Refining Transductive Subjectivity

3–4 minutes

I risk sharing this prematurely. Pushing the Transductive Subjectivity model toward more precision may lose some readers, but the original version still works as an introductory conversation.

Please note: There will be no NotebookLM summary of this page. I don’t even want to test how it might look out the other end.

Apologies in advance for donning my statistician cap, but for those familiar, I feel it will clarify the exposition. For the others, the simple model is good enough. It’s good to remember the words of George Box:

The Simple Model

I’ve been thinking that my initial explanatory model works well enough for conversation. It lets people grasp the idea that a ‘self’ isn’t an enduring nugget but a finite sequence of indexed states:

S0→S1→S2→
→SnS₀ → S₁ → S₂ → 
 → Sₙ

The transitions are driven by relative forces, RR, which act as catalysts nudging the system from one episode to the next.

The Markov Model

That basic picture is serviceable, but it’s already very close to a dynamical system. More accurate, yes—though a bit more forbidding to the casual reader – and not everybody loves Markov chains:

Si+1=F(Si,Ri)S_{i+1} = F(S_i, R_i)

Here:

  • SiSi is the episodic self at index i
  • RiRi is the configuration of relevant forces acting at that moment
  • FF is the update rule: given this self under these pressures, what comes next?

This already helps. It recognises that the self changes because of pressure from language, institutions, physiology, social context, and so on. But as I noted when chatting with Jason, something important is still missing:

SiSi isn’t the only thing in motion, and RiRi isn’t the same thing at every step.

And crucially, the update rule FF isn’t fixed either.

A person who has lived through trauma, education, and a cultural shift doesn’t just become a different state; they become different in how they update their states. Their very ‘logic of change’ evolves.

To capture that, I need one more refinement.

The Transductive Operator Model

This addresses the fact that Si isn’t the only aspect in motion and there are several flavours of R over time, so Ri. We need to introduce the Transductive T:

(Si+1,Fi+1)=T(Si,Fi,Ri)(S_{i+1}, F_{i+1}) = \mathcal{T}(S_i, F_i, R_i)

Now the model matches the reality:

  • SS evolves
  • the pressures RR evolve
  • and the update rule FF evolves

RiRi can be further decomposed as Ri=(Rphys,Rsocial,Rsymbolic,
)Ri=(R^{phys},R^{social},R^{symbolic},
), but I’ll save that for the formal essay.

That is why this is transductive rather than inductive or deductive:
structure at one moment propagates new structure at the next.

What Transductive Subjectivity Isn’t

What TS rejects is the notion that the self is a summation of the SiSis and other factors; this summation is a heuristic that works as a narrative, and all of its trappings, but it is decidedly incorrect.

Self≠Σ(Si,
)Self≠Σ(Sᔹ, 
)

Effectively,

Self≠∫0tExperiencedtSelf ≠ \int_{0}^{t} Experience \, dt

In ordinary life, we talk as if there were a single, stable self that sums all these episodes. Transductive Subjectivity treats that as a convenient narrative, not an underlying fact. For example, someone raised in a rigid environment may initially update by avoiding conflict; after therapy and a cultural shift, they may update by seeking it out when something matters. This fiction is where we project agency and desert, and where we justify retribution.

The Heuristic Self: On Persona, Identity, and Character

“Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth.”
— Oscar Wilde

Identity is an illusion—but a necessary one. It’s a shortcut. A heuristic, evolved not for truth but for coherence. We reduce ourselves and others to fixed traits to preserve continuity—psychological, social, narrative.

Audio: NotebookLM podcast on this topic. (Direct)

Audio: NotebookLM podcast on this topic. (Spotify)

In the latest post on RidleyPark.blog, we meet Sarah—a woman who survives by splintering. She has three names, three selves, three economies of interaction. Each persona—Sarah, Stacey, and Pink—fulfils a role. Each protects her in a system that punishes complexity.

Identity Is Compression

Cognitive science suggests that we don’t possess a self—we perform one. Our so-called identity is assembled post-hoc from memory, context, and social cues. It’s recursive. It’s inferred.

We are not indivisible atoms of identity. We are bundled routines, personae adapted to setting and audience.

From Performance to Survival

In Needle’s Edge, Sarah doesn’t use aliases to deceive. She uses them to survive contradictions:

  • Stacey is desirable, stable, and profitable—so long as she appears clean and composed.
  • Pink is a consumer, invisible, stripped of glamour but allowed access to the block.
  • Sarah is the residue, the name used by those who once knew her—or still believe they do.

Each persona comes with scripts, limitations, and permissions. Sarah isn’t being dishonest. She’s practicing domain-specific identity. This is no different from how professionals code-switch at work, or how people self-edit on social media.

The Literary Echo

In character development, we often demand “depth,” by which we mean contradiction. We want to see a character laugh and break. Love and lie. But Sarah shows us that contradiction isn’t depth—it’s baseline reality. Any singular identity would be a narrative failure.

Characters like Sarah expose the poverty of reduction. They resist archetype. They remind us that fiction succeeds when it reflects the multiple, the shifting, the incompatible—which is to say, the real.

What Else Might We Say?

  • That authenticity is a myth: “Just be yourself” presumes you know which self to be.
  • That moral judgment often stems from a failure to see multiple selves in others.
  • That trauma survivors often fracture not because they’re broken, but because fracturing is adaptive.
  • That in a capitalist framework, the ability to fragment and role-play becomes a survival advantage.
  • That fiction is one of the few spaces where we can explore multiple selves without collapse.

The Missing Link

For a concrete, narrative reflection of these ideas, this post on RidleyPark.blog explores how one woman carries three selves to survive three worlds—and what it costs her.