I died in March 2023 â or so the rumour mill would have you believe.
Of course, given that Iâm still here, hammering away at this keyboard, it must be said that I didnât technically die. We don’t bring people back. Death, real death, doesnât work on a “return to sender” basis. Once youâre gone, youâre gone, and the only thing bringing you back is a heavily fictionalised Netflix series.
No, this is a semantic cock-up, yet another stinking exhibit in the crumbling Museum of Language Insufficiency. “I died,” people say, usually while slurping a Pumpkin Spice Latte and live-streaming their trauma to 53 followers. What they mean is that they flirted with death, clumsily, like a drunk uncle at a wedding. No consummation, just a lot of embarrassing groping at the pearly gates.
And since we’re clarifying terms: there was no tunnel of light, no angels, no celestial choir belting out Coldplay covers. No bearded codgers in slippers. No 72 virgins. (Or, more plausibly, 72 incels whining about their lack of Wi-Fi reception.)
There was, in fact, nothing. Nothing but the slow, undignified realisation that the body, that traitorous meat vessel, was shutting down â and the only gates I was approaching belonged to A&E, with its flickering fluorescent lights and a faint smell of overcooked cabbage.
To be fair, itâs called a near-death experience (NDE) for a reason. Language, coward that it is, hedges its bets. “Near-death” means you dipped a toe into the abyss and then screamed for your mummy. You didn’t die. You loitered. You loitered in the existential equivalent of an airport Wetherspoons, clutching your boarding pass and wondering why the flight to Oblivion was delayed.
As the stories go, people waft into the next world and are yanked back with stirring tales of unicorns, long-dead relatives, and furniture catalogues made of clouds. I, an atheist to my scorched and shrivelled soul, expected none of that â and was therefore not disappointed.
What I do recall, before the curtain wobbled, was struggling for breath, thinking, âPick a side. In or out. But for pityâs sake, no more dithering.â
In a last act of rational agency, I asked an ER nurse â a bored-looking Athena in scrubs â to intubate me. She responded with the rousing medical affirmation, “We may have to,” which roughly translates to, “Stop making a scene, love. Weâve got fifteen others ahead of you.â
After that, nothing. I was out. Like a light. Like a minor character in a Dickens novel whose death is so insignificant it happens between paragraphs.
I woke up the next day: groggy, sliced open, a tube rammed down my throat, and absolutely no closer to solving the cosmic riddle of it all. Not exactly the triumphant return of Odysseus. Not even a second-rate Ulysses.
Hereâs the reality:
There is no coming back from death.
You can’t “visit” death, any more than you can spend the afternoon being non-existent and return with a suntan.
Those near-death visions? Oxygen-starved brains farting out fever dreams. Cerebral cortexes short-circuiting like Poundland fairy lights. Hallucinations, not heralds. A final, frantic light show performed for an audience of none.
Epicurus, that cheerful nihilist, said, “When we are, death is not. When death is, we are not.” He forgot to mention that, in between, people would invent entire publishing industries peddling twaddle about journeys beyond the veil â and charging $29.99 for the paperback edition.
No angels. No harps. No antechamber to the divine.
Just the damp whirr of hospital machinery and the faint beep-beep of capitalism, patiently billing you for your own demise.
If thereâs a soundtrack to death, itâs not choirs of the blessed. Itâs a disgruntled junior surgeon muttering, “Where the hellâs the anaesthetist?” while pawing desperately through a drawer full of out-of-date latex gloves.
And thus, reader, I lived.
But only in the most vulgar, anticlimactic, and utterly mortal sense.
There will be no afterlife memoir. No second chance to settle the score. No sequel.
Just this: breath, blood, occasional barbed words â and then silence.
Deal with it.