Cold, Aliens, and the Grammar That Thinks It Knows Too Much

2–3 minutes

I shared this post not too long ago. Today, I shared it in a different context, but I feel is interesting – because I feel that many things are interesting, especially around language and communication.

It commenced here on Mastodon.

Ocrampal shared a link to an article debating whether we are cold or have cold. Different cultures express this differently. It’s short. Read it on his site.

Audio: Exceptional NotebookLM summary podcast of this topic.

I replied to the post:

Nicely observed. I’ve pondered this myself. Small linguistic tweak: between être and avoir, avoir already behaves better metaphysically, but sentir seems the cleanest fit. Cold isn’t something one is or has so much as something one senses — a relational encounter rather than an ontological state or possession.

Between having and being, having is the lesser sin — but sensing/feeling feels truer. Cold belongs to the world; we merely sense it.

He replied in turn:

Agree except for: “Cold belongs to the world”. That is a metaphysical assumption that has consequences …

Finally (perhaps, penultimately), I responded:

Yes, it does. That statement was idiomatic, to express that ‘cold’ is environmental; we can’t be it or possess it. Coincidentally, I recently wrote about ‘cold’ in a different context:

where I link back to the post at the top of this article.

A more verbose version of this response might have been:

And this is exactly the problem I gestured at in the aliens piece. We mistake familiar grammatical scaffolding for shared metaphysics. We assume that if the sentence parses cleanly, the ontology must be sound.

Language doesn’t just describe experience. It quietly files it into categories and then acts surprised when those categories start making demands.

Cold, like aliens, exposes the trick. The moment you slow down, the grammar starts to wobble. And that wobble is doing far more philosophical work than most of our declarative sentences are willing to admit.

Accusations of Writing Whilst Artificial

2–3 minutes

Accusations of writing being AI are becoming more common – an irony so rich it could fund Silicon Valley for another decade. We’ve built machines to detect machines imitating us, and then we congratulate ourselves when they accuse us of being them. It’s biblical in its stupidity.

A year ago, I read an earnest little piece on ‘how to spot AI writing’. The tells? Proper grammar. Logical flow. Parallel structure. Essentially, competence. Imagine that – clarity and coherence as evidence of inhumanity. We’ve spent centuries telling students to write clearly, and now, having finally produced something that does, we call it suspicious.

Audio: NotebookLM podcast on this topic and the next one.

My own prose was recently tried and convicted by Reddit’s self-appointed literati. The charge? Too well-written, apparently. Reddit – where typos go to breed. I pop back there occasionally, against my better judgment, to find the same tribunal of keyboard Calvinists patrolling the comment fields, shouting ‘AI!’ at anything that doesn’t sound like it was composed mid-seizure. The irony, of course, is that most of them wouldn’t recognise good writing unless it came with upvotes attached.

Image: A newspaper entry that may have been generated by an AI with the surname Kahn. 🧐🤣

Now, I’ll admit: my sentences do have a certain mechanical precision. Too many em dashes, too much syntactic symmetry. But that’s not ‘AI’. That’s simply craft. Machines learned from us. They imitate our best habits because we can’t be bothered to keep them ourselves. And yet, here we are, chasing ghosts of our own creation, declaring our children inhuman.

Apparently, there are more diagnostic signs. Incorporating an Alt-26 arrow to represent progress is a telltale infraction → like this. No human, they say, would choose to illustrate A → B that way. Instead, one is faulted for remembering – or at least understanding – that Alt-key combinations exist to reveal a fuller array of options: …, ™, and so on. I’ve used these symbols long before AI Wave 4 hit shore.

Interestingly, I prefer spaced en dashes over em dashes in most cases. The em dash is an Americanism I don’t prefer to adopt, but it does reveal the American bias in the training data. I can consciously adopt a European spin; AI, lacking intent, finds this harder to remember.

I used to use em dashes freely, but now I almost avoid them—if only to sidestep the mass hysteria. Perhaps I’ll start using AI to randomly misspell words and wreck my own grammar. Or maybe I’ll ask it to output everything in AAVE, or some unholy creole of Contemporary English and Chaucer, and call it a stylistic choice. (For the record, the em dashes in this paragraph were injected by the wee-AI gods and left as a badge of shame.)

Meanwhile, I spend half my time wrestling with smaller, dumber AIs – the grammar-checkers and predictive text gremlins who think they know tone but have never felt one. They twitch at ellipses, squirm at irony, and whimper at rhetorical emphasis. They are the hall monitors of prose, the petty bureaucrats of language.

And the final absurdity? These same half-witted algorithms are the ones deputised to decide whether my writing is too good to be human.

Cogito, Ergo… Who?

Everyone knows the line: cogito ergo sum. Descartes’ great party trick. A man alone in his study, fretting about demons, announces that because he’s doubting, he must exist. Ta-da! Curtain call. Except, of course, it’s less of a revelation than a conjuring trick: he pulls an I out of a hat that was never proved to be there in the first place. Thinking is happening, indeed – but who invited the “thinker”?

Video: David Guignion talks about Descartes’ Cogito.

And let’s not forget the dramatis personae Descartes smuggles in for atmosphere. A malicious demon, a benevolent God, both necessary props to justify his paranoia and his certainty. Philosophy as melodrama: cue organ music, lightning strike.

Audio: NotebookLM podcast on this topic.

Enter the Critics

Spinoza rolls his eyes. Doubt isn’t some heroic starting point, he says – it’s just ignorance, a lack of adequate ideas. To elevate doubt into method is like treating vertigo as a navigational tool. Error isn’t demonic trickery; it’s our own confusion.

Kant arrives next, shaking his head. Descartes thinks he’s proven a substantial “I,” but all he’s actually shown is the form of subjectivity – the empty requirement that experiences hang together. The “I think” is a necessary placeholder, not a discovery. A grammatical “you are here” arrow, not a metaphysical treasure chest.

Hegel, of course, can’t resist upping the disdain. Descartes’ I is an empty abstraction, a hollow balloon floating above reality. The self isn’t given in some solitary moment of doubt; it emerges through process – social, historical, dialectical. The cogito is the philosophical equivalent of a selfie: lots of certainty, zero depth.

The Insufficiency Twist

And yet, maybe all of them are still dancing to the same fiddler. Because here’s the real suspicion: what if the whole problem is a trick of language? English, with its bossy Indo-European grammar, refuses to let verbs stand alone. “Thinking” must have a “thinker,” “seeing” a “seer.” Grammar insists on a subject; ontology obediently provides one.

Other languages don’t always play this game. Sanskrit or Pali can shrug and say simply, “it is seen.” Japanese leaves subjects implied, floating like ghosts. Some Indigenous languages describe perception as relational events – “seeing-with-the-tree occurs” – no heroic subject required. So perhaps the real villain here isn’t Descartes or even metaphysics, but syntax itself, conscripting us into a subject-shaped theatre.

Now, I don’t want to come off like a one-trick pony, forever waving the flag of “language insufficiency” like some tired philosopher’s catchphrase. But we should be suspicious when our limited grammar keeps painting us into corners, insisting on perceivers where maybe there are only perceptions, conjuring selves because our verbs can’t tolerate dangling.

Curtain Call

So in the end, Descartes’ famous “I” might be no more than a grammatical fiction, a casting error in the great play of philosophy. The cogito isn’t the foundation of modern thought; it’s the world’s most influential typo.

Counting on Grammatical Gender

This wall of words was posted in a Facebook that the AI thought I would be interested in. I’m not, save for the rhetorical and grammatical structure. I am not interested in the veracity of the claim or the sentiment it is meant to provoke.

May be an image of text

The author purportedly had a conversation with a former student, who identified as being a member of another race—black, I suppose; African-American in the current vogue; negro and coloured in bygone days.

Notice the head-fake. A conversation with an individual person quickly morphs into a generalisation. This individual, in the mind of the author—or at least the conveyance—was now the representative mouthpiece for this so-called race. But that’s not what I question.

They and them are now considered to be acceptible singular forms if a person identifies as such. I’m not sure I am equiped to comment on identification to a grammatical element, so I’ll side-step that and focus on the outcome.

Perusing this or something similar, there is a sense of undeserved weight—an inclusion from the perspective of a single person. Some people actively promote themselves as spokespeople for a group, whether race or something else. But this person did not necessarily claim to speak for anyone beyond him or herself—perhaps some small, immediate group of collegues who shared this perspective.

I am wondering how this will play out as a device to intentionally deceive the reader.

Another thing…

I was in Philadelphia yesterday, and a black associate of mine was commenting on what he deemed to be 150 neo-Nazi skinheads parading in the rain, a point eliciting more pleasure than perhaps it deserved. His assessment is that race was not a problem, that he held no illwill toward any race. His contention was with ‘motherfucking racists’. Unfortunately, there is no scientific racist litmus. There are only actions and perceptions. This is where Popper’s paradox of tolerance pops into mind. And so it goes