Philosophic Influences

I just finished the writing and editorial parts of my Language Insufficiency Hypothesis. It still needs cover art and some administrative odds and ends, but I’m taking a day for a breather to share something about myself and my worldview. For this, I share my philosophical influences and how they support my core insights. For dramatic effect, I’ll even try to weight them to 100 per cent, leaving an ‘others’ bucket for the unaccounted ones.

Audio: NotebookLM summary podcast of this topic.

Obviously, this highly scientific accounting is about as useful as a Facebook survey or a fortune cookie, but it should reveal something. I have influences outside of philosophy, but I’ll limit this list at the start. The numbers don’t exactly add to 100% because there is a bit of cross-pollination, say, between Foucault and Nietzsche or Ĺ˝iĹžek and Hegel – or perhaps I’m just not good at maths. You decide.

Nietzsche (≈18)

Nietzsche is likely the uranium core. Haters and detractors like to diminish his contribution – and he didn’t play by the old rules – but they are wrong. He contributes value-creation, anti-moralism, perspectivism, the critique of ressentiment, the demolition of universals.

Nietzsche sits at the centre of the blast radius. Everything else is shrapnel. If there’s a thinker who detonated the Enlightenment’s pretensions more elegantly, I’ve not met them. He showed us that values are forged, not found; that morality is a genealogy of grievances; that certainty is the last refuge of the timid. In other words, he cleared the ground so the rest of us could get to work without tripping over Kantian furniture. But after Nietzsche’s uranium core, the next concentric ring becomes murkier.

Foucault (≈20%)

Foucault supplies the schematics. Where Nietzsche swung a hammer at the idols, Foucault identified the building codes. He mapped power as a set of subtle, everyday enchantments. He showed how ‘knowledge’ is simply what a society rewards with credibility. He is the patron saint of anyone who suspects normality is an instrument, not a neutral state of affairs. The world looks different once you see the disciplinary fingerprints on everything.

Derrida (≈10%)

Derrida gives me language as mischief. Meaning wobbles, slides, cracks; binaries betray themselves; every conceptual edifice contains its own trapdoor. Derrida isn’t a system; he’s an escape artist. And frankly, you can’t write anything about the insufficiency of language without genuflecting in his general direction.

Late Wittgenstein (≈15%)

The quiet structural pillar. If Derrida is the saboteur, Wittgenstein is the carpenter who informs you that the house was never stable anyway. Meaning-as-use, language-games, the dissolution of philosophical pseudo-problems: his later work underwrites virtually every modern suspicion about fixed categories and timeless essences. He doesn’t shout; he shrugs – and everything collapses neatly.

Rorty (≈5%)

Rorty replaces metaphysical longing with cultural pragmatism. He teaches you to stop hunting for capital-T Truth and instead track the vocabularies we actually live in. He’s the friendly voice whispering, ‘You don’t need foundations. You need better conversations’. His influence is felt mostly in the tone of my epistemic cynicism: relaxed rather than tragic. Besides, we disagree on the better conversations bit.

Geuss (≈4%)

If Rorty makes you light-footed, Geuss reminds you not to float off into abstraction entirely. He is the critic of moralism par excellence, the man who drags philosophy kicking and screaming back into politics. Geuss is the voice that asks, ‘Yes, but who benefits?’ A worldview without him would be a soufflĂŠ.

Heidegger (≈6%)

Selective extraction only. Being-in-the-world, thrownness, worldhood – the existential scaffolding. His political judgment was catastrophic, of course, but the ontological move away from detached subjectivity remains invaluable. He gives the metaphysics a certain grain.

Existentialists: Beauvoir, Sartre, Camus (≈6%)

They provide the atmospheric weather: choice, finitude, absurdity, revolt, the sheer mess of human freedom. They don’t define the system; they give it blood pressure. Besides, I met them before I switched to Team Nietzsche-Foucault.

Žižek, Latour, Baudrillard (≈2% combined)

These three are my licensed provocateurs.

  • Ĺ˝iĹžek exposes how ideology infiltrates desire.
  • Latour dismantles the Nature/Society binary with glee.
  • Baudrillard whispers that representation ate reality while we were looking at our phones.

They’re trickster figures, not architects.

Hume, Putnam, Dennett, and the Ancillaries (≈1% combined)

These are the seasonings.

  • Hume is the Scottish acid bath under every epistemic claim.
  • Putnam gives internal realism its analytic passport.
  • Dennett offers mechanistic metaphors you can steal even when you disagree.
  • Kant and Hegel hover like compulsory ghosts.
  • Rawls remains decorative parsley: included for completeness, consumed by none.

The Others Bucket (≈5%)

The unallocated mass: writers, anthropologists, theorists, stray thinkers you absorb without noticing. The ‘residuals’ category for the philosophical inventory – the bit fortune cookies never warn you about.

Enfin

Obviously, these ratios are more for humour than substance, but these are the thinkers I return to — the ones whose fingerprints I keep discovering on my own pages, no matter how many years or detours intervene.

Perhaps more revealing are those who didn’t make the guest list. Socrates, Plato, and Aristotle remain outside, smoking in the cold. The Stoics, Marcus Aurelius and his well-meaning self-help descendants, also failed to RSVP. In truth, I admire the posture but have little patience for the consolations – especially when they become the emotional training wheels of neoliberalism.

And then, of course, the Enlightenment patriarchs: Hobbes, Locke, Montesquieu and the rest of the constitutional furniture. I acknowledge their historical necessity the way one acknowledges plumbing – grateful it exists, uninterested in climbing inside the pipes. Rousseau, admittedly, I tolerate with something approaching affection, but only because he never pretended to be tidy.

I forgot Descartes, Voltaire, and Pascal, but it’s too late to scroll back and adjust the ledger. Consider them rounding errors – casualties of the margins, lost to the tyranny of percentages.

If anyone mentions another one – Spinoza comes to mind – I’ll try to figure out where they fit in my pantheon. Were I to render this tomorrow, the results may vary.

The Sane Delusion: Fromm, Beauvoir, and the Cult of Mid-Century Liberation

2–4 minutes

It’s almost endearing, really how the intellectuals of mid-century Europe mistook the trembling of their own cage for the dawn chorus of freedom. Reading Erich Fromm’s The Sane Society today feels like being handed a telegram from Modernism’s last bright morning, written in the earnest conviction that history had finally grown up. The war was over, the worker was unionised, the child was unspanked, and the libido – good heavens – was finally allowed to breathe. What could possibly go wrong?

Audio: NotebookLM podcast on this topic.

Fromm beams:

“In the twentieth century, such capitalistic exploitation as was customary in the nineteenth century has largely disappeared. This must not, however, becloud the insight into the fact that twentieth-century as well as nineteenth-century Capitalism is based on the principle that is to be found in all class societies: the use of man by man.”

The sleight of hand is marvellous. He spots the continuation of exploitation but calls it progress. The worker has become a ‘partner’, the manager a ‘team leader’, and the whip has been replaced by a time card. No one bows anymore, he writes. No, they just smile through performance reviews and motivational posters.

Fromm’s optimism borders on metaphysical comedy.

“After the First World War, a sexual revolution took place in which old inhibitions and principles were thrown overboard. The idea of not satisfying a sexual wish was supposed to be old-fashioned or unhealthy.”

Ah yes, the Jazz Age orgy of liberation – champagne, Freud, and flapper hemlines. The problem, of course, is that every generation mistakes its new neuroses for freedom from the old ones. Fromm’s “sexual revolution” was barely a shuffle in the bourgeois bedroom; Beauvoir’s Deuxième Sexe arrived the next year, practically shouting across the café table that liberation was still a myth stitched into the same old corset.

Beauvoir, at least, sensed the trap: every gesture toward freedom was refracted through patriarchal fantasy, every ‘choice’ conditioned by the invisible grammar of domination. Fromm, bless him, still believed in a sane society – as if sanity were something history could deliver by instalment.

Meanwhile, the Existentialists were in the next room, chain-smoking and muttering that existence precedes essence. Freedom, they insisted, wasn’t something achieved through social reform but endured as nausea. Post-war Paris reeked of it – half despair, half Gauloises. And within a decade, the French schools would dismantle the very scaffolding that held Fromm’s optimism together: truth, progress, human nature, the subject.

The Modernists thought they were curing civilisation; the Post-Moderns knew it was terminal and just tried to describe the symptoms with better adjectives.

So yes, Fromm’s Sane Society reads now like a time capsule of liberal humanist faith – this touching belief that the twentieth century would fix what the nineteenth broke. Beauvoir already knew better, though even she couldn’t see the coming avalanche of irony, the final revelation that emancipation was just another product line.

Liberation became a brand, equality a slogan, sanity a statistical average. Fromm’s dream of psychological health looks quaint now, like a health spa brochure left in the ruins of a shopping mall.

And yet, perhaps it’s precisely that naivety that’s worth cherishing. For a moment, they believed the world could be cured with reason and compassion – before history reminded them, as it always does, that man is still using man, only now with friendlier UX design and better lighting.