Tag: books

Reading Science Fiction

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I’ve got a confession to make: Science Fiction as a genre doesn’t resonate with me. Neither does Fantasy. I enjoy some fiction, but it seems that it’s primarily Literary Fiction – old-school classics like Dostoyevsky, Tolstoy, Nabokov, Kafka, Barthelme, and the like. Mostly, I prefer non-fiction.

I’ve just finished reading William Gibson’s Neuromancer, having read The Peripheral at the end of last year. To be fair, someone recommended Neal Stephenson’s Snow Crash, which is in the same genre – cyberpunk. I’d been advised that Snow Crash is better written, but I thought it might be best to start at the start of that genre.

[EDIT: After writing this post, I read the first two chapters of Snow Crash. The opening scenes of samurai swords had me thinking I needed to give up on this genre once and for all. But no, this was simple character building—fingers crossed. It quickly—and I do mean quickly—changed into a rapid montage dripping with ironic satire. I was in my element. I’ll take sci-fi wrapped in irony. It’s like stuffing a pill in cheese to trick your pet into taking medicine. I don’t want to jinx it, and I don’t know how Stephenson can control the pacing. I’ll let it unfold, and I hope it lands in a happy place. Now, I feel obliged to end with a motivational message on not giving up.]

These writers have good ideas. It often sounds appealing when someone tells me the plot summary, but the details bore me to tears. When I read reviews of these books, I frequently hear how immersive they are, but to me, they are cluttered and chockablock with minutiae. I find myself prodding, “Just get to the point.” But there has to be more than this. Short stories may fare better. I liked Ursula K LeGuin’s The Ones Who Walk Away from Omelas, but that was more related to its philosophical, anti-utilitarian perspective rather than the story.

It’s not as if Dostoyevsky doesn’t circumlocute and pontificate, but it’s somehow different. I want to like it. I want to read it – first-hand, not just a summary, so I can feel that I’ve engaged with the material.

Over the years, I’ve been consoled by fans of the genre, who say, “I understand. What you need to read is” [fill in the blank]. I read Ender’s Game on this advice.

To be fair, Sci-Fi movies and television don’t resonate with me either. Star Wars? Nope. Star Trek? Nope. Firefly. No, again.

What people find amazing, I find trite. Often, there is some embedded Modernist morality that some view as profound. I roll my eyes. I cringe thinking of old Star Trek episodes about what makes humans so special.

I don’t tend to find movies or television very interesting in general. I’ve never owned a television. My partners always do. “But you watch streaming content,” you say, and you’d be correct. But I watch it on my own time and take a chance, if only to remain connected to contemporary trends.

My last engagement was Arcane on Netflix. I found Season One well done and entertaining, but I’m not sure Anime qualifies as Sci-Fi. I caught The Peripheral on Amazon a couple of months ago, which led me to the book, but they turned out to be different stories, though they were set in the same universe with (generally) the same characters.

Refeshing, Žižek

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What a relief. After trudging through a couple of so-called ‘popular’ books, it’s refreshing to read something that actually reflects the complexity of reality.

The first essay in Slavoj Žižek’s Against Progress is titled Progress and Its Vicissitudes. It opens with a nod to the opening scene of The Prestige, directed by Christopher Nolan. But Žižek, as always, takes it further. He unearths something far more sinister in the magician’s sleight of hand—something unsettlingly perceptible to the young girl who witnesses the trick.

Life isn’t always what it seems on the surface. It isn’t as neat or digestible as our perceptions make it out to be. Žižek embarks on a scathing critique of the concept of progress, dismantling its conventional interpretations and exposing the often-overlooked consequences that lurk beneath its glossy exterior. He unravels the paradoxes and failures inherent in the notion of progress, urging readers to rethink their blind faith in the idea of a linear march towards a utopian future.

Defining ‘progress,’ he argues, is akin to laying claim to the future. But whose future? And at what cost? He interrogates the competing visions that shape human possibility, questioning whether, in the face of our cascading ecological, social, and political crises, things can actually improve—and what ‘better’ even means. He skewers various ideologies—neoliberalism, populism, and the self-improvement industrial complex—for their roles in manipulating and distorting the very concept of progress.

From a postmodernist perspective, Žižek’s analysis aligns with the scepticism towards grand narratives and universal truths that define postmodern thought. He deconstructs the monolithic idea of progress, revealing it as a construct that conveniently conceals underlying power structures and exclusions. By exposing the ‘squashed dead birds’—the inevitable collateral damage of progress—he underscores just how arbitrary and manufactured our notions of advancement really are.

Moreover, Žižek’s critique echoes the postmodernist fixation on desire, denial, and disavowal. He examines how different visions of progress systematically exclude or sacrifice certain elements and how these dynamics manifest across cultural phenomena, from Hollywood blockbusters to decolonisation movements. His analysis reinforces the postmodernist conviction that meanings are never fixed—they are fluid, contested, and often riddled with contradiction.

In the end, Against Progress is not just a critique—it’s an invitation. An invitation to abandon the comforting illusion of an inevitable march towards something better and to face the messy, contingent reality of human existence head-on.

Modernity Survey Results

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I’ve added a permanent page to summarise the modernity worldview categories. If you haven’t yet taken the survey…

Click here to take the survey

Modernity Worldview

This post explains how to interpret the ternary plot chart’s visualisation. The ternary chart on the survey results page will render something like this. This is an admin page with additional functionality, but it’s similar enough. The blue dot represents the average of all responses. The star represents where I guessed the average would land–mostly modern with some residual premodernity and a touch of postmodernity.

Under the title in the header is a textual assessment of the visualisation. In this case, the response illustrates someone moderately modern with postmodern influences. Although this person also has some premodern tendencies, they are relatively insignificant to the context.

The three possible worldviews are at the vertices (the corners) of the triangle. Each side is a scale progressing from 0% to 100%—100% coincident with the label. For example, the bottom side runs from 0 on the left to 100 on the right, which would indicate a score of 100 per cent Premodern, which the output deems Pure Premodern.

Notice that each vertex has green and yellow shading that serves as visual aids representing the strength of the relationship to the corner. Green is strong, and yellow is moderate. The white section outlined by an interior triangle with a red border is decidedly mixed, showing no strong inclination to any of the extremes.

In the example above, the red plot point illustrates a response (as shown below the chart) that is 20.7% Premodern, 52.1% Modern, and 27.2% Postmodern. These numbers should always sum to 100, though there will be some drift due to rounding. The star represents where I thought the average response would be. Follow the tickmarks on each side, and you’ll notice they correspond with the plot point as a 3-tuple (20, 70, 10).

In the future, I expect to render a view that plots the average survey response as a reference.

Below this chart is an expository account of the response choices. You can render this content as a PDF for your personal archive.

Final Word

If you have any questions or suggestions related to this topic, please feel free to leave them in the comments below.

Book Review: Outraged! by Kurt Gray: All Sizzle, No Steak?

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Kurt Gray’s Outraged! is a fascinating romp through the minefield of moral psychology and outrage culture. It’s snappy, it’s clever, and it’s… shallow. Whilst Gray positions himself as the maestro conducting the cacophony of modern outrage, his approach has left me wondering if the symphony is little more than noise. Here’s why:

Audio: Podcast discussion on this review content.

Oversimplification of Moral Psychology

Gray’s central thesis that “all morality stems from perceptions of harm and threat” is bold, sure, but also reductive. Morality isn’t just a harm detector. It’s a rich tapestry of loyalty, authority, sanctity, and liberty—concepts Gray conveniently glosses over. His approach feels like reducing a fine Bordeaux to “it’s just fermented grapes.” Sure, technically correct, but where’s the depth?

The Age of Competitive Victimhood

By focusing so heavily on harm perception, Gray risks fueling the very outrage culture he’s critiquing. Welcome to the Hunger Games of victimhood, where everyone races to be crowned the most aggrieved. Instead of deflating this dynamic, Gray’s analysis may inadvertently add more oxygen to the fire.

Lack of Diverse Perspectives

Gray’s attempt to bridge divides is commendable but flawed. Critics point out that he gives more airtime to controversial right-wing figures than the left-leaning audience he’s presumably trying to engage. It’s like building half a bridge and wondering why no one’s crossing. If you alienate half your audience, how exactly are you fostering dialogue?

Contradictory Messaging

The book also suffers from a classic case of ideological whiplash. Gray tells us not to get offended by microaggressions, then argues that offensive content needs more careful handling. Which is it, Kurt? Either you’re driving the “sticks and stones” bus, or you’re preaching kid-glove diplomacy. You can’t have it both ways.

Limited Practical Solutions

Like many pop psychology books, Outraged! excels at diagnosing problems but falters when offering solutions. Gray’s suggestion to use personal stories of harm to bridge divides is charmingly naive. Sure, storytelling might work for interpersonal tiffs, but try applying that to global crises like climate change or systemic inequality. Good luck narrating your way to a greener planet.

Oversimplifying Complex Issues

Gray’s harm-based morality seems like an attempt to cram human behaviour’s messy, chaotic sprawl into a tidy spreadsheet. Real moral debates are nuanced, tangled, and frustratingly complex. By filtering everything through the lens of harm, Gray risks missing the bigger picture. It’s morality on Instagram—polished, curated, and ultimately hollow.

Final Thoughts

Outraged! isn’t without merit. Gray is a masterful storyteller and a sharp thinker, but the book feels like a soufflé: all air, no substance. While it might offer a quick, engaging read for those looking to dip a toe into the outrage pool, anyone hoping for deeper insights will come away unsatisfied.

In the end, Gray delivers a sizzling trailer for a movie that never quite materialises. Fun to watch, but ultimately forgettable.

Reflections on Chapter 6 of Harari’s Nexus

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As I continue reading Chapter 6 of Yuval Noah Harari’s Nexus, I find myself wrestling with the masterful misdirection and rhetorical strategies he employs. A critical reader can discern the writing on the wall, but his choir of loyal readers likely consumes his narrative like red meat, uncritically savouring its surface-level appeal.

Social Media and Misinformation

Harari begins by addressing the role of social media in spreading disinformation and misinformation, particularly singling out Facebook. From there, he pivots to Q-Anon conspiracy theories. While these topics are undeniably relevant, Harari’s framing feels more like an indictment of the masses rather than a nuanced critique of the systemic factors enabling these phenomena.

The Voter Knows Best?

Harari leans heavily on platitudes like “the customer is always right” and “the voters know best.” These truisms may resonate with an indoctrinated audience but fail to hold up under scrutiny. The powers that be—whether governments or corporations—exploit this mentality, much like religious institutions exploit faith. Harari’s concern seems rooted in the fear that AI could outmanoeuvre these same masses, creating competition for global entities like the World Economic Forum (WEF), which, in his view, aims to remain unchallenged.

Taxation, Nexus, and the Future of Nation-States

Harari’s discussion of taxation and the nexus between power and information is intriguing, but it misses a larger point. Nation-states, as I see it, are becoming anachronisms, unable to defend themselves against the rise of technocratic forces. Taxation, once a cornerstone of state power, may soon be irrelevant as the global landscape shifts toward what I call Feudalism 2.0—a hierarchy dominated by transnational actors like the WEF.

Harari poorly frames a Uruguayan taxation dilemma, reducing it to a simplistic trade-off between information and power without addressing the broader implications. This shallow analysis leaves much to be desired.

Determinism and Misdirection

Next, Harari mischaracterises the philosophical concept of determinism, likely to mislead readers who aren’t well-versed in its nuances. He spins a cautionary tale based on this revised definition, which may serve his rhetorical goals but detracts from the intellectual integrity of his argument.

Setting the Stage

Harari ends the chapter with a statement about the importance of time and place in history, using it as a setup to provoke a sense of urgency. While this is a classic rhetorical device, it feels hollow without substantive backing.

Final Reflections

Many Modernists may embrace Harari’s narrative uncritically, but for me, the veneer is thin and riddled with holes. His analysis fails to engage with more profound critiques of power and governance, relying instead on cherry-picked anecdotes and oversimplified arguments. The chapter’s focus on social media, AI, and taxation could have been fertile ground for profound insights, but Harari instead opts for rhetorical flourish over rigorous examination. Still, I’ll press on and see what the next chapter holds.

The Fallibility of Nexus Chapter 4

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My reaction to Yuval Noah Harari’s Nexus continues with Chapter 4, “Errors: The Fantasy of Infallibility.” Spoiler alert: Harari makes a critical misstep by overly defending so-called self-correcting institutions compared to non-self-correcting ones.

Harari provides a solid account of how religious institutions and other dogmatic ideological constructs are slow to change, contrasting them with relatively faster self-correcting systems like science. Once again, he underscores the tension between order and truth—two critical dimensions in his worldview and cornerstones of Modernist beliefs.

Audio: Podcast conversation on this topic.

I agree with Harari that the lack of self-correction in institutions is problematic and that self-correction is better than the alternative. However, he overestimates the speed and efficacy of these self-correcting mechanisms. His argument presumes the existence of some accessible underlying truth, which, while an appealing notion, is not always so clear-cut. Harari cites examples of scientific corrections that took decades to emerge, giving the impression that, with enough time, everything will eventually self-correct. As the environment changes, corrections will naturally follow—albeit over long spans of time. Ultimately, Harari makes a case for human intervention without recognising it as an Achilles’ heel.

Harari’s Blind Spot

Harari largely overlooks the influence of money, power, and self-interest in these systems. His alignment with the World Economic Forum (WEF) suggests that, while he may acknowledge its fallibility, he still deems it “good enough” for governance. This reflects a paternalistic bias. Much like technologists who view technology as humanity’s salvation, Harari, as a Humanist, places faith in humans as the ultimate stewards of this task. However, his argument fails to adequately account for hubris, cognitive biases, and human deficits.

The Crux of the Problem

The core issue with Harari’s argument is that he appears to be chasing a local maxima by adopting a human-centric solution. His proposed solutions require not only human oversight but the oversight of an anointed few—presumably his preferred “elite” humans—even if other solutions might ultimately prove superior. He is caught in the illusion of control. While Harari’s position on transhuman capabilities is unclear, I suspect he would steadfastly defend human cognitive superiority to the bitter end.

In essence, Harari’s vision of self-correcting systems is optimistic yet flawed. By failing to fully acknowledge the limits of human fallibility and the structural influences of power and self-interest, he leaves his argument vulnerable to critique. Ultimately, his belief in the self-correcting nature of human institutions reflects more faith than rigour.

Death by Tiger, Death by Document: Reflections on Nexus Chapter 3

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As I continue to react to Harari’s Nexus, I can’t help but feel like a curmudgeon. Our worldviews diverge so starkly that my critique begins to feel like a petty grudge—as though I am inconsolable. Be that as it may, I’ll persist. Please excuse any revelatory ad hominems that may ensue.

Audio: Podcast of the page contents

Harari is an unabashed Zionist and unapologetic nationalist. Unfortunately, his stories, centred on Israel and India, don’t resonate with me. This is fine—I’m sure many people outside the US are equally weary of hearing everything framed from an American perspective. Still, these narratives do little for me.

Patriotism and property are clearly important to Harari. As a Modernist, he subscribes to all the trappings of Modernist thought that I rail against. He appears aligned with the World Economic Forum, portraying it as a noble and beneficial bureaucracy, while viewing AI as an existential threat to its control. Harari’s worldview suggests there are objectively good and bad systems, and someone must oversee them. Naturally, he presents himself as possessing the discernment to judge which systems are beneficial or detrimental.

In this chapter, Harari recounts the cholera outbreak in London, crediting it with fostering a positive bureaucracy to ensure clean water sources. However, he conflates the tireless efforts of a single physician with the broader bureaucratic structure. He uses this example, alongside Modi’s Clean India initiative, to champion bureaucracy, even as he shares a personal anecdote highlighting its flaws. His rhetorical strategy seems aimed at cherry-picking positive aspects of bureaucracy, establishing a strawman to diminish its negatives, and then linking these with artificial intelligence. As an institutionalist, Harari even goes so far as to defend the “deep state.”

Earlier, Harari explained how communication evolved from Human → Human to Human → Stories. Now, he introduces Human → Document systems, connecting these to authority, the growing power of administrators, and the necessity of archives. He argues that our old stories have not adapted to address the complexities of the modern world. Here, he sets up religion as another bogeyman. As a fellow atheist, I don’t entirely disagree with him, but it’s clear he’s using religion as a metaphor to draw parallels with AI and intractable doctrines.

Harari juxtaposes “death by tiger” with “death by document,” suggesting the latter—the impersonal demise caused by bureaucracy—is harder to grapple with. This predates Luigi Mangione’s infamous response to UnitedHealthcare’s CEO Brian Thompson, highlighting the devastating impact of administrative systems. Harari also briefly references obligate siblicide and sibling rivalry, which seem to segue into evolution and concepts of purity versus impurity.

Echoing Jonathan Haidt, Harari explores the dynamics of curiosity and disgust while reinforcing an “us versus them” narrative. He touches on the enduring challenges of India’s caste system, presenting yet another layer of complexity. Harari’s inclination towards elitism shines through, though he occasionally acknowledges the helplessness people face when confronting bureaucracy. He seems particularly perturbed by revolts in which the public destroys documents and debts—revealing what feels like a document fetish and an obsession with traceability.

While he lauds AI’s ability to locate documents and weave stories by connecting disparate content, Harari concludes the chapter with a segue into the next: a discussion of errors and holy books. Once again, he appears poised to draw parallels that serve to undermine AI. Despite my critiques, I’m ready to dive into the next chapter.

Stories, Power, and the Utility of Fiction

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Chapter 2 of Nexus

Chapter 2 of Yuval Noah Harari’s Nexus centres on the power of stories and their role in shaping human societies. For Harari, stories are not merely narratives but essential tools that have elevated human-to-human networks into human-to-story networks—a transition he frames as unadulterated Progress™, reflecting his dyed-in-the-wool Modernist perspective.

Audio: Podcast on this content

The Power of Stories

Harari argues that fictional stories underpin the strength of social networks, enabling constructs like nations and economies to thrive. He celebrates these intersubjective frameworks as shared functional experiences that facilitate progress. While Harari’s thesis is compelling, his tone suggests an uncritical embrace of these constructs as inherently good. Branding and propaganda, for example, are presented as valid tools—but only when used by those on the “right side” of history, a position Harari implicitly claims for himself.

Order Above All Else

One of Harari’s key claims is that order trumps truth and justice. He justifies limiting both for the sake of maintaining stability, positioning this as his modus operandi. This prioritisation of order reveals a functionalist worldview where utility outweighs ethical considerations. Harari goes further to define “good” information as that which either discovers truth or creates order, a reductionistic view that leaves little room for dissent or alternative interpretations.

By extension, Harari endorses the concept of the “noble lie”—deception deemed acceptable if it serves these ends. While pragmatism may demand such compromises, Harari’s framing raises concerns about how this justification could be weaponised to silence opposition or reinforce entrenched power structures.

Alignment with Power

Harari’s alignment with institutional power becomes increasingly evident as the chapter progresses. His discussion of intersubjective constructs positions them as the bedrock of human achievement, but he appears unwilling to scrutinise the role of institutions like the World Economic Forum (WEF) in perpetuating inequalities. Harari’s lack of criticism for these entities mirrors historical justifications of despotic regimes by those aligned with their goals. He seems more concerned about AI’s potential to disrupt the plans of such institutions than about its impact on humanity as a whole.

Fiction as a Weapon

Harari concludes with an implicit hope that his narrative might gain consensus to undermine opposition to these power structures. His fondness for fiction—and his belief that “a story is greater than any truth”—positions storytelling as both a tool and a weapon. While this reflects the undeniable power of narratives, it also underscores Harari’s selective morality: stories are good when they align with his perspective and problematic when they don’t.

Final Thoughts

Chapter 2 of Nexus is a study in the utility of stories, but it also reveals Harari’s Modernist biases and alignment with institutional power. His prioritisation of order over truth and justice, coupled with his justification of noble lies, paints a picture of a pragmatist willing to compromise ethics for stability. Whether this perspective deepens or is challenged in later chapters remains to be seen, but for now, Harari’s narrative raises as many concerns as it seeks to address. I don’t mean to be overly cynical, but I can’t help but think that this book lays the groundwork for propagandising his playbook. 

What is Information?

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I question whether reviewing a book chapter by chapter is the best approach. It feels more like a reaction video because I am trying to suss out as I go. Also, I question the integrity and allegiance of the author, a point I often make clear. Perhaps ‘integrity’ is too harsh as he may have integrity relative to his worldview. It just happens to differ from mine.

Chapter 1 of Yuval Noah Harari’s Nexus, ironically titled “What is Information?” closes not with clarity but with ambiguity. Harari, ever the rhetorician, acknowledges the difficulty of achieving consensus on what ‘information’ truly means. Instead of attempting a rigorous definition, he opts for the commonsense idiomatic approach—a conveniently disingenuous choice, given that information is supposedly the book’s foundational theme. To say this omission is bothersome would be an understatement; it is a glaring oversight in a chapter dedicated to unpacking this very concept.

Audio: Podcast related to this content.

Sidestepping Rigour

Harari’s rationale for leaving ‘information’ undefined appears to rest on its contested nature, yet this does not excuse the absence of his own interpretation. While consensus may indeed be elusive, a book with such grand ambitions demands at least a working definition. Without it, readers are left adrift, navigating a central theme that Harari refuses to anchor. This omission feels particularly egregious when juxtaposed against his argument that information fundamentally underlies everything. How can one build a convincing thesis on such an unstable foundation?

The Map and the Terrain

In typical Harari fashion, the chapter isn’t devoid of compelling ideas. He revisits the map-and-terrain analogy, borrowing from Borges to argue that no map can perfectly represent reality. While this metaphor is apt for exploring the limitations of knowledge, it falters when Harari insists on the existence of an underlying, universal truth. His examples—Israeli versus Palestinian perspectives, Orthodox versus secular vantage points—highlight the relativity of interpretation. Yet he clings to the Modernist belief that events have an objective reality: they occur at specific times, dates, and places, regardless of perspective. This insistence feels like an ontological claim awkwardly shoehorned into an epistemological discussion.

Leveraging Ambiguity

One can’t help but suspect that Harari’s refusal to define ‘information’ serves a rhetorical purpose. By leaving the concept malleable, he gains the flexibility to adapt its meaning to suit his arguments throughout the book. This ambiguity may prove advantageous in bolstering a wide-ranging thesis, but it also risks undermining the book’s intellectual integrity. Readers may find themselves wondering whether Harari is exploring complexity or exploiting it.

Final Thoughts on Chapter 1

The chapter raises more questions than it answers, not least of which is whether Harari intends to address these foundational gaps in later chapters. If the preface hinted at reductionism, Chapter 1 confirms it, with Harari’s Modernist leanings and rhetorical manoeuvres taking centre stage. “What is Information?” may be a provocative title, but its contents suggest that the question is one Harari is not prepared to answer—at least, not yet.

First Impressions of Nexus

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I’ve just begun reading Yuval Noah Harari’s Nexus. As the prologue comes to a close, I find myself navigating an intellectual terrain riddled with contradictions, ideological anchors, and what I suspect to be strategic polemics. Harari, it seems, is speaking directly to his audience of elites and intellectuals, crafting a narrative that leans heavily on divisive rhetoric and reductionist thinking—all while promising to explore the nuanced middle ground between information as truth, weapon, and power grab. Does he deliver on this promise? The jury is still out, but the preface itself raises plenty of questions.

Audio: Podcast reflecting on this content.

The Anatomy of a Polemic

From the outset, Harari frames his discussion as a conflict between populists and institutionalists. He discredits the former with broad strokes, likening them to the sorcerer’s apprentice—irrational actors awaiting divine intervention to resolve the chaos they’ve unleashed. This imagery, though evocative, immediately positions populists as caricatures rather than serious subjects of analysis. To compound this, he critiques not only populist leaders like Donald Trump but also the rationality of their supporters, signalling a disdain that reinforces the divide between the “enlightened” and the “misguided.”

This framing, of course, aligns neatly with his target audience. Elites and intellectuals are likely to nod along, finding affirmation in Harari’s critique of populism’s supposed anti-rationality and embrace of spiritual empiricism. Yet, this approach risks alienating those outside his ideological choir, creating an echo chamber rather than fostering meaningful dialogue. I’m unsure whether he is being intentionally polemic and provocative to hook the reader into the book or if this tone will persist to the end.

The Rise of the Silicon Threat

One of Harari’s most striking claims in the preface is his fear that silicon-based organisms (read: AI) will supplant carbon-based life forms. This existential anxiety leans heavily into speciesism, painting a stark us-versus-them scenario. Whilst Harari’s concern may resonate with those wary of unchecked technological advancement, it smacks of sensationalism—a rhetorical choice that risks reducing complex dynamics to clickbait-level fearmongering. How, exactly, does he support this claim? That remains to be seen, though the sceptic in me suspects this argument may prioritise dramatic appeal over substantive evidence.

Virtue Ethics and the Modernist Lens

Harari’s ideological stance emerges clearly in his framing of worldviews as divisions of motives: power, truth, or justice. This naïve triad mirrors his reliance on virtue ethics, a framework that feels both dated and overly simplistic in the face of the messy realities he seeks to unpack. Moreover, his defence of institutionalism—presented as the antidote to populist chaos—ignores the systemic failings that have eroded trust in these very institutions. By focusing on discrediting populist critiques rather than interrogating institutional shortcomings, Harari’s argument risks becoming one-sided.

A Preface Packed with Paradoxes

Despite these critiques, Harari’s preface is not without its merits. For example, his exploration of the “ant-information” cohort of conspiracy theorists raises interesting questions about the weaponisation of information and the cultural shifts driving these movements. However, his alignment with power concerns—notably the World Economic Forum—casts a shadow over his ability to critique these dynamics impartially. Is he unpacking the mechanisms of power or merely reinforcing the ones that align with his worldview?

The Promise of Middle Ground—or the Illusion of It

Harari’s stated goal to explore the middle ground between viewing information as truth, weapon, or power grab is ambitious. Yet, the preface itself leans heavily toward polarisation, framing AI as an existential enemy and populists as irrational antagonists. If he genuinely seeks to unpack the nuanced intersections of these themes, he will need to move beyond the reductionism and rhetorical flourishes that dominate his opening chapter.

Final Thoughts

I liked Hararis’ first publication, Sapiens, that looked back into the past, but I was less enamoured with his prognosticating, and I worry that this is more of the same. As I move beyond the preface of Nexus, I remain curious but sceptical. Harari’s narrative thus far feels more like a carefully curated polemic than a genuine attempt to navigate the complexities of the information age. Whether he builds on these initial positions or continues entrenching them will determine whether Nexus delivers on its promise or merely reinforces existing divides. One thing is certain: the prologue has set the stage for a provocative, if polarising, journey.