Tag: justice and violence

Hungering for Morality: When Right and Wrong Are Just a Matter of PR

Posted in fiction, identity, language, modernism, morality, nature, perception, philosophy, podcast, politics, power, psychology, societyTagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , 2 Comments

Full Disclosure: I read the first volume of The Hunger Games just before the film was released. It was OK – certainly better than the film. This video came across my feed, and I skipped through it. Near the end, this geezer references how Katniss saves or recovers deteriorated morality. Me being me, I found issue with the very notion that a relative, if not subjective, concept could be recovered.

The OP asks if The Hunger Games are a classic. I’d argue that they are a categorical classic, like Harry Potter, within the category of YA fiction.

Audio: NotebookLM podcast discussing this topic.

The Hunger Games doesn’t depict the death of morality — it’s a masterclass in how to twist it into a circus act.

Video: YouTube video that spawned this topic.

Let us dispense with the hand-wringing. The Hunger Games is not a parable of moral decay. It is something far more chilling: a vivid portrait of moral engineering — the grotesque contortion of ethical instincts into instruments of domination and spectacle.

Those who bemoan the “decline of morality” in Panem have rather missed the point. There is no absence of morality in the Capitol — only a different version of it. A rebranded, corporatised, state-sanctioned morality, lacquered in lipstick and broadcast in 4K. It is not immorality that reigns, but a hyperactive ideological morality, designed to keep the masses docile and the elites draped in silk.

This is not moral entropy; it’s moral mutation.

Children are not slaughtered because people have forgotten right from wrong — they are slaughtered because a society has been trained to believe that this is what justice looks like. That blood is penance. That fear is unity. That watching it all unfold with a glass of champagne in hand is perfectly civilised behaviour.

This isn’t the death of morality. It’s a hostile takeover.

The Moral PR Machine

If morality is, as many of us suspect, relative — a cultural construct built on consensus, coercion, and convenience — then it can no more “decline” than fashion trends can rot. It simply shifts. One day, shoulder pads are in. The next, it’s child-on-child murder as prime-time entertainment.

In Panem, the moral compass has not vanished. It’s been forcibly recalibrated. Not by reason or revelation, but by propaganda and fear. The Games are moral theatre. A grim ritual, staged to remind the Districts who holds the reins, all under the nauseating guise of tradition, order, and justice.

The citizens of the Capitol aren’t monsters — they’re consumers. Trained to see horror as haute couture. To mistake power for virtue. To cheer while children are butchered, because that’s what everyone else is doing — and, crucially, because they’ve been taught it’s necessary. Necessary evils are the most seductive kind.

Katniss: Not a Saint, But a Saboteur

Enter Katniss Everdeen, not as the moral saviour but as the spanner in the machine. She doesn’t preach. She doesn’t have a grand theory of justice. What she has is visceral disgust — an animal revulsion at the machinery of the Games. Her rebellion is personal, tribal, and instinctive: protect her sister, survive, refuse to dance for their amusement.

She isn’t here to restore some lost golden age of decency. She’s here to tear down the current script and refuse to read her lines.

Her defiance is dangerous not because it’s moral in some abstract, universal sense — but because it disrupts the Capitol’s moral narrative. She refuses to be a pawn in their ethical pageant. She reclaims agency in a world that has commodified virtue and turned ethics into state theatre.

So, Has Morality Declined?

Only if you believe morality has a fixed address — some eternal North Star by which all human actions may be judged. But if, as postmodernity has rather insistently suggested, morality is a shifting social fiction — then Panem’s horror is not a fall from grace, but a recalibration of what counts as “grace” in the first place.

And that’s the real horror, isn’t it? Not that morality has collapsed — but that it still exists, and it likes what it sees.

Conclusion: The Real Hunger

The Hunger Games is not about a society starved of morality — it’s about a world gorging on it, cooked, seasoned, and served with a garnish of guiltless indulgence. It is moral appetite weaponised. Ethics as edict. Conscience as costume.

If you feel sickened by what you see in Panem, it’s not because morality has vanished.

It’s because it hasn’t.

Rationality, Morality, and the Hydra of Modern Healthcare

Posted in agency, economics, equality, morality, perception, philosophy, power, psychology, societyTagged , , , , , , , , , , , , , , , , , , , , , , , , , , 2 Comments

Clash of Titans

The assassination of Brian Thompson, CEO of UnitedHealth, has electrified public discourse. In the court of public opinion—and particularly on social media—the assailant has been lionised, hailed as a hero who slayed a corporate leviathan. Yet the metaphorical beast is no simple predator; it’s a hydra. Slice off one head, and two grow back.

Still, this act has stirred the waters. It forces us to reckon with a clash of titans: the corporate machine versus the rogue idealist. Both are acting rationally, but neither is acting morally—at least not in the conventional sense. The question, then, is whether the assassin’s actions might occupy the higher moral ground, particularly through the lens of Consequentialist ethics.

The Hydra: UnitedHealth and the Systemic Beast

To understand the morality of the act, we must first confront the monster. UnitedHealth didn’t invent the healthcare system; it merely exploited its flaws with cold, clinical efficiency. Thompson’s leadership was emblematic of an industry that sees human lives as variables in a profit-maximising equation. Claims denial, inflated premiums, and labyrinthine bureaucracy are not bugs—they’re features. And for every life saved by healthcare, countless others are destroyed by its financial and emotional toll.

Rational? Certainly. Morally defensible? Hardly. Yet from the corporation’s perspective, these actions are the logical byproducts of a system designed to prioritise shareholder value above all else. Blame the player, yes—but blame the game more.

The Assassin: Vigilante Justice or Trolley Ethics?

Now consider the assassin, who embodies a grimly utilitarian logic: sacrifice one life to spare the misery of thousands. It’s a brutal, visceral iteration of the trolley problem—or perhaps the “baby Hitler problem,” only carried out decades too late. This wasn’t mindless violence; it was a calculated act of symbolic retribution.

From a Consequentialist perspective, the act raises uncomfortable questions. If Thompson’s death leads to systemic reform—if it forces even one profit-hungry executive to hesitate before denying care—does the assassin’s action gain moral weight? In utilitarian terms, the calculus seems clear: one life traded for a net reduction in suffering.

But that’s a dangerous game. Symbolism doesn’t always translate to change, and the hydra analogy looms large. The industry won’t topple because one CEO fell. The machinery grinds on, indifferent to the blood spilled in Manhattan. Worse, the system might grow even more resilient, using Thompson’s death as justification for tighter security, greater secrecy, and more aggressive self-preservation.

Rationality vs. Morality

What makes this clash so compelling is the cold rationality on both sides. UnitedHealth’s actions, reprehensible as they are, make sense within a capitalist framework. The assassin’s actions, though violent and morally fraught, also make sense if viewed as a desperate attempt to restore balance to a world that prioritises profit over human life.

The difference lies in their moral standing. The corporation’s rationality is underpinned by greed; its actions perpetuate suffering. The assassin’s rationality, however misguided, is rooted in outrage at injustice. If morality is determined by intent and consequence, the assassin might indeed occupy higher moral ground—not because killing is inherently justifiable, but because the system left no other path for redress.

The Symbolism and the Hydra

The tragedy is that this act of violence, however symbolic, won’t solve the problem. The hydra will grow another head, as corporations close ranks and reform remains elusive. Yet the act remains a potent reminder of the power of individual resistance. Perhaps it will force a moment of reflection, a hesitation before the next denial stamp hits the desk. Or perhaps it will simply serve as another chapter in the grim saga of a system that turns suffering into profit.

The Final Question

In this clash of titans, one side wields institutional power and systemic exploitation; the other wields desperation and bullets. Both are rational. Neither is fully moral. But perhaps the assassin’s act—brutal, symbolic, and imperfect—offers a glimpse of what happens when systemic injustice pushes people past the breaking point.

The real question is whether this singular act of defiance will lead to change—or whether the hydra will simply grow stronger, hungrier, and more entrenched.