The Ontology–Encounter–Evaluation Model: Retributive Justice as an Instantiation

7–10 minutes

Now that A Language Insufficiency Hypothesis has been put to bed — not euthanised, just sedated — I can turn to the more interesting work: instantiating it. This is where LIH stops being a complaint about words and starts becoming a problem for systems that pretend words are stable enough to carry moral weight.

Read part 2 of this essay.

What follows is not a completed theory, nor a universal schema. It’s a thinking tool. A talking point. A diagram designed to make certain assumptions visible that are usually smuggled in unnoticed, waved through on the strength of confidence and tradition.

The purpose of this diagram is not to redefine justice, rescue it, or replace it with something kinder. It is to show how justice is produced. Specifically, how retributive justice emerges from a layered assessment process that quietly asserts ontologies, filters encounters, applies normative frames, and then closes uncertainty with confidence.

Audio: NotebookLM summary podcast of this topic.

Most people are willing to accept, in the abstract, that justice is “constructed”. That concession is easy. What is less comfortable is seeing how it is constructed — how many presuppositions must already be in place before anything recognisable as justice can appear, and how many of those presuppositions are imposed rather than argued for.

The diagram foregrounds power, not as a conspiracy or an optional contaminant, but as an ambient condition. Power determines which ontologies are admissible, which forms of agency count, which selves persist over time, which harms are legible, and which comparisons are allowed. It decides which metaphysical configurations are treated as reasonable, and which are dismissed as incoherent before the discussion even begins.

Justice, in this framing, is not discovered. It is not unearthed like a moral fossil. It is assembled. And it is assembled late in the process, after ontology has been assumed, evaluation has been performed, and uncertainty has been forcibly closed.

This does not mean justice is fake. It means it is fragile. Far more fragile than its rhetoric suggests. And once you see that fragility — once you see how much is doing quiet, exogenous work — it becomes harder to pretend that disagreements about justice are merely disagreements about facts, evidence, or bad actors. More often, they are disagreements about what kind of world must already be true for justice to function at all.

I walk through the structure and logic of the model below. The diagram is also available as a PDF, because if you’re going to stare at machinery, you might as well be able to zoom in on the gears.

Why Retributive Justice (and not the rest of the zoo)

Before doing anything else, we need to narrow the target.

“Justice” is an infamously polysemous term. Retributive, restorative, distributive, procedural, transformative, poetic, cosmic. Pick your flavour. Philosophy departments have been dining out on this buffet for centuries, and nothing useful has come of letting all of them talk at once.

This is precisely where LIH draws a line.

The Language Insufficiency Hypothesis is not interested in pedestrian polysemy — cases where a word has multiple, well-understood meanings that can be disambiguated with minimal friction. That kind of ambiguity is boring. It’s linguistic weather.

What LIH is interested in are terms that appear singular while smuggling incompatible structures. Words that function as load-bearing beams across systems, while quietly changing shape depending on who is speaking and which assumptions are already in play.

“Justice” is one of those words. But it is not usefully analysable in the abstract.

So we pick a single instantiation: Retributive Justice.

Why?

Because retributive justice is the most ontologically demanding and the most culturally entrenched. It requires:

  • a persistent self
  • a coherent agent
  • genuine choice
  • intelligible intent
  • attributable causation
  • commensurable harm
  • proportional response

In short, it requires everything to line up.

If justice is going to break anywhere, it will break here.

Retributive justice is therefore not privileged in this model. It is used as a stress test.

The Big Picture: Justice as an Engine, Not a Discovery

The central claim of the model is simple, and predictably unpopular:

Not invented in a vacuum, not hallucinated, not arbitrary — but assembled through a process that takes inputs, applies constraints, and outputs conclusions with an air of inevitability.

The diagram frames retributive justice as an assessment engine.

An engine has:

  • inputs
  • internal mechanisms
  • thresholds
  • failure modes
  • and outputs

It does not have access to metaphysical truth. It has access to what it has been designed to process.

The justice engine takes an encounter — typically an action involving alleged harm — and produces two outputs:

  • Desert (what is deserved),
  • Responsibility (to whom it is assigned).

Everything else in the diagram exists to make those outputs possible.

The Three Functional Layers

The model is organised into three layers. These are not chronological stages, but logical dependencies. Each layer must already be functioning for the next to make sense.

1. The Constitutive Layer

(What kind of thing a person must already be)

This layer answers questions that are almost never asked explicitly, because asking them destabilises the entire process.

  • What counts as a person?
  • What kind of self persists over time?
  • What qualifies as an agent?
  • What does it mean to have agency?
  • What is a choice?
  • What is intent?

Crucially, these are not empirical discoveries made during assessment. They are asserted ontologies.

The system assumes a particular configuration of selfhood, agency, and intent as a prerequisite for proceeding at all. Alternatives — episodic selves, radically distributed agency, non-volitional action — are not debated. They are excluded.

This is the first “happy path”.

If you do not fit the assumed ontology, you do not get justice. You get sidelined into mitigation, exception, pathology, or incoherence.

2. The Encounter Layer

(What is taken to have happened)

This layer processes the event itself:

  • an action
  • resulting harm
  • causal contribution
  • temporal framing
  • contextual conditions
  • motive (selectively)

This is where the rhetoric of “facts” tends to dominate. But the encounter is never raw. It is already shaped by what the system is capable of seeing.

Causation here is not metaphysical causation. It is legible causation.
Harm is not suffering. It is recognisable harm.
Context is not total circumstance. It is admissible context.

Commensurability acts as a gatekeeper between encounter and evaluation: harms must be made comparable before they can be judged. Anything that resists comparison quietly drops out of the pipeline.

3. The Evaluative Layer

(How judgment is performed)

Only once ontology is assumed and the encounter has been rendered legible does evaluation begin:

  • proportionality
  • accountability
  • normative ethics
  • fairness (claimed)
  • reasonableness
  • bias (usually acknowledged last, if at all)

This layer presents itself as the moral heart of justice. In practice, it is the final formatting pass.

Fairness is not discovered here. It is declared.
Reasonableness does not clarify disputes. It narrows the range of acceptable disagreement.
Bias is not eliminated. It is managed.

At the end of this process, uncertainty is closed.

That closure is the moment justice appears.

Why Disagreement Fails Before It Starts

At this point, dissent looks irrational.

The system has:

  • assumed an ontology
  • performed an evaluation
  • stabilised the narrative through rhetoric
  • and produced outputs with institutional authority

To object now is not to disagree about evidence. It is to challenge the ontology that made assessment possible in the first place.

And that is why so many justice debates feel irresolvable.

They are not disagreements within the system.
They are disagreements about which system is being run.

LIH explains why language fails here. The same words — justice, fairness, responsibility, intent — are being used across incompatible ontological commitments. The vocabulary overlaps; the worlds do not.

The engine runs smoothly. It just doesn’t run the same engine for everyone.

Where This Is Going

With the structure in place, we can now do the slower work:

  • unpacking individual components
  • tracing where ontological choices are asserted rather than argued
  • showing how “reasonableness” and “fairness” operate as constraint mechanisms
  • and explaining why remediation almost always requires a metaphysical switch, not better rhetoric

That should worry us more than if it were merely malfunctioning.

The rest of the story

Read part 2 of this essay.

This essay is already long, so I’m going to stop here.

Not because the interesting parts are finished, but because this is the point at which the analysis stops being descriptive and starts becoming destabilising.

The diagram you’ve just walked through carries a set of suppressed footnotes. They don’t sit at the margins because they’re trivial; they sit there because they are structurally prior. Each one represents an ontological assertion the system quietly requires in order to function at all.

By my count, the model imposes at least five such ontologies. They are not argued for inside the system. They are assumed. They arrive pre-installed, largely because they are indoctrinated, acculturated, and reinforced long before anyone encounters a courtroom, a jury, or a moral dilemma.

Once those ontologies are fixed, the rest of the machinery behaves exactly as designed. Disagreement downstream is permitted; disagreement upstream is not.

In a follow-up essay, I’ll unpack those footnotes one by one: where the forks are, which branch the system selects, and why the alternatives—while often coherent—are rendered unintelligible, irresponsible, or simply “unreasonable” once the engine is in motion.

That’s where justice stops looking inevitable and starts looking parochial.

And that’s also where persuasion quietly gives up.

The Heuristic Self: On Persona, Identity, and Character

Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth.”
— Oscar Wilde

Identity is an illusion—but a necessary one. It’s a shortcut. A heuristic, evolved not for truth but for coherence. We reduce ourselves and others to fixed traits to preserve continuity—psychological, social, narrative.

Audio: NotebookLM podcast on this topic. (Direct)

Audio: NotebookLM podcast on this topic. (Spotify)

In the latest post on RidleyPark.blog, we meet Sarah—a woman who survives by splintering. She has three names, three selves, three economies of interaction. Each persona—Sarah, Stacey, and Pink—fulfils a role. Each protects her in a system that punishes complexity.

Identity Is Compression

Cognitive science suggests that we don’t possess a self—we perform one. Our so-called identity is assembled post-hoc from memory, context, and social cues. It’s recursive. It’s inferred.

We are not indivisible atoms of identity. We are bundled routines, personae adapted to setting and audience.

From Performance to Survival

In Needle’s Edge, Sarah doesn’t use aliases to deceive. She uses them to survive contradictions:

  • Stacey is desirable, stable, and profitable—so long as she appears clean and composed.
  • Pink is a consumer, invisible, stripped of glamour but allowed access to the block.
  • Sarah is the residue, the name used by those who once knew her—or still believe they do.

Each persona comes with scripts, limitations, and permissions. Sarah isn’t being dishonest. She’s practicing domain-specific identity. This is no different from how professionals code-switch at work, or how people self-edit on social media.

The Literary Echo

In character development, we often demand “depth,” by which we mean contradiction. We want to see a character laugh and break. Love and lie. But Sarah shows us that contradiction isn’t depth—it’s baseline reality. Any singular identity would be a narrative failure.

Characters like Sarah expose the poverty of reduction. They resist archetype. They remind us that fiction succeeds when it reflects the multiple, the shifting, the incompatible—which is to say, the real.

What Else Might We Say?

  • That authenticity is a myth: “Just be yourself” presumes you know which self to be.
  • That moral judgment often stems from a failure to see multiple selves in others.
  • That trauma survivors often fracture not because they’re broken, but because fracturing is adaptive.
  • That in a capitalist framework, the ability to fragment and role-play becomes a survival advantage.
  • That fiction is one of the few spaces where we can explore multiple selves without collapse.

The Missing Link

For a concrete, narrative reflection of these ideas, this post on RidleyPark.blog explores how one woman carries three selves to survive three worlds—and what it costs her.

Unwilling Steelman, Part IV

A five-part descent into the illusion of autonomy, where biology writes the script, reason provides the excuse, and the self is merely the echo of its own conditioning. This is a follow-up to a recent post on the implausibility of free will.

Audio: NotebookLM podcast on the topic.

“It’s not just that you’re a hallucination of yourself.
It’s that everyone else is hallucinating you, too — through their own fog.”

The Feedback Loop of False Selves

You are being judged — by others who are also compromised

If you are a chemically modulated, state-dependent, narrativising automaton, then so is everyone who evaluates you. The moral courtroom — society, the law, the dinner table — is just a gathering of biased systems confidently misreading each other.

We are taught to believe in things like:

  • “Good character”
  • “Knowing someone”
  • “Getting a read on people”

But these are myths of stability, rituals of judgment, and cognitive vanity projects. There is no fixed you — and there is no fixed them to do the judging.

Judging the Snapshot, Not the Self

Let’s say you act irritable. Or generous. Or quiet.
An observer sees this and says:

“That’s who you are.”

But which version of you are they observing?

  • The you on two hours of sleep?
  • The you on SSRIs?
  • The you grieving, healing, adjusting, masking?

They don’t know. They don’t ask.
They just flatten the moment into character.

One gesture becomes identity.
One expression becomes essence.

This isn’t judgment.
It’s snapshot essentialism — moral conclusion by convenience.

The Observer Is No Less Biased

Here’s the darker truth: they’re compromised, too.

  • If they’re stressed, you’re rude.
  • If they’re lonely, you’re charming.
  • If they’re hungry, you’re annoying.

What they’re perceiving is not you — it’s their current chemistry’s reaction to your presentation, filtered through their history, memory, mood, and assumptions.

It’s not a moral lens.
It’s a funhouse mirror, polished with certainty.

Mutual Delusion in a Moral Marketplace

The tragedy is recursive:

  • You act based on internal constraints.
  • They judge based on theirs.
  • Then you interpret their reaction… and adjust accordingly.
  • And they, in turn, react to your adjustment…

And on it goes — chemical systems calibrating against each other, mistaking interaction for insight, familiarity for truth, coherence for character.

Identity isn’t formed.
It’s inferred, then reinforced.
By people who have no access to your internal states and no awareness of their own.

The Myth of the Moral Evaluator

This has massive implications:

  • Justice assumes objectivity.
  • Culture assumes shared moral standards.
  • Relationships assume “knowing” someone.

But all of these are built on the fantasy that moral evaluation is accurate, stable, and earned.

It is not.

It is probabilistic, state-sensitive, and mutually confabulatory.

You are being judged by the weather inside someone else’s skull.

TL;DR: Everyone’s Lying to Themselves About You

  • You behave according to contingent states.
  • Others judge you based on their own contingent states.
  • Both of you invent reasons to justify your interpretations.
  • Neither of you has access to the full picture.
  • The result is a hall of mirrors with no ground floor.

So no — you’re not “being seen.”
You’re being misread, reinterpreted, and categorised
— by people who are also misreading themselves.

📅 Coming Tomorrow

You Cannot Originate Yourself

The causa sui argument, and the final collapse of moral responsibility.

Unwilling Steelman, Part II

A five-part descent into the illusion of autonomy, where biology writes the script, reason provides the excuse, and the self is merely the echo of its own conditioning. This is a follow-up to a recent post on the implausibility of free will.

Continuity Is Not Identity

You are not who you were — you are what you’ve become

“A river doesn’t remember yesterday’s curve. But we point to it and say: ‘Look, it’s still the same.’”

Audio: NotebookLM podcast on this topic.

The compatibilist move here is subtler — less grandiose than autonomy, more domesticated than sovereignty. It says:
Even if you didn’t choose your traits, your past, your preferences —
you’re still you.
That self has endured.
And moral responsibility flows from that continuity.

But this, too, is sleight of hand.

Because continuity is a pattern, not a person.
And a pattern that evolves without origin is not accountable.
It’s just happening.

A River Is Not a Moral Agent

Yes, you are still “you” — but only in the loosest, most cosmetic sense. The fact that your behaviour follows a recognisable pattern does not imply authorship. It merely confirms that systems tend toward stability, or path dependence, or neural canalisation.

You can be stable. You can even be consistent.
But that doesn’t mean you’re choosing anything.

Continuity is not control.
It’s inertia dressed up as identity.

Predictability Is Not Ownership

We mistake persistence for personhood. If someone acts one way for long enough, we assume that behaviour is theirs — that it reflects their values, their self. But all it really reflects is probability.

“You’re still you,” we say.
But which you?

  • The one shaped by sleep deprivation?
  • The one under hormonal flux?
  • The one shaped by language, trauma, and cultural myopia?

Every iteration of “you” is a snapshot — a chemical event disguised as character.

You’re Not Rebuilding — You’re Accreting

The recursive defence — “I can change who I am” — also crumbles here. Because you don’t change yourself from nowhere. You change because something changed you. And that change, too, emerges from your condition.

Growth, reflection, habit formation — these aren’t proofs of freedom. They’re signs that adaptive systems accumulate structure.

You are not shaping clay.
You are sediment, layered by time.

Character Is Compulsion in Costume

We love stories about people who “showed their true colours.”
But this is narrative bias — we flatten a life’s complexity into a myth of revelation.

Yet even our finest moments — courage, restraint, sacrifice — may be nothing more than compulsions coded as character. You didn’t choose to be brave. You just were.

The brave person says: “I had no choice.”
The coward says the same.

Who gets the medal is irrelevant to the question of freedom.

TL;DR: Continuity Doesn’t Mean You Own It

  • The self is a pattern of events, not a stable agent.
  • Continuity is not agency — it’s habit.
  • Predictability doesn’t prove ownership.
  • Even your finest moments might be involuntary.
  • And if you’re not choosing your changes, you’re just being changed.

So, no — you are not who you were.
You are what you’ve become.
And what you’ve become was never yours to shape freely.

📅 Coming Tomorrow:

Manipulability as Disproof

If your will can be altered without your knowledge, was it ever truly yours?

Unwilling Steelman, Part I

A five-part descent into the illusion of autonomy, where biology writes the script, reason provides the excuse, and the self is merely the echo of its own conditioning. This is a follow-up to a recent post on the implausibility of free will.

Audio: NotebookLM podcast discussing this topic.

Constraint Is Not Freedom

The ergonomic cage of compatibilist comfort

“You are not playing the piano. You are the piano, playing itself — then applauding.”

Compatibilists — those philosophical locksmiths determined to keep the myth of free will intact — love to say that constraint doesn’t contradict freedom. That a system can still be “free” so long as it is coherent, self-reflective, and capable of recursive evaluation.

In this view, freedom doesn’t require being uncaused — it only requires being causally integrated. You don’t need to be sovereign. You just need to be responsive.

“The pianist may not have built the piano — but she still plays it.”

It sounds lovely.

It’s also false.

You Are the Piano

This analogy fails for a simple reason: there is no pianist. No ghost in the gears. No homunculus seated behind the cortex, pulling levers and composing virtue. There is only the piano — complex, self-modulating, exquisitely tuned — but self-playing nonetheless.

The illusion of choice is merely the instrument responding to its state: to its internal wiring, environmental inputs, and the accumulated sediment of prior events. What feels like deliberation is often delay. What feels like freedom is often latency.

Recursive ≠ Free

Ah, but what about reflection? Don’t we revise ourselves over time?

We do. But that revision is itself conditioned. You didn’t choose the capacity to reflect. You didn’t choose your threshold for introspection. If you resist a bias, it’s because you were predisposed — by some cocktail of education, temperament, or trauma — to resist it.

A thermostat that updates its own algorithm is still a thermostat.

It doesn’t become “free” by being self-correcting. It becomes better adapted. Likewise, human introspection is just adaptive determinism wearing a philosophical hat.

Constraint Isn’t Contradiction — It’s Redefinition

Compatibilists smuggle in a quieter, defanged version of freedom: not the ability to do otherwise, but the ability to behave “like yourself.”

But this is freedom in retrospect, not in action.
If all freedom means is “acting in accordance with one’s programming,” then Roombas have free will.

If we stretch the term that far, it breaks — not loudly, but with the sad elasticity of a word losing its shape.

TL;DR: The Pianist Was Always a Myth

  • You didn’t design your mental architecture.
  • You didn’t select your desires or dispositions.
  • You didn’t choose the you that chooses.

So no — you’re not playing the piano.
You are the piano — reverberating, perhaps beautifully, to stimuli you didn’t summon and cannot evade.

📅 Coming Tomorrow

Continuity Is Not Identity

What if you are not who you were — but simply what you’ve become?