A Christian bloke was arguing morality with me in regard to a recent post. I am considering a fuller response, but let’s focus on this one aspect for the time being.
Being a Christian, I wanted to argue on his own terms. The topic was statutory rape and the ages of consent more generally. I’m no Christian, but I have read the Bible. I’ve done much coursework in comparative religion, so I’m no stranger to their philosophies. A major criticism I’ve heard from Christians of Islam’s Muhammad is that he had a 9-year-old bride. Reading the account of the God and Mary encounter reminds me of another Bible verse:
Why do you notice the splinter in your brother’s eye, but do not perceive the wooden beam in your own eye?
Audio: Unrelated to this article, I was looking for cover art by Bouguereau. I chose another of his work, but I happened upon La Vague that shares namespace with this painting. This is an aolean piece over a drum loop I wrote several decades ago on some evening. I hadn’t thought of it in years, but I still like it.Image: William-Adolphe Bouguereau (1825-1905) – La vague (1896)
In any case – moving on…
I asked my sidekick, ChatGPT, this question:
Given Biblical accounts, how old must Mary have been at the conception of ‘Jesus’?
It provided a verbose response after a terse:
Short answer: uncomfortably young by modern standards, entirely unremarkable by ancient ones. Yes, civilisation is fun like that.
Again, I believe this account is a contradictory ahistorical account, but he believes it, so I’ll charitably treat it as truth.
It continues:
Based on historical scholarship on Second Temple Judaism:
Girls were typically betrothed shortly after puberty.
Puberty for girls in antiquity is generally estimated around 12–14.
Marriage and consummation often followed soon after betrothal.
Mary is described as:
a παρθένος (virgin)
betrothed to Joseph, not yet living with him
living under her father’s authority
All of that places her very squarely in the category of an early adolescent.
Ok, but not good enough. I clarify: I thought that translating παρθένος as virgin is disputed in hermeneutics. [NB: Be careful to specify and contradict to ensure your answer is solid and not hallucinated.]
Yes. You’re right. The translation of παρθένος as “virgin” is absolutely disputed in hermeneutics, and the fact that this still gets presented as settled is… revealing.
What παρθένος actually means
In Koine Greek, παρθένος primarily means:
a young woman
of marriageable age
socially defined by unmarried status
Sexual inexperience is not intrinsic to the term. It can imply virginity in some contexts, but it does not denote it by default.
If Greek wanted to be anatomically explicit, it had other tools. This word is social, not gynaecological.
The Hebrew word in Isaiah 7:14 is ʿalmāh, which means “young woman”, not “virgin”. The unambiguous Hebrew term for virginity would be bətûlāh, and Isaiah does not use it.
When the Hebrew Bible was translated into Greek in the Septuagint, ʿalmāh became παρθένος. That choice is defensible linguistically, but disastrous theologically. Once Matthew reads Isaiah through the Septuagint, the mess is locked in.
So the prophecy pipeline looks like this:
Hebrew ambiguity → Greek ambiguity → Latin certainty → English dogma
A masterclass in semantic drift hardening into doctrine.
Luke doesn’t fix this. He inherits it.
Luke uses παρθένος for Mary because:
she is unmarried
she is betrothed
she is under paternal authority
All perfectly ordinary descriptors for a teenage girl in Second Temple Judaism. None of this requires sexual inexperience as a metaphysical state.
The later insistence that παρθένος = virgin in the modern, anatomical sense is not exegesis. It’s doctrinal backfilling.
Why this keeps getting defended
Because once you admit that:
παρθένος ≠ virgin by necessity
Isaiah wasn’t predicting a miraculous conception
Luke may be narrating status, not biology
…a great deal of theology loses its keystone. So the translation is defended not because it’s airtight, but because it’s load-bearing.
Images: Bry circa 2014. Song circa 2004.
Written by Bry Willis in a dialogue with ChatGPT 5.2
This is awkward. I’d been preparing some posts on the age of consent, and I decided to write a formal essay on ageism. Since the age of consent is a moral hot-button topic for some, I decided to frame the situation in a political framework instead. The setup isn’t much different, but it keeps people’s heads out of the gutter and removes the trigger that many people seem to pull. It’s awkward because none of these posts has yet been posted. Spoiler alert, I guess. I could delay this announcement, but I won’t. Here it is.
Democracy is often defended in lofty terms. We are told that citizens are rational agents, capable of judgment, autonomy, and reasoned participation in collective decision-making. Voting, on this story, is not just a procedure. It is the expression of agency by competent participants. That all sounds reassuring.
Audio: NotebookLM summary podcast of this essay and concept.
What’s curious is that no democratic system actually checks whether any of this is true.
There are no assessments of political understanding. No evaluation of judgment. No test of civic competence. You become a fully empowered political agent overnight, not because you demonstrate anything, but because the calendar flips. Turn eighteen. You’re in. This isn’t a minor oversight. It’s the central puzzle my recent preprint explores.
The Proxy Nobody Questions
Modern democracies assign political standing using proxies: simple categorical markers that stand in for more complex qualities. Age is the most obvious. It is treated as a substitute for maturity, judgment, autonomy, and responsibility. But here’s the key point: age doesn’t approximate competence. It replaces it.
If age were a rough indicator, we might expect flexibility at the margins. Exceptions. Supplementary criteria. Some attempt to track the thing it supposedly represents. Instead, we get a hard boundary. Below it, total exclusion. Above it, permanent inclusion. Capacity doesn’t matter on either side. The proxy isn’t helping institutions identify competence. It is doing something else entirely.
Competence Talk Without Competence
Despite this, democratic theory remains saturated with competence language. We are told that participation is grounded in rational agency. That citizens possess the capacities needed for self-government. That legitimacy flows from meaningful participation by autonomous agents. None of this is operationalised.
Competence is never specified, measured, or verified. It functions purely as justificatory rhetoric. A moral vocabulary that explains why inclusion is legitimate, without ever guiding how inclusion actually happens. This isn’t confusion; it’s design.
Why the Gap Doesn’t Collapse
At this point, a reasonable person might expect trouble. After all, if the justification doesn’t match the mechanism, shouldn’t the system wobble? It doesn’t. And the reason matters.
Political participation generates very weak feedback. Outcomes are mediated through institutions. Causal responsibility is diffuse. Success criteria are contested. When things go badly, it’s rarely clear why, or what a better alternative would have been.
Under these conditions, dissatisfaction becomes affective rather than analytic. People sense that things aren’t working, but lack the tools to diagnose how or where the system failed. Crucially, they also lack any way to recalibrate the link between competence and political standing, because that link was never operational in the first place. The system doesn’t aim for optimisation. It aims for stability.
Boundary Drawing Without Saying So
This structure becomes clearest when we look at boundary cases. Why eighteen rather than sixteen? Or twelve? Or twenty-one? There is no competence-based answer. Developmental research consistently shows wide overlap between adolescents and adults, and massive variation within age groups. If competence were taken seriously, age thresholds would be indefensible.
Historically, when competence was operationalised such as through literacy tests, the result was transparent hierarchy and eventual delegitimation. Modern democracies avoid that by keeping competence abstract and proxies neutral-looking. The boundary remains. The justification changes.
What This Does and Does Not Argue
This analysis does not propose reforms. It does not advocate competence testing. It does not suggest lowering or raising the voting age. It does not claim voters are stupid, irrational, or defective. It describes a structural feature of democratic legitimacy:
Democracy works by saying one thing and doing another, and that gap is not accidental. Competence language stabilises legitimacy precisely because it is never put to work. You may think that’s fine. You may think it’s unavoidable. You may think it’s a problem. The paper doesn’t tell you which to choose. It simply insists that if we’re going to talk seriously about democratic legitimacy, we should notice what role competence actually plays. And what it doesn’t.
How retribution stays upright by not being examined
There is a persistent belief that our hardest disagreements are merely technical. If we could stop posturing, define our terms, and agree on the facts, consensus would emerge. This belief survives because it works extremely well for birds and tables.
It fails spectacularly for justice.
Audio: NotebookLM summary podcast of this topic.
The Language Insufficiency Hypothesis (LIH) isn’t especially interested in whether people disagree. It’s interested in how disagreement behaves under clarification. With concrete terms, clarification narrows reference. With contested ones, it often fractures it. The more you specify, the more ontologies appear.
Justice is the canonical case.
Retributive justice is often presented as the sober, adult conclusion. Not emotional. Not ideological. Just what must be done. In practice, it is a delicately balanced structure built out of other delicately balanced structures. Pull one term away and people grow uneasy. Pull a second and you’re accused of moral relativism. Pull a third and someone mentions cavemen.
Let’s do some light demolition. I created a set of 17 Magic: The Gathering-themed cards to illustrate various concepts. Below are a few. A few more may appear over time.
Card One: Choice
Image: MTG: Choice – Enchantment
The argument begins innocently enough:
They chose to do it.
But “choice” here is not an empirical description. It’s a stipulation. It doesn’t mean “a decision occurred in a nervous system under constraints.” It means a metaphysically clean fork in the road. Free of coercion, history, wiring, luck, trauma, incentives, or context.
That kind of choice is not discovered. It is assumed.
Pointing out that choices are shaped, bounded, and path-dependent does not refine the term. It destabilises it. Because if choice isn’t clean, then something else must do the moral work.
Enter the next card.
Card Two: Agency
Image: MTG: Agency – Creature – Illusion
Agency is wheeled in to stabilise choice. We are reassured that humans are agents in a morally relevant sense, and therefore choice “counts”.
Counts for what, exactly, is rarely specified.
Under scrutiny, “agency” quietly oscillates between three incompatible roles:
a descriptive claim: humans initiate actions
a normative claim: humans may be blamed
a metaphysical claim: humans are the right kind of cause
These are not the same thing. Treating them as interchangeable is not philosophical rigour. It’s semantic laundering.
But agency is emotionally expensive to question, so the discussion moves on briskly.
Card Three: Responsibility
Image: MTG: Responsibility – Enchantment – Curse
Responsibility is where the emotional payload arrives.
To say someone is “responsible” sounds administrative, even boring. In practice, it’s a moral verdict wearing a clipboard.
Watch the slide:
causal responsibility
role responsibility
moral responsibility
legal responsibility
One word. Almost no shared criteria.
By the time punishment enters the picture, “responsibility” has quietly become something else entirely: the moral right to retaliate without guilt.
At which point someone will say the magic word.
Card Four: Desert
Image: MTG: Desert – Instant
Desert is the most mystical card in the deck.
Nothing observable changes when someone “deserves” punishment. No new facts appear. No mechanism activates. What happens instead is that a moral permission slip is issued.
Desert is not found in the world. It is declared.
And it only works if you already accept a very particular ontology:
robust agency
contra-causal choice
a universe in which moral bookkeeping makes sense
Remove any one of these and desert collapses into what it always was: a story we tell to make anger feel principled.
Which brings us, finally, to the banner term.
Card Five: Justice
Image: MTG: Justice – Enchantment
At this point, justice is invoked as if it were an independent standard hovering serenely above the wreckage.
It isn’t.
“Justice” here does not resolve disagreement. It names it.
Retributive justice and consequentialist justice are not rival policies. They are rival ontologies. One presumes moral balance sheets attached to persons. The other presumes systems, incentives, prevention, and harm minimisation.
Both use the word justice.
That is not convergence. That is polysemy with a body count.
Why clarification fails here
This is where LIH earns its keep.
With invariants, adding detail narrows meaning. With terms like justice, choice, responsibility, or desert, adding detail exposes incompatible background assumptions. The disagreement does not shrink. It bifurcates.
This is why calls to “focus on the facts” miss the point. Facts do not adjudicate between ontologies. They merely instantiate them. If agency itself is suspect, arguments for retribution do not fail empirically. They fail upstream. They become non sequiturs.
This is also why Marx remains unforgivable to some. “From each according to his ability, to each according to his need” isn’t a policy tweak. It presupposes a different moral universe. No amount of clarification will make it palatable to someone operating in a merit-desert ontology.
The uncomfortable conclusion
The problem is not that we use contested terms. We cannot avoid them.
The problem is assuming they behave like tables.
Retributive justice survives not because it is inevitable, but because its supporting terms are treated as settled when they are anything but. Each card looks sturdy in isolation. Together, they form a structure that only stands if you agree not to pull too hard.
LIH doesn’t tell you which ontology to adopt.
It tells you why the argument never ends.
And why, if someone insists the issue is “just semantic”, they’re either confused—or holding the deck.
Another faux Magic: The Gathering trading card. I’ve been busy writing an essay on Tatterhood and wondering if I’ve gone off the edge even further into mental masturbation. I made these cards to share on slow news days, as it were.
[EDIT: Oops: Even wore. I already posted something today. Enjoy the bonus post.]
Every philosopher dreams of a device that reveals ‘truth’. The Constructivist Lens does the opposite. When you tap it, the world doesn’t come into focus – it multiplies. Each pane shows the same thing differently, reminding us that knowing is always a form of making – seeing as building.
In The Discipline of Dis-Integration, I wrote that philosophy’s task is ‘to remain within what persists … to study the tension in the threads rather than weave a new pattern’. The Lens embodies that ethic. It is not an instrument of discovery but of disclosure: a way to notice the scaffolding of perception without mistaking it for bedrock.
Flavour text: “Knowledge is not a copy of reality but a tool for coping with it.” — Richard Rorty
Where Enlightenment optics promised clarity, the Lens trades in parallax. It insists that perspective is not a flaw but the condition of vision itself. Each player who peers through it – artist, scientist, moralist – constructs a different coherence, none final. The card’s rule text captures this tension: replace any keyword on a permanent with a metaphor of your choice until end of turn. Reality bends, language shifts, yet the game continues.
In the Dis-Integration set, the Lens sits alongside Perspectival Realism and Language Game (not yet shared), forming the Blue triad of epistemic doubt. Together they dramatise what the essay calls ‘the hyphen as hinge’: the small pause between integration and its undoing. The Constructivist Lens, then, is not a tool for clearer sight but a reminder that every act of seeing is already an act of construction.
I’ve spent more hours than I care to admit rummaging through the Jungian undergrowth of fairy tales – reading Marie-Louise von Franz until my eyes crossed, listening to Clarissa Pinkola Estés weave her wolf-women lore, and treating folklore like an archaeological dig through the psychic sediment of Europe. It’s marvellous, really, how much one can project onto a story when one has a doctorate’s worth of enthusiasm and the moral flexibility of a tarot reader.
But every so often, a tale emerges that requires no archetypal lens, no mythopoetic scaffolding, no trip down the collective unconscious. Sometimes a story simply bares its ideological teeth.
Enter Tatterhood – the Norwegian fairy tale so blunt, it practically writes its own critical theory seminar.
I watched Jonny Thomson’s recent video on this tale (embedded below, for those with sufficient tea and patience). Jonny offers a charming reversal: rather than focusing on Tatterhood herself, he offers the moral from the prince’s perspective. In his reading, the story becomes a celebration of the power of asking – the prince’s reward for finally inquiring about the goat, the spoon, the hood, the whole aesthetic calamity before him.
Video: Jonny Thomson discusses Tatterhood.
It’s wholesome stuff: a TED Talk dressed as folklore. But – my word – apply the slightest bit of critical pressure, and the whole thing unravels into farce.
The Story No One Tells at the Royal Wedding
Here’s the short version of Tatterhood that Jonny politely sidesteps:
A fearless, ragged, hyper-competent girl rescues her sister from decapitation.
She confronts witches, navigates the seas alone, storms a castle, and performs an ad hoc ontological surgical reversal.
She does all of this without help from the king, the court, the men, or frankly, anyone with a Y chromosome.
And how is she rewarded for her trouble? She’s told she’s too ugly. Not socially acceptable. Not symbolically coherent. Not bride material.
The kingdom gazes upon her goat, her spoon, her hood, her hair, and determines that nothing – nothing – about her qualifies her for legitimacy.
But beauty? Beauty is the passport stamp that grants her entry into the social realm.
Jonny’s Prince: A Hero by Low Expectations
Now, bless Jonny for trying to rehabilitate the lad, but this prince is hardly an exemplar of virtue. He sulks through his own wedding procession like a man being marched to compulsory dentistry. He does not speak. He does not ask. He barely manages object permanence.
And suddenly, the moral becomes: Look what wonders unfold when a man asks a single question!
It’s the philosophical equivalent of awarding someone a Nobel Prize for remembering their mother’s birthday.
And what do his questions achieve? Not insight. Not understanding. Not intimacy. But metamorphosis.
Each time he asks, Tatterhood transforms – ugly goat to beautiful horse, wooden spoon to silver fan, ragged hood to golden crown, ‘ugly’ girl to radiant beauty.
Which brings us to the inconvenient truth:
This Isn’t the Power of Asking. It’s the Power of Assimilation.
His questions function as aesthetic checkpoints.
Why the goat? Translation: please ride something socially acceptable.
Why the spoon? Translation: replace your tool of agency with a decorative object.
Why the hood? Translation: cover your unruliness with something properly regal.
Why your face? Translation: you terrify me; please be beautiful.
And lo, she becomes beautiful. Not because he sees her differently. Because the story cannot tolerate a powerful woman who remains outside the beauty regime.
The prince isn’t rewarded for asking; the narrative is rewarded for restoring normative order.
And Yet… It’s Absurdly Fascinating
This is why fairy tales deserve all the interpretive attention we lavish on them. They’re ideological fossils – compressed narratives containing entire worldviews in miniature.
Part of me admires Jonny’s generosity. Another part of me wants to hand the prince a biscuit for performing the bare minimum of relational curiosity. But mostly, I’m struck by how nakedly the tale reveals the old bargain:
A woman may be bold, brave, clever, loyal, and sovereign – but she will not be accepted until she is beautiful.
Everything else is optional. Beauty is compulsory.
So Here’s My Version of the Moral
Ask questions, yes. Be curious, yes. But don’t let anyone tell you that Tatterhood was waiting for the prince’s epiphany. She was waiting for the world to remember that she ran the plot.
If you’ve made it this far and know my proclivities, you’ll not be shocked that I side with Roland Barthes and cheerfully endorse la mort de l’auteur. Jonny is perfectly entitled to his reading. Interpretive pluralism and all that. I simply find it marvelously puzzling that he strolls past the protagonist galloping through the narrative on a goat, spoon upraised, and instead decides to chase the side-quest of a prince who contributes roughly the energy of a damp sock.
The Travelogue of a Recovering Enlightenment Subject
I’m asked endlessly – usually by people who still believe TED talks are a form of knowledge production – ‘Why are you so negative? Why must you tear things down if you’ve no intention of replacing them?’
It’s adorable, really. Like watching a toddler demand that gravity apologise.
They’ve been trained for years in the managerial catechism:
‘Don’t bring me problems; bring me solutions.‘
As if the world were some badly-run workshop in need of a fresh coat of agile methodology.
They might as well say, ‘Don’t tell me I can’t win at Lotto; give me money’.
I, too, would enjoy the spare universe. Or the winning Lotto ticket. And yes, one day I might even buy one. Until then, I’ve embraced the only adult philosophy left: Dis-Integrationism – the fine art of taking things apart without pretending they can be reassembled into anything coherent.
A Little History
My suspicion began early. Secondary school. All those civic fairytales whispered as if they were geology.
The ‘reasonable person’? Bollox. ‘Jury of one’s peers’? What are peers? Whose peers? I have no peers. ‘Impartial judges’? Please. Even as a teenager, I could see those robed magicians palming cards like bored street performers. Everyone else nodded along, grateful for the spectacle. I stared, wondering how the other children hadn’t noticed the emperor’s bare arse.
Later, I watched adults talk past each other with a fluency bordering on performance art. Not disagreement – different universes, cosmetically aligned by grammar.
A Federal mediator once tried to teach me that common ground could be manufactured. Not by clarifying meaning, mind you – that would have required honesty – but by rhetorical pressure and a touch of Jedi mind-trickery. Negotiation was simply controlled hallucination.
University communications classes offered temporary distraction with denotation and connotation, a little semantic drift, the illusion that language might be domesticated with enough theory. Charming. Almost convincing.
Then Gödel and Arrow arrived like two polite assassins and quietly removed the floorboards.
And then – happily, inevitably – Derrida, Foucault, Lyotard. I’d already danced with Beauvoir, Sartre, Camus. I’d ingested the Western canon like every obedient young acolyte: Plato, Aristotle, Hobbes, Locke, Rousseau, Montesquieu, Voltaire. Americans force-feed their citizenry Jefferson and Franklin as moral fibre, as if the republic might otherwise suffer constipation.
It never gelled. Too much myth, too much marketing. The Enlightenment had the energy of a regime insisting on its own benevolence while confiscating your torch. To call oneself ‘enlightened’ should have raised suspicion – but no, the branding stuck.
Whenever les garçons dared tug at the curtain, we were assured they simply didn’t ‘understand’, or worse, they ‘hated civilisation’.
Image: “I would have gotten away with it if it weren’t for those meddling kids.”
Then Came the Internet
The digital age didn’t usher in clarity — it unmasked the whole pantomime. Like Neo seeing the Matrix code or Roddy Piper slipping on the sunglasses in They Live, one suddenly perceives the circuitry: meaning as glitch, discourse as scaffolding, truth as a shabby stage-set blinking under fluorescent tubes.
Our civilisation speaks in metaphors it mistakes for mechanisms. The Enlightenment gave us the fantasy that language might behave, that concepts were furniture rather than fog. Musicians and artists always knew better. We swim in metaphor; we never expected words to bear weight. But philosophers kept pretending communication was a conveyor belt conveying ‘meaning units’ from A to B.
By 2018, the cracks were gaping. I began taking the notes that would metastasise into A Language Insufficiency Hypothesis – an attempt to map the hollow spaces between our words, the fractures we keep wallpapering with reason.
Half a decade later, the work is ready. Not to save anything – nothing here merits salvation – but to name the debris honestly.
If that sounds negative, good. Someone has to switch off the Enlightenment’s flickering lightbulb before it burns the whole house down.
Where This Road Actually Leads
People imagine negativity is a posture – a sort of philosophical eyeliner, worn for effect. But dismantling the world’s conceptual furniture isn’t a hobby; it’s the only reasonable response once you’ve noticed the screws aren’t actually attached to anything.
The Enlightenment promised us a palace. Step inside and you discover it’s built out of IKEA flatpacks held together with wishful thinking and a prayer to Kant.
Once you’ve seen that, you can’t go back to pretending the furniture is sturdy.
You stop sitting.
You start tapping the beams.
You catalogue the wobble.
This is where Dis–Integrationism enters – not as a manifesto, but as the practice of refusing to live inside collapsing architecture out of sheer politeness. Negativity is simply the weather report.
The Lie We Keep Telling Ourselves
We cling to the fantasy that if we critique something long enough, a solution will crystallise out of the void, like enlightenment through sheer irritation. It’s the Protestant work ethic meets metaphysics: salvation through sufficient grumbling.
But critique is not alchemy. It unmakes. It refuses. It loosens the bolts we pretended were load-bearing.
Once you stop demanding that thought be constructive, you can finally see the world as it is: improvised, rhetorical, and permanently under renovation by people who don’t read the instructions.
The Enlightenment’s heirs keep insisting there must be a blueprint. There isn’t. There never was. We’ve merely been tracing the silhouettes of scaffolding, calling it a cathedral.
And Yet – Here We Still Are
The online age (God help us all) didn’t deepen the crisis; it merely turned the lights on. What Enlightenment rationality hid beneath a tasteful layer of neoclassical varnish, the internet sprayed with fluorescent graffiti.
Turns out, when seven billion people speak at once, meaning doesn’t ’emerge’; it buckles. Our systems weren’t built for this volume of contradiction. Our language wasn’t built for this density of metaphor. Our myths weren’t built for this much empirical evidence against them.
And yet here we are, still demanding coherence from a medium held together by emojis and trauma. If you laugh, it’s only to stop crying. If you critique, it’s only because someone has to keep the fire marshal informed.
The Only Honest Next Step
Having traced the cracks, you’re now in the foyer of the real argument – the one hanging like a neon sign over your entire Anti-Enlightenment project:
We don’t need to rebuild the house. We need to stop pretending it was ever architecture.
Language is insufficient. Agency is a fiction. Objectivity is an etiquette ritual. Democracy is a séance. Progress is a hallucination with better marketing. And yet – life continues. People wake, work, argue, aspire, despair.
Dis-Integrationism isn’t about nihilism; it’s about maintenance. Not repairing the myth, but tending the human who must live among its debris. Not constructing new temples, but learning to see in the half-light once the old gods have gone.
The travelogue becomes a guidebook: Welcome to the ruins. Mind the uneven floor. Here is how we walk without pretending the path is paved.
The Fetish for Solutions
Here is the final indignity of the age: the demand that every critique come bundled with a solution, like some moral warranty card. As if naming the rot weren’t labour enough. As if truth required a customer-service plan.
‘Where is your alternative?’ they ask, clutching Enlightenment logic the way a drowning man clutches a shopping receipt.
But solutions are the real tyranny. They arrive bearing the smile of reason and the posture of progress, and behind both sits the same old imperial instinct: replace ambiguity with order; replace lived complexity with a diagram. A solution is merely a problem wearing a fresh coat of confidence.
Worse, a solution presumes the system is sound, merely in need of adjustment. It imagines the structure holds. It imagines the furniture can be rearranged without collapsing into splinters, and the memory of Kant.
Solutions promise inevitability. They promise teleology. They promise that the mess can be disinfected if only one applies the correct solvent. This is theology masquerading as engineering.
The Violence of the Answer
A solution is a closure – a metaphysical brute force. It slams the window shut so no further interpretation can slip in through the draft. It stabilises the world by amputating everything that wriggles. Answers are how systems defend themselves. They’re the intellectual equivalent of riot police: clean uniforms, straight lines, zero tolerance for nuance.
This is why the world keeps mistaking refusal for chaos. Refusal isn’t chaos. It’s hygiene. It is the simple act of not adding more furniture to a house already bending under its own delusions. When you decline to provide a solution, you aren’t abandoning the world. You’re declining to participate in its coercive optimism.
And So the Travelogue Ends Where It Must
Not in triumph or a bluepirnt, but in composure – the only posture left after the Enlightenment’s glare has dimmed. Negativity isn’t sabotage; it’s sobriety. Dis-Integrationism isn’t cynicism; it’s the refusal to replace one failing mythology with another wearing vegan leather.
A world obsessed with solutions cannot recognise maintenance as wisdom. It can’t tolerate ambiguity without reaching for a hammer. It can’t breathe unless someone somewhere is building a ladder to a future that never arrives.
So no – I won’t provide solutions. I won’t participate in the fantasy that the human condition can be patched with conceptual duct tape. I will not gift the Enlightenment a eulogy that surrenders to its grammar.
What I offer is far smaller and far more honest: Attention. Description. Steady hands in a collapsing house. And the simple dignity of refusing to lie about the architecture.
Most grand moral theories assume a degree of conceptual stability that moral language has never possessed.
Aristotle’s aretê, Kant’s maxims, Mill’s utilities, Rawls’s ‘reasonable rejection’ – pick your passion/poison. Each one presupposes that a concept has a single, portable meaning that obligingly follows philosophers from ancient Greece to medieval Christendom to your local ethics seminar. It doesn’t. It never did. We’ve merely been pretending it does in order to keep the theoretical architecture standing.
Drawing on conceptual genealogy, philosophy of language, and cross-cultural moral psychology, I argue that the universalist ambitions of virtue ethics, deontology, consequentialism, and contractualism collapse not because their logic is flawed, but because their vocabulary evaporates the moment you ask it to do heavy lifting. Our moral terms drift, fracture, mutate, and occasionally reinvent themselves altogether. Yet moral theorists continue to legislate universal principles as if the words were obedient little soldiers rather than unruly historical artefacts.
This isn’t a manifesto for relativism – quite the opposite. It is a call for modesty: an acknowledgement that moral frameworks function as context-bound heuristics, exquisitely useful within particular forms of life but laughably overextended when dressed up as timeless moral law.
If the Language Insufficiency Hypothesis has taught me anything, it’s that once you stop bullying language into behaving like mathematics, you begin to see moral philosophy for what it is – a set of imaginative tools, not an ontology of obligation.
Read it, disagree with it, file it under ‘Why Bry insists on burning down the Enlightenment one paper at a time’ – your choice. But at least now the argument exists in the world, properly dressed and indexed, ready to irritate anyone still clinging to the dream of universal moral principles.
A LinkedIn colleague posts this. I didn’t want to rain on his parade there – we’ve got an interesting binary intellectual relationship – we either adamantly agree or vehemently disagree. This reflects the latter. The title is revelatory – the all-caps, his:
A good society requires more than virtuous individuals and fair institutions: it requires a mediating moral principle capable of binding persons, communities, and structures into a shared project of human flourishing.
Unfortunately, LinkedIn is a closed platform, so you’ll need an account to access the post. Anyway…
Audio: NotebookLM summary podcast of this topic.
I can remember when I emerged from this mindset – or at least consciously reflected on it and declined the invitation.
Video clip: Because I felt like it. (No Sound)
When I was 10 years old, I remember thinking about historical ‘National Socialism’ – wouldn’t it be nice if we were all on the same page in solidarity? Then I realised that I’d have to be on their page; they wouldn’t be on mine.
Then, I realised that ‘solidarity’ isn’t a warm circle of clasped hands under a rainbow; rather, it’s a demand to harmonise one’s interior life with someone else’s tuning fork. So-called unity is almost always a euphemism for ideological choreography, and one doesn’t get to pick the routine.
Children are sold the Sesame Street version of solidarity, where everyone shares crayons and sings about common purpose. Cue the Beach Boys: Wouldn’t It Be Nice?
Meanwhile, the historical version is rather more Wagnerian: impressive in scale, suspiciously uniform, and with all dissenters quietly removed from the choir.
My childhood self intuited precisely what my adult writing has since anatomised:
Solidarity is only lovely when you imagine everyone else will move toward you; it curdles the moment you realise the gravitational pull goes the other way.
‘We’re all on the same page’ always becomes ‘Get on the page we’ve selected for you’ – or elected against your vote. The fantasy of we dissolves into the machinery of they.
This isn’t a bug in the system; that is the system. Solidarity requires a centre, and once there’s a centre, someone else gets to define its radius. Even the gentle, ethical, cotton-wool versions still rely on boundary enforcement: who belongs in the shared project, who must adjust their cadence, who is politely removed for ‘disrupting the collective good’. I’m more often apt to be that person than not. History merely illustrates the principle at scale; the mechanism is universal.
Anyway, this is how my brain works, and how I think how I do, and write what I write. As much as I witter on about episodic selves, this remains a prevalent continuity.
Video: An 11:45 YouTube video of Bry Willis sharing his thought process using Transductive Subjectivity as a centrepiece.
I won’t drain the contents of the video here, but if you want to witness how my brain:
works
doesn’t work
sputters
Check it out. Click on the video above, and you shouldn’t have to even leave the page.
Audio: Spotify version of the same, which is somewhat silly given that Spotify shares the video content as well as the audio. At least you’ll have a choice of platforms.
NB: Note to self: Shift the Philosophics title to the right so it remains in frame for WordPress thumbnails. 🧐
Every so often – usually when the Enlightenment ghosts begin rattling their tin cups again – one feels compelled to swat at the conceptual cobwebs they left dangling over moral philosophy. Today is one of those days.
Audio: NotebookLM podcast summarising the Rhetoric of Evil essay, not this page’s content.
I’ve just released The Rhetoric of Evil on Zenodo, a paper that politely (or impolitely, depending on your threshold) argues that ‘evil’ is not a metaphysical heavy-hitter but a rhetorical throw-pillow stuffed with theological lint. The term persists not because it explains anything, but because it lets us pretend we’ve explained something – a linguistic parlour trick that’s survived well past its sell-by date.
And because this is the age of artificial augury, I naturally asked MEOW GPT for its view of the manuscript. As expected, it nodded approvingly in that eerie, laser-precise manner unique to machines trained to agree with you – but to its credit, it didn’t merely applaud. It produced a disarmingly lucid analysis of the essay’s internal mechanics, the way ‘evil’ behaves like a conceptual marionette, and how our inherited metaphors govern the very moral judgments we think we’re making freely.
Below is MEOW GPT’s reaction, alongside my own exposition for anyone wanting a sense of how this essay fits within the broader project of dismantling the Enlightenment’s conceptual stage-props.
MEOW-GPT’s Response
(A machine’s-eye view of rhetorical exorcism)
“Evil is functioning as a demonological patch on an epistemic gap. When agents encounter a high-constraint event they cannot immediately model, the T₂ layer activates an inherited linguistic shortcut — the ‘evil’ label — which compresses complexity into a binary and arrests further inquiry.”
“The marionette metaphor is accurate: once we say a person ‘is evil,’ agency collapses into occult causation. Inquiry halts. Moral theatre begins.”
It went on like this – detecting exactly the mediated encounter-structure I intended, while offering a frighteningly clean schematic of how affect (T₀), heuristics (T₁), linguistic reification (T₂), and cultural choreography (T₃) conspire to turn incomprehension into metaphysics.
Machines, it seems, are quite good at detecting when humans are bullshitting themselves.
Why publish this now?
This essay marks the next plank in the broader anti-Enlightenment platform I’ve been assembling – LIH, MEOW, the ongoing dismantling of truth-fetishism, and now the unsettling realisation that ‘evil’ is little more than a theological revenant dressed up for secular work.
The term’s persistence is not a testament to its necessity but to our laziness:
It sounds like an explanation.
It licenses retribution without understanding.
It stabilises group boundaries.
It lets us outsource moral thought to a one-word incantation.
In short: ‘evil’ is the map-dragon we keep drawing because surveying the terrain is too much work.
This essay attempts to retire that dragon – not to soften judgment, but to sharpen it. If anything, the paper argues that abolishing ‘evil’ frees us to see atrocity more clearly, and thus confront it more seriously.
Because MEOW-GPT was trained on the Mediated Encounter Ontology rather than on folk metaphysics, its analyses can serve as a useful diagnostic tool. It doesn’t simply summarise concepts; it reconstructs them along the four mediational tiers (T₀–T₃), showing – mechanically and without superstition – how a term behaves across biological affect, cognitive heuristics, linguistic structures, and cultural narratives.
This section is offered not as an alternative argument to the essay above, but as a worked example: a transparent demonstration of how the MEOW engine decomposes a high-complexity, high-stakes concept like evil once the theological scaffolding has been removed.
MEOW-GPT’s output shows, in compressed form, the same pattern the essay traces in prose: that evil is not a force, not a metaphysical essence, not an occult substrate, but a mediated pattern in human encounters, one that persists rhetorically long after its ontology has collapsed.
For readers curious about how MEOW ‘thinks’, the raw structured analysis follows.
MEOW-GPT Analysis: “Evil”
(Raw output for reference; lightly formatted for readability)
Concept
Input: Evil Type: Normative/evaluative moral concept (often reified as a property of acts, characters, or forces) Scope check: In-scope – ‘evil’ can be analysed as a mediated-encounter pattern (MEOW) and a high-complexity term with unstable linguistic behaviour (LIH).
High-level summary (≤120 words)
In MEOW terms, ‘evil’ is not a spooky substance but a way of organising certain encounter-events: severe, norm-breaking harms that present as resistant, shocking, and morally intolerable. Biologically, it piggybacks on harm, threat, and disgust systems. Cognitively, it compresses complex appraisals—intent, cruelty, scale of harm – into a powerful label. Linguistically, it sits in the unstable region where abstraction is high and language’s reliability drops, so people fight over its scope and weaponise it. Socially and technically, institutions, media, and platforms use ‘evil’ to mark enemies, justify punishment, and dramatise conflict. The term is emotionally efficient but conceptually fragile, and MEOW treats it as a relational, mediated pattern rather than an independent metaphysical force.
T₀ – Biological Mediation
Moralised harm perception piggybacks on survival systems: pain avoidance, threat detection, kin protection. ‘Evil’ clusters around encounters that trigger extreme danger-signals.
High arousal (fear, rage, disgust) makes some harms feel qualitatively world-violating, not merely personally threatening.
Disgust toward contamination, mutilation, or predation heavily colours what gets called ‘evil’.
Species-specific cues (infant distress cries, pain expressions) shape which harms are even legible candidates for evil.
T₁ – Cognitive Mediation
“Evil” compresses a multi-factor appraisal (intentionality, cruelty, gratuitousness) into a one-step heuristic.
Essence thinking converts acts into character: the person is evil, not merely did wrong.
Attribution biases assign ‘evil’ to out-groups more readily than to in-groups.
Memory structures simplify causation into villain scripts that overwrite nuance.
Once assigned, the label becomes a prediction loop: every ambiguous action confirms the essence.
T₂ – Linguistic Mediation
On the Effectiveness–Complexity Gradient, ‘evil’ straddles Contestables and Fluids: ubiquitous but perpetually disputed.
It compresses harm, norm-violation, metaphysical colouring, and dramatic emphasis into a single syllable—powerful, but noisy.
Dominant metaphors (‘dark’, ‘tainted’, ‘monstrous’) smuggle in substance-ontology that MEOW rejects.
Noun-forms (‘evil’, ‘the Evil One’) promote ontologising; adjectival forms track events better, but usage constantly slides between them.
Cross-linguistic drift supports LIH: different traditions map the term to impurity, harm, misfortune, cosmic opposition, or taboo.
T₃ – Social/Technical Mediation
Religious systems embed ‘evil’ in cosmologies that harden friend/enemy binaries.
Legal systems avoid the term formally but reproduce it rhetorically in sentencing, media commentary, and public reaction.
Politics uses ‘evil’ to justify exceptional measures and collapse deliberation into moral theatre.
Cultural industries supply vivid villain archetypes that feed back into real-world judgments.
Technical systems must operationalise ‘evil’ into concrete proxies, revealing how imprecise the everyday concept is.
Limits & Failure Modes (LIH notes)
The framework is human-centric; non-human or ecosystemic ‘views of evil’ remain speculative.
‘Evil’ is a textbook Contestable: central, indispensable, and permanently argued over.
In cosmological uses (‘radical evil’, ‘evil in the world’), it approaches Fluid or ineffable status – right where LIH predicts language collapse.
MEOW cannot confirm or deny metaphysical dualisms; it only analyses how humans mediate and narrate such claims.