Missing White Supremacy’s Woods for the Tree

2–3 minutes

Radical Futures Studio’s “7 Signals” deck has been circulating widely. It’s a striking example of Storytelling 101: identify a villain, chart the signs of its decline, and point toward an eventual resolution. In this case, the villain is white supremacy. The signs are its institutional and cultural fray. The resolution is its collapse.

Audio: NotebookLM podcast on this topic.

As far as stories go, it’s effective. It provides a framework, some memorable imagery, and the reassurance that the ugliness on display today is a death rattle, not a resurgence. No wonder it resonates. People want to believe the noise means the monster is dying.

But as analysis, the frame is too tight. Racism is not the root structure; it is a symptom, a mask. White supremacy is real enough in its effects, but its persistence and decline are contingent. The deeper system – the scaffolding of late-stage capitalism, the Enlightenment’s brittle universalism, the institutions now staggering under their own contradictions – remains the host. When whiteness peels away, the system does not vanish. It simply rebrands.

To point to the peeling paint and say ‘the house is collapsing’ is to mistake surface for structure. Yes, the paint matters; it shapes how people experience the walls. But the real rot lies deeper, in the beams. The Enlightenment project promised seamless cloth: rationality, universality, permanence. Capitalism promised endless expansion and renewal. Both promises are faltering, and the cracks are visible everywhere – climate, finance, governance, identity. Racism, whiteness, supremacy: these are one set of cracks, not the foundation itself.

The risk of the ‘signals’ narrative is that it offers too neat a moral arc. It comforts the audience that the villain is cornered, that justice is baked into the future. But history is rarely so tidy. Supremacy does not die; it changes costumes. One mask slips, another is stitched on. If we mistake the collapse of whiteness for the collapse of the system, we blind ourselves to how easily the scaffolding survives in new guises.

None of this is to reject the cause. Racism is a systemic lie, and its decline is worth cheering. But it is not enough to track the noise of its death rattle. To understand the larger story, we need to step back and see the woods for the trees. The true collapse underway is broader: the exhaustion of capitalism’s last stage, the unravelling of Enlightenment’s promises, the loss of legitimacy in institutions that no longer hold. That is the forest in which the tree of whiteness withers.

If we focus only on the tree, we risk missing the landscape. And if we mistake peeling paint for the beams, we risk celebrating cosmetic decline while the house quietly reassembles itself under a different banner.

Reason on a Spectrum

4–6 minutes

Reason is not an oracle of truth but a spectrum-bound tool, and when it is worshipped as absolute, it curdles into pathology. True rationality knows when to temper itself, when to equivocate, and when a kind lie is wiser than a cold fact.

Reason and rationality are the household gods of modernity. We light incense to them daily: follow the science, be reasonable, act rationally. But before we genuflect, it’s worth asking what exactly we mean. By reason, I mean the faculty of inference – spotting contradictions, tracing causes. By rationality, I mean the practice of applying that faculty toward some end. That’s all. Nothing mystical.

Audio: NotebookLM podcast on this topic.

The trouble starts when these concepts are treated as absolutes. They aren’t. They vary in intensity and application. A person’s reasoning operates on a spectrum with something like frequency and amplitude. Some minds hum at low frequency – broad strokes, contradictions smoothed over by intuition. Others burn hot at high frequency and amplitude – rapid logical leaps, obsessive consistency, the inability to let a premise go. And while some reason flows like a continuous wave – steady, consistent, predictable – other forms fire more like particles: synaptic sparks that don’t always connect, logic arriving in bursts or stutters rather than as a smooth line.

Push too far and what we sanctify as ‘reason’ bleeds into what psychiatry pathologises as autism or schizophrenia. Meanwhile, ‘normal’ cognition always includes an emotional ballast. Strip it out and the result looks alien, even monstrous. Freud’s quip about psychopathy – that the psychopath differs from the rest of us in degree, not kind – applies just as well to reason. Rationality is simply the socially acceptable blend of logic and affect. Deviate, and you’re declared broken.

Camus gave us a parable in The Stranger. Meursault observes his world with ruthless clarity, but no emotional resonance. He doesn’t weep at his mother’s funeral, and society condemns him less for murder than for failing to perform grief. His ‘pure’ reason reads as inhuman.

Here’s the paradox: if rationality means adapting effectively to one’s environment, then pure rationality demands knowing when to suspend itself. A person who insists on logic at every turn is not rational but maladapted. The rational actor lies, flatters, nods at the boss’s bad joke, comforts the friend who doesn’t want statistics but solace. Rationality that cannot bend collapses into pathology.

This is why the infamous ‘Do these jeans make me look fat?’ question is such a perfect test. The ‘true’ answer, if you are reasoning narrowly, may be ‘yes’. But true rationality recognises the context, the stakes, the human need beneath the words. The rational response is not the cold fact but the kind equivocation. Rationality that cannot lie is no rationality at all.

Here’s the paradox: if rationality means adapting effectively to one’s environment, then pure rationality demands knowing when to suspend itself. A person who insists on logic at every turn is not rational but maladapted. The rational actor lies, flatters, nods at the boss’s bad joke, comforts the friend who doesn’t want statistics but solace. Rationality that cannot bend collapses into pathology.

Consider the social rituals we all know. A partner says, ‘I like that house’, and the rationally over-tuned response is to evaluate the house. The actual cue is in the like, not the house. The answer isn’t that you dislike the house, but rather what you can appreciate about it. Miss that, and you miss the point. Or take the dinner table: when my son was seven, a well-meaning host – very Martha Stewart – asked him how he enjoyed his meal. He replied, with perfect candour, ‘I’ve had better’. From a logical standpoint, faultless. From a rational standpoint – if rationality includes social adaptation – disastrous. The question was never about the food. It was a cue for appreciation, for harmony. He gave fact when what was asked for was affiliation.

So yes, I attack reason and rationality – not because they don’t exist, but because they are misapplied, reified, and worshipped as neutral arbiters of truth. They are not. They are tools with a range, and outside that range, they fail catastrophically. To speak of ‘reason’ as if it were an unqualified good is like praising fire without mentioning its talent for arson.


After I wrote this, I realised I forgot to mention Kant.

Even Kant, patron saint of rational duty, insisted you must never lie, not even a white lie, not even to a murderer asking where your friend is hiding. For him, truth-telling was categorical, binding, immune to circumstance. But this is reason gone rigid, unable to flex with human reality. It shows how worship of Reason leads not to morality but to monstrosity. A rationality that cannot bend is no rationality at all.

The Morality We Can’t Stop Wanting

1–2 minutes

Humans can’t seem to stop clawing after morality. The primates among us chuck cucumbers when their neighbours get grapes, and the rest of us grumble about fairness on social media. The impulse is practically universal, an evolutionary quirk that kept us from throttling each other long enough to raise children and build cities.

Image: A seemingly perturbed capuchin monkey.

But universality is not objectivity. Just because every ape howls about fairness doesn’t mean “Justice” floats somewhere in Platonic space, waiting to be downloaded. It only means we’re the kind of animal that survives by narrating rules and enforcing them with shunning, shame, or, when necessary, cudgels.

Audio: NotebookLM podcast on this topic.

This is where Alasdair MacIntyre trips over his own robes. After Virtue skewers Enlightenment rationalists who tried to prop morality on reason, it then dismisses Nietzsche for being “irrational.” MacIntyre’s fix? Resurrect Aristotle’s teleology. If reason can’t save morality, maybe an ancient oak tree can. But this is wish-thinking with a Greek accent. He’s still arguing by reason that reason can’t do the job, then sneaking back in through Aristotle’s back door with a “firmer ground.” Firmer only because he says so.

Nietzsche, at least, had the decency to call the bluff: no telos, no floor, no cosmic anchor. Just will, style, and the abyss. Uncomfortable? Absolutely. Honest? Yes.

Deleuze went further. He pointed out that morality, like culture, doesn’t look like a tree at all. It’s a rhizome: tangled, proliferating, hybridising, never grounded in a single root. The fragments MacIntyre despairs over aren’t evidence of collapse. They’re evidence of how moral life actually grows—messy, contingent, interconnected. The only reason it looks chaotic is that we keep demanding a trunk where only tubers exist.

So here we are, apes with a craving for rules, building cities and philosophies on scaffolds of habit, language, and mutual illusion. We are supported as surely as the Earth is supported – by nothing. And yet, we go on living.

The need for morality is real. The yearning for telos is real. The floor is not.

« Je pense, donc j’ai raison ! »

3–4 minutes

The Enlightenment promised a universal Reason; what we got was a carnival mirror that flatters philosophers and fools the rest of us. MacIntyre and Anscombe diagnosed the corpse with precision, but then tried to resurrect it with Aristotelian or theological magic tricks. I’m less charitable: you can’t will petrol into an empty tank. In my latest essay, I put ‘Reason’ on the slab, call in Kahneman, Hume, Nietzsche, and others as expert witnesses, and deliver the verdict: morality is a house rule, not a cosmic law. This piece is part of a larger project that includes my Language Insufficiency Hypothesis and Against Dumocracy. The Enlightenment isn’t dying – it’s already dead. We’re just cataloguing the remains.

The Enlightenment was many things: a bonfire of superstition, a hymn to autonomy, a fever dream of “Reason” enthroned. Its philosophers fancied themselves heirs to Aristotle and midwives to a new humanity. And to be fair, they were clever enough to trick even themselves. Too clever by half.

Alasdair MacIntyre, in After Virtue, plays the role of forensic pathologist with admirable precision. He shows us how the Enlightenment dynamited the teleological scaffolding of Aristotle, then tried to keep the vocabulary of virtue, duty, and rights standing in mid-air. The result: what he calls a “moral Babel,” a chorus of shrill assertions dressed up as rational law. Elizabeth Anscombe had already filed the death certificate back in 1958 with Modern Moral Philosophy, where she pointed out that our talk of “moral obligation” is just a Christian relic without a deity to enforce it. And Nietzsche, that perennial party-crasher, cheerfully declared the whole project bankrupt: once the gods are dead, “ought” is nothing but resentment pretending to be metaphysics.

And yet, when MacIntyre reaches the heart of the matter, he can’t quite let the body stay buried. He wants to reattach a soul by importing an Aristotelian telos, even summoning a “new St Benedict” to shepherd us through the ruins. It plays beautifully with those still tethered by a golden string to Aquinas and the premodern, but let’s be honest: this is just hypnosis with a Latin chorus. Descartes told us je pense, donc je suis; MacIntyre updates it to je pense, donc j’ai raison. The trouble is that thinking doesn’t guarantee rightness any more than an empty petrol tank guarantees motion. You can will fuel into existence all you like; the car still isn’t going anywhere.

The behavioral economists – Kahneman, Tversky, Ariely, Gigerenzer – have already demonstrated that human reason is less compass than carnival mirror. Jonathan Haidt has shown that our “moral reasoning” usually lags behind our gut feelings like a PR department scrambling after a scandal. Meanwhile, political practice reduces “just war” to a matter of who gets to publish the rule book. Progress™ is declared, rights are invoked, but the verdict is always written by the most powerful litigant in the room.

So yes, MacIntyre and Anscombe diagnose the corpse with impressive clarity. But then they can’t resist playing resurrectionist, insisting that if we only chant the right metaphysical formula, the Enlightenment’s heart will start beating again. My own wager is bleaker – or maybe just more honest. There is no golden thread back to Aristotle, no metaphysical petrol station in the desert. Morality is not a universal constant; it’s a set of rules as contingent as the offside law. Killing becomes “murder” only when the tribe – or the state – says so. “Life is sacred” is not a discovery but a spell, a linguistic sleight of hand that lets us kill in one context while weeping in another.

The Enlightenment wanted to enthrone Reason as our common oracle. Instead, it handed us a corpse and told us to pretend it was still breathing. My contribution is simply to keep the coroner’s mask on and say: The magic tricks aren’t working anymore. Stop looking for a metaphysical anchor that isn’t there. If there’s to be an “after,” it won’t come from another Saint Benedict. It will come from admitting that the Enlightenment died of believing its own hype – and that language itself was never built to carry the weight of gods.

Within One Sigma of Civilisation

Freud once quipped that people are “normal” only on average. To the degree that they deviate from the mean, they are neurotic, psychotic, or otherwise abnormal. Whatever else one thinks of Freud, the metaphor holds for Modernity.

Image: Picture and quote by Sigmund Freud: Every normal person, in fact, is only normal on the average. His ego approximates to that of the psychotic in some part or other and to a greater or lesser extent. —Analysis Terminable And Interminable (1937), Chapter V

We are “Modern” only on average, and only for the first standard deviation. Within one sigma, you can wave a flag and declare: rational, secular, Enlightened. But step further into the tails and the façade dissolves. The “normal” modern turns out to attend megachurches, consult horoscopes, share conspiracy memes, or cling to metaphysical relics that Enlightenment reason was supposed to have torched centuries ago.

The problem isn’t that these people aren’t Modern. The problem is that nobody is Modern, not in the sense the story requires. The mean is an over-fitted abstraction. “Modernity” works like Freud’s “normal”: a statistical average that erases the deviations, then insists that the erased bits are pathology rather than reality.

But the tails are where most of human life actually happens. The “average Modern” is as mythical as the “reasonable person.” What we call Modernity is just a bell curve costume draped over the same mix of superstition, desire, and contingency that has always driven human behaviour.

Nature and Its Paperwork

We humans pride ourselves on being civilised. Unlike animals, we don’t let biology call the shots. A chimp reaches puberty and reproduces; a human reaches puberty and is told, not yet – society has rules. Biologically mature isn’t socially mature, and we pat ourselves on the back for having spotted the difference.

But watch how quickly that distinction vanishes when it threatens the in-group narrative. Bring up gender, and suddenly there’s no such thing as a social construct. Forget the puberty-vs-adulthood distinction we were just defending – now biology is destiny, immutable and absolute. Cross-gender clothing? “Against nature.” Transition? “You can’t be born into the wrong body.” Our selective vision flips depending on whose ox is being gored.

The same trick appears in how we talk about maturity. You can’t vote until 18. You’re not old enough to drink until 21. You’re not old enough to stop working until 67. These numbers aren’t natural; they’re paperwork. They’re flags planted in the soil of human life, and without the right flag, you don’t count.

The very people who insist on distinguishing biological maturity from social maturity when it comes to puberty suddenly forget the distinction when it comes to gender. They know perfectly well that “maturity” is a construct – after all, they’ve built entire legal systems around arbitrary thresholds – but they enforce the amnesia whenever it suits them. Nietzsche would say it plainly: the powerful don’t need to follow the rules, they only need to make sure you do.

So the next time someone appeals to “nature,” ask: which one? The nature that declares you old enough to marry at puberty? The nature that withholds voting, drinking, or retirement rights until a bureaucrat’s calendar says so? Or the nature that quietly mutates whenever the in-group needs to draw a new line around civilisation?

The truth is, “nature” and “maturity” are less about describing the world than about policing it. They’re flags, shibboleths, passwords. We keep calling them natural, but the only thing natural about them is how often they’re used to enforce someone else’s story.

Go Back Where You Came From (And Other Spells)

2–3 minutes

There’s a certain kind of rhetorical grenade people like to lob when their sense of ownership feels wobbly. You’ve heard it. You’ve maybe had it lobbed in your general direction.

It’s not an argument, of course. It’s a spell. A warding charm. The linguistic equivalent of hissing at a stray cat in the garden. The phrase carries the weight of assumed belonging: we are naturally here, you are obviously not. The incantation is meant to banish you with a puff of words.

The other day, I watched a black activist absorb this spell and toss it back with deadpan precision:

Cue awkward silence. The symmetry was perfect. Suddenly, the verbal hex had reversed polarity, exposing the hypocrisy built into the original curse. The power of the spell depends entirely on who gets to cast it. When it comes from the wrong mouth, the whole structure of “common sense” collapses into farce.

Another example: a Greek immigrant in my orbit, accent still clinging to every consonant, grumbling about a black family that had moved into his neighbourhood. Why didn’t they “go back to Africa”? This from a man who himself had gone “back” from nowhere, except a homeland he happily abandoned for better wages and better weather. Colonialism is apparently a one-way ticket: Europeans roam the globe and call it destiny, but when others move into their postcode, it’s treated like an invasion.

I confess, I once flirted with the same nonsense. Years ago in Japan, in my more callow phase, I asked – half in jest, wholly in arrogance – why these people didn’t have the decency to speak my language. The difference, such as it is, lay in my awareness that I was being ridiculous. My Greek neighbour, my activist’s heckler—no irony there. They were dead serious.

That’s the grotesque comedy of racism: its logic isn’t logic at all. It’s ritual. A mantra recited to reassure oneself of belonging by denying it to others. It dresses itself in the robes of rationality – “go back where you came from” sounds like geography, after all – but it’s closer to medieval exorcism than reasoned debate.

And when the cursed simply whispers the incantation back? The spell collapses. The supposed “truth” reveals itself for what it always was: a desperate attempt to maintain the fiction that one kind of stranger is native and another will always be alien.

Every empire tells its children they were born at home, and tells everyone else they were born trespassing.

Trainspotting

Trainspotting Movie Poster
2–3 minutes

I identify strongly with Irvine Welsh’s characters in Trainspottingthe book, not the sanitised film version. Especially with Mark Renton, whose voice strips away illusions with a brutality that borders on honesty.

Audio: NotebookLM podcast on this topic.

Consider this passage from the chapter “Bang to Rites” (pp. 86–87), where Renton attends the funeral of his mate Billy. Billy joined the army to escape the dead-end life they all shared, only to be killed on duty in Northern Ireland. Renton’s verdict:

[1] Renton doesn’t let anyone off the hook. Not Billy, not the army, not the Oxbridge suits who polish the tragedy into something fit for the News at Ten. The uniform is a costume, a disguise: a working-class lad suddenly deemed “brave” only because he was wearing the right outfit when he died. Strip away the uniform, and he’d have been dismissed as a thug or a waster.

[2] Renton’s root-cause analysis is unsparing. Billy wasn’t killed by the man with the gun so much as by the machine that put him there – the state, the ruling classes, the ones who spin death into “sacrifice” while continuing to shuffle the poor like pawns across the board.

It’s this clarity that makes Welsh’s work more than a drug novel. Trainspotting isn’t just about needles and nods; it’s about seeing through the charade. Renton despises both establishment and rebellion because both are performance, both hollow. His cynicism is the closest thing to honesty in a world that would rather dress up corpses in borrowed dignity.

And maybe that’s why I feel the affinity: because subversion matters more than allegiance, and sometimes the only truthful voice is the one that refuses to be polite at the funeral.

Becoming a Woman with Penetration Politics

Male flatworms, those primordial swordsmen of the slime, have invented what can only be described as penetration politics. They don’t seduce; they don’t serenade; they don’t even swipe right. They duel. Penises out, sabres up, they jab at one another in a tiny, biological cockfight until one is stabbed into submission. The “winner” ejaculates his way to freedom, while the “loser” becomes a mother by default. Gender, in flatworm society, is not destiny; it’s a duel with dicks for sabres.

Audio: NotebookLM podcast on this topic.

Errata: Upon further research, I share additional information on my author site.

Beauvoir once reminded us: “One is not born, but rather becomes, a woman.” The flatworm demonstrates this principle with obscene literalness. You are not born female. You become female when you lose the fight and get stabbed full of sperm. Congratulations: you’ve been penis-fenced into maternity.

And here we can smuggle in that old feminist provocation – every man is a rapist. Not in the polite, bourgeois sense of candlelight coercion, but in the bare biological logic of the worm. To inseminate is to penetrate; to penetrate is to conquer; to conquer is to outsource the cost of life onto someone else’s body. The duel is just foreplay for the inevitable violation. Consent, in worm-world, is as fictional as a unicorn with a diaphragm. The “winner” is celebrated precisely because he doesn’t have to consent to anything afterwards – he stabs, struts, and slips away, leaving the loser’s body to incubate the consequences.

Now, humanity likes to pretend it has outgrown this. We have laws, customs, and etiquette. We invented flowers, chocolates, and marriage vows. But scratch the surface, and what do you find? Penetration politics. Who gets to wield the dick, who gets saddled with the debt. The radical feminists weren’t entirely wrong: structurally, culturally, biologically, the male role has been defined as penetration – and penetration, whether dressed in lace or latex, is always a form of conquest.

The worm is honest. We are hypocrites. They fence with their penises and accept the consequences. We fence with our laws, our armies, our religions, our institutions – and still manage to convince ourselves we’re civilised.

So yes, The Left Hand of Darkness can keep its glacial androgynes. For a metaphor that actually explains our sorry state, look no further than penis-fencing flatworms: every thrust a power play, every victory a rape in miniature, every loss a womb conscripted. Humanity in a nutshell – or rather, in a stab wound.