The Truth About Truth, Revisited

6–9 minutes

“Truths are illusions which we have forgotten are illusions.” — Nietzsche


Declaring the Problem

Most people say truth as if it were oxygen – obvious, necessary, self-evident. I don’t buy it.

Nietzsche was blunt: truths are illusions. My quarrel is only with how often we forget that they’re illusions.

My own stance is unapologetically non-cognitivist. I don’t believe in objective Truth with a capital T. At best, I see truth as archetypal – a symbol humans invoke when they need to rally, persuade, or stabilise. I am, if you want labels, an emotivist and a prescriptivist: I’m drawn to problems because they move me, and I argue about them because I want others to share my orientation. Truth, in this sense, is not discovered; it is performed.

The Illusion of Asymptotic Progress

The standard story is comforting: over time, science marches closer and closer to the truth. Each new experiment, each new refinement, nudges us toward Reality, like a curve bending ever nearer to its asymptote.

Chart 1: The bedtime story of science: always closer, never arriving.

This picture flatters us, but it’s built on sand.

Problem One: We have no idea how close or far we are from “Reality” on the Y-axis. Are we brushing against it, or still a light-year away? There’s no ruler that lets us measure our distance.

Problem Two: We can’t even guarantee that our revisions move us toward rather than away from it. Think of Newton and Einstein. For centuries, Newton’s physics was treated as a triumph of correspondence—until relativity reframed it as local, limited, provisional. What once looked like a step forward can later be revealed as a cul-de-sac. Our curve may bend back on itself.

Use Case: Newton, Einstein, and Gravity
Take gravity. For centuries, Newton’s laws were treated as if they had brought us into near-contact with Reality™—so precise, so predictive, they had to be true. Then Einstein arrives, reframes gravity not as a force but as the curvature of space-time, and suddenly Newton’s truths are parochial, a local approximation. We applauded this as progress, as if our asymptote had drawn tighter to Reality. But even Einstein leaves us with a black box: we don’t actually know what gravity is, only how to calculate its effects. Tomorrow another paradigm may displace relativity, and once again we’ll dutifully rebrand it as “closer to truth.” Progress or rhetorical re-baptism? The graph doesn’t tell us.

Chart 2: The comforting myth of correspondence: scientific inquiry creeping ever closer to Reality™, though we can’t measure the distance—or even be sure the curve bends in the right direction.

Thomas Kuhn was blunt about this: what we call “progress” is less about convergence and more about paradigm shifts, a wholesale change in the rules of the game. The Earth does not move smoothly closer to Truth; it lurches from one orthodoxy to another, each claiming victory. Progress, in practice, is rhetorical re-baptism.

Most defenders of the asymptotic story assume that even if progress is slow, it’s always incremental, always edging us closer. But history suggests otherwise. Paradigm shifts don’t just move the line higher; they redraw the entire curve. What once looked like the final step toward truth may later be recast as an error, a cul-de-sac, or even a regression. Newton gave way to Einstein; Einstein may yet give way to something that renders relativity quaint. From inside the present, every orthodoxy feels like progress. From outside, it looks more like a lurch, a stumble, and a reset.

Chart 3: The paradigm-gap view: what feels like progress may later look like regression. History suggests lurches, not lines, what we call progress today is tomorrow’s detour..

If paradigm shifts can redraw the entire map of what counts as truth, then it makes sense to ask what exactly we mean when we invoke the word at all. Is truth a mirror of reality? A matter of internal coherence? Whatever works? Or just a linguistic convenience? Philosophy has produced a whole menu of truth theories, each with its own promises and pitfalls—and each vulnerable to the same problems of rhetoric, context, and shifting meanings.

The Many Flavours of Truth

Philosophers never tire of bottling “truth” in new vintages. The catalogue runs long: correspondence, coherence, pragmatic, deflationary, redundancy. Each is presented as the final refinement, the one true formulation of Truth, though each amounts to little more than a rhetorical strategy.

  • Correspondence theory: Truth is what matches reality.
    Problem: we can never measure distance from “Reality™” itself, only from our models.
  • Coherence theory: Truth is what fits consistently within a web of beliefs.
    Problem: many mutually incompatible webs can be internally consistent.
  • Pragmatic theory: Truth is what works.
    Problem: “works” for whom, under what ends? Functionality is always perspectival.
  • Deflationary / Minimalist: Saying “it’s true that…” adds nothing beyond the statement itself.
    Problem: Useful for logic, empty for lived disputes.
  • Redundancy / Performative: “It is true that…” adds rhetorical force, not new content.
    Problem: truth reduced to linguistic habit.

And the common fallback: facts vs. truths. We imagine facts as hard little pebbles anyone can pick up. Hastings was in 1066; water boils at 100°C at sea level. But these “facts” are just truths that have been successfully frozen and institutionalised. No less rhetorical, only more stable.

So truth isn’t one thing – it’s a menu. And notice: all these flavours share the same problem. They only work within language-games, frameworks, or communities of agreement. None of them delivers unmediated access to Reality™.

Truth turns out not to be a flavour but an ice cream parlour – lots of cones, no exit.

Multiplicity of Models

Even if correspondence weren’t troubled, it collapses under the weight of underdetermination. Quine and Duhem pointed out that any body of evidence can support multiple competing theories.

Chart 4: orthodox vs. heterodox curves, each hugging “reality” differently

Hilary Putnam pushed it further with his model-theoretic argument: infinitely many models could map onto the same set of truths. Which one is “real”? There is no privileged mapping.

Conclusion: correspondence is undercut before it begins. Truth isn’t a straight line toward Reality; it’s a sprawl of models, each rhetorically entrenched.

Truth as Rhetoric and Power

This is where Orwell was right: “War is Peace, Freedom is Slavery, Ignorance is Strength.”

Image: INGSOC logo

Truth, in practice, is what rhetoric persuades.

Michel Foucault stripped off the mask: truth is not about correspondence but about power/knowledge. What counts as truth is whatever the prevailing regime of discourse allows.

We’ve lived it:

  • “The economy is strong”, while people can’t afford rent.
  • “AI will save us”, while it mainly writes clickbait.
  • “The science is settled” until the next paper unsettles it.

These aren’t neutral observations; they’re rhetorical victories.

Truth as Community Practice

Chart 5: Margin of error bands

Even when rhetoric convinces, it convinces in-groups. One group converges on a shared perception, another on its opposite. Flat Earth and Round Earth are both communities of “truth.” Each has error margins, each has believers, each perceives itself as edging toward reality.

Wittgenstein reminds us: truth is a language game. Rorty sharpens it: truth is what our peers let us get away with saying.

So truth is plural, situated, and always contested.

Evolutionary and Cognitive Scaffolding

Step back, and truth looks even less eternal and more provisional.

We spread claims because they move us (emotivism) and because we urge others to join (prescriptivism). Nietzsche was savage about it: truth is just a herd virtue, a survival trick.

Cognitive science agrees, if in a different language: perception is predictive guesswork, riddled with biases, illusions, and shortcuts. Our minds don’t mirror reality; they generate useful fictions.

Diagram: Perception as a lossy interface: Reality™ filtered through senses, cognition, language, and finally rhetoric – signal loss at every stage.

Archetypal Truth (Positive Proposal)

So where does that leave us? Not with despair, but with clarity.

Truth is best understood as archetypal – a construct humans rally around. It isn’t discovered; it is invoked. Its force comes not from correspondence but from resonance.

Here, my own Language Insufficiency Hypothesis bites hardest: all our truth-talk is approximation. Every statement is lossy compression, every claim filtered through insufficient words. We can get close enough for consensus, but never close enough for Reality.

Truth is rhetorical, communal, functional. Not absolute.

The Four Pillars (Manifesto Form)

  1. Archetypal – truth is a symbolic placeholder, not objective reality.
  2. Asymptotic – we gesture toward reality but never arrive.
  3. Rhetorical – what counts as truth is what persuades.
  4. Linguistically Insufficient – language guarantees slippage and error.

Closing

Nietzsche warned, Rorty echoed: stop fetishising Truth. Start interrogating the stories we tell in its name.

Every “truth” we now applaud may be tomorrow’s embarrassment. The only honest stance is vigilance – not over whether we’ve captured Reality™, but over who gets to decide what is called true, and why.

Truth has never been a mirror. It’s a mask. The only question worth asking is: who’s wearing it?

The Morality We Can’t Stop Wanting

1–2 minutes

Humans can’t seem to stop clawing after morality. The primates among us chuck cucumbers when their neighbours get grapes, and the rest of us grumble about fairness on social media. The impulse is practically universal, an evolutionary quirk that kept us from throttling each other long enough to raise children and build cities.

Image: A seemingly perturbed capuchin monkey.

But universality is not objectivity. Just because every ape howls about fairness doesn’t mean “Justice” floats somewhere in Platonic space, waiting to be downloaded. It only means we’re the kind of animal that survives by narrating rules and enforcing them with shunning, shame, or, when necessary, cudgels.

Audio: NotebookLM podcast on this topic.

This is where Alasdair MacIntyre trips over his own robes. After Virtue skewers Enlightenment rationalists who tried to prop morality on reason, it then dismisses Nietzsche for being “irrational.” MacIntyre’s fix? Resurrect Aristotle’s teleology. If reason can’t save morality, maybe an ancient oak tree can. But this is wish-thinking with a Greek accent. He’s still arguing by reason that reason can’t do the job, then sneaking back in through Aristotle’s back door with a “firmer ground.” Firmer only because he says so.

Nietzsche, at least, had the decency to call the bluff: no telos, no floor, no cosmic anchor. Just will, style, and the abyss. Uncomfortable? Absolutely. Honest? Yes.

Deleuze went further. He pointed out that morality, like culture, doesn’t look like a tree at all. It’s a rhizome: tangled, proliferating, hybridising, never grounded in a single root. The fragments MacIntyre despairs over aren’t evidence of collapse. They’re evidence of how moral life actually grows—messy, contingent, interconnected. The only reason it looks chaotic is that we keep demanding a trunk where only tubers exist.

So here we are, apes with a craving for rules, building cities and philosophies on scaffolds of habit, language, and mutual illusion. We are supported as surely as the Earth is supported – by nothing. And yet, we go on living.

The need for morality is real. The yearning for telos is real. The floor is not.

« Je pense, donc j’ai raison ! »

3–4 minutes

The Enlightenment promised a universal Reason; what we got was a carnival mirror that flatters philosophers and fools the rest of us. MacIntyre and Anscombe diagnosed the corpse with precision, but then tried to resurrect it with Aristotelian or theological magic tricks. I’m less charitable: you can’t will petrol into an empty tank. In my latest essay, I put ‘Reason’ on the slab, call in Kahneman, Hume, Nietzsche, and others as expert witnesses, and deliver the verdict: morality is a house rule, not a cosmic law. This piece is part of a larger project that includes my Language Insufficiency Hypothesis and Against Dumocracy. The Enlightenment isn’t dying – it’s already dead. We’re just cataloguing the remains.

The Enlightenment was many things: a bonfire of superstition, a hymn to autonomy, a fever dream of “Reason” enthroned. Its philosophers fancied themselves heirs to Aristotle and midwives to a new humanity. And to be fair, they were clever enough to trick even themselves. Too clever by half.

Alasdair MacIntyre, in After Virtue, plays the role of forensic pathologist with admirable precision. He shows us how the Enlightenment dynamited the teleological scaffolding of Aristotle, then tried to keep the vocabulary of virtue, duty, and rights standing in mid-air. The result: what he calls a “moral Babel,” a chorus of shrill assertions dressed up as rational law. Elizabeth Anscombe had already filed the death certificate back in 1958 with Modern Moral Philosophy, where she pointed out that our talk of “moral obligation” is just a Christian relic without a deity to enforce it. And Nietzsche, that perennial party-crasher, cheerfully declared the whole project bankrupt: once the gods are dead, “ought” is nothing but resentment pretending to be metaphysics.

And yet, when MacIntyre reaches the heart of the matter, he can’t quite let the body stay buried. He wants to reattach a soul by importing an Aristotelian telos, even summoning a “new St Benedict” to shepherd us through the ruins. It plays beautifully with those still tethered by a golden string to Aquinas and the premodern, but let’s be honest: this is just hypnosis with a Latin chorus. Descartes told us je pense, donc je suis; MacIntyre updates it to je pense, donc j’ai raison. The trouble is that thinking doesn’t guarantee rightness any more than an empty petrol tank guarantees motion. You can will fuel into existence all you like; the car still isn’t going anywhere.

The behavioral economists – Kahneman, Tversky, Ariely, Gigerenzer – have already demonstrated that human reason is less compass than carnival mirror. Jonathan Haidt has shown that our “moral reasoning” usually lags behind our gut feelings like a PR department scrambling after a scandal. Meanwhile, political practice reduces “just war” to a matter of who gets to publish the rule book. Progress™ is declared, rights are invoked, but the verdict is always written by the most powerful litigant in the room.

So yes, MacIntyre and Anscombe diagnose the corpse with impressive clarity. But then they can’t resist playing resurrectionist, insisting that if we only chant the right metaphysical formula, the Enlightenment’s heart will start beating again. My own wager is bleaker – or maybe just more honest. There is no golden thread back to Aristotle, no metaphysical petrol station in the desert. Morality is not a universal constant; it’s a set of rules as contingent as the offside law. Killing becomes “murder” only when the tribe – or the state – says so. “Life is sacred” is not a discovery but a spell, a linguistic sleight of hand that lets us kill in one context while weeping in another.

The Enlightenment wanted to enthrone Reason as our common oracle. Instead, it handed us a corpse and told us to pretend it was still breathing. My contribution is simply to keep the coroner’s mask on and say: The magic tricks aren’t working anymore. Stop looking for a metaphysical anchor that isn’t there. If there’s to be an “after,” it won’t come from another Saint Benedict. It will come from admitting that the Enlightenment died of believing its own hype – and that language itself was never built to carry the weight of gods.

Within One Sigma of Civilisation

Freud once quipped that people are “normal” only on average. To the degree that they deviate from the mean, they are neurotic, psychotic, or otherwise abnormal. Whatever else one thinks of Freud, the metaphor holds for Modernity.

Image: Picture and quote by Sigmund Freud: Every normal person, in fact, is only normal on the average. His ego approximates to that of the psychotic in some part or other and to a greater or lesser extent. —Analysis Terminable And Interminable (1937), Chapter V

We are “Modern” only on average, and only for the first standard deviation. Within one sigma, you can wave a flag and declare: rational, secular, Enlightened. But step further into the tails and the façade dissolves. The “normal” modern turns out to attend megachurches, consult horoscopes, share conspiracy memes, or cling to metaphysical relics that Enlightenment reason was supposed to have torched centuries ago.

The problem isn’t that these people aren’t Modern. The problem is that nobody is Modern, not in the sense the story requires. The mean is an over-fitted abstraction. “Modernity” works like Freud’s “normal”: a statistical average that erases the deviations, then insists that the erased bits are pathology rather than reality.

But the tails are where most of human life actually happens. The “average Modern” is as mythical as the “reasonable person.” What we call Modernity is just a bell curve costume draped over the same mix of superstition, desire, and contingency that has always driven human behaviour.

Nature and Its Paperwork

We humans pride ourselves on being civilised. Unlike animals, we don’t let biology call the shots. A chimp reaches puberty and reproduces; a human reaches puberty and is told, not yet – society has rules. Biologically mature isn’t socially mature, and we pat ourselves on the back for having spotted the difference.

But watch how quickly that distinction vanishes when it threatens the in-group narrative. Bring up gender, and suddenly there’s no such thing as a social construct. Forget the puberty-vs-adulthood distinction we were just defending – now biology is destiny, immutable and absolute. Cross-gender clothing? “Against nature.” Transition? “You can’t be born into the wrong body.” Our selective vision flips depending on whose ox is being gored.

The same trick appears in how we talk about maturity. You can’t vote until 18. You’re not old enough to drink until 21. You’re not old enough to stop working until 67. These numbers aren’t natural; they’re paperwork. They’re flags planted in the soil of human life, and without the right flag, you don’t count.

The very people who insist on distinguishing biological maturity from social maturity when it comes to puberty suddenly forget the distinction when it comes to gender. They know perfectly well that “maturity” is a construct – after all, they’ve built entire legal systems around arbitrary thresholds – but they enforce the amnesia whenever it suits them. Nietzsche would say it plainly: the powerful don’t need to follow the rules, they only need to make sure you do.

So the next time someone appeals to “nature,” ask: which one? The nature that declares you old enough to marry at puberty? The nature that withholds voting, drinking, or retirement rights until a bureaucrat’s calendar says so? Or the nature that quietly mutates whenever the in-group needs to draw a new line around civilisation?

The truth is, “nature” and “maturity” are less about describing the world than about policing it. They’re flags, shibboleths, passwords. We keep calling them natural, but the only thing natural about them is how often they’re used to enforce someone else’s story.

A Critique of Reason (Not to Be Confused with Kant’s)

2–3 minutes

Kant, bless him, thought he was staging the trial of Reason itself, putting the judge in the dock and asking whether the court had jurisdiction. It was a noble spectacle, high theatre of self-scrutiny. But the trick was always rigged. The presiding judge, the prosecution, the jury, the accused, all wore the same powdered wig. Unsurprisingly, Reason acquitted itself.

The Enlightenment’s central syllogism was never more than a parlour trick:

  • P1: The best path is Reason.
  • P2: I practice Reason.
  • C: Therefore, Reason is best.

It’s the self-licking ice-cream cone of intellectual history. And if you dare to object, the trap springs shut: what, you hate Reason? Then you must be irrational. Inquisitors once demanded heretics prove they weren’t in league with Satan; the modern equivalent is being told you’re “anti-science.” The categories defend themselves by anathematising doubt.

The problem is twofold:

First, Reason never guaranteed agreement. Two thinkers can pore over the same “facts” and emerge with opposite verdicts, each sincerely convinced that Reason has anointed their side. In a power-laden society, it is always the stronger voice that gets to declare its reasoning the reasoning. As Dan Hind acidly observed, Reason is often nothing more than a marketing label the powerful slap on their interests.

Second, and this is the darker point, Reason itself is metaphysical, a ghost in a powdered wig. To call something “rational” is already to invoke an invisible authority, as if Truth had a clerical seal. Alasdair MacIntyre was right: strip away the old rituals and you’re left with fragments, not foundations.

Other witnesses have tried to say as much. Horkheimer and Adorno reminded us that Enlightenment rationality curdles into myth the moment it tries to dominate the world. Nietzsche laughed until his throat bled at the pretence of universal reason, then promptly built his own metaphysics of will. Bruno Latour, in We Have Never Been Modern, dared to expose Science as what it actually is – a messy network of institutions, instruments, and politics masquerading as purity. The backlash was so swift and sanctimonious that he later called it his “worst” book, a public recantation that reads more like forced penance than revelation. Even those who glimpsed the scaffolding had to return to the pews.

So when we talk about “Reason” as the bedrock of Modernity, let’s admit the joke. The bedrock was always mist. The house we built upon it is held up by ritual, inertia, and vested interest, not granite clarity. Enlightenment sold us the fantasy of a universal judge, when what we got was a self-justifying oracle. Reason is not the judge in the courtroom. Reason is the courtroom itself, and the courtroom is a carnival tent – all mirrors, no floor.

Modernity: The Phase That Never Was

6–8 minutes

We’re told we live in the Enlightenment, that Reason™ sits on the throne and superstition has been banished to the attic. Yet when I disguised a little survey as “metamodern,” almost none came out as fully Enlightened. Three managed to shed every trace of the premodern ghost, one Dutch wanderer bypassed Modernity entirely, and not a single soul emerged free of postmodern suspicion. So much for humanity’s great rational awakening. Perhaps Modernity wasn’t a phase we passed through at all, but a mirage we still genuflect before, a lifestyle brand draped over a naked emperor.

Audio: NotebookLM podcast on this topic

The Enlightenment as Marketing Campaign

The Enlightenment is sold to us as civilisation’s great coming-of-age: the dawn when the fog of superstition lifted and Reason took the throne. Kant framed it as “man’s emergence from his self-incurred immaturity” – an Enlightenment bumper sticker that academics still like to polish and reapply. But Kant wasn’t writing for peasants hauling mud or women without the vote; he was writing for his own coterie of powdered-wig mandarins, men convinced their own habits of rational debate were humanity’s new universal destiny.

Modernity, in this story, isn’t a historical stage we all inhabited. It’s an advertising campaign: Reason™ as lifestyle brand, equality as tagline, “progress” as the logo on the tote bag. Modernity, in the textbooks, is billed as a historical epoch, a kind of secular Pentecost in which the lights came on and we all finally started thinking for ourselves. In practice, it was more of a boutique fantasy, a handful of gentlemen mistaking their own rarefied intellectual posture for humanity’s destiny.

The Archetype That Nobody Lives In

At the core of the Enlightenment lies the archetype of Man™: rational, autonomous, unencumbered by superstition, guided by evidence, weighing pros and cons with the detachment of a celestial accountant. Economics repackaged him as homo economicus, forever optimising his utility function as if he were a spreadsheet in breeches.

But like all archetypes, this figure is a mirage. Our survey data, even when baited as a “metamodern survey”, never produced a “pure” Enlightenment subject.

  • 3 scored 0% Premodern (managing, perhaps, to kick the gods and ghosts to the kerb).
  • 1 scored 0% Modern (the Dutch outlier: 17% Premodern, 0% Modern, 83% Post, skipping the Enlightenment altogether, apparently by bike).
  • 0 scored 0% Postmodern. Every single participant carried at least some residue of suspicion, irony, or relativism.

The averages themselves were telling: roughly 18% Premodern, 45% Modern, 37% Postmodern. That’s not an age of Reason. That’s a muddle, a cocktail of priestly deference, rationalist daydreams, and ironic doubt.

Even the Greats Needed Their Crutches

If the masses never lived as Enlightenment subjects, what about the luminaries? Did they achieve the ideal? Hardly.

  • Descartes, desperate to secure the cogito, called in God as guarantor, dragging medieval metaphysics back on stage.
  • Kant built a cathedral of reason only to leave its foundations propped up by noumena: an unseeable, unknowable beyond.
  • Nietzsche, supposed undertaker of gods, smuggled in his own metaphysics of will to power and eternal recurrence.
  • William James, surveying the wreckage, declared that “truth” is simply “what works”, a sort of intellectual aspirin for the Enlightenment headache.

And economists, in a fit of professional humiliation, pared the rational subject down to a corpse on life support. Homo economicus became a creature who — at the very least, surely — wouldn’t choose to make himself worse off. But behavioural economics proved even that meagre hope to be a fantasy. People burn their wages on scratch tickets, sign up for exploitative loans, and vote themselves into oblivion because a meme told them to.

If even the “best specimens” never fully embodied the rational archetype, expecting Joe Everyman, who statistically struggles to parse a sixth-grade text and hasn’t cracked a book since puberty, to suddenly blossom into a mini-Kant is wishful thinking of the highest order.

The Dual Inertia

The real story isn’t progress through epochs; it’s the simultaneous drag of two kinds of inertia:

  • Premodern inertia: we still cling to sacred myths, national totems, and moral certainties.
  • Modern inertia: we still pretend the rational subject exists, because democracy, capitalism, and bureaucracy require him to.

The result isn’t a new epoch. It’s a cultural chimaera: half-superstitious, half-rationalist, shot through with irony. A mess, not a phase..

Arrow’s Mathematical Guillotine

Even if the Enlightenment dream of a rational demos were real, Kenneth Arrow proved it was doomed. His Impossibility Theorem shows that no voting system can turn individual rational preferences into a coherent “general will.” In other words, even a parliament of perfect Kants would deadlock when voting on dinner. The rational utopia is mathematically impossible.

So when we are told that democracy channels Reason, we should hear it as a polite modern incantation, no sturdier than a priest blessing crops.

Equality and the Emperor’s Wardrobe

The refrain comes like a hymn: “All men are created equal.” But the history is less inspiring. “Men” once meant property-owning Europeans; later it was generously expanded to mean all adult citizens who’d managed to stay alive until eighteen. Pass that biological milestone, and voilà — you are now certified Rational, qualified to determine the fate of nations.

And when you dare to question this threadbare arrangement, the chorus rises: “If you don’t like democracy, capitalism, or private property, just leave.” As if you could step outside the world like a theatre where the play displeases you. Heidegger’s Geworfenheit makes the joke bitter: we are thrown into this world without choice, and then instructed to exit if we find the wallpaper distasteful. Leave? To where, precisely? The void? Mars?

The Pre-Modern lord said: Obey, or be exiled. The Modern democrat says: Vote, or leave. And the Post-Enlightenment sceptic mutters: Leave? To where, exactly? Gravity? History? The species? There is no “outside” to exit into. The system is not a hotel; it’s the weather.

Here the ghost of Baudrillard hovers in the wings, pointing out that we are no longer defending Reason, but the simulacrum of Reason. The Emperor’s New Clothes parable once mocked cowardice: everyone saw the nudity but stayed silent. Our situation is worse. We don’t even see that the Emperor is naked. We genuinely believe in the fineries, the Democracy™, the Rational Man™, the sacred textile of Progress. And those who point out the obvious are ridiculed: How dare you mock such fineries, you cad!

Conclusion: The Comfort of a Ghost

So here we are, defending the ghost of a phase we never truly lived. We cling to Modernity as if it were a sturdy foundation, when in truth it was always an archetype – a phantom rational subject, a Platonic ideal projected onto a species of apes with smartphones. We mistook it for bedrock, built our institutions upon it, and now expend colossal energy propping up the papier-mâché ruins. The unfit defend it out of faith in their own “voice,” the elites defend it to preserve their privilege, and the rest of us muddle along pragmatically, dosing ourselves with Jamesian aspirin and pretending it’s progress.

Metamodernism, with its marketed oscillation between sincerity and irony, is less a “new stage” than a glossy rebranding of the same old admixture: a bit of myth, a bit of reason, a dash of scepticism. And pragmatism –James’s weary “truth is what works” – is the hangover cure that keeps us muddling through.

Modernity promised emancipation from immaturity. What we got was a new set of chains: reason as dogma, democracy as ritual, capitalism as destiny. And when we protest, the system replies with its favourite Enlightenment lullaby: If you don’t like it, just leave.

But you can’t leave. You were thrown here. What we call “Enlightenment” is not a stage in history but a zombie-simulation of an ideal that never drew breath. And yet, like villagers in Andersen’s tale, we not only guard the Emperor’s empty wardrobe – we see the garments as real. The Enlightenment subject is not naked. He is spectral, and we are the ones haunting him.

Keeping Ourselves in the Dark: Depressive Realism and the Fiction of Agency

Philosopher Muse brought Colin Feltham to my attention, so I read his Keeping Ourselves in the Dark. It’s in limited supply, so I found an online copy.

So much of modern life rests on promises of improvement. Governments promise progress, religions promise redemption, therapists promise healing. Feltham’s Keeping Ourselves in the Dark (2015) takes a blunt axe to this edifice. In a series of sharp, aphoristic fragments, he suggests that most of these promises are self-deceptions. They keep us busy and comforted, but they do not correspond to the reality of our condition. For Feltham, reality is not an upward arc but a fog – a place of incoherence, accident, and suffering, which we disguise with stories of hope.

Audio: NotebookLM podcast summarising this post.

It is a book that situates itself in a lineage of pessimism. Like Schopenhauer, Feltham thinks life is saturated with dissatisfaction. Like Emil Cioran, he delights in puncturing illusions. Like Peter Wessel Zapffe, he worries that consciousness is an overdeveloped faculty, a tragic gift that leaves us exposed to too much meaninglessness.

Depressive Realism – Lucidity or Illusion?

One of Feltham’s recurring themes is the psychological idea of “depressive realism.” Researchers such as Lauren Alloy and Lyn Abramson suggested that depressed individuals may judge reality more accurately than their non-depressed peers, particularly when it comes to their own lack of control. Where the “healthy” mind is buoyed by optimism bias, the depressed mind may be sober.

Feltham uses this as a pivot: if the depressed see things more clearly, then much of what we call mental health is simply a shared delusion, a refusal to see the world’s bleakness. He is not romanticising depression, but he is deliberately destabilising the assumption that cheerfulness equals clarity.

Here I find myself diverging. Depression is not simply lucidity; it is also, inescapably, a condition of suffering. To say “the depressed see the truth” risks sanctifying what is, for those who live it, a heavy and painful distortion. Following Foucault, I would rather say that “mental illness” is itself a category of social control – but that does not mean the suffering it names is any less real.

Video: Depressive Realism by Philosopher Muse, the impetus for this blog article

Agency Under the Same Shadow

Feltham’s suspicion of optimism resonates with other critiques of human self-concepts. Octavia Butler, in her fiction and theory, often frames “agency” as a structural mirage: we think we choose, but our choices are already scripted by language and power. Jean-Paul Sartre, on the other hand, insists on the opposite extremity: that we are “condemned to be free,” responsible even for our refusal to act. Howard Zinn echoes this in his famous warning that “you can’t be neutral on a moving train.”

My own work, the Language Insufficiency Hypothesis, takes a fourth line. Like Feltham, I doubt that our central myths – agency, freedom, progress – correspond to any stable reality. But unlike him, I do not think stripping them away forces us into depressive despair. The feeling of depression is itself another state, another configuration of affect and narrative. To call it “realistic” is to smuggle in a judgment, as though truth must wound.

Agency, Optimism, and Their Kin

Feltham’s bleak realism has interesting affinities with other figures who unpick human self-mythology:

  • Octavia Butler presents “agency” itself as a kind of structural illusion. From the Oankali’s alien vantage in Dawn, humanity looks like a single destructive will, not a set of sovereign choosers.
  • Sartre, by contrast, radicalises agency: even passivity is a choice; we are condemned to be free.
  • Howard Zinn universalises responsibility in a similar register: “You can’t be neutral on a moving train.”
  • Cioran and Zapffe, like Feltham, treat human self-consciousness as a trap, a source of suffering that no optimistic narrative can finally dissolve.

Across these positions, the common thread is suspicion of the Enlightenment story in which rational agency and progress are guarantors of meaning. Some embrace the myth, some invert it, some discard it.

Dis-integration Rather Than Despair

Where pessimists like Feltham (or Cioran, or Zapffe) tend to narrate our condition as tragic, my “dis-integrationist” view is more Zen: the collapse of our stories is not a disaster but a fact. Consciousness spins myths of control and meaning; when those myths fail, we may feel disoriented, but that disorientation is simply another mode of being. There is no imperative to replace one illusion with another – whether it is progress, will, or “depressive clarity.”

From this perspective, life is not rescued by optimism, nor is it condemned by realism. It is simply flux, dissonance, and transient pattern. The task is not to shore up agency but to notice its absence without rushing to fill the void with either hope or despair.

Four Ways to Mistake Agency

I’ve long wrestled with the metaphysical aura that clings to “agency.” I don’t buy it. Philosophers – even those I’d have thought would know better – keep smuggling it back into their systems, as though “will” or “choice” were some indispensable essence rather than a narrative convenience.

Take the famous mid-century split: Sartre insisted we are “condemned to be free,” and so must spend that freedom in political action; Camus shrugged at the same premise and redirected it toward art, creation in the face of absurdity. Different prescriptions, same underlying assumption – that agency is real, universal, and cannot be escaped.

What if that’s the problem? What if “agency” is not a fact of human being but a Modernist fable, a device designed to sustain certain worldviews – freedom, responsibility, retribution – that collapse without it?

Sartre and Zinn: Agency as Compulsion

Sartre insists: “There are no innocent victims. Even inaction is a choice.” Zinn echoes: “You can’t be neutral on a moving train.” Both rhetorics collapse hesitation, fatigue, or constraint into an all-encompassing voluntarism. The train is rolling, and you are guilty for sitting still.

Feltham’s Depressive Realism

Colin Feltham’s Keeping Ourselves in the Dark extends the thesis: our optimism and “progress” are delusions. He leans into “depressive realism,” suggesting that the depressive gaze is clearer, less self-deceived. Here, too, agency is unmasked as myth – but the myth is replaced with another story, one of lucidity through despair.

A Fourth Position: Dis-integration

Where I diverge is here: why smuggle in judgment at all? Butler, Sartre, Zinn, Feltham each turn absence into a moral. They inflate or invert “agency” so it remains indispensable. My sense is more Zen: perhaps agency is not necessary. Not as fact, not as fiction, not even as a tragic lack.

Life continues without it. Stabilisers cling to the cart, Tippers tip, Egoists recline, Sycophants ride the wake, Survivors endure. These are dispositions, not decisions. The train moves whether or not anyone is at the controls. To say “you chose” is to mistake drift for will, inertia for responsibility.

From this angle, nihilism doesn’t require despair. It is simply the atmosphere we breathe. Meaning and will are constructs that serve Modernist institutions – law, nation, punishment. Remove them, and nothing essential is lost, except the illusion that we were ever driving.

Octavia E Butler’s Alien Verdict

Not Judith Buthler. In the opening of Dawn, the Oankali tell Lilith: “You committed mass suicide.” The charge erases distinctions between perpetrators, victims, resisters, and bystanders. From their vantage, humanity is one agent, one will. A neat explanation – but a flattening nonetheless.

👉 Full essay: On Agency, Suicide, and the Moving Train

Why Feltham Matters

Even if one resists his alignment of depression with truth, Feltham’s work is valuable as a counterweight to the cult of positivity. It reminds us that much of what we call “mental health” or “progress” depends on not seeing too clearly the futility, fragility, and cruelty that structure our world.

Where he sees darkness as revelation, I see it as atmosphere: the medium in which we always already move. To keep ourselves in the dark is not just to lie to ourselves, but to continue walking the tracks of a train whose destination we do not control. Feltham’s bleak realism, like Butler’s alien rebuke or Sartre’s burden of freedom, presses us to recognise that what we call “agency” may itself be part of the dream.

On Agency, Suicide, and the Moving Train

I’ve been working through the opening chapters of Octavia Butler’s Dawn. At one point, the alien Jdahya tells Lilith, “We watched you commit mass suicide.”*

The line unsettles not because of the apocalypse itself, but because of what it presumes: that “humanity” acted as one, as if billions of disparate lives could be collapsed into a single decision. A few pulled triggers, a few applauded, some resisted despite the odds, and most simply endured. From the alien vantage, nuance vanishes. A species is judged by its outcome, not by the uneven distribution of responsibility that produced it.

This is hardly foreign to us. Nationalism thrives on the same flattening. We won the war. We lost the match. A handful act; the many claim the glory or swallow the shame by association. Sartre takes it further with his “no excuses” dictum, even to do nothing is to choose. Howard Zinn’s “You can’t remain neutral on a moving train” makes the same move, cloaked in the borrowed authority of physics. Yet relativity undermines it: on the train, you are still; on the ground, you are moving. Whether neutrality is possible depends entirely on your frame of reference.

What all these formulations share is a kind of metaphysical inflation. “Agency” is treated as a universal essence, something evenly spread across the human condition. But in practice, it is anything but. Most people are not shaping history; they are being dragged along by it.

One might sketch the orientations toward the collective “apple cart” like this:

  • Tippers with a vision: the revolutionaries, ideologues, or would-be prophets who claim to know how the cart should be overturned.
  • Sycophants: clinging to the side, riding the momentum of others’ power, hoping for crumbs.
  • Egoists: indifferent to the cart’s fate, focused on personal comfort, advantage, or escape.
  • Stabilisers: most people, clinging to the cart as it wobbles, preferring continuity to upheaval.
  • Survivors: those who endure, waiting out storms, not out of “agency” but necessity.

The Stabilisers and Survivors blur into the same crowd, the former still half-convinced their vote between arsenic and cyanide matters, the latter no longer believing the story at all. They resemble Seligman’s shocked dogs, conditioned to sit through pain because movement feels futile.

And so “humanity” never truly acts as one. Agency is uneven, fragile, and often absent. Yet whether in Sartre’s philosophy, Zinn’s slogans, or Jdahya’s extraterrestrial indictment, the temptation is always to collapse plurality into a single will; you chose this, all of you. It is neat, rhetorically satisfying, and yet wrong.

Perhaps Butler’s aliens, clinical in their judgment, are simply holding up a mirror to the fictions we already tell about ourselves.


As an aside, this version of the book cover is risible. Not to devolve into identity politics, but Lilith is a dark-skinned woman, not a pale ginger. I can only assume that some target science fiction readers have a propensity to prefer white, sapphic adjacent characters.

I won’t even comment further on the faux 3D title treatment, relic of 1980s marketing.


Spoiler Alert: As this statement about mass suicide is a Chapter 2 event, I am not inclined to consider it a spoiler. False alarm.

The Reasonable Person: From Judge Judy to SCOTUS

2–4 minutes

When I was a child, the United States Supreme Court was still spoken of in hushed, reverent tones, as though nine robed sages in Washington were the Platonic guardians of justice. Impartiality was the word on everyone’s lips, and we were meant to believe that “the law” floated above the grubby realm of politics, as pure and crystalline as the Ten Commandments descending from Sinai.

Audio: NotebookLM podcast on this topic (MP3).

Even then, I didn’t buy it. The whole thing reeked of theatre. And the past few decades have proved that scepticism correct: the Court has become a pantomime. In this robed reality show, nine unelected lawyers cosplaying as oracles interpret the world for us, often by a razor-thin vote that splits exactly along partisan lines. Impartial? Please. A coin toss would be less predictable.

This is why I perked up when I heard Iain McGilchrist, in his recent interview with Curt Jaimungal, wax lyrical about rationality versus reasonableness. Schizophrenia, he tells us, is like a left hemisphere gone berserk, parsing the world in a literalist frenzy without the right hemisphere’s sense of context. The schizophrenic hears a voice in an empty room and, lacking the capacity for metaphor, deduces that it must be the neighbours whispering through the electrical socket. Rational, in its way, but absurd.

Video: Iain McGilchrist and Curt Jaimungal

McGilchrist’s corrective is “reasonableness,” which he casts as the quality of a wise judge: not a slave to mechanistic logic, but able to balance intuition, context, and experience. The problem, of course, is that “reasonable” is one of those delightful weasel words I keep writing about. It claims to be neutral – a universal standard, above the fray – but in practice, it’s just a ventriloquism act. “Reasonable” always turns out to mean what I, personally, consider obvious.

Enter Judge Judy, daytime television’s answer to jurisprudence. Watch her wag a finger and declare, “Any reasonable person would have kept the receipt!” And the studio audience – hand-picked to agree with her every twitch – erupts in applause. It’s reasonableness as spectacle, the mob dressed up as jurisprudence.

Now scale that performance up to SCOTUS. The “reasonable person” test is embedded deep in the common law tradition, but the reasonable person is not you, me, or anyone who has actually missed a bus, pawned a wedding ring, or heard a neighbour’s radio through thin walls. No, the reasonable person is an imaginary, well-groomed gentleman of property whose intuitions happen to dovetail nicely with the prejudices of the bench. The Court, like Judge Judy, insists it is Reason incarnate, when in truth it is reasonableness-by-consensus, a carefully curated consensus at that.

McGilchrist is right that rationality, stripped of context, can lead to absurdity. But in elevating “reasonableness” as if it were a transcendent virtue, he mistakes projection for philosophy. A judge is “reasonable” only when her intuitions rhyme with yours. And when they don’t? Suddenly, she’s a madwoman in robes, and her “reasonableness” is exposed as nothing more than taste disguised as universal law.

The “reasonable person” – whether invoked by the Supreme Court or by Judge Judy – is a ghost that conveniently resembles the speaker. We imagine we’re appealing to some objective standard, when in fact we’re gazing into a mirror. The tragedy of schizophrenia, as McGilchrist notes, is to take metaphor literally. The tragedy of law and politics is the opposite: to dress literal bias in metaphor, to call it “reason,” and to applaud ourselves for our wisdom while the stage set burns behind us.