With the MEOW thesis now roaming freely across the intellectual savannah, knocking over conceptual furniture and frightening the rationalists, it’s time to walk through a simple example. We’ll stay safely within the realm of conscious perception for now. That way, no one panics, and everyone can pretend they’re on familiar ground.
Our case study: colour.
Or rather, the quite embarrassing misunderstanding of colour that Western philosophy has been peddling for roughly three centuries.
Audio: NotebookLM podcast summary of this topic, Colour, Perception, and Mediated Ontology.
The Realist’s Apple: A Comedy of Certainty
Picture an apple on a table: plump, unashamedly spherical, wearing its redness like a badge of honour. The traditional Realist swears it’s red in itself, quite independent of anyone wandering in to admire it. The apple has redness the way it has mass, curvature, and that little bruise from the careless shop assistant. When you enter the room, you ‘see’ the red it’s been proudly radiating all along.
Image 0: Subject viewing red apple.
By school age, most of us are told that apples don’t ‘have’ colour; they merely reflect certain wavelengths. A minor complication. A mechanical detail. Nothing to disturb the fundamental metaphysical fantasy: that redness is still ‘out there’, waiting patiently for your eyes to come collect it.
It’s all very straightforward. Very tidy. And very wrong.
Idealists to the Rescue (Unfortunately)
Ask an Idealist about the apple and the entertainment begins.
The Berkeley devotee insists the apple exists only so long as it’s perceived – esse est percipi – which raises awkward questions about what happens when you step out for a cuppa. God, apparently, keeps the universe running as a kind of 24-hour perceptual babysitter. You may find this profound or you may find it disturbingly clingy.
The Kantian, inevitably wearing a waistcoat, insists the apple-in-itself is forever inaccessible behind the Phenomenal Veil of Mystery. What you experience is the apple-for-you, sculpted by space, time, causality, and a toolkit of categories you never asked for. This explains a lot about post-Kantian philosophy, not least the fixation on walls no one can climb.
Contemporary idealists get creative: proto-experience in everything, cosmic consciousness as universal substrate, matter as a sleepy epiphenomenon of Mind. It’s quite dazzling if you ignore the categories they’re smashing together.
What unites these camps is the conviction that mind is doing the heavy lifting and the world is an afterthought – inconvenient, unruly, and best kept in the margins.
The Shared Mistake: An Architectural Catastrophe
Both Realist and Idealist inherit the same faulty blueprint: mind here, world there – two self-contained realms entering into an epistemic handshake.
Realists cling to unmediated access (a fantasy incompatible with biology). Idealists cling to sovereign mentality (a fantasy incompatible with objectivity).
Both take ‘experience’ to be a relation between two pre-existing domains rather than a single structured encounter.
This is the mistake. Not Realism’s claims about mind-independence. Not Idealism’s claims about mental primacy. The mistake is the architecture – the assumption of two separately-existing somethings that subsequently relate.
MEOW – yes, we’re calling it that – puts it bluntly:
The problem isn’t where colour is. The problem is assuming it has to be in something – mind or world – rather than in the event.
Redness isn’t inside your head or inside the apple. It’s co-constituted by biological, cognitive, linguistic, and cultural mediation interacting with persistent constraint patterns.
Time to peel this onion… er, apple.
The Four Layers of Mediation (T₀–T₃)
A Ridiculously Oversimplified Cheat-Sheet That Still Outperforms Most Metaphysics Syllabi
Structure and Sensitivity: the Architecture You Never Asked For
This is where the Enlightenment’s fantasy of ‘raw perception’ goes to die.
Your visual system transforms, filters, enhances, suppresses, and reconstructs before ‘red’ even reaches consciousness. Cone responses, opponent processes, retinal adaptation, spatial filtering – all of it happening before the poor cortex even gets a look-in.
You never perceive ‘wavelengths’. You perceive the output of a heavily processed biological pipeline.
The biology isn’t the barrier.The biology is the view.
Image 2: Chromatic processing pathway (T₀→T₁): the layered biological transformations that make “red” possible long before consciousness gets involved.
T₁ – Cognitive Mediation
Prediction and Inference: You See What You Expect (Until Constraint Smacks You)
Your cognitive system doesn’t ‘receive’ colour information – it predicts it and updates the guess when necessary.
Memory colour biases perception toward canonical instances. Attentional gating determines what gets processed intensively and what gets summary treatment. Top-down modulation shapes what counts as signal versus noise.
There is no percept without mediation. There is no ‘raw data’ waiting underneath.
The Enlightenment liked to imagine perception as a passive window. Cognition turns that window into a heavily editorialised newsfeed.
Image 3: Expectation and input co-determine the percept: “red” emerges from the encounter, not from either source alone.
T₂ – Linguistic–Conceptual Mediation
Categories and Symbols: How Words Carve the Spectrum
Enter the famous Whorf skirmishes. Do words change perception? Do they merely label pre-existing distinctions? Do Russians really ‘see’ blue differently?
Berlin & Kay gave us focal colour universals – constraint patterns stable across cultures. Roberson et al. gave us the Himba data – linguistic categories reshaping discrimination and salience.
The correct answer is neither universalism nor relativism. It’s MEOW’s favourite refrain:
Mediation varies; constraint persists.
Words don’t invent colours. But they do reorganise the perceptual field, changing what pops and what hides.
Image 4: Different languages carve the same physical continuum differently: English imposes a blue/green split; Himba divides the region into several greens with no blue boundary at all.
T₃ – Cultural–Normative Mediation
Shared Practices: The Social Life of Perception
Your discipline, training, historical context, and shared norms tell you:
which distinctions matter
which differences ‘count’
which patterns get ignored
A Himba herder, a Renaissance painter, and a radiologist do not inhabit the same perceptual world – even when staring at the same patch of light.
Cultural mediation doesn’t rewrite biology; it reorganises priorities, salience, and interpretive readiness.
Image 5: Three observers confronting the same stimulus yet extracting different distinctions: the scientist tracks wavelength, the artist tracks hue and value, and the Himba pastoralist tracks ecologically salient greens. Same object, different salience hierarchies. Not arbitrary – just mediated.
What Seeing Red Actually Involves (Step By Exhausting Step)
You walk into a room. Apple on table. Looks red. What just happened?
T₀ – Biological: Long wavelength light hits L-cones harder than M- and S-cones. Opponent channels compute (L−M). Adaptation shifts baseline. Edge detection fires. You don’t have ‘red’ yet – you have transformed photoreceptor output.
T₁ – Cognitive: Your brain predicts ‘apple, probably red’ based on shape and context. Memory colour pulls toward canonical apple-red. Attention allocates processing resources. Prediction matches input (roughly). System settles: ‘yes, red apple’.
T₂ – Linguistic–Conceptual: The continuous gradient gets binned: ‘red’, not ‘crimson’ or ‘scarlet’ unless you’re a designer. The category provides stability, ties this instance to others, makes it reportable.
T₃ – Cultural–Normative: Does the exact shade matter? Depends whether you’re buying it, photographing it, or painting it. Your practical context determines which distinctions you bother tracking.
And through all of this: Constraint. Metameric matches stay stable. Focal colours persist cross-culturally. Wavelength sensitivities don’t budge. The encounter isn’t arbitrary – but it’s not unmediated either.
What happened wasn’t: Mind Met World. What happened was: an encounter-event unfolded, organised through four mediational layers, exhibiting stable constraint patterns that made it this and not that.
Where This Leaves Us
Colour is not ‘out there’. Colour is not ‘in here’.
Colour is the structured relational event of encounter.
Four mediation layers shape what appears. Constraint patterns stabilise the encounter so we aren’t hallucinating wildly divergent rainbows.
There is no ‘apple as it really is’ waiting behind the encounter. Nor is there a sovereign mind constructing its own private theatre.
There is only the event – where biological structure, cognitive dynamics, conceptual categories, and cultural histories co-emerge with the stable patterns of constraint we lazily call ‘the world’.
The apple was never red ‘in itself’. You were never seeing it ‘as it really is’. And the Enlightenment can finally take off its colour-blind uncle glasses and admit it’s been squinting at the wrong question for three hundred years.
Next time: Why visual illusions aren’t perception failing, but perception revealing itself.
Until then: stop asking where colour ‘really’ lives.
It lives in the event. And the event is mediated, constrained, and real enough.
In the great hall of the palace, at the centre of a circle of polished stone, stood what the kingdom called the Last Unicorn.
No one had ever seen it. No one was permitted to try.
The Founders had decreed that direct observation would profane the creature’s ‘purity’. To see it was to diminish it; to touch it was to collapse its ‘essential nature’ into some accidental form. Thus, the unicorn could be approached only through instruments – never through hands, eyes, or unmediated judgement.
It was the Last not because others had died, but because it remained the final remnant of an age that still believed truths stood on stone.
Audio: NotebookLM podcast summary of this topic.
The Instruments
To preserve the unicorn’s nature, the Keepers constructed an evolving array of devices.
The Spiral Gauge, oldest and most revered, hung from silk threads above the empty circle. It detected one possible configuration of the horn’s curvature – never the horn itself.
The Echo Clock measured hoofbeats. The hall was silent, yet the wires vibrated all the same, yielding intervals that corresponded (according to the ledgers) to modes of unicornic motion: walking, standing, contemplative stillness.
The Mane Spectrometer mapped disturbances in candlelight to infer the density of a mane that existed only in theory.
The Temperament Dial synthesised these readings into a single number – currently 1.618: serene alertness.
The instruments never disagreed; they could not disagree, because each was calibrated against the others.
‘Truth is coherence’, the Master Keeper taught.
The Scaffolding Expands
Over centuries, ledgers multiplied into an archive wing. Scholars journeyed from distant kingdoms to admire the rigour of the data.
A visiting philosopher once said, ‘Your measurements form the most complete record of unicornic behaviour ever assembled’.
The apprentices beamed. No one asked why no other kingdom kept such records.
Schools taught the unicorn’s anatomy. Artists painted its likeness. The quarterly update of the Temperament Dial was read aloud in public squares. Children traced the golden spiral, believed to mirror the creature’s horn.
When dissidents questioned the absence of hoofprints, they were told what everyone knew:
‘The Last Unicorn is beyond crude contact. Only refined instruments can reveal its truth’.
Consensus deepened. With it grew the need for further instruments.
A Quiet Realisation
Sometimes, on night watch, a Keeper would stand above the empty stone. The Spiral Gauge quivered. The Echo Clock murmured. The Proportion Engine hummed, harmonising the system.
And in that stillness, the Keeper would feel a thought rise and evaporate instantly:
that the instruments described one another more faithfully than anything else.
That their perfect coherence reflected the architecture of the scaffolding, not any creature the scaffolding purported to measure.
Such thoughts were structural, not heretical – and no less dangerous.
The Last Unicorn
The Minister liked to call it the Last Unicorn. He never explained why it was last or what fate had befallen the others. He did not need to. The title served its purpose:
If it is the Last, no comparison is possible. No contradiction can emerge. No counterexample can survive.
Its uniqueness proved its necessity.
What else could unify a kingdom but a creature no one could touch, see, or disbelieve?
The Closing Line
And so the unicorn remained – in measurements, in ratios, in ledgers, in rhetoric.
A fiction made coherent by instruments, maintained by tradition, sanctified by those who needed it to be real.
The Last Unicorn was not the final creature of its kind. It was the last foundation still standing. And in that sense – it was more real than anything that had ever lived.
I was having an inappropriate chat with ChatGPT and, per Feyerabend, I once again discovered that some of the best inspirations are unplanned. The conversation circled around to the conflicting narratives of Erasmus and Wells. Enter, Plato, McGilchrist, and the Enlightenment – all living rent-free in my head – and I end up with this.
Audio: NotebookLM podcast on this topic.
I. The Proverb and Its Presumption
Erasmus sits at his writing desk in 1500-something, cheerful as a man who has never once questioned the premises of his own eyesight, and pens what will become one of the West’s most durable little myths: ‘In the land of the blind, the one-eyed man is king’. It arrives packaged as folk wisdom, the sort of thing you’re meant to nod at sagely over a pint. And for centuries, we did. The proverb became shorthand for a comfortable fantasy: that advantage is advantage everywhere, that perception grants sovereignty, that a man with superior faculties will naturally ascend to his rightful place atop whatever heap he finds himself on.
In the land of the blind, the one-eyed man is king
– Erasmus
It’s an Enlightenment dream avant la lettre, really – this breezy confidence that reason, sight, knowledge, insight will simply work wherever they’re deployed. The one-eyed man doesn’t need to negotiate with the blind. He doesn’t need their endorsement, their customs, their consent. He arrives, he sees, he rules. The proverb presumes a kind of metaphysical meritocracy, where truth and capability are self-authenticating, where the world politely arranges itself around whoever happens to possess the sharper tools.
Image: Midjourney didn’t coöperate with my prompt for a one-eyed king. Trust that this king has only one.
It’s the intellectual equivalent of showing up in a foreign country with a briefcase full of sterling and expecting everyone to genuflect. And like most folk wisdom, it survives because it flatters us. It tells us that our advantages – our rationality, our education, our painstakingly cultivated discernment – are universally bankable. That we, the seeing, need only arrive for the blind to recognise our superiority.
Erasmus offers this with no apparent irony. He hands us a proverb that whispers: your clarity is your crown.
II. Wells Wanders In
Four centuries later, H.G. Wells picks up the proverb, turns it over in his hands like a curious stone, and proceeds to detonate it.
The Country of the Blind (1904) is many things – a fable, a thought experiment, a sly dismantling of Enlightenment presumption – but above all it is an act of literary vandalism against Erasmus and everything his proverb smuggles into our collective assumptions. Wells sends his protagonist, Nuñez, tumbling into an isolated Andean valley where a disease has rendered the entire population blind for generations. They’ve adapted. They’ve built a culture, a cosmology, a complete lifeworld organised around their particular sensorium. Sight isn’t absent from their world; it’s irrelevant. Worse: it’s nonsense. The seeing man’s reports of ‘light’ and ‘sky’ and ‘mountains’ sound like the ravings of a lunatic.
Nuñez arrives expecting Erasmus’s kingdom. He gets a psychiatric evaluation instead.
The brilliance of Wells’s story isn’t simply that the one-eyed man fails to become king – it’s how he fails. Nuñez doesn’t lack effort or eloquence. He tries reason, demonstration, patient explanation. He attempts to prove the utility of sight by predicting sunrise, by describing distant objects, by leveraging his supposed advantage. None of it matters. The blind don’t need his reports. They navigate their world perfectly well without them. His sight isn’t superior; it’s alien. And in a culture that has no use for it, no linguistic scaffolding to accommodate it, no social structure that values it, his one eye might as well be a vestigial tail.
The valley’s elders eventually diagnose Nuñez’s problem: his eyes are diseased organs that fill his brain with hallucinations. The cure? Surgical removal.
Wells lets this hang in the air, brutal and comic. The one-eyed man isn’t king. He’s a patient. And if he wants to stay, if he wants to belong, if he wants to marry the girl he’s fallen for and build a life in this place, he’ll need to surrender the very faculty he imagined made him superior. He’ll need to let them fix him.
The story ends ambiguously – Nuñez flees at the last moment, stumbling back toward the world of the sighted, though whether he survives is left unclear. But the damage is done. Erasmus’s proverb lies in ruins. Wells has exposed its central presumption: that advantage is advantage everywhere. That perception grants authority. That reason, clarity, and superior faculties are self-evidently sovereign.
They’re not. They’re only sovereign where the culture already endorses them.
III. Plato’s Ghost in the Valley
If Wells dismantles Erasmus, Plato hovers over the whole scene like a weary ghost, half scolding, half despairing, muttering that he told us this would happen.
The Allegory of the Cave, after all, is the original version of this story. The philosopher escapes the cave, sees the sun, comprehends the Forms, and returns to liberate his fellow prisoners with reports of a luminous reality beyond the shadows. They don’t thank him. They don’t listen. They think he’s mad, or dangerous, or both. And if he persists – if he tries to drag them toward the exit, toward the light they can’t yet see – they’ll kill him for it.
Video: Plato’s Cave
Plato’s parable is usually read as a tragedy of ignorance: the prisoners are too stupid, too comfortable, too corrupted by their chains to recognise truth when it’s offered. But read it alongside Wells and the emphasis shifts. The cave-dwellers aren’t wrong, exactly. They’re coherent. They’ve built an entire epistemology around shadows. They have experts in shadow interpretation, a whole language for describing shadow behaviour, social hierarchies based on shadow-predicting prowess. The philosopher returns with reports of a three-dimensional world and they hear gibberish. Not because they’re defective, but because his truth has no purchase in their lifeworld.
Plato despairs over this. He wants the prisoners to want liberation. He wants truth to be self-authenticating, wants knowledge to compel assent simply by virtue of being knowledge. But the cave doesn’t work that way. The prisoners don’t want truth; they want comfort shaped like reality. They want coherence within the system they already inhabit. The philosopher’s sun is as alien to them as Nuñez’s sight is to the blind valley.
And here’s the kicker: Plato knows this. That’s why the allegory is tragic rather than triumphant. The philosopher does see the sun. He does apprehend the Forms. But his knowledge is useless in the cave. Worse than useless – it makes him a pariah, a madman, a threat. His enlightenment doesn’t grant him sovereignty; it exile him from the only community he has.
The one-eyed man isn’t king. He’s the lunatic they’ll string up if he doesn’t learn to shut up about the sky.
IV. The Enlightenment’s Magnificent Blunder
Once you’ve got Erasmus, Wells, and Plato in the same room, the Enlightenment’s central fantasy collapses like wet cardboard.
Humanity’s great Enlightenment wheeze – that baroque fantasy of Reason marching triumphantly through history like a powdered dragoon – has always struck me as the intellectual equivalent of selling snake oil in a crystal decanter. We were promised lucidity, emancipation, and the taming of ignorance; what we got was a fetish for procedural cleverness, a bureaucratisation of truth, and the ghastly belief that if you shine a bright enough torch into the void, the void will politely disclose its contents.
The Enlightenment presumed universality. It imagined that rationality, properly deployed, would work everywhere – that its methods were culture-neutral, that its conclusions were binding on all reasonable minds, that the shadows in Plato’s cave and the blindness in Wells’s valley could be cured by the application of sufficient light and logic. It treated reason as a kind of metaphysical bulldozer, capable of flattening any terrain it encountered and paving the way for Progress, Truth, and Universal Human Flourishing.
This was, to put it mildly, optimistic.
What the Enlightenment missed – what Erasmus’s proverb cheerfully ignores and what Wells’s story ruthlessly exposes – is that rationality is parochial. It’s not a universal solvent. It’s a local dialect, a set of practices that evolved within particular cultures, buttressed by particular institutions, serving particular ends. The Enlightenment’s rationality is Western rationality, Enlightenment rationality, rationality as understood by a specific cadre of 18th-century European men who happened to have the printing press, the political clout, and the colonial apparatus to export their epistemology at gunpoint.
They mistook their own seeing for sight itself. They mistook their own lifeworld for the world. And they built an entire civilisational project on the presumption that everyone else was just a less-developed version of them – prisoners in a cave, blind villagers, savages waiting to be enlightened.
The one-eyed man imagined himself king. He was actually the emissary who forgot to bow.
V. McGilchrist’s Neuroscientific Millinery
Iain McGilchrist sits in the same intellectual gravity well as Plato and Wells, only he dresses his thesis up in neuroscientific millinery so contemporary readers don’t bolt for the door. The Master and His Emissary is essentially a 500-page retelling of the same ancient drama: the emissary – our little Enlightenment mascot – becomes so enamoured of his own procedures, abstractions, and tidy schemas that he forgets the Master’s deeper, embodied, culturally embedded sense-making.
McGilchrist’s parable is neurological rather than allegorical, but the structure is identical. The left hemisphere (the emissary) excels at narrow focus, manipulation, abstraction – the sort of thing you need to count coins or parse grammar or build bureaucracies. The right hemisphere (the Master) handles context, pattern recognition, relational understanding – the sort of thing you need to navigate an actual lifeworld where meaning is messy, embodied, and irreducible to procedures.
The emissary is supposed to serve the Master. Left-brain proceduralism is supposed to be a tool deployed within the broader, contextual sense-making of the right brain. But somewhere along the way – roughly around the Enlightenment, McGilchrist suggests – the emissary convinced itself it could run the show. Left-brain rationality declared independence from right-brain contextuality, built an empire of abstraction, and wondered why the world suddenly felt thin, schizophrenic, oddly two-dimensional.
It’s Erasmus all over again: the presumption that the emissary with one eye should be king. The same tragic misunderstanding of how worlds cohere.
McGilchrist’s diagnosis is clinical, but his conclusion is damning. Western modernity, he argues, has become pathologically left-hemisphere dominant. We’ve let analytic thought pretend it’s sovereign. We’ve mistaken our schemas for reality, our maps for territory, our procedures for wisdom. We’ve built cultures that privilege manipulation over meaning, extraction over relationship, clarity over truth. And we’re baffled when these cultures feel alienating, when they produce populations that are anxious, depressed, disenchanted, starved for something they can’t quite name.
The emissary has forgotten the Master entirely. And the Master, McGilchrist suggests, is too polite – or too injured – to stage a coup.
In McGilchrist’s frame, culture is the Master. Strategy, reason, Enlightenment rationality – these are the emissary’s tools. Useful, necessary even, but never meant to govern. The Enlightenment’s mistake was letting the emissary believe his tools were all there was. It’s the same delusion Nuñez carries into Wells’s valley: the belief that sight, reason, superior faculties are enough. That the world will rearrange itself around whoever shows up with the sharper implements.
It won’t. The valley doesn’t need your eyes. The cave doesn’t want your sun. And the Master doesn’t answer to the emissary’s paperwork.
VI. The Triumph of Context Over Cleverness
So here’s what these three – Erasmus, Wells, Plato – triangulate, and what McGilchrist confirms with his neuroscientific gloss: the Enlightenment dream was always a category error.
Reason doesn’t grant sovereignty. Perception doesn’t compel assent. Superior faculties don’t self-authenticate. These things only work – only mean anything, only confer any advantage – within cultures that already recognise and value them. Outside those contexts, they’re noise. Gibberish. Hallucinations requiring surgical intervention.
The one-eyed man arrives in the land of the blind expecting a kingdom. What he gets is a reminder that kingdoms aren’t built on faculties; they’re built on consensus. On shared stories, shared practices, shared ways of being-in-the-world. Culture is the bedrock. Reason is just a tool some cultures happen to valorise.
And here’s the uncomfortable corollary: if reason is parochial, if rationality is just another local dialect, then the Enlightenment’s grand project – its universalising ambitions, its colonial export of Western epistemology, its presumption that everyone, everywhere, should think like 18th-century European philosophes – was always a kind of imperialism. A metaphysical land-grab dressed up in the language of liberation.
The Enlightenment promised illumination but delivered a blinding glare that obscures more than it reveals. It told us the cave was a prison and the valley was backward and anyone who didn’t see the world our way was defective, uncivilised, in need of correction. It never occurred to the Enlightenment that maybe – just maybe – other cultures had their own Masters, their own forms of contextual sense-making, their own ways of navigating the world that didn’t require our light.
Wells understood this. Plato suspected it. McGilchrist diagnoses it. And Erasmus, bless him, never saw it coming.
VII. The Enlightenment’s Paper Crown
The Enlightenment liked to imagine itself as the adult entering the room, flicking on the light-switch, and announcing that, at long last, the shadows could stop confusing the furniture for metaphysics. This is the kind of confidence you only get when your culture hasn’t yet learned the words for its own blind spots. It built an entire worldview on the hopeful presumption that its preferred modes of knowing weren’t just one way of slicing experience, but the gold standard against which all other sense-making should be judged.
Call it what it is: a provincial dialect masquerading as the universal tongue. A parochial habit dressed in imperial robes. The Enlightenment always smelled faintly of a man who assumes everyone else at the dinner table will be impressed by his Latin quotations. And when they aren’t, he blames the table.
The deeper farce is that Enlightenment rationality actually believed its tools were transferrable. That clarity is clarity everywhere. That if you wheel enough syllogisms into a space, the locals will drop their incense and convert on sight. Wells disabuses us of this; Plato sighs that he tried; McGilchrist clinically confirms the diagnosis. The emissary, armed with maps and measuring sticks, struts into the valley expecting coronation and is shocked – genuinely shocked – to discover that nobody particularly cares for his diagrams.
The Enlightenment mistake wasn’t arrogance (though it had that in liberal supply). It was context-blindness. It thought procedures could substitute for culture. It thought method could replace meaning. It thought mastery was a matter of getting the right answer rather than belonging to the right world.
You can all but hear the emissary stamping his foot.
VIII. The Anti-Enlightenment Position (Such as It Is)
My own stance is drearily simple: I don’t buy the Enlightenment’s sales pitch. Never have. The promise of universal reason was always a conjuring trick designed to flatter its adherents into thinking that their habits were Nature’s preferences. Once you stop confusing methodological neatness with metaphysical authority, the entire apparatus looks less like a cathedral of light and more like a filing system that got ideas above its station.
The problem isn’t that reason is useless. The problem is that reason imagines itself sovereign. Reason is a brilliant servant, a competent emissary, and an atrocious king. Culture is the king; context is the kingdom. Without those, rationality is just an embarrassed bureaucrat looking for a desk to hide behind.
This is why I keep banging on about language insufficiency, parochial cognition, and the delightful way our concepts disintegrate once you wander too far from the lifeworlds that birthed them. The Enlightenment thought the human mind was a searchlight. It’s closer to a candle in a draughty hall. You can still get work done with a candle. You just shouldn’t be telling people it can illuminate the universe.
So the anti-Enlightenment move isn’t a call to smash the instruments. It’s a call to read the room. To stop pretending the emissary is the Master. To stop assuming sight is a passport to sovereignty. To stop wandering into other cultures – other caves, other valleys, other hemispheres – with a ruler and a smirk, convinced you’re about to be crowned.
Underneath these brittle idols lies the far messier truth that cognition is parochial, language insufficient, and ‘rationality’ a parlour trick we perform to impress ourselves. I’m not proposing a new catechism, nor am I pining for some prelapsarian alternative. I’m simply pointing out that the Enlightenment promised illumination but delivered a blinding glare that obscures more than it reveals.
The task, then, is to grow comfortable with the dimness. To navigate by flicker rather than floodlight. To admit that the world was never waiting to be made ‘clear’ in the first place.
This doesn’t mean abandoning reason. It means remembering that reason is the emissary, not the Master. It means recognising that our schemas are provisional, our maps incomplete, our procedures useful only within the cultures that endorse them. It means learning to bow – to culture, to context, to the irreducible messiness of lifeworlds we don’t fully understand and can’t procedurally master.
The one-eyed man never was king. At best, he was an enthusiastic tourist with a very noisy torch. The sooner he stops shining it into other people’s faces, the sooner we can get on with the far more interesting business of navigating a world that never promised to be legible.
Not a kingdom of sight. Just a world where the emissary remembers his place.
This video on accents was nice –a welcome diversion. In truth, it devoured the time I’d planned to spend writing something original, so I’m sharing it instead.
It’s by Dr Geoff Lindsey, a linguist whose work I rate highly. Using Gary Stevenson and Jimmy the Giant as case studies, he explores how accents quietly gatekeep credibility and upward mobility in Britain. The experiment is clever, the cultural archaeology even better.
Watching it as an American raised in New England, I found the whole exercise oddly revealing. I can distinguish the accents, but I don’t carry the surrounding freight, so I was pulled more by persuasion than by prejudice. The Eliza Doolittle caricature feels distant enough to resist belief; Gary and Jimmy’s ‘poshified’ voices do not.
And of course, we have our own mess. In the US, Southern accents are coded as low-status, no matter the speaker’s education, yet many outsiders find them charming. Each side of the Atlantic has its class machinery; the gears are simply cut differently.
How the Trump Era Rewrote Time, Truth, and the Very Idea of a Common World
Politics in the Trump era wasn’t merely a spectacle of bad manners and worse epistemology; it was the moment the United States stopped pretending it shared a common world – when politics ceased to be a quarrel over facts and became a quarrel over the very conditions that make facts possible. This essay is part of an ongoing project tracing how post-Enlightenment societies lose their shared grammar of verification and retreat into parallel narrative architectures that demand allegiance rather than assessment.
And before anyone hyperventilates about implied asymmetry: the recursive logic described here is not exclusive to the right. The progressive cosmology, though stylistically different, exhibits the same structural features – prophetic claims about impending catastrophe or salvation, retrospective reinterpretations to maintain coherence, and an insistence on possessing privileged interpretive tools. The Trump era didn’t invent this recursive mode; it simply accelerated it, stripped it naked, and pumped it through a 24-hour media bloodstream until everyone could see the circuitry sparking.
Audio: NotebookLM podcast on this topic.
Welcome to the new cosmology.
1. The Death of a Common Grammar
Once the shared grammar of verification dissolves, political discourse stops unfolding in empirical time. It migrates into suspended futurity – a realm of conditional wagers:
If this, then that. Just wait. You’ll see. The future will vindicate us.
But the horizon keeps receding. When reality refuses to comply, factions rewrite the past to preserve the equilibrium between prophecy and outcome. Truth becomes less a matter of correspondence and more an act of narrative self-maintenance. Where the world diverges from the story, the world is adjusted.
Political time becomes pliable; the narrative must be kept intact, whatever the cost.
2. Mimetic Prophecy and the Absence of Catharsis
A Girardian lens clarifies what’s happening beneath the surface. The factions are not simply disagreeing; they are locked in mimetic rivalry, each imitating the other’s claim to prophetic vision. Insight becomes the mimetic object: each camp insists it alone can decode the approaching shape of events.
As the rivalry escalates, differentiation collapses. Both sides perform identical moves – warnings of authoritarianism, narratives of national peril, promises of historical vindication – whilst insisting the other’s prophecies are delusional.
In classic Girardian fashion, this symmetry produces a crisis: a collapse of distinction between rivals, accompanied by a desperate hunt for a stabilising sacrifice. In the Trump era, the scapegoat was not a person but a category: truth itself. Doubt, verification, shared reality – these were sacrificed at the altar of maintaining internal cohesion.
Yet unlike the societies Girard studied, the American polity achieves no catharsis. The sacrificial mechanism fails. No cleansing moment restores order. The cycle loops endlessly, forcing the community to reenact the ritual without the relief of resolution.
Prophecy, rivalry, crisis – repeat.
3. From Chronology to Mythic Temporality
Once prediction and remembrance collapse into one another, political time becomes mythic rather than chronological. The present becomes a hinge between two versions of the world: the one the faction already believes in and the one it insists the future will confirm.
The future becomes partisan property. The past becomes commentary. The present becomes maintenance.
Each faction edits its cosmology to preserve coherence, producing a recursive temporality in which prophecy and memory reinforce one another. Narrative supplants chronology; plausibility is subordinated to coherence. The factions are not lying; they are mythologising.
This is what a society does when it cannot stabilise truth but cannot abandon truth-claims either.
4. Madison’s Diagnosis, Reversed
James Madison, in his republican optimism, believed factions were inevitable but containable. Pluralism, he argued, would safeguard the republic by ensuring no faction could elevate its partial vision into a universal claim. The sheer scale and diversity of the republic would generate cross-pressure strong enough to check epistemic domination.
He assumed a shared evidentiary world.
He did not imagine a polity in which factions construct discrete epistemic universes – self-sealing interpretive systems with their own temporal orders, myths of origin, and theories of legitimacy. Under such conditions, pluralism no longer disciplines factional excess; it shelters it. It becomes a buffer that prevents contact, not a mechanism that fosters correction.
Madison feared that factions might mistake their partial view for the whole. Our moment dissolves the very idea of the whole.
Pluralism, once a remedy, becomes the architecture of epistemic secession.
5. The Theatre of Recursive Narration
What remains is not deliberation but theatre—political communities sustained by the perpetual reenactment of their own certainties. Each faction maintains itself through narrative recursion, chanting the same incantation of retrospective rightness, performing the same rites of interpretive renewal.
The republic no longer hosts disagreement; it hosts parallel cosmologies.
In the republic of recursive prophecy, truth is no longer what grounds politics – it’s what politics performs.
Afterword
This article followed a chat with ChatGPT. For what it’s worth, I now style myself a post-postmodern, post-critical theorist – though these labels are as pointless as the ones they replace.
The conversation began with Paul Feyerabend’s Against Method, which was already on my mind. In Appendix 1 he writes:
“After all, in a democracy ‘reason’ has just as much right to be heard and to be expressed as ‘unreason’, especially in view of the fact that one man’s ‘reason’ is the other man’s insanity.”
That set me wondering, again, how one discerns signal from noise. As a statistician, separating wheat from chaff is my daily bread, but how does one do it politically without pretending to possess privileged access to truth? In this environment, each faction insists it has such access. The other side, naturally, is deluded. Ignore the fact that there are more than two sides; binary thinking is the fashion of the day.
I leaned on ChatGPT and asked for sources on this lemma – what to read, where to dig. It replied with books I’d already read, save for one:
I hadn’t read Laclau & Mouffe. ChatGPT summarised them neatly:
“Politics is the contest over the very conditions for meaning. The signal/noise split is hegemonic construction, not metaphysical reality.”
Right up my street. (I still need to read it.)
That, in turn, brought Madison’s Federalist No. 10 to mind – his warning that factional division, particularly the two-party structure the United States later perfected, would one day become corrosive.
Then Girard entered the chat. And so on. We followed the thread a little longer until this essay took shape. I didn’t feel compelled to polish it into a formal academic piece. A blog seems a far better home for now, and the essay version can remain an open question.
Written by Bry Willis with assistance from ChatGPT 5.1
🤔 If liberation now feels indistinguishable from exhaustion, what exactly have we been freed from?
Image: Exhaustion means you’re working hard, and working hard means you’re good.
Han’s slender essay reads like a diagnosis of our psychic economy. The disciplinary society of ‘thou shalt’ has dissolved into the achievement society of ‘yes, I can’. We no longer rebel against authority; we internalise it, polishing our exhaustion until it gleams like ambition. Productivity replaces purpose. Rest becomes guilt. The subject, stripped of exterior constraint, now self-flagellates in the name of freedom.
We exploit ourselves and think we are free.
What Han captures is not mere fatigue but a civilisational pathology: the compulsion to optimise the self as though it were capital. Burnout is not the collapse of will but the logical conclusion of unlimited permission.
If liberation now feels indistinguishable from exhaustion, what exactly have we been freed from?
From the series Readings in Late Exhaustion – a Philosophics reflection on the maladies of modernity.
About the Series — Readings in Late Exhaustion
These cards belong to Readings in Late Exhaustion, a Philosophics project tracing the psychic and cultural costs of late capitalism.
Each card interprets a contemporary work of critical theory through the language of collectable gameplay, where identity, labour, and value become quantified acts.
The format itself is the critique: a system of self-expenditure disguised as achievement, reflection rendered as performance.
I recently posted The Ethics of Maintenance: Against the Myth of Natural Purpose. In it, I brushed – perhaps too lightly – against my debt to feminist philosophy. It’s time to acknowledge that debt more directly and explain how it spills into the mundane greasework of daily life.
[Scroll to the bottom to see Midjourney’s take on feminists. You won’t be surprised.]
I tend not to worship at the altar of names, but let’s name names anyway. Beyond the usual French suspects – your Sartres, de Beauvoirs, and Foucaults – I owe much to the feminist philosophers – Gilligan, Tronto, Butler, Bellacasa, and de Beauvoir again – and, while we’re at it, the post-colonialists, whose names I’ll not recite for fear of being pompous. Their shared heresy is a suspicion of universals. They expose the myth of neutrality, whether it parades as Reason, Progress, or Civilisation. They remind us that every “universal” is merely someone’s local story told loud enough to drown out the others.
This isn’t a matter of sex or gender, though that’s how the names have been filed. The core lesson is epistemic, not biological. Feminist philosophy re-centres care, interdependence, and the politics of maintenance, not as sentimental virtues but as systems logic. The post-colonialists do the same at a geopolitical scale: maintenance instead of conquest, relation instead of domination.
On Gender, Behaviour, and the Lazy Binary
I don’t buy into sex and gender binaries, especially regarding behaviour. Even in biology, the dichotomy frays under scrutiny. Behaviourally, it collapses entirely. The problem isn’t people; it’s the linguistic furniture we inherited.
I’m weary of the moral blackmail that calls it misogyny not to vote for a woman, or racism not to vote for a black candidate. These accusations come, paradoxically, from sexists and racists who reduce people to the colour of their skin or the contents of their underwear. Having a vagina doesn’t make one a caretaker; having a penis doesn’t preclude empathy. The category error lies in mistaking type for trait.
When I refuse to vote for a Margaret Thatcher or a Hillary Clinton, it’s not because they’re women. It’s because they operate in the same acquisitive, dominion-driven register as the men they mirror. If the game is conquest, swapping the player’s gender doesn’t change the rules.
Maintenance as Political Praxis
My interest lies in those who reject that register altogether – the ones who abandon the mythology of Progress and its testosterone-addled twin, Innovation. The ethics of maintenance I’ve written about, and the philosophy of Dis-Integration I keep harping on, both gesture toward an alternative mode of being: one that prizes endurance over expansion, care over conquest.
This isn’t new. Feminist philosophers have been saying it for decades, often unheard because they weren’t shouting in Latin or running empires. I’m merely repackaging and re-contextualising, hoping that bundling these neglected insights together might make them audible again.
Knowledge never comes in a vacuum; it circulates. It leaks, cross-pollinates, mutates. To claim “intellectual property” over an idea is to pretend ownership of the air. I’ll spare you the full rant, but suffice it to say that the moment knowledge becomes proprietary, it ceases to breathe.
Conclusion
If I have a creed – and I say this reluctantly – it’s that philosophy should serve as maintenance, not monument-building. Feminist and post-colonial thinkers model that: constant attention, critical care, resistance to the entropy of domination.
I’m just trying to keep the engine running without pretending it’s divine.
Telos is humanity’s most persistent delusion – the idea that existence is crawling toward some luminous conclusion. From Aristotle’s perfect forms to Nietzsche’s Will to Power to Silicon Valley’s AI salvation, the story barely changes: history, we are told, has direction. But direction is not destiny; it is momentum misinterpreted as meaning. Much of my Anti-Enlightenment attention – and my drive toward Dis-Integration – centres on this notion.
Audio: NotebookLM podcast on this topic.
Progress is the Enlightenment’s secular gospel. Its promise – that every change is improvement – keeps the engine of exploitation humming. But change is inevitable; progress is propaganda. The arrow of time doesn’t point toward justice or enlightenment; it just points forward, indifferent to who’s crushed under it.
The Myth of Self-Correcting Systems
We are taught to place faith in systems: markets, democracies, algorithms. If they falter, it’s because of bad actors, not bad architecture. Replace the managers, swap the politicians, tweak the code. But the rot is structural, not moral.
These systems aren’t misfiring; they’re functioning exactly as designed – to preserve their own inertia while leaking meaning, resources, and compassion. The obsession with fixing individuals while sparing the machine is moral sleight of hand. At some point, tightening bolts on a burning engine becomes absurd. What we need is not a tune-up but a renovation.
This is where the philosophy of care and maintenance enters – not as sentimental housekeeping, but as radical engineering. Care is not complacent; it’s insurgent. It means facing the filth under the hood and admitting that the design itself is faulty.
Feminism and the Forgotten Labour of Repair
For centuries, the labour of care has been feminised, dismissed, and exploited – a quiet background hum while men congratulated themselves for building civilisation. Yet it is care, not conquest, that prevents collapse.
Philosophical feminists like Carol Gilligan, Joan Tronto, and María Puig de la Bellacasa saw this long before innovation culture learned to rebrand it as sustainability. They argued that ethical life is not about fulfilment or growth but about tending to fragile systems, material and social. Their revolution is not cosmic; it’s custodial.
The so-called masculine ethos – endless expansion, disruption, will to power – has delivered us burnout disguised as achievement. Its gods are metrics, its sacraments quarterly reports, its apocalypse deferred until after the IPO.
The Maintenance Ethic
Abandon the myth of natural or supernatural telos, and what remains is the duty of upkeep: a civic, psychological, and planetary responsibility. Maintenance is not stagnation; it’s resistance to decay through conscious intervention. It recognises that the world does not move toward betterment but toward breakdown – and that care is the only counter-force we possess.
Progress, as we’ve sold it, is the fever dream of a species mistaking acceleration for evolution. Maintenance is what happens when the dream fades and the mechanic steps in with a wrench.
Societies and cultures are constructs. As with twelve-step programmes, once we recognise this, we can move on to the next step. This is a notion of progress I can endorse: not the myth of inevitable improvement, but the humble acknowledgement that we built these machines and we can rebuild them differently.
The Workshop, Not the Temple
Civilisation doesn’t need another prophet or disruptor. It needs a caretaker with dirty hands. Meaning is not discovered; it is serviced. Systems are not sacred; they are rebuilt.
We can keep worshipping progress and watch the engine seize again, or we can accept the more humbling task of renovation – not of souls or nations, but of the machinery we ourselves assembled. The future, if it exists, will not be a miracle of purpose but a triumph of maintenance.
The novel itself asks what happens when humanity creates a device that creates peace on earth. What if behavioural control worked too well?
No riots. No rebellion. Just a flattening—of desire, of ambition, of will. Across homes, schools, and governments, people stop acting like themselves. Some forget how. Others forget why.
The system wasn’t designed to stay on this long. But now there’s no off switch. And the researchers who built it? Most of them are zeroed.
As one child begins to drift from baseline, an impossible question resurfaces: What does it mean to behave?
This is a psychological dystopia without explosions, a story where silence spreads faster than violence, where systems behave better than the people inside them.
A tale of modulation, inertia, and the slow unravelling of human impulse—for readers who prefer their dystopias quiet and their horrors deeply plausible.
Editorial Review
“Reader discretion is advised. Free will has been deprecated.” Beginning as a bizarre experiment in behavioural modulation by way of neurochemical interference, Propensity unfolds into an eerie metaphor for the tricky road between control and conscience. Park’s chapters are short and succinct, some barely a page long, in a staccato rhythm that mirrors the story’s disintegration—scientists losing grip on their creation and a world learning the price of its “engineered peace.” Phrases like “silence playing dress-up as danger” and “peace was never meant to be built, only remembered” linger like faint echoes long after you turn the page.
This is one of the more popular posts on here, so I shouldn’t have to give this milestone special attention, but I will anyway. Slow news day. It’s more about economics and political science, but I go there, too. Not a big fan of Capitalism in any of its many incarnations.
Video: Midjourney automation
I decided to experiment with Midjourney for this cover art and short animation. Instead of creating a typical prompt, I simply copied and pasted the text into the box above and let Midjourney make sense of it. This was the result. Then I asked to animate a loop.
Enough diversion. Back to finishing my latest book. I see light at the end of the tunnel.
Philosophics 