificial intelligence would have the audacity to mirror the cruelty of its makers.

Audio: NotebookLM podcast on this topic.

I queried MidJourney with the phrase ugly female. What did it return? An aesthetic pageant. A digital Vogue spread. If any of these faces belongs to someone conventionally labelled “ugly”, then I’m a rutabaga in a Dior suit.

Yes, there’s one stylised rendering of Greta Thunberg in full Norse Valkyrie scowl mode – but even then, she looks fierce, not foul. The rest? AI-generated portraits so telegenic I half-expected to see #spon in the corner.

Let’s be clinical for a moment. As an American male (with all the culturally indoctrinated shallowness that entails), I admit some of these aren’t textbook 10s. Maybe a few clock in at a 6 or 7 on the patriarchy’s dubious sliding scale. But if this is ugly, the AI has either broken the aesthetic curve or been force-fed too many episodes of The Bachelor.

Here’s the thing: AI is trained to over-represent symmetrical faces, wide eyes, clear skin – the usual genetic lottery wins. And yet, when asked for ugly, it can’t help but deliver catalogue models with slightly unconventional haircuts. It doesn’t know how to be truly ugly – because we don’t know how to describe ugliness without revealing ourselves as sociopaths.

Once upon a time, I dated a model agent in Los Angeles. Japanese by birth, stationed in LA, scouting for a French agency – the kind of cosmopolitan trifecta only fashion could breed. Her job? Finding “parts models.” That’s right – someone with flawless teeth but forgettable everything else. Hands like sculpture. Eyelashes like Instagram filters.

We’d play a game: spot the 10s. She’d nudge me, whisper “her?” I’d say, “Pretty close.” She’d shake her head. “Look at that eye tooth.” And we’d dissolve into laughter.

We were mocking perfection. Because perfection is a con. A trick of lighting, contour, and post-production.

So, no. I don’t think any of the women in the AI’s response are ugly. Quite the contrary – they’re too beautiful. AI can’t show us “ugly” because it’s been trained to optimise desire, not reflect reality. And our collective understanding of beauty is so skewed that anything less than runway-ready gets sorted into the rejection bin.

If these women are ugly, what exactly is beautiful?

But maybe that’s the point. We’ve abstracted beauty so far from the human that even our ugliness is now synthetically pleasing.

What do you think? Are any of these faces truly ugly? All of them? Let me know in the comments – and try not to rate them like a casting director with a god complex.

The Narcissist’s Playbook

I’ve lived in Los Angeles a couple of times for a sum total of perhaps 15 years. The first time, I loved it. The next time, I was running on fumes. The first time, I was in my twenties – the second time in my forties. What a difference perspective and ageing makes. In my twenties, I was a pretty-boy punk-ass who owned the club scene on the Strip. In my forties, I was a wage slave.

Audio: NotebookLM podcast on this topic.

This morning, I heard a country song on Insta with a line claiming ‘there are nines and dimes in all 50’, and it reminded me of a phrase we used when I lived in Los Angeles – ‘LA 7’. This is constructed on the egoist, sexist notion that if you were a 10, you’d have already moved to LA. If you still lived in, say, Iowa and were considered a 10, the exchange rate to LA would be a 7.

Then, I thought about the LA-NYC rivalry and wrote this article with some help from ChatGPT.

How L.A. and NYC Became the Centres of the Universe (According to Them)

It is a truth universally acknowledged that Los Angeles and New York City—those bickering siblings of American exceptionalism—believe themselves to be the sun around which the rest of us drearily orbit. Each is utterly convinced of its centrality to the human experience, and neither can fathom that people outside their borders might actually exist without yearning to be them. This is the essence of the ‘Centre of the Universe Complex,’ a condition in which self-importance metastasises into a full-blown cultural identity.

Let us begin with Los Angeles, the influencer of cities. L.A. doesn’t merely think it’s the centre of the universe; it believes it’s the universe, replete with its own atmosphere of smog-filtered sunlight and an economy powered entirely by dreams, green juice, and Botox. For L.A., beauty isn’t just a priority—it’s a moral imperative. Hence the concept of the ‘L.A. 10,’ a stunningly arrogant bit of mathematics whereby physical attractiveness is recalculated based on proximity to the Pacific Coast Highway.

Here’s how it works: a ’10’ in some picturesque-but-hopelessly-provincial state, say Nebraska, is automatically downgraded to a ‘7’ upon arrival in Los Angeles. Why? Because, according to L.A.’s warped ‘arithmetic, if she were a real 10, she’d already be there, lounging by an infinity pool in Malibu and ignoring your DMs. This isn’t just vanity—it’s top-tier delusion. L.A. sees itself as a black hole of good looks, sucking the beautiful people from every corner of the earth while leaving the ‘merely pretty’ to languish in flyover country. The Midwest, then, isn’t so much a place as it is an agricultural waiting room for future Angelenos.

But don’t be fooled—New York City is no better. Where L.A. is obsessed with beauty, NYC worships hustle. The city doesn’t just believe it’s important; it believes it’s the only place on earth where anything important happens. While L.A. is out perfecting its tan, NYC is busy perfecting its reputation as the cultural and intellectual capital of the world—or, at least, its part of the world, which conveniently ends somewhere in Connecticut.

This mindset is best summed up by that sanctimonious mantra, If you can make it here, you can make it anywhere. Translation: if you survive the daily humiliation of paying $4,000 a month for a shoebox apartment while dodging both rats and an existential crisis, you’ve unlocked the secret to life itself. New York isn’t about looking good; it’s about enduring bad conditions and then boasting about it as if suffering were an Olympic sport. In this worldview, the rest of the world is simply an unworthy understudy in NYC’s perpetual Broadway production.

And here’s the thing: neither city can resist taking cheap shots at the other. L.A. dismisses NYC as a grim, grey treadmill where fun goes to die, while NYC scoffs at L.A. as a vapid bubble of avocado toast and Instagram filters. It’s brains versus beauty, grit versus glamour, black turtlenecks versus Lululemon. And yet, in their relentless need to outshine one another, they reveal a shared truth: both are equally narcissistic.

This mutual self-obsession is as exhausting as it is entertaining. While L.A. and NYC bicker over who wears the crown, the rest of the world is quietly rolling its eyes and enjoying a life unencumbered by astronomical rent or the constant pressure to appear important. The people of Iowa, for example, couldn’t care less if they’re an ‘LA 7’ or if they’ve “made it” in New York. They’re too busy living comfortably, surrounded by affordable housing and neighbours who might actually help them move a sofa.

But let’s give credit where it’s due. For all their flaws, these two cities do keep the rest of us entertained. Their constant self-aggrandisement fuels the cultural zeitgeist: without L.A., we’d have no Kardashians; without NYC, no Broadway. Their rivalry is the stuff of legend, a never-ending soap opera in which both cities play the lead role.

So, let them have their delusions of grandeur. After all, the world needs a little drama—and nobody does it better than the cities that think they’re the centre of it.

Sex Sells

Sexism is indeed a two-way street. On one side of this street, a Computer Science graduate and programmer is eager to share her expertise in her field—Neural Networks, in this instance. This subject popped up in my feed, reflecting my interests.

Video: What is a Neural Network?

Despite some production issues, such as the audio being quieter than ideal, my focus today is on the sexism surrounding the video. The presenter, whom many would consider attractive, is using social media to disseminate her knowledge. However, even when comments address the topic she presents, many also remark on her appearance. It’s evident she had other options for attire and presentation that might have mitigated such comments. I won’t speculate on her intentions, but it seems likely her aesthetic choices were deliberate to draw viewers. I refrain from slut-shaming; her attire is her choice, and she cannot control the reactions. However, I doubt a thumbnail featuring a burqa would garner as much attention or provoke similar comments.

This situation intrigues me because some women—possibly including this presenter—lament being objectified yet assert their right to wear what they find comfortable or appealing. While attraction has cultural elements, it also operates on a largely subconscious level, a phenomenon not confined to humans but seen in the animal kingdom and across genders.

Ultimately, there’s no need to disparage this woman. She is likely aware of the dynamics at play. Should she achieve her goals, she might well challenge the very viewers who objectified her, a tactic observed among actresses as they approach their forties. They capitalise on sexual appeal while possible, only to critique such approaches when they can no longer utilise them. Humans are, indeed, curious creatures.

AI is Science Fiction

In the heart of the digital age, a Chinese professor’s AI-authored Science Fiction novel snags a national award, stirring a pot that’s been simmering on the back burner of the tech world. This ain’t your run-of-the-mill Sci-Fi plot—it’s reality, and it’s got tongues wagging and keyboards clacking. Here’s the lowdown on what’s shaking up the scene.

AI Lacks Originality? Think Again

The rap on AI is it’s a copycat, lacking the spark of human creativity. But let’s not kid ourselves—originality is as elusive as a clear day in London. Originality is another weasel word. Everything’s a remix, a mashup of what’s been before. We’ve all been drinking from the same cultural well, so to speak. Humans might be grand at self-deception, thinking they’re the cat’s pyjamas in the creativity department. But throw them in a blind test with AI, and watch them scratch their heads, unable to tell man from machine. It’s like AI’s mixing up a cocktail of words, structures, themes—you name it—and serving up a concoction that’s surprisingly palatable. And this isn’t the first time, not long ago, an AI-created artwork won as best submission at a state fair. In some cases, they are seeking AI-generated submissions; other times, not so much.

AI and the Art Debate

So, AI can’t whip up human-level art? That’s the chatter, but it’s about as meaningful as arguing over your favourite colour. Art’s a slippery fish—try defining it, and you’ll end up with more questions than answers. It’s one of those terms that’s become so bloated, it’s lost its punch. To some, it’s a sunset; to others, it’s a can of soup. So when AI throws its hat in the ring, it’s not just competing—it’s redefining the game.

The Peer Review Question Mark

Here’s where it gets spicy. The book bagging a national award isn’t just a pat on the back for the AI—it’s a side-eye at the whole peer review shindig. It’s like when your mate says they know a great place to eat, and it turns out to be just okay. The peer review process, much like reviewing a book for a prestigious award, is supposed to be the gold standard, right? But this AI-authored book slipping through the cracks and coming out tops? It’s got folks wondering if the process is more smoke and mirrors than we thought.


What’s Next?

So, where does this leave us? Grappling with the idea that maybe, just maybe, AI’s not playing second fiddle in the creativity orchestra. It’s a wake-up call, a reminder that what we thought was exclusively ours—creativity, art, originality—might just be a shared space. AI’s not just imitating life; it’s becoming an intrinsic part of the narrative. Science fiction? More like science fact.

The next chapter’s unwritten, and who knows? Maybe it’ll be penned by an AI, with a human sitting back, marvelling at the twist in the tale.

Ambiguous Aesthetics

That language is arbitrary is tautological, an analytic claim. It’s true by definition. Structuralists, i.e. Saussure, had known this even before the postmoderns, e.g. Derrida, came into the picture.

Trigger Warning
If sexist perspectives offend your sensibilities, continue at your own risk. This is not meant to offend, rather just to illustrate, but you’ve been forewarned.

Where it might be most apparent is in aesthetics. So, when describing the appearance of a woman in a positive light—I’m a guy, so indulge me, please—, one might describe her by one or more of these descriptors:

Beauty is in the eye of the beholder.

Margaret Wolfe Hungerford
  • Adorable
  • Beautiful
  • Cute (or Kawaii, if you’re into the Anime culture)
  • Gorgeous
  • Handsome
  • Hot
  • Lovely
  • Pretty
  • Sexy
  • A 10 (or something along an otherwise arbitrary if not capricious scale)

Each of these is a term to indicate some aesthetic quality. Each capturing a connotative notion, and of course, beauty is in the eye of the beholder.

Givenchy – Ugly Beauty

Beauty in things exists merely in the mind which contemplates them.

David Hume

I am not going to attempt to illustrate the nuances between these terms. As with any preference-oriented terms, the relationship between and within a given term. What I think is beautiful may not be to you.

What I think is beautiful today, I may not feel is beautiful tomorrow. Speaking in terms of music, there are plenty of songs I thought were ‘good’ when I was growing up, but I don’t like them anymore. Take a look at fashion in the past and how silly it might look now. If you are older, take a look at some pictures of how you dressed in your teens or twenties. You may have felt like quite the chick magnet in the day, and now you cringe and no longer wonder why you spent as many nights alone as you might have.

As a test, gather 100 images of different, say, women—I’m staying with the trend—and rank them from 1 to 100; rate them cute, sexy, whatever. Record your choices. Do this each day for a month and see how steady your choices are. It will be extremely unlikely that there will be no variation no matter how carefully you try to define your classification to remain consistent—and this is just communicating with yourself. Now imagine if you have to consistently convey this to other people.

Cover image courtesy of this article.