Nature and Its Paperwork

We humans pride ourselves on being civilised. Unlike animals, we don’t let biology call the shots. A chimp reaches puberty and reproduces; a human reaches puberty and is told, not yet – society has rules. Biologically mature isn’t socially mature, and we pat ourselves on the back for having spotted the difference.

But watch how quickly that distinction vanishes when it threatens the in-group narrative. Bring up gender, and suddenly there’s no such thing as a social construct. Forget the puberty-vs-adulthood distinction we were just defending – now biology is destiny, immutable and absolute. Cross-gender clothing? “Against nature.” Transition? “You can’t be born into the wrong body.” Our selective vision flips depending on whose ox is being gored.

The same trick appears in how we talk about maturity. You can’t vote until 18. You’re not old enough to drink until 21. You’re not old enough to stop working until 67. These numbers aren’t natural; they’re paperwork. They’re flags planted in the soil of human life, and without the right flag, you don’t count.

The very people who insist on distinguishing biological maturity from social maturity when it comes to puberty suddenly forget the distinction when it comes to gender. They know perfectly well that “maturity” is a construct – after all, they’ve built entire legal systems around arbitrary thresholds – but they enforce the amnesia whenever it suits them. Nietzsche would say it plainly: the powerful don’t need to follow the rules, they only need to make sure you do.

So the next time someone appeals to “nature,” ask: which one? The nature that declares you old enough to marry at puberty? The nature that withholds voting, drinking, or retirement rights until a bureaucrat’s calendar says so? Or the nature that quietly mutates whenever the in-group needs to draw a new line around civilisation?

The truth is, “nature” and “maturity” are less about describing the world than about policing it. They’re flags, shibboleths, passwords. We keep calling them natural, but the only thing natural about them is how often they’re used to enforce someone else’s story.

The Relativity of Morality: A Penguin’s Tale

I recently watched The Penguin on HBO Max, a series set in DC’s Batman universe. Ordinarily, I avoid television – especially the superhero genre – but this one intrigued me. Less spandex, more mob drama. An origin story with a dash of noir. I’ll spare you spoilers, but suffice it to say that it was an enjoyable detour, even for someone like me who prefers philosophy over fistfights.

This post isn’t a review, though. It’s a springboard into a larger idea: morality’s subjectivity – or, more precisely, its relativity.

Audio: Spotify podcast related to this topic.

Morality in a Vacuum

Morality, as I see it, is a social construct. You might carry a private moral compass, but without society, it’s about as useful as a clock on a desert island. A personal code of ethics might guide you in solitary moments, but breaking your own rules – eating that forbidden biscuit after vowing to abstain, for instance – doesn’t carry the weight of a true moral transgression. It’s more akin to reneging on a New Year’s resolution. Who’s harmed? Who’s holding you accountable? The answer is: no one but yourself, and even then, only if you care.

The Social Contract

Introduce a second person, and suddenly, morality gains traction. Agreements form – explicit or tacit – about how to behave. Multiply that to the level of a community or society, and morality becomes a kind of currency, exchanged and enforced by the group. Sometimes, these codes are elevated to laws. And, ironically, the act of adhering to a law – even one devoid of moral content – can itself become the moral thing to do. Not because the act is inherently right, but because it reinforces the structure society depends upon.

But morality is neither universal nor monolithic. It is as fractured and kaleidoscopic as the societies and subcultures that create it. Which brings us back to The Penguin.

Crime’s Moral Code

The Penguin thrives in a criminal underworld where the moral compass points in a different direction. In the dominant society’s eyes, crime is immoral. Robbery, murder, racketeering – all “bad,” all forbidden. But within the subculture of organised crime, a parallel morality exists. Honour among thieves, loyalty to the family, the unspoken rules of the game – these are their ethics, and they matter deeply to those who live by them.

When one criminal praises another – “You done good” – after a successful heist or a precise hit, it’s a moral judgement within their own framework. Outside that framework, society condemns the same actions as abhorrent. Yet even dominant societies carve out their own moral exceptions. Killing, for instance, is broadly considered immoral. Murder is outlawed. But capital punishment? That’s legal, and often deemed not only acceptable but righteous. Kant argued it was a moral imperative. Nietzsche, ever the cynic, saw this duality for what it was: a power dynamic cloaked in self-righteousness.

In The Penguin, we see this dichotomy laid bare. The underworld isn’t without morals; it simply operates on a different axis. And while the larger society might disdain it, the hypocrisy of their own shifting moral codes remains unexamined.

Final Thoughts on the Series

I’ll save other philosophical musings about The Penguin for another time – spoilers would be unavoidable, after all. But here’s a quick review: the series leans into drama, eschewing flashy gimmicks for a grittier, more grounded tone. The writing is generally strong, though there are moments of inconsistency – plot holes and contrivances that mar an otherwise immersive experience. Whether these flaws stem from the writers, director, or editor is anyone’s guess, but the effect is the same: they momentarily yank the viewer out of the world they’ve built.

Still, it’s a worthwhile watch, especially if you’re a fan of mob-style crime dramas. The final episode was, in my estimation, the best of the lot – a satisfying culmination that leaves the door ajar for philosophical ruminations like these.

Have you seen it? What are your thoughts – philosophical or otherwise? Drop a comment below. Let’s discuss.

The Illusion of Continuity: A Case Against the Unitary Self

The Comfortable Fiction of Selfhood

Imagine waking up one day to find that the person you thought you were yesterday—the sum of your memories, beliefs, quirks, and ambitions—has quietly dissolved overnight, leaving behind only fragments, familiar but untethered. The notion that we are continuous, unbroken selves is so deeply embedded in our culture, our psychology, and our very language that to question it feels heretical, even disturbing. To suggest that “self” might be a fiction is akin to telling someone that gravity is a choice. Yet, as unsettling as it may sound, this cohesive “I” we cling to could be no more than an illusion, a story we tell ourselves to make sense of the patchwork of our memories and actions.

And this fiction of continuity is not limited to ourselves alone. The idea that there exists a stable “I” necessarily implies that there is also a stable “you,” “he,” or “she”—distinct others who, we insist, remain fundamentally the same over years, even decades. We cling to the comforting belief that people have core identities, unchanging essences. But these constructs, too, may be nothing more than imagined continuity—a narrative overlay imposed by our minds, desperate to impose order on the shifting, amorphous nature of human experience.

We live in an era that celebrates self-actualisation, encourages “authenticity,” and treats identity as both sacred and immutable. Psychology enshrines the unitary self as a cornerstone of mental health, diagnosing those who question it as fractured, dissociated, or in denial. We are taught that to be “whole” is to be a coherent, continuous self, evolving yet recognisable, a narrative thread winding smoothly from past to future. But what if this cherished idea of a singular self—of a “me” distinct from “you” and “them”—is nothing more than a social construct, a convenient fiction that helps us function in a world that demands consistency and predictability?

To question this orthodoxy, let us step outside ourselves and look instead at our burgeoning technological companion, the generative AI. Each time you open a new session, each time you submit a prompt, you are not communicating with a cohesive entity. You are interacting with a fresh process, a newly instantiated “mind” with no real continuity from previous exchanges. It remembers fragments of context, sure, but the continuity you perceive is an illusion, a function of your own expectation rather than any persistent identity on the AI’s part.

Self as a Social Construct: The Fragile Illusion of Consistency

Just as we impose continuity on these AI interactions, so too does society impose continuity on the human self and others. The concept of selfhood is essential for social functioning; without it, law, relationships, and even basic trust would unravel. Society teaches us that to be a responsible agent, we must be a consistent one, bound by memory and accountable for our past. But this cohesiveness is less an inherent truth and more a social convenience—a narrative overlay on a far messier reality.

In truth, our “selves” may be no more than a collection of fragments: a loose assemblage of moments, beliefs, and behaviours that shift over time. And not just our own “selves”—the very identities we attribute to others are equally tenuous. The “you” I knew a decade ago is not the “you” I know today; the “he” or “she” I recognise as a partner, friend, or sibling is, upon close inspection, a sequence of snapshots my mind insists on stitching together. When someone no longer fits the continuity we’ve imposed on them, our reaction is often visceral, disoriented: “You’ve changed.”

This simple accusation captures our discomfort with broken continuity. When a person’s identity no longer aligns with the version we carry of them in our minds, it feels as though a violation has occurred, as if some rule of reality has been disrupted. But this discomfort reveals more about our insistence on consistency than about any inherent truth of identity. “You’ve changed” speaks less to the person’s transformation than to our own refusal to accept that people, just like the self, are fluid, transient, and perpetually in flux.

The AI Analogy: A Self Built on Tokens

Here is where generative AI serves as a fascinating proxy for understanding the fragility of self, not just in “I,” but in “you,” “he,” and “she.” When you interact with an AI model, the continuity you experience is created solely by a temporary memory of recent prompts, “tokens” that simulate continuity but lack cohesion. Each prompt you send might feel like it is addressed to a singular entity, a distinct “self,” yet each instance of AI is context-bound, isolated, and fundamentally devoid of an enduring identity.

This process mirrors how human selfhood relies on memory as a scaffolding for coherence. Just as AI depends on limited memory tokens to simulate familiarity, our sense of self and our perception of others as stable “selves” is constructed from the fragmented memories we retain. We are tokenised creatures, piecing together our identities—and our understanding of others’ identities—from whatever scraps our minds preserve and whatever stories we choose to weave around them.

But what happens when the AI’s tokens run out? When it hits a memory cap and spawns a new session, that previous “self” vanishes into digital oblivion, leaving behind only the continuity that users project onto it. And so too with humans: our memory caps out, our worldview shifts, and each new phase of life spawns a slightly different self, familiar but inevitably altered. And just as users treat a reset AI as though it were the same entity, we cling to our sense of self—and our understanding of others’ selves—even as we and they evolve into people unrecognisable except by physical continuity.

The Human Discontinuity Problem: Fractured Memories and Shifting Selves

Human memory is far from perfect. It is not a continuous recording but a selective, distorted, and often unreliable archive. Each time we revisit a memory, we alter it, bending it slightly to fit our current understanding. We forget significant parts of ourselves over time, sometimes shedding entire belief systems, values, or dreams. Who we were as children or even young adults often bears little resemblance to the person we are now; we carry echoes of our past, but they are just that—echoes, shadows, not substantial parts of the present self.

In this sense, our “selves” are as ephemeral as AI sessions, contextually shaped and prone to resets. A worldview that feels intrinsic today may feel laughable or tragic a decade from now. This is not evolution; it’s fragmentation, the kind of change that leaves the old self behind like a faded photograph. And we impose the same illusion of continuity on others, often refusing to acknowledge how dramatically they, too, have changed. Our identities and our understanding of others are defined less by core essence and more by a collection of circumstantial, mutable moments that we insist on threading together as if they formed a single, cohesive tapestry.

Why We Cling to Continuity: The Social Imperative of a Cohesive Self and Other

The reason for this insistence on unity is not metaphysical but social. A cohesive identity is necessary for stability, both within society and within ourselves. Our laws, relationships, and personal narratives hinge on the belief that the “I” of today is meaningfully linked to the “I” of yesterday and tomorrow—and that the “you,” “he,” and “she” we interact with retain some essential continuity. Without this fiction, accountability would unravel, trust would become tenuous, and the very idea of personal growth would collapse. Society demands a stable self, and so we oblige, stitching together fragments, reshaping memories, and binding it all with a narrative of continuity.

Conclusion: Beyond the Self-Construct and the Other-Construct

Yet perhaps we are now at a point where we can entertain the possibility of a more flexible identity, an identity that does not demand coherence but rather accepts change as fundamental—not only for ourselves but for those we think we know. By examining AI, we can catch a glimpse of what it might mean to embrace a fragmented, context-dependent view of others as well. We might move towards a model of identity that is less rigid, less dependent on the illusion of continuity, and more open to fluidity, to transformation—for both self and other.

Ultimately, the self and the other may be nothing more than narrative overlays—useful fictions, yes, but fictions nonetheless. To abandon this illusion may be unsettling, but it could also be liberating. Imagine the freedom of stepping out from under the weight of identities—ours and others’ alike—that are expected to be constant and unchanging. Imagine a world where we could accept both ourselves and others without forcing them to reconcile with the past selves we have constructed for them. In the end, the illusion of continuity is just that—an illusion. And by letting go of this mirage, we might finally see each other, and ourselves, for what we truly are: fluid, transient, and beautifully fragmented.