Chapter 2 of Nexus
Chapter 2 of Yuval Noah Harari’s Nexus centres on the power of stories and their role in shaping human societies. For Harari, stories are not merely narratives but essential tools that have elevated human-to-human networks into human-to-story networks—a transition he frames as unadulterated Progress™, reflecting his dyed-in-the-wool Modernist perspective.
The Power of Stories
Harari argues that fictional stories underpin the strength of social networks, enabling constructs like nations and economies to thrive. He celebrates these intersubjective frameworks as shared functional experiences that facilitate progress. While Harari’s thesis is compelling, his tone suggests an uncritical embrace of these constructs as inherently good. Branding and propaganda, for example, are presented as valid tools—but only when used by those on the “right side” of history, a position Harari implicitly claims for himself.
Order Above All Else
One of Harari’s key claims is that order trumps truth and justice. He justifies limiting both for the sake of maintaining stability, positioning this as his modus operandi. This prioritisation of order reveals a functionalist worldview where utility outweighs ethical considerations. Harari goes further to define “good” information as that which either discovers truth or creates order, a reductionistic view that leaves little room for dissent or alternative interpretations.
By extension, Harari endorses the concept of the “noble lie”—deception deemed acceptable if it serves these ends. While pragmatism may demand such compromises, Harari’s framing raises concerns about how this justification could be weaponised to silence opposition or reinforce entrenched power structures.
Alignment with Power
Harari’s alignment with institutional power becomes increasingly evident as the chapter progresses. His discussion of intersubjective constructs positions them as the bedrock of human achievement, but he appears unwilling to scrutinise the role of institutions like the World Economic Forum (WEF) in perpetuating inequalities. Harari’s lack of criticism for these entities mirrors historical justifications of despotic regimes by those aligned with their goals. He seems more concerned about AI’s potential to disrupt the plans of such institutions than about its impact on humanity as a whole.
Fiction as a Weapon
Harari concludes with an implicit hope that his narrative might gain consensus to undermine opposition to these power structures. His fondness for fiction—and his belief that “a story is greater than any truth”—positions storytelling as both a tool and a weapon. While this reflects the undeniable power of narratives, it also underscores Harari’s selective morality: stories are good when they align with his perspective and problematic when they don’t.
Final Thoughts
Chapter 2 of Nexus is a study in the utility of stories, but it also reveals Harari’s Modernist biases and alignment with institutional power. His prioritisation of order over truth and justice, coupled with his justification of noble lies, paints a picture of a pragmatist willing to compromise ethics for stability. Whether this perspective deepens or is challenged in later chapters remains to be seen, but for now, Harari’s narrative raises as many concerns as it seeks to address. I don’t mean to be overly cynical, but I can’t help but think that this book lays the groundwork for propagandising his playbook.
Philosophics 