I’ve written about this topic before. Metamodernism has been heralded as the great reconciler of Modernism and Postmodernism, a dialectical triumph that purports to synthesise these two oppositional paradigms. On the one hand, Modernism clings to its belief in objective truths, rationality, and universal principles. On the other, Postmodernism dismantles those certainties, exposing them as fragile constructs, rooted as much in ideology as in reason. The promise of metamodernism is to bridge this divide, to create a space where the objectivity of Modernism and the relativism of Postmodernism can coexist. But can it?

Spoiler alert: it cannot. In fact, metamodernism doesn’t even attempt to fulfil its stated goal. Instead, what it really does—intentionally or not—is meld Modernism’s objective framework with Pre-Enlightenment mysticism, offering a regressive concoction that romanticises the past while pretending to chart a bold new future. This isn’t synthesis; it’s nostalgia masquerading as innovation.

The Unbridgeable Divide: Objective vs. Relative

To understand why metamodernism’s claimed synthesis is untenable, we need to examine the fundamental incompatibility of its supposed components. Modernism rests on the firm foundation of objectivity: truth is universal, reason is supreme, and progress is inevitable. Postmodernism, however, thrives in the cracks of that foundation, pointing out that these so-called universal truths are culturally and historically contingent, and that “progress” often serves as a euphemism for domination or erasure.

Reconciling these two positions is like trying to mix oil and water. Modernism’s faith in absolutes cannot coexist with Postmodernism’s celebration of ambiguity and multiplicity without reducing one to a mere aesthetic flourish for the other. The result is not a synthesis but a superficial oscillation, an endless back-and-forth that achieves neither clarity nor coherence.

The Real Agenda: A Fusion of Objectivities

What metamodernism actually achieves is something quite different. Instead of bridging the gap between Modernism and Postmodernism, it fuses Modernism’s objective certainties with the equally objective but pre-rational framework of Pre-Enlightenment mysticism. In doing so, it abandons the critical lens of Postmodernism altogether, retreating to a worldview that is comfortingly familiar but intellectually regressive.

Consider the resurgence of myth, spirituality, and transcendence in metamodernist discourse. These elements hark back to a time when objective truths were dictated by divine authority or cosmological narratives rather than scientific inquiry. By incorporating these pre-modern ideas into its framework, metamodernism sidesteps the hard questions posed by Postmodernism, offering a fusion that is plausible only because both Modernism and Pre-Enlightenment mysticism share a common belief in absolute truths.

Plausible but Retrograde

This melding of Modernist and Pre-Enlightenment frameworks might seem plausible because, in truth, many Moderns never fully abandoned their mystical roots. The Enlightenment’s project of replacing religious dogma with reason was always incomplete; its foundational assumptions about universality and objectivity often carried an unspoken theological residue. Metamodernism taps into this latent nostalgia, offering a vision of the world that feels grounded and comforting, but at the cost of intellectual progress.

The problem is that this vision is fundamentally retrograde. By retreating to the certainties of the past, metamodernism ignores the most valuable insight of Postmodernism: that all frameworks, whether Modern or mystical, are ultimately constructed and contingent. To move forward, we need to grapple with this contingency, not escape from it.

Conclusion: Nostalgia in Disguise

Far from being a dialectical synthesis, metamodernism is a retreat. It cloaks itself in the language of progress while recycling old patterns of thought. Its attempt to reconcile Modernism and Postmodernism collapses into a fusion of Modernist objectivity and Pre-Enlightenment mysticism, leaving the critical insights of Postmodernism by the wayside.

If we are to truly progress, we must resist the siren song of metamodernism’s nostalgia. Instead, we should embrace the challenge of living without absolutes, grappling with the ambiguity and multiplicity that define our postmodern condition. Anything less is not synthesis but surrender.