Machines Hallucinate. Humans Call It Civilisation.

1–2 minutes

The fashionable complaint is that large language models ‘hallucinate’. They spit out confident nonsense: the tech pundits are scandalised. A chatbot invents a book, attributes it to Plato, and spins a dialogue about Quidditch. ‘Hallucination!’ they cry. Machines, it seems, are liars.

Spare me. Humans are the original hallucination engines. We fabricate categories, baptise them in blood, and call the result ‘truth’. At least the machine doesn’t pretend its fictions are eternal.

Take race and selfhood, our twin masterpieces of make-believe.

  • They carve boundaries out of fog. Race slices humanity into ‘Black’ and ‘White’. Selfhood cordons ‘I’ off from ‘you’. Arbitrary partitions, paraded as natural law.
  • They’re locked in by violence and paperwork. Race was stabilised by censuses, laws, and medical forms – the same bureaucratic gears that powered slavery, eugenics, and apartheid. Selfhood was stabilised by diaries, court records, and psychiatric charts. Write it down often enough, and suddenly the fiction looks inevitable.
  • They make bodies manageable. Race sorts populations into hierarchies and facilitates exploitation. Selfhood sorts individuals for property, accountability, and punishment. Together, they’re operating systems for social control.
  • They are fictions with teeth. Like money, they don’t need metaphysical foundations. They are real because people are willing to kill for them.

These hallucinations aren’t timeless. They were midwifed in the Enlightenment: anthropology provided us with racial typologies, the novel refined the autonomous self, and colonial administration ran the pilot projects. They’re not ancient truths – they’re modern software, installed at scale.

So when ethicists wring their hands over AI ‘hallucinations’, the joke writes itself. Machines hallucinate openly. Humans hallucinate and call it scripture, law, and identity. The only difference is centuries of institutional muscle behind our delusions.

And here’s the sting: what terrifies us isn’t that AI produces falsehoods. It’s that, given time, its inventions might start to look as solid as ours. Fifty years from now, people could be killing for an algorithm’s hallucination the same way they’ve been killing for gods, races, and selves.

Midjourney Comic Book Styles

This title may be misleading. What I do is render a similar prompt but alter the decade. I’m neither an art historian nor a comic aficionado, so I can’t comment on the accuracy. What do you think?

Let’s go back in time. First, here’s the basic prompt en français:

Prompt: Art de style bande dessinée des années XXXX, détails exquis, traits délicats, femme vampire émaciée sensuelle de 20 ans montrant ses crocs de vampire, de nombreux tatouages, portant une collier crucifix, regarde dans le miroir, un faisceau de lumière de lune brille sur son visage à l’intérieur du mausolée sombre, vers la caméra, face à la caméra, mascara noir, longs cheveux violet foncé
Image: Comic Book Style of 2010s
Image: Comic Book Style of 2000s

On the lower left, notice the moonbeams emanating from the warped, reflectionless mirror.

Image: Comic Book Style of 1990s
Image: Comic Book Style of 1990s (must’ve inadvertently generated a duplicate)

Is the third pic an homage to Benny & June?

Image: Comic Book Style of 1980s
Image: Comic Book Style of 1970s
Image: Comic Book Style of 1950s

Not to body shame, but that chick on the lower right of the 1950s…

Image: Comic Book Style of 1920s
Image: Comic Book Style of 1880s

I know I skipped a few decades, but I also wanted to see what Pop Art might render like.

Image: Pop Art Style of 1960s

I love the talons on the top left image. More odd mirror images. I’ll just leave it here.