These are the first two chapter titles of Erich Fromm’s The Sane Society. I suspect I’ll be reading this book twice for good measure. I’m four chapters in, with three to go, and eager for a deeper dive.
Despite being published in 1955, Fromm’s analysis remains strikingly relevant. Mark Fisher picks up a similar thread in Capitalist Realism: Is There No Alternative?, but whereas Fisher dissects the ideological stranglehold of late capitalism, Fromm, as a psychiatrist, turns the lens on human nature itself. He questions the very concept of normalcy—something we tend to accept uncritically, much like Michel Foucault would in the following generation.
I’ll hold off on any sweeping conclusions until I’ve finished the book (and, more likely, after a second read). But for now, consider this a tentative recommendation. Snow Crash was an amusing detour, but non-fiction is where I feel most at home.
Humans, we are told, are exceptional—unlike the rest of the lowly animal kingdom. We alone possess reason, morality, and the ability to transcend our base instincts. And yet, curiously, this argument is rolled out only when convenient. At times, we are commanded to rise above our primal urges; at others, we are scolded for even thinking about resisting them. This ideological schizophrenia is no accident—it is a feature, not a bug, of our prevailing moral and economic order.
The contradictions of “human nature” arguments can be broken down into two key patterns:
A. We must transcend our animal instincts—but only when they threaten social or economic order.
B. We must accept our animal instincts as unchangeable—but only when they reinforce existing power structures.
This hypocrisy is especially visible in how capitalism and morality are framed. Let’s examine two case studies.
Case 1: Prostitution—A Market That Must Be Morally Suppressed
Sex is as fundamental a biological drive as hunger or thirst. One would think that in a world where everything is commodified, prostitution—the most direct transaction of supply and demand—would be embraced by free-market capitalists. But no. We are told that engaging in this “base” activity is degrading, immoral, and must be curtailed. The same capitalists who defend free enterprise at all costs suddenly become moralists, urging us to resist temptation and rise above our urges. Sex, despite being one of the most natural acts imaginable, is treated as an impulse to be tamed rather than an economic exchange to be normalised.
Case 2: Capitalism—A System We Must Accept as “Natural”
Contrast this with how we are told to think about capitalism. Greed, exploitation, and ruthless competition? Those are “just human nature.” The strong thrive, and the weak perish. We are warned not to question the system because to do so would be to fight against nature itself. Socialism? A naive fantasy. Economic cooperation? Impossible. Mutual aid? Utopian nonsense. We must accept that humans are selfish creatures, that hierarchy is inevitable, and that billionaires accumulating obscene wealth while millions starve is simply the way of things.
Why are we ordered to suppress our instincts in one case yet surrender to them in another? Because morality, in its institutional form, is not about virtue—it is about control.
The Convenient Flexibility of “Human Nature”
This selective logic is designed to keep power structures intact. The rules shift depending on whose interests are at stake:
If an instinct challenges profit or control, it must be suppressed.
If an instinct benefits the ruling order, it must be accepted as natural.
Thus, the same societies that demand moral restraint when it comes to sex, leisure, or pleasure suddenly rediscover their inner Darwinist when defending capitalist greed and economic cruelty.
The “Natural Order” Myth
The claim that capitalism is the inevitable result of human nature is one of history’s greatest ideological scams. If it were indeed “natural,” it would not require:
Constant propaganda to reinforce its legitimacy.
Violent suppression of alternative systems.
Trillions in government bailouts every time it fails.
Moreover, humans are not only competitive, selfish creatures. We are also wired for cooperation, altruism, and communal living—traits conveniently erased from discussions about economics.
Final Thought: Breaking the Cycle
If we can rise above base instincts for sex and violence, why can’t we rise above capitalist greed and exploitation? Why is overcoming “human nature” only demanded when it suits power? The truth is, we are only commanded to rise above when it keeps us obedient—and ordered to accept reality when it keeps the powerful in control.
The only real rebellion is to reject this hypocrisy entirely. The future belongs not to those who passively accept the contradictions of the present, but to those who refuse to play by its schizophrenic rules.
It’s nice to see responses still coming in from the Modernism Worldview Survey, so I thought I’d share some interim insights. Several people have shared their results with me privately. I’d be interested to know if any takers felt this was a fair and accurate assessment, given that this might be as relevant as the zodiac reading on a restaurant placemat. I’m an ox, if you’re wondering.
All aggregated responses resolve within the violet parallelogram that encompasses the population average (the blue dot). So, survey-takers have a slight propensity toward Modernist ideals with a tinge of Postmodernism. The force is weak, given how far the dot resides from the vertex. There were responses close to the green shading on the Modern side, but none indicated a strong Modernist worldview.
Firstly, no respondents are choosing “Pure Premodernity” (lower right). This doesn’t mean that no one abides by Premodern perspectives. It’s that they feel these ideas are filtered through Modern (mostly) and Postmodern (less so) lenses.
Secondly, respondents generally moderated their approach, avoiding any extremes. Although some responses were close to the Modern triangle (the green shading), none occupied the space, and points were even further removed from the other two corners. There were several scores in the white triangle. This space would be ripe for a Metamodernist to be positioned, but the survey would need to be restructured to determine whether this was mere happenstance.
Before the survey was published, I thought that the blue dot would be higher (toward Modernity) and further right (more Premodern), but this is likely due to the bias of people who visit this site and follow my content more generally. I need to share links in places without this bias. Of course, someone having even the slightest interest in the subject matter already represents a bias.
It’s not uncommon to label workers under the capitalist system as wage slaves.
As with the abolition of slavery in the United States, the future will one day recoil at Capitalism, wondering how humanity could ever have justified the exploitation of others for commerce and profit. Then again, that’s the same question, isn’t it?
As with the old story, a man asked a lady: “Would you be willing to sleep with me if I paid you £1,000,000?” Without hesitation, she answered, “Yes.” “And what if I only paid you £5?” The irate lady fumed: “£5? What do you think I am?” The man replied: “We’ve already established that. Now we’re trying to determine the degree.”
Capitalism is only a matter of degree from slavery. In practice, slavery is a Capitalist’s wet dream.
The genesis of the Modernity Worldview Survey was Metamodernism. Is this still a thing? In recent years, metamodernism has emerged as a supposed successor to postmodernism, claiming to transcend the seemingly irreconcilable tensions between modernist sincerity and postmodern irony. Yet, upon closer examination, this framework reveals itself not as a genuine paradigm shift but rather as a modernist invention that fails to escape the very critiques it attempts to address.
Despite its claims of oscillation between poles, metamodernism betrays its modernist underpinnings through its implicit teleology and notion of progress. The very framing of “meta” as beyond or transcending suggests a linear progression that is fundamentally at odds with the postmodern rejection of grand narratives. Metamodernism positions itself as forward-moving whilst attempting to recapture elements of premodernity, revealing an anxiety about being perceived as regressive or naive.
Podcast: Audio version of this content
This desire to have it both ways—to acknowledge the constructed nature of meaning whilst still pursuing transcendent meaning—doesn’t represent a resolution so much as a psychological coping mechanism. The cognitive dissonance created by attempting to simultaneously hold contradictory positions is assuaged through a clever rhetorical move: claiming that oscillation itself is the point.
A Rebranding Exercise
What metamodernism presents as novel is ultimately a recombination of elements from premodern, modern, and postmodern frameworks without resolving their fundamental contradictions. Rather than being mutually exclusive from these earlier paradigms, it cherry-picks aspects of each whilst maintaining the basic ontological framework of modernism.
The notion that one can meaningfully “oscillate” between accepting objective and subjective realities is particularly problematic. Either reality has objective features, or it doesn’t—pretending otherwise doesn’t create a new philosophical paradigm but rather a convenient means of avoiding the implications of either position.
Postmodern Irony in Motion
Perhaps the most intriguing interpretation of metamodernism is not as a sincere attempt to move beyond postmodernism but as postmodernism performing its own critique. Viewed through this lens, metamodernism becomes postmodern irony in motion—a knowing wink at the impossibility of escaping construction whilst performatively engaging with the desire to do so.
The irony deepens when we consider that “postmodernism” itself is essentially an externally imposed label rather than a self-identification. Most thinkers characterised as postmodernists reject the label, which functions primarily as a modernist attempt to categorise and contain ideas that fundamentally challenge its frameworks.
Art vs. Philosophy
Where metamodernism succeeds is as a descriptive label for certain artistic and cultural productions that deliberately play in the space between irony and sincerity. Works like David Foster Wallace’s “Infinite Jest,” the television series “BoJack Horseman,” and Wes Anderson’s films effectively combine postmodern techniques with sincere emotional engagement.
However, what works as an artistic sensibility fails as a comprehensive philosophical framework or moral compass. The oscillation that enriches art becomes paralysing when applied to ethics or ontology. A moral framework requires some stable reference points; constantly shifting between believing in objective moral truths and viewing morality as entirely constructed provides no reliable guide for actual decision-making.
Insider vs. Outsider Perspectives
Like religious frameworks that balance literal and metaphorical interpretations, metamodernism may function as a lived experience for those who embrace it, even if it doesn’t hold up to external philosophical scrutiny. The cognitive manoeuvres that appear as tricks or inconsistencies to outsiders often feel like natural, intuitive ways of navigating complexity to those within the system.
This insider/outsider divide recalls Thomas Nagel’s famous “What Is It Like to Be a Bat?” (PDF) thought experiment—there may be experiential aspects of inhabiting a metamodern worldview that aren’t fully comprehensible from the outside. Yet this doesn’t invalidate external critique; inconsistencies and contradictions still matter philosophically.
Conclusion: Beyond Labels
Perhaps the most postmodern insight is recognising that we cannot escape having an ideology—even a position of having no ideology is itself an ideology. What distinguishes various approaches isn’t whether they have ideologies but how explicitly they acknowledge them, how consistently they apply them, and how willing they are to subject them to revision.
Metamodernism, for all its aspirations to transcend earlier frameworks, ultimately reveals more about our contemporary psychological condition than it offers as a coherent philosophical position. It captures our desire to maintain meaning in a world where we’ve recognised its contingency—a desire that may be fundamentally human, even if philosophically untenable.
Rather than seeking yet another “-ism” to resolve our existential and philosophical tensions, perhaps we might more honestly confront the limitations and partialities of all our frameworks, recognising that the search for a perfect synthesis may itself be a modernist fantasy.
I’ve finally had time to create some video content for the Modernity Worldview Survey. This content is a cursory overview and serves as an introduction to deeper content planned for the future.
This video is short of seven minutes, so briefly, it outlines the worldviews and the questions. I opted not to produce a single comprehensive video so the material could arrive sooner. The content is bookmarked, though this is likely overkill for such a short video.
A permanent page about the survey is always available on this blog.
I’m still accumulating responses, but the survey is available here if you haven’t taken it. Apologies in advance for the fact that it renders best on a larger monitor or tablet rather than a mobile phone. It doesn’t render at all on a landline, so there’s that.
If you’re reading this, chances are you’re mortal. Bummer. Even worse, you may not be maximizing your odds of wringing every last drop out of your limited lifespan. But fear not! Science has some answers. And the answer, at least in the United States, is shockingly unsecular: religious people, on average, live longer than their non-religious counterparts. They also tend to be happier. But don’t rush to your nearest house of worship just yet—because it’s not God, the afterlife, or divine intervention at work. It’s something far more mundane: people.
Audio: NotebookLM podcast on this topic.
The Religion-Longevity Link: A Holy Miracle or Just Good Networking?
Multiple studies have confirmed what might seem an inconvenient truth for secular folks like myself: religious participation is associated with longer lifespans. A 2018 study published in JAMA Internal Medicine found that attending religious services more than once a week was associated with a roughly 33% lower risk of mortality. That’s a pretty solid statistical incentive to at least pretend to enjoy Sunday sermons.
Why the boost in longevity? No, it’s not divine reward points. It boils down to a few key factors:
Community and Social Support: Regularly showing up to church, temple, mosque, or synagogue means interacting with the same people repeatedly, forming strong social bonds. When life gets tough, these people tend to notice and lend support.
Healthier Lifestyles: Many religious traditions frown upon self-destructive behaviours like smoking, heavy drinking, and drug use.
Lower Stress Levels: Religious belief systems provide coping mechanisms for hardship, instilling a sense of meaning and reducing existential dread.
Volunteerism and Purpose: Many religious folks engage in community service, which has been linked to greater happiness and longevity.
The Not-So-Spiritual Catch: Why Atheists and the “Spiritual but Not Religious” Miss Out
Here’s the kicker: it’s not belief in a deity that grants these benefits. It’s participation in a structured, tight-knit community. That’s why merely identifying as “spiritual” doesn’t deliver the same effects—without a committed social framework, spirituality becomes a solo endeavour. And whilst atheists can certainly find meaning in other ways, they often lack equivalent institutions providing routine, real-world social engagement.
To put it bluntly, God isn’t keeping people alive longer. Other people are. Having a tribe that notices when you don’t show up, checks in when you’re sick, and nags you into a healthier lifestyle has tangible benefits.
The Scandinavian Exception: Thriving Without Religion
“But wait,” you may say, “what about those blissfully secular Scandinavian countries? They’re barely religious, yet they consistently rank among the happiest and longest-living people on Earth.” Good point. The key difference? They have successfully replaced the social function of religion with other strong communal institutions.
Nordic nations boast robust social safety nets, well-funded public spaces, and a culture prioritising collective well-being. They don’t need church groups to function as makeshift welfare systems because the state ensures no one falls through the cracks. They also have thriving clubs, hobby groups, and worker associations that provide built-in social support.
Conclusion: What This Means for Longevity-Seeking Atheists and Introverts
If you, like me, are an atheist and also an introvert who prefers solitude, writing, and the company of generative AI, this presents a bit of a conundrum. How does one reap the benefits of social integration without enduring the horror of group activities?
The lesson here isn’t that you need to feign religious belief or force yourself into suffocating social obligations. But if you want to maximize your lifespan and well-being, some form of consistent, meaningful connection with others is essential. Whether that’s through a socialist co-op, a local philosophy club, a structured hobby group, or even just a tight circle of like-minded misanthropes, the key is to avoid total isolation.
Religion isn’t the magic ingredient—it’s just a well-tested delivery system. And in a society where other forms of community are fraying, it’s not surprising that religious folks seem to be winning the longevity lottery. The real takeaway? Find your people. Even if you’d rather be alone.
What a relief. After trudging through a couple of so-called ‘popular’ books, it’s refreshing to read something that actually reflects the complexity of reality.
The first essay in Slavoj Ĺ˝iĹľek’s Against Progress is titled Progress and Its Vicissitudes. It opens with a nod to the opening scene of The Prestige, directed by Christopher Nolan. But Ĺ˝iĹľek, as always, takes it further. He unearths something far more sinister in the magician’s sleight of hand—something unsettlingly perceptible to the young girl who witnesses the trick.
Life isn’t always what it seems on the surface. It isn’t as neat or digestible as our perceptions make it out to be. Ĺ˝iĹľek embarks on a scathing critique of the concept of progress, dismantling its conventional interpretations and exposing the often-overlooked consequences that lurk beneath its glossy exterior. He unravels the paradoxes and failures inherent in the notion of progress, urging readers to rethink their blind faith in the idea of a linear march towards a utopian future.
Defining ‘progress,’ he argues, is akin to laying claim to the future. But whose future? And at what cost? He interrogates the competing visions that shape human possibility, questioning whether, in the face of our cascading ecological, social, and political crises, things can actually improve—and what ‘better’ even means. He skewers various ideologies—neoliberalism, populism, and the self-improvement industrial complex—for their roles in manipulating and distorting the very concept of progress.
From a postmodernist perspective, Ĺ˝iĹľek’s analysis aligns with the scepticism towards grand narratives and universal truths that define postmodern thought. He deconstructs the monolithic idea of progress, revealing it as a construct that conveniently conceals underlying power structures and exclusions. By exposing the ‘squashed dead birds’—the inevitable collateral damage of progress—he underscores just how arbitrary and manufactured our notions of advancement really are.
Moreover, Ĺ˝iĹľek’s critique echoes the postmodernist fixation on desire, denial, and disavowal. He examines how different visions of progress systematically exclude or sacrifice certain elements and how these dynamics manifest across cultural phenomena, from Hollywood blockbusters to decolonisation movements. His analysis reinforces the postmodernist conviction that meanings are never fixed—they are fluid, contested, and often riddled with contradiction.
In the end, Against Progress is not just a critique—it’s an invitation. An invitation to abandon the comforting illusion of an inevitable march towards something better and to face the messy, contingent reality of human existence head-on.
This post explains how to interpret the ternary plot chart’s visualisation. The ternary chart on the survey results page will render something like this. This is an admin page with additional functionality, but it’s similar enough. The blue dot represents the average of all responses. The star represents where I guessed the average would land–mostly modern with some residual premodernity and a touch of postmodernity.
Under the title in the header is a textual assessment of the visualisation. In this case, the response illustrates someone moderately modern with postmodern influences. Although this person also has some premodern tendencies, they are relatively insignificant to the context.
The three possible worldviews are at the vertices (the corners) of the triangle. Each side is a scale progressing from 0% to 100%—100% coincident with the label. For example, the bottom side runs from 0 on the left to 100 on the right, which would indicate a score of 100 per cent Premodern, which the output deems Pure Premodern.
Notice that each vertex has green and yellow shading that serves as visual aids representing the strength of the relationship to the corner. Green is strong, and yellow is moderate. The white section outlined by an interior triangle with a red border is decidedly mixed, showing no strong inclination to any of the extremes.
In the example above, the red plot point illustrates a response (as shown below the chart) that is 20.7% Premodern, 52.1% Modern, and 27.2% Postmodern. These numbers should always sum to 100, though there will be some drift due to rounding. The star represents where I thought the average response would be. Follow the tickmarks on each side, and you’ll notice they correspond with the plot point as a 3-tuple (20, 70, 10).
In the future, I expect to render a view that plots the average survey response as a reference.
Below this chart is an expository account of the response choices. You can render this content as a PDF for your personal archive.
Final Word
If you have any questions or suggestions related to this topic, please feel free to leave them in the comments below.
Philosophics 