Tag: hypocrisy

Time to Talk Turkey

Posted in Culture & Society, perception, philosophy, podcast, post-enlightenment, postmodernism, societyTagged , , , , , , , , , , , , , , , , , , , , , , , Leave a comment
2–3 minutes

Several countries set aside holidays to celebrate thanks-giving. This is a fine tradition, if not hypocritical, given the behaviours manifest on the other days, which isn’t to say that the day itself isn’t without consistency challenges.

Audio: NotebookLM summary podcast on this topic.

In the United States, today is the day of thanks – Thanksgiving™ – the last Thursday of the month of November. This problem isn’t the day or the name; it’s the accompanying tradition that has to go.

Video: “Pilgrim” riding a 4-legged turkey – Damned Midjourney. (No sound).

This day is supposed to represent a day of unity, where the Pilgrims™ shared thanks with the indigenous peoples, without whom they would have likely perished. Without Romanticising, this might have been a better outcome.

As history is penned by the survivors, the Pilgrims and their ilk repaid their thanks with genocide and systematic oppression. The country – renamed as America, and then the United States of… (a misnomer if there ever was one) – summarily renamed these inhabitants as Native Americans. Somehow, Proto Americans feels more apt.

To make a long story longer, we need to jettison this performative connexion to these indigenous peoples and focus on just being thankful for the sake of being thankful – at least by metaphor. This isn’t out of respect for the indigenous cultures, but at least reflects less revisionist history.

They almost got rid of Columbus Day, if not for the uprising of white Christian nationalists. They should extricate the religious aspects of Christmas, an even more hypocritical holiday.

Or maybe I just don’t like holidays.

More accurately, I don’t trust a civilisation that sets aside one day to perform gratitude, then spends the remaining 364 as a Black Friday pre-game warmup. We gorge on narratives the way we gorge on turkey: carving up the past, seasoning it with national mythology, and swallowing without chewing. The Pilgrims™ didn’t break bread so much as break treaties; they didn’t share so much as seize. But here we are, centuries later, performing thanks like a national yoga pose. Stretch, breathe, pretend everything is fine.

What if, instead of reanimating a historical fan-fiction about harmony and pie, we admitted the truth? That the country owes its existence to conquest, and its conscience to annual amnesia? Strip Thanksgiving of its sanctimony and keep the gratitude if you must, but at least stop embossing colonialism with little cartoon turkeys in buckled hats.

Be thankful for the food, for the people you’ve not yet alienated, for the brief respite from wage-slavery. But realise the holiday itself is a museum of revision. A diorama of innocence that never existed. A Norman Rockwell oil painting slapped over a crime scene.

So enjoy your meal. Be warm, be fed, be kind – even if only for a day.
Just don’t confuse the performance of gratitude with the reality it obscures.

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Written by Bry Willis

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Nature and Its Paperwork

Posted in agency, identity, intelligence, language, modernism, morality, nature, perception, philosophy, podcast, politics, power, psychology, science, sexuality, societyTagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , Leave a comment

We humans pride ourselves on being civilised. Unlike animals, we don’t let biology call the shots. A chimp reaches puberty and reproduces; a human reaches puberty and is told, not yet – society has rules. Biologically mature isn’t socially mature, and we pat ourselves on the back for having spotted the difference.

But watch how quickly that distinction vanishes when it threatens the in-group narrative. Bring up gender, and suddenly there’s no such thing as a social construct. Forget the puberty-vs-adulthood distinction we were just defending – now biology is destiny, immutable and absolute. Cross-gender clothing? “Against nature.” Transition? “You can’t be born into the wrong body.” Our selective vision flips depending on whose ox is being gored.

The same trick appears in how we talk about maturity. You can’t vote until 18. You’re not old enough to drink until 21. You’re not old enough to stop working until 67. These numbers aren’t natural; they’re paperwork. They’re flags planted in the soil of human life, and without the right flag, you don’t count.

The very people who insist on distinguishing biological maturity from social maturity when it comes to puberty suddenly forget the distinction when it comes to gender. They know perfectly well that “maturity” is a construct – after all, they’ve built entire legal systems around arbitrary thresholds – but they enforce the amnesia whenever it suits them. Nietzsche would say it plainly: the powerful don’t need to follow the rules, they only need to make sure you do.

So the next time someone appeals to “nature,” ask: which one? The nature that declares you old enough to marry at puberty? The nature that withholds voting, drinking, or retirement rights until a bureaucrat’s calendar says so? Or the nature that quietly mutates whenever the in-group needs to draw a new line around civilisation?

The truth is, “nature” and “maturity” are less about describing the world than about policing it. They’re flags, shibboleths, passwords. We keep calling them natural, but the only thing natural about them is how often they’re used to enforce someone else’s story.

Trainspotting

Posted in agency, consciousness, fiction, free will, identity, intelligence, language, modernism, morality, nature, perception, philosophy, podcast, politics, power, psychology, quote, societyTagged , , , , , , , , , , , , , , , , , , , , , , , , , , Leave a comment
Trainspotting Movie Poster
2–3 minutes

I identify strongly with Irvine Welsh’s characters in Trainspotting – the book, not the sanitised film version. Especially with Mark Renton, whose voice strips away illusions with a brutality that borders on honesty.

Audio: NotebookLM podcast on this topic.

Consider this passage from the chapter “Bang to Rites” (pp. 86–87), where Renton attends the funeral of his mate Billy. Billy joined the army to escape the dead-end life they all shared, only to be killed on duty in Northern Ireland. Renton’s verdict:

“He died a hero they sais. Ah remember that song: ‘Billy Don’t Be A Hero’. In fact, he died a spare prick in a uniform, walking along a country road Wi a rifle in his hand. He died an ignorant victim ay imperialism, understanding fuck all about the myriad circumstances which led tae his death. That wis the biggest crime, he understood fuck all about it. Aw he hud tae guide um through this great adventure in Ireland, which led tae his death, wis a few vaguely formed sectarian sentiments.

“The cunt died as he lived: completely fuckin scoobied.

“His death wis good fir me. He made the News at Ten. In Warholian terms, the cunt had a posthumous fifteen minutes ay fame. People offered us sympathy, n although it wis misguided, it wis nice tae accept anywey. Ye dinnae want tae disappoint folk.

“Some ruling class cunt, a junior minister or something, says in his Oxbridge voice how Billy wis a brave young man. [1] He wis exactly the kind ay cunt they’d huv branded as a cowardly thug if he wis in civvy street rather than on Her Majesty’s Service. [2] This fucking walking abortion says that his killers will be ruthlessly hunted down. So they fuckin should. Aw the wey tae the fuckin Houses ay Parliament.

“Savour small victories against this white–trash tool of the rich that’s no no no”

[1] Renton doesn’t let anyone off the hook. Not Billy, not the army, not the Oxbridge suits who polish the tragedy into something fit for the News at Ten. The uniform is a costume, a disguise: a working-class lad suddenly deemed “brave” only because he was wearing the right outfit when he died. Strip away the uniform, and he’d have been dismissed as a thug or a waster.

[2] Renton’s root-cause analysis is unsparing. Billy wasn’t killed by the man with the gun so much as by the machine that put him there – the state, the ruling classes, the ones who spin death into “sacrifice” while continuing to shuffle the poor like pawns across the board.

It’s this clarity that makes Welsh’s work more than a drug novel. Trainspotting isn’t just about needles and nods; it’s about seeing through the charade. Renton despises both establishment and rebellion because both are performance, both hollow. His cynicism is the closest thing to honesty in a world that would rather dress up corpses in borrowed dignity.

And maybe that’s why I feel the affinity: because subversion matters more than allegiance, and sometimes the only truthful voice is the one that refuses to be polite at the funeral.

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